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230 Pages·2008·27.59 MB·English
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Dressing the Past Margarita Gleba Cherine Munkholt Published by Oxbow Books, Oxford, UK © Oxbow Books and the individual authors, 2008 Reprinted 2011 9781782974727 A CIP record of this book is available from the British Library This book is available direct from Oxbow Books, Oxford, UK (Phone: 01865-241249; Fax: 01865-794449) and The David Brown Book Company PO Box 511, Oakville, CT 06779, USA (Phone: 860-945-9329; Fax: 860-945-9468) or from our website www.oxbowbooks.com Cover designed by Marianne Bloch Hansen. Ancient Textiles Series Editorial Committee: Eva Andersson, Margarita Gleba, Ulla Mannering and Marie-Louise Nosch Printed in Great Britain by Information Press, Eynsham, Oxfordshire Table of Contents Title Page Copyright Page Table of Figures LIST OF CONTRIBUTORS ACKNOWLEDGEMENTS INTRODUCTION Chapter 1 - Haute Couture in the Bronze Age: A History of Minoan Female Costumes from Thera Chapter 2 - You Are What You Wear: Scythian Costume as Identity Chapter 3 - “On the Borders of East and West”: A Reconstruction of Roman Provincial and Barbarian Dress in the Hungarian National Museum Chapter 4 - A Weaver’s Voice: Making Reconstructions of Danish Iron Age Textiles Chapter 5 - Iconography and Costume from the Late Iron Age in Scandinavia Chapter 6 - Tools, Textile Production and Society in Viking Age Birka Chapter 7 - Spotlight on Medieval Scandinavian Dress: Sources and Interpretations Chapter 8 - Tailored Criticism: The Use of Renaissance and Baroque Garments as Sources of Information Chapter 9 - Costume in a Museological Context: Dealing with Costume and Dress from Modern Danish History Chapter 10 - Cut, Stitch and Fabrics: Female Dress in the Past 200 Years Chapter 11 - Ancient Female Costume: From Silent Cinema to Hollywood Glamour Table of Figures Fig. 1.1 Fig 1.2 Fig. 1.3 Fig 1.4 Fig 1.5 Fig 1.6 Fig. 2.1 Fig. 2.2 Fig. 2.3 Fig. 2.4 Fig. 2.5 Fig. 2.6 Fig. 2.7 Fig. 2.8 Fig. 2.9 Fig. 3.1 Fig. 3.2 Fig. 3.3 Fig. 3.4 Fig. 3.5 Fig. 3.6 Fig. 3.7 Fig. 4.1 Fig. 4.2 Fig. 4.3 Fig. 4.4 Fig. 4.5 Fig. 4.6 Fig. 4.7 Fig. 4.8 Fig. 4.9 Fig. 4.10 Fig. 4.11 Fig. 4.12 Fig. 5.1 Fig. 5.2 Fig. 5.3 Fig. 5.4 Fig. 5.5 Fig. 5.6 Fig. 5.7 Fig. 5.8 Fig. 6.1 Fig. 6.2 Fig. 6.3 Fig. 6.4 Fig. 6.5 Fig. 6.6 Fig. 6.7 Fig. 6.8 Fig. 7.1 Fig. 7.2 Fig. 7.3 Fig. 7.4 Fig. 7.5 Fig. 7.6 Fig. 8.1 Fig. 8.2 Fig. 8.3 Fig. 8.4 Fig. 8.5 Fig. 8.6 Fig. 9.1 Fig. 9.2 Fig. 9.3 Fig. 9.4 Fig. 9.5 Fig. 9.6 Fig. 9.7 Fig. 9.8 Fig. 9.9 Fig. 9.10 Fig. 9.11 Fig. 10.1 Fig. 10.2 Fig. 10.3 Fig. 10.4 Fig. 10.5 Fig. 10.6 Fig. 10.7 Fig. 10.8 Fig. 10.9 Fig. 10.10 Fig. 10.11 Fig. 10.12 Fig. 10.13 Fig. 10.14 Fig. 10.15 Fig. 10.16 Fig. 10.17 Fig. 10.18 Fig. 10.19 Fig. 10.20 Fig. 10.21 Fig. 10.22 Fig. 10.23 Fig. 11.1 LIST OF CONTRIBUTORS Eva B. Andersson. Archaeologist specialized in North European archaeology. She received her Ph.D. from the University of Lund (Sweden). Her special area of study is textile production during the Iron and Viking Ages in Scandinavia. She is a project manager at the Danish National Foundation’s Centre for Textile Research at the University of Copenhagen. Cecilia Aneer. Teaches dress history at undergraduate courses in textile history. At present she is preparing for her Ph.D. in Textile Studies at Uppsala University, Sweden. Her research is in the field of tailoring techniques and clothing manufacture with a special interest in the Renaissance and Baroque periods. Annette Borrell. M.A. in Media Studies from the University of Southern Denmark. She is the Administrative Officer at the Danish National Research Foundation’s Centre for Textile Research at Copenhagen University. She is interested in film and costume and has lectured on the subject. Margarita Gleba. Archaeologist specialized in pre-Roman Italian archaeology. She has worked on excavations in Italy, Turkey and Ukraine. She received her Ph.D. from Bryn Mawr College (USA). She is a project manager and postdoctoral research fellow at the Centre for Textile Research, University of Copenhagen, Denmark. Her special area of study is the archaeology of textile production. Ilona Hendzsel. Textile designer and teacher of design, graduated from Moholy- Nagy University of Art and Design, Budapest, Hungary. She teaches textile design at Zichy Mihály Secondary School of Applied Arts, Kaposvár and works as a designer and producer of home fabrics. Eszter Istvánovits. Történelemtudományok kandidátusa (Ph.D. Hungarian Academy of Sciences, Budapest). She is archaeologist and scientific secretary at the Jósa András Museum (Nyíregyháza, Szabolcs-Szatmár-Bereg County, Hungary). Her main fields of research are the Barbarians of the Roman Age in the Carpathian Basin, Early Migration Period and archaeology of the Upper

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Minoan ladies, Scythian warriors, Roman and Sarmatian merchants, prehistoric weavers, gold sheet figures, Vikings, Medieval saints and sinners, Renaissance noblemen, Danish peasants, dressmakers and Hollywood stars appear in the pages of this anthology. This is not necessarily how they dressed in th
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