Table Of Content

Volume 74 September 2002-—May 2003 Selected articles and this index are available in the article archives of our website, www.edta.org, under Publications. TITLES Listening to theatre: radio plays reflect their times, by Jeffrey Acting funny: what it takes to do comedy, by Bruce SON sos cate heen dalccasiosina Sve ac sxey vasten caceaete ae onbaeeniaceesbeastun adasepeian assess March Mille: Septembe1 Living in a Dickens novel: lives in the theatre are woven into a The Actor (play ), by Horton Foote tapestry, by Jeffrey Sweet Septembe1 Among the bohemians: an inside look at the making of a Broadway \ memorial in two acts: how one theatre company is remembering a opera, by Elizabeth Cobbe January student and inspiring others, by Scott Weiler ............::::cceeeeee May Sa RAND PRIN MAINO scan. cnen c onn nhco sudwioedsctacrencavedenets November Musicals at the crossroads, again: an American art form gets another Charting a course to college: a guide to choosing a place to study ER RIT? TACT NEY TOI E aoa so voor Sue comes Susere estes nce ceccnoae October theatre, by Bruce Millet Octobe1 Not getting it: why is everybody but me having fun?, by Jeffrey Charting a course to college: how to find the theatre pregram that’s Sweet January RR ON os ta eae nee Sega pa eT Novembe1 Off the pedestal: Aquila Theatre Company puts a new spin on some Choices: Freud, Darwin, and why characters do what they do, ELS MOG BOAYS, IY TEZED AS OMASCOUN ooo once cssscseacsgsscnccnsusoonsonasseasent March Raa NS UN ooo Schoen soscdooupsonecbassvesckacsoomnedosccabesbones November Opening night on (East) Broadway: it’s great, it’s dangerous, it’s a Collapsible Model (play), by Georgeta Dragoiu ...c.2062.....cc0ccscccsccs Octobe new play, by Jess Lacher October College Theatre Director *mbe1 Remembering Adolph Green, by Jeffrey Sweet January Ihe costume sculptors: how a draper dresses the show, b Size matters: Broadway musicians hold the line, but big cast plays are RGGI NES MW UMAR Soo oS ketone nes ‘ \pril a thing of the past, by Jeffrev Sweet The Dewey Decimal System (play), by Sarah Bowden tobe1 Solo: one actor and an audience, by Jeffrey Sweet .................8 April Don’t do it, Romeo!, by Elizabeth Cobbe sess cbutlmaelnouees Novembe1 S. PALE: (play), ty Stee Gee 555 sath cde codec Sonoospsscscssesconntans April The durable Shakespeare: good enough to survive four centuries of Stage wisdom: what theatre people told the class of 2002, by Laura C. improvements, by Laura C. Kelley January Kelley September Expressive breath, dynamic body: guidelines to help actors help Summer Theatre Directory February actors get centered, by Lissa Tyler Renaud Ee Om rae eS AE \pril [Theatre at the last frontier: an Alaskan conference showcases new [he first time: a playwriting debut brings its own adventures, plays and famous playwrights, by Toby Zinman September by Elizabeth Cobbe liny ninjas: small actors make a big splash, by Orla Swift ............ April rhe first year: we check in with eight students working toward Under Gollum’s skin: meet Andy Serkis, the Two Towers’ best trick, theatre careers, by Stephen Grego>g Septembet Hay BEN GRNBE EN INN ooo sos Res oon sevest pees ers ese bcasiateleoes March Freeman’s Grounding (play), by M. V. Patton Che understudies: ready and waiting, waiting, waiting, by Fundamentals of lighting: the fresnel, by Katherine Shirek Doughtie Larry Getlen January DUANE INI 62 50 gcc case asiss baso ceod esp ins aanendebacioeasaecanpdetieayt Novembe1 Warming up the face: a sequence that’s good