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Dress and Ideology Fashioning Identity from Antiquity to the Present PDF

341 Pages·2015·3.46 MB·English
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DRESS AND IDEOLOGY DRESS AND IDEOLOGY Fashioning Identity from Antiquity to the Present EDITED BY SHOSHANA-ROSE MARZEL AND GUY D. STIEBEL CONTENTS Authors List of illustrations Introduction, Shoshana-Rose Marzel, Bezalel Academy of Arts and Design Jerusalem, Israel PART ONE NATIONHOOD 1 Secular Fashion in Israel, Oz Almog, University of Haifa, Israel 2 Sartorial Boundaries on the Chinese Frontier, Antonia Finnane, University of Melbourne, Australia PART TWO RELIGION 3 Rabbinical Dress in Italy, Asher Salah, Bezalel Arts and Design Academy Jerusalem, Israel 4 Zoomorphic Brooches in Roman Britain: Decoration or Religious Ideology?, Lindsay Allason-Jones, Newcastle University, UK 5 How Muslim Women Dress in Israel, Oz Almog, University of Haifa, Israel PART THREE IDENTITY 6 Ideology, Fashion and the Darlys’ “Macaroni” Prints, Peter McNeil, University of Technology Sydney, Australia 7 Feminist Ideologies in Postmodern Japanese Fashion: Rei Kawakubo Meets Marie Antoinette in Downtown Tokyo, Ory Bartal, Bezalel Arts and Design Academy Jerusalem, Israel 8 Military Dress as an Ideological Marker in Roman Palestine, Guy D. Stiebel, Tel Aviv University, Israel PART FOUR POLITICS 9 Fashion and Feminism, Henriette Dahan-Kalev, Ben Gurion University, Israel and Shoshana-Rose Marzel, Bezalel Academy of Arts and Design Jerusalem, Israel 10 Fashion Politics and Practice: Indian Cottons and Consumer Innovation in Tokugawa Japan and Early Modern England, c. 1600–1800, Beverly Lemire, University of Alberta, Canada 11 Breastfeeding, Ideology and Clothing in nineteenth- Century France, Gal Ventura, The Hebrew University of Jerusalem, Israel 12 Dress as Political Ideology in Rabelais and Voltaire Utopias, Shoshana-Rose Marzel, Bezalel Academy of Arts and Design Jerusalem, Israel Index AUTHORS Editors Shoshana-Rose Marzel Dr. Shoshana-Rose Marzel is lecturer at the History and Theory department, Bezalel, the Jerusalem Academy of Art and Design. Marzel specializes in fashion studies (theory and history), gender studies and nineteenth-century French novels. Her book on fashion in nineteenth-century French novels, L’Esprit du chiffon: le vêtement dans le roman français du XIXème siècle, was published by Peter Lang in 2005. She was invited editor of no. 39/2 (2006) of the academic French periodical Archives Juives, revue d’histoire des Juifs de France, on “Jews in the Clothes industry and commerce, in France,” and of no. 24 (2013) of the online academic French periodical Bulletin du CRFJ, affiliated to the CNRS (with Gal Ventura), on XIXth Century French Visual Culture, France and International Convergences. Guy D. Stiebel Dr. Guy Stiebel is a lecturer in the Department of Archaeology and Near Eastern Cultures at Tel Aviv University. He specializes in military archaeology and history and themes of material culture. In the past 17 years, Stiebel has co-directed the excavations at Masada on behalf of the Institute of Archaeology, The Hebrew University of Jerusalem. His study focuses upon material culture in Classical Palestine and mostly the encounter between material culture and literary sources. He earned his PhD at University College London (UCL) for the study Armis et litteris: Roman military Equipment of Early Roman Palestine in Light of the Archaeological and historical Sources. His four years’ post-doc fellowship, at the Orion Center for the Study of the Dead Sea Scrolls and Associated Literature, was devoted to the study of the archaeology (realia aspects) of the War Scroll. Stiebel has published over 40 papers and co-edited six books. He serves as a co-editor of the series New Studies in the Archaeology of Jerusalem and its Region of the Hebrew University and the Israel Antiquities Authority. Contributors (in alphabetical order) Lindsay Allason-Jones Lindsay Allason-Jones was Director of the Centre for Interdisciplinary Artefact Studies and Reader in Roman Material Culture at Newcastle University until she retired in 2011. She was previously Director of Archaeological Museums for the university. An acknowledged authority on artefacts, particularly those from Hadrian’s Wall, Roman Britain and Roman and Medieval Sudan, she is the author of 13 books, including Women in Roman Britain and Daily Life in Roman Britain. She is Trustee of many of the Hadrian’s Wall museums, as well as the Hadrian’s Art Trust.

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Dress and fashion are powerful visual means of communicating ideology, whether political, social or religious. From the communist values of equality, simplicity and solidarity exemplified in the Mao suit to the myriad of fashion protests of feminists such as French revolutionary womens demand to wea
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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.