Drawing Portraits Faces and Figures The Art of Drawing by Giovanni Civardi PDF
Preview Drawing Portraits Faces and Figures The Art of Drawing by Giovanni Civardi
Drawing Portraits FACES AND FIGURES | “| ny SEARCH PRI S li THE ART OF DRAWING Drawing Portraits FACES AND FIGURES Giovanni Civardi SEARCH PRESS. Firs pubis Gat Ri. 2099 hy Tas Lie ésond, Boel fam Rise, hele Yrs Sen TN2 3OR rigs yl Se nha 1882 9p ele Calan Ye ihe Ceppits 9 Calls Clan lene, Mn 184 rls we tri by las Cheat Albrgins ee of es toga icon rberepralirl or tramr form be hemes, nt ce isn Karn oo wean Sored a neil systems teat wes = pom ind epee! ram Stan Pro eR onaas on) Drsige by are Cason ‘The penne in hs bog ive den selene eter hor pope er ea INTRODUCTION A podtiait ie cormmanly povceivea asthe representation a” a human hheing’s ieatures, eehetne” the fare, hear] and sheers ar the veh brody: It has aleays here an important sheen in igurative als andl & Favourite with anits, vn have fours in il, ne just a protessinnal re well rexsartlec and sncially appreciated for its symbolic or evlebratory valug, buLalso an iirres.ing oppor aigy ta ineestigate the hurnan gaviditiar in ifs physica. 22rd, meat or all, peychealygical Aspect. lis his lalles asset which tends £0 predomanate nowadays, as shatgeaphy Fos pecally undermined the funetion 3 the dawn and pained pertrat asthe: only way 16 reprasuce al hand down for poster an ind vicha’s physiggnem ¢ “ralunes, But this ‘documentary’ aspect was, al raurse, only ove nt the: Featuros cathe attic poral Lisag my exocrienee as a portal pane, Llustator anel tear he, Thavesicd to simliy aed srr up she “rains piniblarns one usually eps acrnss when frst tackling o ‘generie” heal chasing ans, sclosecunnily, 20 aciua partal or likeness. Some sub’ orts of pertiuilar inipaelance, &, drawing hands, ports of rhiléen ancl clderly people, the full fig.any portait, and hes with eu Featurts have to bre dealt well in mnie devil anel are coxered in more advanced books. rave divided the sho:! chapters avd the accompanying sketches accurtling lu a sequence which | lave founc! al practical help i9 Wraching thr: ruciine rus of perleaitlechnique’. thave iounel Ihis approach nickly cade ty satisfying resus. Tae hook envers husky, sechnicues, practical cusiddrialions, nator, detail al the lage, carmgositinn, ightiry. ane actual method, sles the “ayevall” view of the esa These bai nccinical pring ples van aly di:ect you in your list ‘exact ienees and should de seen as wuggrstions on whch 1o kul! your aven study. Your subsequent arstie developraent il” donee On how committed you are la observation anel how vegu arly you! practise drawing. To this purpese, you van, when yn. approach ‘your fies erawvings resart te alerving drawings clone by ather artiste and taking philngrapy's of your subject | Keweune, as 96m 36 you feel coniidlent in sketching the Lasie oullines oi ths bese, advise yi ry and draw from Lif, yelling a patians érigndlto si li you In the lest seetine 1 this bonk I hee pul together some porliait studies which | have drawn at diferent tires and whieh ive an ‘vdication of haw Io go about laekling dilicrent subfects TOOLS AND TECHNIQUES Sou cn hae a sna ey he pga va ec ches ese pa and inl, watercclout fet pwn, ete, Fach Gr vote nok only be were pce Sse, atl alo in lation fee cha smaoln ur rough-leture pp, n thewe Bo pages dem eeu ewan ele! nly eer tho csanples sl en aud ac tn ak on stat paper Int reset ene and 285 wm roughetentned paper CCompresed chart on paper ve pomape the Seat metturn lor goer: gre he we comprrse earvoe of Monncheoitie watetcolnas on miediunetestared paper tht et tpt st Stroke coal pn them whit) maicesonke Pen and int, satercofauy, white pastel on foloured paper ‘lehougi el “ecpth "onary thee ee nmi