for your head, by Fundamentals of lighting: the PAR can, the roadie’s best friend, SAG EGS RRA oo oor crisea na ziscnc ee camenapacctoes postu coh commtenssopenesteuke eM ay by Katherine Shirek Doughtie January We are the Thespians: photographs from the 2002 Thespian Festival, Governing Alice (play), by C. Denby Swanson January by R. Bruhn, Don Corathers, and Susan Doremus October Growing up acting: Evan Rachel Wood, by Orla Swift ......... Novembet1 Harvest Women (play), by Eliza Elliot «0.0.0.eee0 eee.eee.eee.eee es Novembe1 AUTHORS Hip-hop Broadway: the poets of Def jam brandish the power of the Allard, Jamel: IncneNaly LOLAY) 66.55 asc seon cx stages onccpedsoreceatatinaasss September SED IKE, AY BOTY WENN A 2 oo 6s. ..2sccencsnnenssventsisecssessec March Bernier, Richard: Review, The Stage Producer’s Business and Legal Guide, Imoopasto (play), try Janet ANANG .......:..60.:0.-ccicecescesoncsensotseocentes September Boy Claas KGa gig sss 55a s fh costs be pestcgnee sea tavacs ane Seoks aseetbonses tae asawentas May Inventing truth: the challenges of playing real-life people on stage, Bowden, Sarah: The Dewey Decimal System (play) October SPINNER WUT NOOND 2S oo fo peck ccc oanibepenteitibcaapsdneeanils adesasuseaunicdekna s May Bruhn, R.: We are the Thespians: photographs from the 2002 Keeping the faith: the theatre of Woodie King, Jr., by rhespian Festival (with Don Corathers and Susan Doremus) Ezra Goldstein October Keeping a journal: how private writing can make you better on stage, Cobbe, Elizabeth: Among the Bohemians: an inside look at the RPS aN PUPA MRAMNTRDING Dao 552s as osickcconuusvouchsarespueSsbecsanswcgedsscveda March making of a Broadway opera January A letter to an uncertain future, by Don Corathers ...............0000eee April Prat At RIE os Sac sro sea teeoneacea nts oun coset cman November The List (play), by Joshua A. Covell October lhe first time: a playwriting debut brings its own adventures .. April 38 DRAMATICS « MAY 20023 Volume 74 September 2002-—May 2003 Selected articles and this index are available in the article archives of our website, www.edta.org, under Publications. TITLES Listening to theatre: radio plays reflect their times, by Jeffrey Acting funny: what it takes to do comedy, by Bruce SON sos cate heen dalccasiosina Sve ac sxey vasten caceaete ae onbaeeniaceesbeastun adasepeian assess March Mille: Septembe1 Living in a Dickens novel: lives in the theatre are woven into a The Actor (play ), by Horton Foote tapestry, by Jeffrey Sweet Septembe1 Among the bohemians: an inside look at the making of a Broadway \ memorial in two acts: how one theatre company is remembering a opera, by Elizabeth Cobbe January student and inspiring others, by Scott Weiler ............::::cceeeeee May Sa RAND PRIN MAINO scan. cnen c onn nhco sudwioedsctacrencavedenets November Musicals at the crossroads, again: an American art form gets another Charting a course to college: a guide to choosing a place to study ER RIT? TACT NEY TOI E aoa so voor Sue comes Susere estes nce ceccnoae October theatre, by Bruce Millet Octobe1 Not getting it: why is everybody but me having fun?, by Jeffrey Charting a course to college: how to find the theatre pregram that’s Sweet January RR ON os ta eae nee Sega pa eT Novembe1 Off the pedestal: Aquila Theatre Company puts a new spin on some Choices: Freud, Darwin, and why characters do what they do, ELS MOG BOAYS, IY TEZED AS OMASCOUN ooo once cssscseacsgsscnccnsusoonsonasseasent March Raa NS UN ooo Schoen soscdooupsonecbassvesckacsoomnedosccabesbones November