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Dress and Ideology: Fashioning Identity from Antiquity to the Present PDF

261 Pages·2015·1.73 MB·English
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DRESS AND IDEOLOGY DRESS AND IDEOLOGY Fashioning Identity from Antiquity to the Present EDITED BY SHOSHANA-ROSE MARZEL AND GUY D. STIEBEL Bloomsbury Academic An imprint of Bloomsbury Publishing Plc 50 Bedford Square 1385 Broadway London New York WC1B 3DP NY 10018 UK USA www.bloomsbury.com Bloomsbury is a registered trade mark of Bloomsbury Publishing Plc First published 2015 © Shoshana-Rose Marzel and Guy D. Stiebel, 2015 Shoshana-Rose Marzel and Guy D. Stiebel have asserted their right under the Copyright, Designs and Patents Act, 1988, to be identified as editors of this work. All rights reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording, or any information storage or retrieval system, without prior permission in writing from the publishers. No responsibility for loss caused to any individual or organization acting on or refraining from action as a result of the material in this publication can be accepted by Bloomsbury or the editors. The editors and publishers gratefully acknowledge the permissions granted to reproduce the third party copyright materials contained in this book. Every reasonable effort has been made to trace copyright holders and to obtain their written permission for the use of copyright material. The author and publisher apologize for any errors or omissions in the copyright acknowledgments contained in this book, and would be grateful if notified of any corrections that should be incorporated in future reprints or editions of this book. British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library. ISBN: HB: 978-1-4725-2549-9 PB: 978-1-4725-2934-3 ePDF: 978-1-4725-5808-4 ePub: 978-1-4725-5809-1 Library of Congress Cataloging-in-Publication Data A catalog record for this book is available from the Library of Congress. Typeset by Fakenham Prepress Solutions, Fakenham, Norfolk NR21 8NN CONTENTS Authors vii List of illustrations xi Introduction, Shoshana-Rose Marzel, Bezalel Academy of Arts and Design Jerusalem, Israel 1 PART ONE NATIONHOOD 17 1 Secular Fashion in Israel, Oz Almog, University of Haifa, Israel 19 2 Sartorial Boundaries on the Chinese Frontier, Antonia Finnane, University of Melbourne, Australia 37 PART TWO RELIGION 53 3 Rabbinical Dress in Italy, Asher Salah, Bezalel Arts and Design Academy Jerusalem, Israel 55 4 Zoomorphic Brooches in Roman Britain: Decoration or Religious Ideology?, Lindsay Allason-Jones, Newcastle University, UK 69 5 How Muslim Women Dress in Israel, Oz Almog, University of Haifa, Israel 87 vI CONTENTS PART THREE IDENTITY 109 6 Ideology, Fashion and the Darlys’ “Macaroni” Prints, Peter McNeil, University of Technology Sydney, Australia 111 7 Feminist Ideologies in Postmodern Japanese Fashion: Rei Kawakubo Meets Marie Antoinette in Downtown Tokyo, Ory Bartal, Bezalel Arts and Design Academy Jerusalem, Israel 137 8 Military Dress as an Ideological Marker in Roman Palestine, Guy D. Stiebel, Tel Aviv University, Israel 153 PART FOUR POLITICS 169 9 Fashion and Feminism, Henriette Dahan-Kalev, Ben Gurion University, Israel and Shoshana-Rose Marzel, Bezalel Academy of Arts and Design Jerusalem, Israel 171 10 Fashion Politics and Practice: Indian Cottons and Consumer Innovation in Tokugawa Japan and Early Modern England, c. 1600–1800, Beverly Lemire, University of Alberta, Canada 189 11 Breastfeeding, Ideology and Clothing in nineteenth- Century France, Gal ventura, The Hebrew University of Jerusalem, Israel 211 12 Dress as Political Ideology in Rabelais and Voltaire Utopias, Shoshana-Rose Marzel, Bezalel Academy of Arts and Design Jerusalem, Israel 231 Index 245 AUTHORS Editors Shoshana-Rose Marzel Dr. Shoshana-Rose Marzel is lecturer at the History and Theory department, Bezalel, the Jerusalem Academy of Art and Design. Marzel specializes in fashion studies (theory and history), gender studies and nineteenth-century French novels. Her book on fashion in nineteenth-century French novels, L’Esprit du chiffon: le vêtement dans le roman français du XIXème siècle, was published by Peter Lang in 2005. She was invited editor of no. 39/2 (2006) of the academic French periodical Archives Juives, revue d’histoire des Juifs de France, on “Jews in the Clothes industry and commerce, in France,” and of no. 24 (2013) of the online academic French periodical Bulletin du CRFJ, affiliated to the CNRS (with Gal Ventura), on XIXth Century French Visual Culture, France and International Convergences. Guy D. Stiebel Dr. Guy Stiebel is a lecturer in the Department of Archaeology and Near Eastern Cultures at Tel Aviv University. He specializes in military archaeology and history and themes of material culture. In the past 17 years, Stiebel has co-directed the excavations at Masada on behalf of the Institute of Archaeology, The Hebrew University of Jerusalem. His study focuses upon material culture in Classical Palestine and mostly the encounter between material culture and literary sources. He earned his PhD at University College London (UCL) for the study Armis et litteris: Roman military Equipment of Early