Table Of Content

Index Volume 73 September 2001-— May 2002 Selected articles and this index are available in the article archives of our website, www.edta.org, under Publications. Titles Mastering your craft: it takes more than talent to scale the mountain, Actions speak loudly: making the audience feel, by Bruce Oy aN t PEN 85 02a Seg ear aver tens ee ay anu sav ede eneuekates May ...... November The Millennials (play), by Jessica Vaughan October An actor’s encyclopedia: the ABC’s of crafting a role, by Bruce ADEE TEP GAY) | TIY WV ALTCIN EGUCII IE <5)se sh cate csscicesinicenrsssessesatbosstbesvedecs May Miller September Overnight delivery: the 24 Hour Plays enlists stars for a September 11 After the fall: why theatre is as important as ever, by Jeffrey OSI Oy TTY ADO OTN assess dadiesaxiicscescavesdncveuseacseuaces November November Playwrights find inspiration in history: building a shipyard musical in Wisconsin, by Ed Huyck January challenges, by Tony Vellela . January Property Rites (play), by Alan Haehnel September The annual play survey November Rapunzel Uncut (play), by Mariah Everman October Be a student again: training for teachers, by Orla Swift .. February iheese and Babe (play); Dy Tew TOWGN ....0.5<.<..sesecsecavesesessseevesscunsees March The best artists in the world, too: Cultural Olympiad shared Salt Lake Reservations (play), by Lisa Rand October spotlight, by Celia R. Bake \pril Running in rep: what it takes to create a theatrical smorgasbord, by Blasting to Broadway: the marching band breaks out of halftime, by Laura C. Kelley November Lou Harry Octobe Sonata for Armadillos (play), by Jon Tuttle Blazing her own career trail: essica Thebus, freelance director and Sound playmaking: a Los Angeles company has turned theatre on its more, by Jessica Rover \pril CRE UY MIE SEARED sess ca sesoccxcosssancecstacveds oacttnnsean vseicaishesvhsaiscasseevtvscer a May Blood, sweat, and tears: how to make an actor look like something Speak Now (play), by Seth Kramer January the cat dragged in, by Janet lora cncksccuspco ay Ten tools for writing ten-minute plays, by Gary Garrison ........ January Classics, move over: what’s best in New York is new, via Chicago, by Theatrical space: a meeting place for actor and audience, by John Jeffrey Sweet January October Coming into his own: actor Max Casella isn’t a teenager anymore, by \ Thespian Festival album: photographs from the best week of the Tony Vellela . September year, by R. Bruhn and Don Corathers October Different kinds of theatre classrooms: summer study programs, by \ trail of Tonys: from Broadway to Chicago to Connecticut, Orla Swift February producers brush elbows, by Jeffrey Sweet September Engaging with the times: a look back at British theatre and its society, [reasuring the moment: fleeting performances endure as memories, by Jeffrey Sweet sab.S acneetolibanh sanuseeerceestecnou ieakmieapsceecuei bene’ . May BYY POTENCY SOWIE: casscasivaesacsusvissucvevsbeseavedeessvasasosasascestsavecsceusesntiod March Exit Christiansen: in Chicago, they're hugging a critic, by Jeffrey Turning images into words: audio description tells the visual story, by Sweet BRAT AA Soe RS RNC ones dos sn cec satu Ceasex «daciocasanaunnssk suivaanvnbhenovadncaetriaoenes March A fire within: the stunning theatrical vision of Julie Taymor, by [wo birds: a luminescent Seagull, and another one, by Jeffrey RRM io Lh Sindc cs Stu uniodusSecccek pascal: vebsopetbsenen pasbecesvohiowse Novembe1 Sweet Octobei For the love of theatre: summer stock internships and Voice magic: learning the tricks of vocal variety, by Lissa Tyle1 apprenticeships, by Orla Swift February PIR sansa sree sn esate tsucusuncsdecesen sas Yoon tesasnttan eves eahciuptnsan evustassakasioned March Fundamentals of lighting: the ellipsoidal reflector spotlight, by Wake-Up Call (play), by Stephen Gregg .................scsssessssseeee November