Opening night on (East) Broadway: it’s great, it’s dangerous, it’s a Collapsible Model (play), by Georgeta Dragoiu ...c.2062.....cc0ccscccsccs Octobe new play, by Jess Lacher October College Theatre Director *mbe1 Remembering Adolph Green, by Jeffrey Sweet January Ihe costume sculptors: how a draper dresses the show, b Size matters: Broadway musicians hold the line, but big cast plays are RGGI NES MW UMAR Soo oS ketone nes ‘ \pril a thing of the past, by Jeffrev Sweet The Dewey Decimal System (play), by Sarah Bowden tobe1 Solo: one actor and an audience, by Jeffrey Sweet .................8 April Don’t do it, Romeo!, by Elizabeth Cobbe sess cbutlmaelnouees Novembe1 S. PALE: (play), ty Stee Gee 555 sath cde codec Sonoospsscscssesconntans April The durable Shakespeare: good enough to survive four centuries of Stage wisdom: what theatre people told the class of 2002, by Laura C. improvements, by Laura C. Kelley January Kelley September Expressive breath, dynamic body: guidelines to help actors help Summer Theatre Directory February actors get centered, by Lissa Tyler Renaud Ee Om rae eS AE \pril [Theatre at the last frontier: an Alaskan conference showcases new [he first time: a playwriting debut brings its own adventures, plays and famous playwrights, by Toby Zinman September by Elizabeth Cobbe liny ninjas: small actors make a big splash, by Orla Swift ............ April rhe first year: we check in with eight students working toward Under Gollum’s skin: meet Andy Serkis, the Two Towers’ best trick, theatre careers, by Stephen Grego>g Septembet Hay BEN GRNBE EN INN ooo sos Res oon sevest pees ers ese bcasiateleoes March Freeman’s Grounding (play), by M. V. Patton Che understudies: ready and waiting, waiting, waiting, by Fundamentals of lighting: the fresnel, by Katherine Shirek Doughtie Larry Getlen January DUANE INI 62 50 gcc case asiss baso ceod esp ins aanendebacioeasaecanpdetieayt Novembe1 Warming up the face: a sequence that’s good for your head, by Fundamentals of lighting: the PAR can, the roadie’s best friend, SAG EGS RRA oo oor crisea na ziscnc ee camenapacctoes postu coh commtenssopenesteuke eM ay by Katherine Shirek Doughtie January We are the Thespians: photographs from the 2002 Thespian Festival, Governing Alice (play), by C. Denby Swanson January by R. Bruhn, Don Corathers, and Susan Doremus October Growing up acting: Evan Rachel Wood, by Orla Swift ......... Novembet1 Harvest Women (play), by Eliza Elliot «0.0.0.eee0 eee.eee.eee.eee es Novembe1 AUTHORS Hip-hop Broadway: the poets of Def jam brandish the power of the Allard, Jamel: IncneNaly LOLAY) 66.55 asc seon cx stages onccpedsoreceatatinaasss September SED IKE, AY BOTY WENN A 2 oo 6s. ..2sccencsnnenssventsisecssessec March Bernier, Richard: Review, The Stage Producer’s Business and Legal Guide, Imoopasto (play), try Janet ANANG .......:..60.:0.-ccicecescesoncsensotseocentes September Boy Claas KGa gig sss 55a s fh costs be pestcgnee sea tavacs ane Seoks aseetbonses tae asawentas May Inventing truth: the challenges of playing real-life people on stage, Bowden, Sarah: The Dewey Decimal System (play) October SPINNER WUT NOOND 2S oo fo peck ccc oanibepenteitibcaapsdneeanils adesasuseaunicdekna s May Bruhn, R.: We are the Thespians: photographs from the 2002 Keeping the faith: the theatre of Woodie King, Jr., by rhespian Festival (with Don Corathers and Susan Doremus) Ezra Goldstein October Keeping a journal: how private writing can make you better on stage, Cobbe, Elizabeth: Among the Bohemians: an inside look at the RPS aN PUPA MRAMNTRDING Dao 