Roman Palestine in Light of the Archaeological and historical Sources. His four years’ post-doc fellowship, at the Orion Center for the Study of the Dead Sea Scrolls and Associated Literature, was devoted to the study of the archaeology (realia aspects) of the War Scroll. Stiebel has published over 40 papers and co-edited six books. He serves as a co-editor of the series New Studies in the Archaeology of vIII AUTHORS Jerusalem and its Region of the Hebrew University and the Israel Antiquities Authority. Contributors (in alphabetical order) Lindsay Allason-Jones Lindsay Allason-Jones was Director of the Centre for Interdisciplinary Artefact Studies and Reader in Roman Material Culture at Newcastle University until she retired in 2011. She was previously Director of Archaeological Museums for the university. An acknowledged authority on artefacts, particularly those from Hadrian’s Wall, Roman Britain and Roman and Medieval Sudan, she is the author of 13 books, including Women in Roman Britain and Daily Life in Roman Britain. She is Trustee of many of the Hadrian’s Wall museums, as well as the Hadrian’s Art Trust. Oz Almog Oz Almog is Associate Professor (full tenure), Department of Land of Israel Studies, University of Haifa. He has published widely in scholarly journals and edited and authored books, including The Sabra: The Creation of the New Jew (University of California Press: Berkeley, 2000) and Wielokulturowy Izrael (Multicultural Israel) [Polish] (2011). Wydawnictwo Wyzszej Szkoly Pedagogicznej, TWP w Warszawie, Warszawa. His Farewell to “Srulik”: Changing Values among the Israeli Elite, 2 vols (Zmora Bitan and Haifa University Press: 2004) was a bestseller in Israel and won two awards: the Bahat Award (University of Haifa Press and Zemora-Bitan Press) and the Rozen-Zvi Award (Faculty of Law, Tel Aviv University). Ory Bartal Dr. Ory Bartal is currently head of the History and Theory Department at Bezalel, the Jerusalem Academy of Arts and Design. His work focuses on Japanese Visual Culture and Contemporary Design. Bartal earned his Ph.D. in Cultural Studies from Tel Aviv University, and also holds an M.B.A. degree from Aoyama Gakuin University in Tokyo, Japan. In addition, Bartal is also an expert in Japanese marketing and business practices, with over 10 years of experience in senior positions at leading technology companies active in the Japanese market. Bartal contributes regularly to scientific journals. AUTHORS Ix Henriette Dahan-Kalev Prof. Henriette Dahan-Kalev is a political scientist by training and specializes in gender and politics (theory and practice of political resistance). Dahan-Kalev is the founder of the Gender Studies Program at the Ben Gurion University and regularly contributes to scientific journals. Her article “You’re so Pretty—You Don’t Look Moroccan” (Israeli Studies 6 [2001], pp. 1–14) is considered ground- breaking. It is often reprinted and taught in introductory courses of postcolonial and critical studies in Israel and abroad. Antonia Finnane Antonia Finnane is Professor of History at the University of Melbourne with a research specialization in the social and cultural history of early modern and modern China. Her publications include Speaking of Yangzhou: A Chinese City, 1550–1850 (Harvard East Asian Monographs 2004), winner of the 2006 Levenson award for a work on pre-twentieth-century China, and Changing Clothes in China: Fashion, Nation, History (New York: Columbia University Press, 2008). At present she serves as an associate editor (pre-1898 China) of the Journal of Asian Studies. Her current research concerns the impact of Maoism on small shops in Beijing during the periods of “socialist transformation” and the Cultural Revolution. Beverly Lemire Beverly Lemire received her D.Phil. from Oxford University and between 1987 and 2004 taught British History at the University of New Brunswick, Canada. In 2004 she moved to the University of Alberta, where she serves as Professor of History and Henry Marshall Tory Chair in the Department of History and Classics and the Department of Human Ecology. Her publications include Fashion’s Favourite: The Cotton Trade and the Consumer in Britain, 1660–1800 (1991); Dress, Culture and Commerce: The English Clothing Trade before the Factory (1997); The Business of Everyday Life: Gender, Practice and Social Politics in Britain 1600–1800 (2005); and Cotton (2011), in the series Textiles that Changed the World. Recent edited works include a four-volume collection of documents The British Cotton Trade (2009) and The Force of Fashion in Politics and Society: Global Perspectives from Early Modern to Contemporary Times (2010). Peter McNeil Peter McNeil is Professor of Design History at the University of Technology Sydney and Professor of Fashion Studies at Stockholm University. His work

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Dress and fashion are powerful visual means of communicating ideology, whether political, social or religious. From the communist values of equality, simplicity and solidarity exemplified in the Mao suit to the myriad of fashion protests of feminists such as French revolutionary women's demand to we
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