iain “spies ge Cando 3 Sis ta wed seni of ie seats tera tc te une PRACTICAL ADVICE Iris afl es online very rity sens sevice cn poral pacice. Ir ie ebscquent chaqters some o hex ‘bec wll be dived wath the help tt disgrame and ayaa esamp 2, TYPES OF PORTRAIT Gives the goat analy of ee 9 Tse being ea ke ed iepchaboics welt wha Toate eee eceny persia, the dae gs aes ape” ta Shggest othe rode 60 te hove deste ae dave i the nies Swng vay Ke arhunee o ikeness. vain, all indvidal have roa dr clawnelerie pues 90a fyocal mavomerte hit ave pl faving Othe ones Ta there se clerrent of pies! bei avinu dn ta eoneriion vi allow 3 ir ploce thee abjecr a the paestion dan strus they belong taf, Sug gan theteore drentate Feta fstype af pat: igi, where the sabjec” pase fellows tse onal paters, ana where slot anton Fa Fopusion, the eneniment aad the, a tines esti Ber, intornal” shew eerie pose soma a he she eared ia 2 casa paseo ah coeying ms Come regular atiiy In a nara friggnmen, Iie a6 eectve ae ‘hich isa legacy stan flagrant ein he il ro tee ir theo tT tegory helong 260 “expressive Portail, hae those whee he {ngiert fe Flan, eau FRAMING A hatover pe of pone, yu nec cue Furia reprowent ths sujet You ean, infu drew js te ead te prt othe fae a he vole figure oy make the post mow reive i can be ust eave st or the Boel ling, for into, rat just the tea but aly te dealt ren and te wands Deve ol ecules a find the best pone se ge and a corpo which iy ve, sell baled, ane rat nanatonaus. ne! dpe ‘eual interest othe sewer and ear in trvnd doe ae fal ot wll ase so boethe fnew and, above ll Nea that Fe harng can a8 bsprenive nthe ace, boeaute of Pcie ‘inovamene, 9s well a their shape oe their olan Pe carsaoation, Ineeare you dhe yn rmsd" bard hae character, la mt site to mele tha in the deaing SUBJECTS iy para 9 hmae being vau need el to Ge le ta vaptire and eau Hrs estes. bt alea We bit a the Hasoeter ant the sree ahs modal Ih ncapablates the a tic Quali! of soit. Foon eal mclave soine adv epee Fiferant spec obsess gn dre bays aie ny yt tjeut permits ta uaa Theo a i ee be, RO Seb Fe ha ngs o> se one Children See paze 472 A cht Fea is prepertionaty bigger than sat ef gee aduly eect an the del ‘eight he es Tyee ane ene leak big hut the aoe fs ‘shal gn upaned he bac Aructae ismnmte snd the jas unde Draoving chicken re ifs ec auee Aho ue elec and The he ng seutched le mani iasances you il find phtog’aah ten by sara swcid gimacae, set, Clad! Aelcne testes rae weak an iff Fighting. roay ot iia ighe fe diet sunt cveare song "hacen whieh may ae the AP ysiognomy ane cause tem 20 hall close thei ae, omen In pa as of wamer, 3 al ag seething tor he subjects perso Thete i 0 a tndeney 0 eaharce the spstvee apc. Chae nll pes, “pevtnecai-he ate fe yourgor sno susie and serene she i more Imoyane. acre neue, aielad or frcestoly shesieal pes In many es vo el il user 1 dest te cole figs hat lati and Barlgyvind ean help income toe ‘aber personal on The male paca was rationally more formal presenting ai votic al image linked 9 fst te ihe subjerv® aysealfesunes, Put along the ine al sracling Sreties side igting, ath ts in esting contests helps hatarlense he features aid shaper ot the male Fae, aug, sujet often lien out heter it en in sportanecus pases ene exprassions, hile mature tier ae heer al ia move Fompored ard cigrtied’ poses, Make ‘sve atthe reel dors nt ree his fir ar appear fan ant opting, Self portrait ee page 48). A most all crise have chan, peled or elec Their ene pevtrat I you do the same stor il tha i el ope Frassevahls improve yur poritiure ‘hills. Sosa sours inant ef rive and sud yous retioeted face bsperimenting sith erent expes of Tighing 94 ness and then chaces the re yi ind most comontable and tohieh shows the ea sour Flos the procedvie ling