552s as osickcconuusvouchsarespueSsbecsanswcgedsscveda March making of a Broadway opera January A letter to an uncertain future, by Don Corathers ...............0000eee April Prat At RIE os Sac sro sea teeoneacea nts oun coset cman November The List (play), by Joshua A. Covell October lhe first time: a playwriting debut brings its own adventures .. April 38 DRAMATICS « MAY 20023 fTslp f:fi H} |i t Book review, Power of the Playwright’s Vision: Blueprints for the Musical Theatre, by Lawrence Thelen ...................cccccccscsssssssceceseee May Working: Writer; by GorGon Farrell x. ..0s.ccccscssescasecseaccidenecdseseasess March Miller, Bruce: Acting funny: what it takes to do comedy .... September Book review, The Shakespeare Sessions (video), produced by Charting a course to college: a guide to choosing a place to study Storyville Films and Denver Center Media .....................:s:000- March theatre October Under Gollum’s skin: meet Andy Serkis, the actor behind The Two Charting a course to college: how to find the theatre program TRMAEIE R MODI Soyo pck yo coceascndiaaen cacnaiesessndecuntvsasiovcrsiexseteestenite March that’s right for you ovember Corathers, Don: A letter to an uncertain future ..................ccc000008 April Book review, Uta Hagen’s Acting Class (video set), produced by After the apocalypse, dessert: a report from the Humana Applause Theatre and Cinema Books ...0......00.cceeeeeeeeee September Festival Nelson, Steve: Book review, The Business of Theatrical Design, by We are the Thespians: photographs from the 2002 Thespian TRRMMNEI Ee INR oeo is cases s ca Saigad cd caoediny a oeten lena asd teases vapiesenes May Festival (with R. Bruhn and Susan Doremus) October Fundamentals of lighting: the fresnel (with Katherine Shirek Covell, Joshua A.: The List (play) October NNR ac inane Sa tae Sead casa hadnt paaoacdacacsanes November Crockett, Jeff: Book review, Speaking Shakespeare, by Patsy Book review, /llustrated Theatre Production Guide, by John Holloway, RGERAO M I NE 25 Sosg se aan cnccu teaa saccoveieanieceeakatienesnovvereenestiensiies March and Technical Design Solutions for Theatre: The Technical Brief Doremus, Susan: We are the Thespians: photographs from the 2002 Collection, Volume 2, edited by BrownislawJ . Sammler and Don Thespian Festival (with R. Bruhn and Don Corathers) October Harvey September Doughtie, Katherine Shirek: Fundamentals of lighting: the fresnel Patton, M-V.: Freeman's Grounding: (play): <..:.<0:.-...secsenacsssessacsesaieidees May WURDE ONE RE PU ESORE sy. accac a cv osenecctecedesectcevrnvicesiveresscxieoscieias November Renaud, Lissa Tyler: Expressive breath, dynamic body: guidelines to Fundamentals of lighting: the PAR can, the roadie’s best REP ACLORS PEE CCMEEFEC E 256-55 aci cB ssi ccadbac sna cacdarincvengenstuesesags April friend January Keeping a journal, making an actor: how private writing can make Dragoiu, Georgeta: Collapsible Model (play) October WANED: CULE irC OO SER ore ocd a casticnk ed, evs seanauawaseuadndccimnccedeseeaae s March Eliot, liza: Earvest Wome (play) <<<ci<.:sscscacsecsnssascaessensencsevvass Novembet Warming up the face: a sequence that’s good for your head ..... May Foote, Horton: The Actor (play) .... Pee eens eases areene ease March Swanson, C. Denby: Governing Alice (play) January Getlen, Larry: Inventing truth: the challenges of playing real-life Sweet, Jeffrey: Choices: Freud, Darwin, and why characters do what OEM UN Ea so cS aca sca das Su sadn Gd hed och Spalivig ees Toandaaesoacase May CRE Or Dr POR OWEOU cect oata sec ccciiziecss (cotenssconseccasactcutesuiens November The understudies: ready and waiting, waiting, waiting January Listening to theatre: a half-century later, radio plays reflect their Goldstein, Ezra: Keeping the faith: the theatre of Woodie CURR is hedoce aces Syst ctura saa Setaseaic nak Red cparivaas tat andsaats eae cen sana euebanne March BORN OIE oooh cniensn Pesca sagsp ue tne moneesve sa ncr usceo s anseea nad dhkap casa de HatdeGn< Caen peengscedeses May Living in a Dickens novel: lives in the theatre are woven into a Off the pedestal: Aquila Theatre Company puts a new spin on ANON cscs nese wate coe gac akin sd encusceaqus nda tnd fen oe zaaw eae aes September SUPINE VEY LCN NAG yes hs ase ss sacakn coer cuss cs snssnssabineedps chen cckeicenacnte March Musicals at the crossroads, again: an American art form gets Gregg, Stephen: The first year: we check in with eight students another makeover October WOUKING LOWAEG THEALTC CAFCETS: $cc. scvespcatessescsessescesdsnseaavs September Not getting it: why is everybody but me having fun? .......... January eesPU PR OMIMIAY) asec vase susccabvaca udgsacscdstasedsvedcaesestnsacstaacensransaussecedenes April Remembering Adolph Green January Kelley, Laura C.: Book review, The Barrymores: Hollywood’s First Family, Size matters: Broadway musicians hold the line, but big cast plays Uy GeO Cee Ba EetB UNI N gos Seb oc ace dcsccncvas tet sagecebb nds naeace September AU 12h) UNVRMNG OC RU CNN BAAS ooo o sca ncn cake peeds odds ada conanssins~saaciscuudedtavions May The durable Shakespeare: good enough to survive four centuries. SOI? ONE ACHOR ANGE Aly AUGICNEE oo. oo... ccs. cc cacsdiceicsnisonsssussnnisess April OE MROV ECHIN O oo 50nd dacs stoasscspsvas Sesboensapanbacessussasavnasynpsetss anuary Swift, Orla: Growing up acting: Evan Rachel Wood............. November Book review, The Playwright’s Guidebook: an Insightful Primer on the Tiny ninjas: small actors make a big splash .............::cscceeeeeeeee April art of dramatic writing, by Stuart Spencer ..........::sccceeee September Taylor, Kathleen: Book review, On Acting: Interviews with Actors, edited Stage wisdom: what theatre people told the class of by Mary Luckhurst and Chloe Veltman. .....................scccssseeoes March 7 | ae ey ARS ARE TORI Ee Sa ee OD REI ea OE oy ier PEE AN Ea September Vellela, Tony: Hip-hop Broadway: the poets of Def Jam brandish the Jackson, Mark: Book review, Thinking Like a Director, by Michael BOWER OE Ue AICI WORE os ooo aoe sesso ges cddnievencassutpaniedioacacaate March BRVONNN oo 5 os occ nctzocccs snus dace cade iuvveas veasittest ecabeossondaszade dessuansteanen f0¥ March Weier, Scott: A memorial in two acts: how one theatre company is Lacher, Jess: Opening night on (East) Broadway: it’s great, it’s remembering a student and inspiring others.............:c:ccccceeeees May dangerous, it’s a new play ctober Williams, Stacia: The costume sculptors: how a draper dresses the Marshall, Jhon: Review, The Showmakers: Great Directors of the American SNe arta scars ohcan sa cna aise eat pecan negates cas en dan CAsa aa neusmidedcasieataeeed April MAY 2003 © DRAMATICS 39 Zinman, Toby: Theatre at the last frontier: an Alaskan conference Towers’ best trick, by Elizabeth Cobbee .........,............c.csessoeseseeees March showcases new plays and famous playwrights ................. September Observations SUBJECTS Choices: Freud, Darwin, and why characters do what they do, by Acting WRREEY ISW IORN oy si.25555 stots cossrronnsersaseardsb unsccadebandaartlenitenpuinaosanss November Acting funny: what it takes to do comedy, by Bruce Don’t do it, Romeo!, by Elizabeth Cobbe ................. sesso November Raat ee od ge er ot ss sobsS uche vansskupeeebensomibeesinee September The durable Shakespeare: good enough to survive four centuries Expressive breath, dynamic body: guidelines to help actors get of improvements, by Laura C. Kelley January centered: tpy Lasse Tyler Rema |... .........:5.