a page 92 The elderly Flderly people, bet een wd eomen, are very irsteliag t2 fray became ther lazes, makes by the pasnge ef time ars hareteriead by tree every expressions, tll 2 ‘niyo hts and vxperenees. “ar thie reso i sense ta rapture thei Dhsiegrerme at, than ii ith foung penple. and ach eve a vue Tikeness, Chane poses et othe seo and teers whch shoul ‘rma wth all age ‘sid rong ed ee igh 25 the novi, Foor i eliceive.K can easily ‘esd you tp draw an uttering pov and can unpleasaly Pnpasize ry regularities ofthe Sen, Note the “antec” changes = edly peoples nead: wink's5 en the frvphesth, ar ie eyes andthe meus, and on the rece whitening I thinning of he a hells rg ot the ayaballe; lengihening of Fe as, ant son, ‘THE SIZE OF THE DRAWING. Ina sont deaving the homeo {hs fue shoul ws bs mor thant Alte of the ral ace ai oer tle pragenticns Ys svelte Gis x 201 forthe savy sorove, when ganraying pe se ee, a 50x Puen li far he ingune Mabe sone anf rs the ure entre oF hs raving eure 1 slighlly hyper ane wo une le se pase 2. CHOOSING Tar POSE 'See page 258. anally a pera repreehiese sear no hres, the tors buf con ala inclu the ates, the hands othe whale bade 1 yau draw fom lie make sure the eel ce ina natal ane famlamable poston, 3 thac thee face is mote or las level ith ys. The pte should ie rl, bit cleat conn he subj: shaarter tenabie govt ln cance tie Prvch geal, 38 well 3 the physic Fikes. heer In ce 3 nome rich higaligns the seanaie Charactariecs othe sibjer place goural a a drnee of thew 2nu (hi nto ofker any ravechoening tlc. A awl, the thver-narer Yew is considera the mine sHactive tut pole «fall tare can deo be intersting ucHTING \See pane 3, Light should be ray used, und are jst one sue fwindow or ln postianed slightly higher than the subject ane fram the side This wall hghlght facial features, bus wll do xe get preventing Fi ‘enmabon & gly Pradows under the rae, dre iss and around the eves, Ave inlonse fla yh sr ielance, Tram peti gh wel ag rec! sunlight sich crcete such leu they rane the tink. creas in the shin and atl the sublety af the modeling In alton, they nee che model ta conree tet eval muscle ving a Fre uinintural expression. cLomHING lathes have cousiderable Fmpaearce pie culsly "9 9 fulligure parvo bath Kr thie omprsrinal and aestsetic Hence tnd becouse they not cul suaply infarmatcrr aout the passer 20 31 satus. gid ernbk ov sae om tre subject, bt ala about se ord and lenekpraunal Thelin, leave yout nodal ize In choose whit w 29" od amt yourselves somgesting sae ina of clang hich, becuse of then shepe and anaagement, can make he epripas in ae he dang ove efectos Anne the lees notice how deen they Teak Alepenchag wht tas br is Tight sel sa ats o ile Soe oe hege endl si a few tick eld, although beth cases thee adie ita the tp at che “cones tion shou des elbows, ene, ele Drove the fle shir, doe wo fet ciclo Land ive, ave the mast siga ier a9 iyrore the ing ones whic eDuld Gleale comwsion la sp Pecumslaces, past wad shoulders, east © back, or trslonces can enhance the posal ef feraae subjocs wits 9 astialyly vise zou sheng pussonally see bape 88 CSincqesnay sey he Sie onarcon se ten npn beetrpeton ropa ee sheer ta i er otc ose nai Sal ade goers Caster ho iat be tied oho. cpus ecior Seer Smart peso Se mst gan lake Oe, SS css sgt ine saaion ae oeged srl sgn ghee ond Sige hee you tl nos er ti Ssh oes ug hr recs seh ual Mea te efcan’ Sree nine vey Crit eating eto eke he tales ‘THE BACKGROLND A tt raat hye ele tafe one, shales al clive anther OF wonton Re wie apie Bele na tory cv ile thes & Tigh Dakine ee sche of te taper Horie oe hak ne Sule Tse res th yer Suncvalings ncrkplac, boner foimen oli vanvint as Ie Sgesanl Fel a a ee Lagat a a yo hi intercies nadang sir Algeat ewan HOW 10 GET A LKLNSSS