-..-....sesesesensabsnovespesives April A letter to an uncertain future, by Don Corathers ..............:.0008 April Inventing truth: the challenges of playing real-life people on stage, by Listening to theatre: a half-century later, radio plays reflect their RR OMRON preschooler tence ete te caee ncsereconnnvepairs tgkareaemepectnetatyetay= May HRANRES; WHY TCRRIEY TOWEL oe oops cs scek ec ccksscactseceresaanchesuictsevekrnveeseenaogs March Keeping a journal, making an actor: how private writing can make Living in a Dickens novel: lives in the theatre are woven into a you better on stage, by Lissa Tyler Renaud ...............:csses000 March CAPIESINY, DNV GR RUCY DWE casos ocnssaascoesessssousesesneaeaesnpbessntenes September Warming up the face: a sequence that’s good for your head, by Musicals at the crossroads, again: an American art form gets another RN FO ROUEN nyc rca cs seme onnet schconnoconcecoresenesaprnspacsnsesbnrssnssune May makeover, by Jeffrey Sweet October Not getting it: why is everybody but me having fun?, by Jeffrey Book and video reviews Sweet January The Barrymores: Hollywood’s First Family, by Carol Stein Hoffman Opening night on (East) Broadway: it’s great, it’s dangerous, it’s a Uae ga MAR MERUD ccs coscssaecopoescensepansut sutanapnsucdaptsbenvonssuctaees September new play, by Jess Lacher October The Business of Theatrical Design, by James L. Moody (Steve Size matters: Broadway musicians hold the line, but big cast plays are PRCPNUD asa cson pore opnasteasede casos tonpncstsithasyssancesnpiatavkiuenssnocblloapatensessieoesies May a thing of the past; byJ efiney SWEEE sc. coo - cod cacdes Soceracnntsnconesenes May Illustrated Theatre Production Guide, by John Holloway, and Technical Solo: one actor and an audience, by Jeffrey Sweet ..............e.e April Design Solutions for Theatre: The Technical Brief Collection, Volume 2, edited by BrownislawJ .S ammler and Don Harvey (Steve Playwriting PUUMRONED caps sotn abs sun bach empsveus cpocsbcotanionioanunssuhecevcateeapevaceoesaet September The first time: a playwriting debut brings its own adventures, On Acting: Interviews with Actors, edited by Mary Luckhurst and Chloe py MUMIPATSORSE AONE «25 2000555 cca cevetuccoxbssw subsenutsnanro osmcoeeeerersudatr es April CSUR RN A MRMANER RED BUN UBIOE 55, 5255-5 insin-vnsvatescathoonndakocsncoxececeurs March The Playwright’s Guidebook: an Insightful Primer on the Art of Dramatic Reports Wniting, by Stuart Spencer (Laura C. Kelley) ..............0... September After the apocalypse, dessert: a report from the Humana Festival, Power of the Playwright’s Vision: Blueprints for the Working Wniter, by HD RIOTA AAO ANRRONS oc nec dors uns sesesncneetnotnnsercvees tsndes uacarnesteeoe ncetaese s May AGRDRMEME RUO EPNOE 5co bsess cv toseins cs ssessivck vosesicechvuccncoopescovkeswsveeseeicpyec e March Among the bohemians: an inside look at the making of a Broadway The Shakespeare Sessions (video), produced by Storyville Films and opera, by Elizabeth Cobbe January Denver Center Media (Elizabeth Cobbe) ..................ccceeseeeee March Wke ANA UAL NAY BUCY 3.5 sis acks sates sent santencastasppaodeusarneacduaces November The Showmakers: Great Directors of the American Musical Theatre, by Hip-hop Broadway: the poets of Def Jam brandish the power of the Lawnzence Thelen (Jhon Marshall) .........