Avec kaa pritaving » human subjecr meane percssing and “aqresenting hoth the physical andthe mnieholraieal aspect of te medal Tevachieve a physica likeness 2e page 222 pay atic ular atentiont3 ths exrdl shape of the Read feeaing wor the general es the pactectar and esaety evaluate ya subj: Fropontiens, th in ie fae a 8 shel ane between iy slemante Fes rave, mouth, et. Ta achieve 3 pyeholagcal likeness, coms with ‘our mode, ey to undestane! thee Chatarler,pesorenezs, habits, and ‘herve the arirenrenr hace thay Tive aed wok, eure tei alge presi bus ican 2 ay Ue 1 ce you an idea ofthe rest flrable nen trl which their charecter ane somh tr ringing nthe foe, TECHNICAL AIDS Photogeaahy Photography bl sed spoeineaise ud Meeting gee the fob prt ahhiwe il ol rteene sre 6 psu w erase igs, and We esta chien Tee phate earl cee awicimaie amen ae this sy {even on ean an epee Show't he ae nt ine eer Bom images te «yy priory lw for perspective csrtin sear Gece i on pe Ta ee fhe subject Lae a paste, wal Tighung and accu ths wien i She for ast Sketches Get se ta dig pty ite shetehes 19 ly he msn Tine the face and fgie 0 the ulyct yon a chang ee ay pou ae ekg trai, ge te be Compo tin, te na ile igang the ret vein dlnvensions, aly walking Sew subject. Hose hele, soe i Clone tek, wa ve eared Sbsewation, avers come 4m ‘explore 198 tet eine tered oy the mel, Hay be hen them that a arses pv dlepenrt, ter yn rave eon ee ‘experienced ot chewing Hh fee, ay SANE slr ing Ion yo {Tin ull 2 protieinary sto, mere rene thon the Sxelehes, taf yo st 9 estieve pmblerss rnd ta nore dean ihe nora ion ble yi ed or the deitive wer Enlarging, seeder So ane pling a0 isting, 9 ur te atleapheg Ia posta colean jewel, yu ell need to race 09 thetfniave a ape paper cana, cal, tbe cull ich val seve baie fo he work 10 the wi, x en, a Tas te sont wey Lake vantage 354 uae ode ws fate fenls ge 9 kel or even 3 phon Uo the desea shiner, Yo 20 re Ba crdinay slide ejerlar wo rogrify the nage 98 ht cuppart aed tae the face ae fgines niin cacleuts Aluenabody, you ea we pinup an calc lal sch allows you ws anlargs and ojos Limsges from ypennae saupens:phoconrappnc prints, skeehes or reduce photos of drawn ana snes Ge thew are prcetcal devices Dmoat ‘trek vlc may evo fe ‘ones itsie yrwsth rave coe feeporfent un thar. Mare apprap9le, theta fe id sates rth, wlact gil Engen eve’ at Shoal vel Draw a sie @ squa'ee fo the mais ts be en urged wnherder ‘srswing or psturoph ane! en teaser dia sane wisi: the same furl sass, enlarge, 90 1B Tanger suraee Say cat Iron eile tranaler strokes within ined sons eg om im wp The working environment Hye have wr con suo, oF 3 feast a roar ne place aehere you logs yuu aes ceterrined te eo" seu Lady al sul 0 povtntre teu wll el some fue shig Bocesctity “alter usu, Roe ecm 2 ciel, an anna or 6 small gut forthe subject to be euro lle ond relavedl en soil posing 9 Tap sic ll ally you wes oe irs the ihing tht acelin Ie acho oF 3 small TW to make poung ess of ¢ buen for vou ser iat for sou) Remember allo fur Fecucnt eeaks dnl ty lake adenine ef these itereale wo suey you" subysct in dierent expressions an! poses can place wovr suppor 90 easel the ulimg soe af a spacio table but. more ote, itw ll be Suffice alae on a tif boaie mail of oad, er acd oF Bu etatars (20.425 im, and hich jou crs reste your es, Tae Fine eeapnen. lgeter wih our Teoures draw ra red, ell Come {euler scoring eutdanrs,o public laces or dare! | ee ts wll hayra soon erher aig to he Rouse at someone wa ha Cormssioned you ovo a parrot Powe auth of om canine AU x O08 312 5 16 Tig inl nas ne dane: en te ba an oe began na ee, Leek cavelly at she thn Images fie at what wit the hg tran as Bees alse! Aighighent or sveganaed nthe onsen.
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