---........,..0s..:s0ssessceseo0nees May spoken word, Dy Tomy VEU ENG css5icocsc 0ostssc ecssa tntassncaotesoncses se ee March Speaking Shakespeare, by Patsy Rodenburg (Jeff Crockett) ........... March A memorial in two acts: how one theatre company is remembering a The Stage Producer’s Business and Legal Guide, by Charles Grippo student and inspiring others, by Scott Weier .............::csceseeeee May LRSOEORENER MERENEEED 555 5505s opvcsssetvonsnantvosWesoeasncts Copsebbansavacssesonsvosvesaiven May Off the pedestal: Aquila Theatre Company puts a new spin on some Thinking Like a Director, by Michael Bloom (Mark Jackson) ....... March very old plays, by Ezra Goldstenin oo... 52015. ccissseseascssevisecsescass s March Uta Hagen’s Acting Class (video set), produced by Applause Theatre Theatre at the last frontier: an Alaskan conference showcases new and Cinema Books (Bruce Miller) ...............seeeeeeeeseeeees September plays and famous playwrights, by Toby Zinman ............. September Tiny ninjas: small actors make a big splash, by Orla Swift ............ April Careers The understudies: ready and waiting, waiting, waiting, by Larry The first year: we check in with eight students working toward Getlen January theatre cancers, by Stephen Gregg ...................-...0seses0:0- September We are the Thespians: photographs from the 2002 Thespian Festival, Stage wisdom: what theatre people told the class of 2002, by Laura C. by R. Bruhn, Don Corathers, and Susan Doremus ............. October BORED ox soca csvns dss ste nossptaphsentssoenopvicdpsbicansiaceciuenlnctatitveeassc boeve s September Scripts College TRE AIO; TY PA QVUO TOG 55. i555 5sncsseko send spaces cctectenscassee sebvodsupecnets March Charting a course to college: a guide to choosing a place to study Collapsible Model, by Georgeta Dragoiu October theatre, by Bruce Miller October The Dewey Decimal System, by Sarah Bowden October Charting a course to college: how to find the theatre program that’s Freeman's: Groundong, by M. V. Patti <.55+.5<c0.sscesesssesescqsscscsvabaosscegscsoss May fepntton you, typ Geraioe Miller. ...................s5ssensseesnecnsiocesce November Governing Alice, by C. Denby Swanson January Flariest Womet, Wy PMZA TION 65. cncssccstesscascaasccisdessucetvessbessee November Directories Depcopnrio, Wry Gael AAI 555. 6.5 ccsseesesitsscopessssnsaccassnerstucteesssender September 2003 College Theatre Directory December The List, by Joshua A. Covell October 2003 Summer Theatre Directory February De AALER. 5 TOY OED TA OTOL o5 555 susp asces ningo ess easaxesayessacanvaaauancsecvoaretee April Interviews and profiles Technical theatre Growing up acting: Evan Rachel Wood, by Orla Swift ......... November The costume sculptors: how a draper dresses the show, by Stacia Keeping the faith: the theatre of Woodie King, Jr., by Ezra DU SEERNIIE 5s occ csesnn dieses cock sensoea so siscncta te uaeeenes tanst n Seca oases April a lo PaaS oe Ei Role I Cie ee oe May Fundamentals of lighting: the fresnel, by Katherine Shirek Doughtie Remembering Adolph Green, by Jeffrey Sweet January PT IT OUv o olst e: 1) | SaaS een SEO eee see RUBIA iyo Mston Sore epee eS November Under Gollum’s skin: meet Andy Serkis, the actor behind The Two Fundamentals of lighting: the PAR can, the roadie’s best friend, by Katherine Shirek Doughtie