Katherine Shirek Doughtie and Steve Nelson January \ warrior with her pen: playwright Melanie Marnich creates her own Getting old: creating age makeup, by Janet Flora realities for the stage, by Laura C. Kelley...................... September Great expectations: eight theatre students talk about their plans and Way off Broadway: composers find artistic homes away from home, by dreams, by DOR PEREER MSN 55 sos sniencosspraseesvawnnoiseacssewieces September BARNA EMD Si cesses ccxrencsaiasdd cascacaseulscedipp baaatnsseanceesesessmiievntaiceo ssM ay If it’s Sunday, this must be Oslo: traveling to where the play began, by Where you're going: figuring out what you’re going to do next Toby Zinman December Isabella (play), by Emily Anderson......................sccsssscssssscseveseees October Lives in the theatre: the Educational Theatre Association honors Authors Tom Jones and Harvey Schmidt, by Don Corathers ........... Octobe1 Ahart, John: Theatrical space: a meeting place for actor and Looking for a character: enrich a portrayal through research, by audience October Ce ER ir aR cee ee ete i ee ee ee April Anderson, Emily: Isabella (play) October Love and death at the Humana Festival, by Don Corathers........... May Baker, Celia R.: The best artists in the world, too: Cultural Olympiad Make it real: the basics of stage makeup, by Janet Flora ............ March BIRATONG SHANE MANGE UNAI AL: sis. cSscvoassacsueeautocscctsaseacendscesestoussbtetnestad April Making theatre in a hurry: the improv scene in Philadelphia, by Toby Bruhn, R.: A Thespian Festival album: photographs from the best MNUMNMNNR oS Soe te Agctoik esbe discs atc ns Gouush eae URSA pOCES Serpe RG a eOtOEE March week of the vear (with Don Corathers) October 38 DRAMATICS © MAY 2002 Index Volume 73 September 2001-— May 2002 Selected articles and this index are available in the article archives of our website, www.edta.org, under Publications. Titles Mastering your craft: it takes more than talent to scale the mountain, Actions speak loudly: making the audience feel, by Bruce Oy aN t PEN 85 02a Seg ear aver tens ee ay anu sav ede eneuekates May ...... November The Millennials (play), by Jessica Vaughan October An actor’s encyclopedia: the ABC’s of crafting a role, by Bruce ADEE TEP GAY) | TIY WV ALTCIN EGUCII IE <5)se sh cate csscicesinicenrsssessesatbosstbesvedecs May Miller September Overnight delivery: the 24 Hour Plays enlists stars for a September 11 After the fall: why theatre is as important as ever, by Jeffrey OSI Oy TTY ADO OTN assess dadiesaxiicscescavesdncveuseacseuaces November November Playwrights find inspiration in history: building a shipyard musical in Wisconsin, by Ed Huyck January challenges, by Tony Vellela . January Property Rites (play), by Alan Haehnel September The annual play survey November Rapunzel Uncut (play), by Mariah Everman October Be a student again: training for teachers, by Orla Swift .. February iheese and Babe (play); Dy Tew TOWGN ....0.5<.<..sesecsecavesesessseevesscunsees March The best artists in the world, too: Cultural Olympiad shared Salt Lake Reservations (play), by Lisa Rand October spotlight, by Celia R. Bake \pril Running in rep: what it takes to create a theatrical smorgasbord, by Blasting to Broadway: the marching band breaks out of halftime, by Laura C. Kelley November Lou Harry Octobe Sonata for Armadillos (play), by Jon Tuttle Blazing her own career trail: essica Thebus, freelance director and Sound playmaking: a Los Angeles company has turned theatre on its more, by Jessica Rover \pril CRE UY MIE SEARED sess ca sesoccxcosssancecstacveds oacttnnsean vseicaishesvhsaiscasseevtvscer a May Blood, sweat, and tears: how to make an actor look like something Speak Now (play), by Seth Kramer January the cat dragged in, by Janet lora cncksccuspco ay Ten tools for writing ten-minute plays, by Gary Garrison ........ January Classics, move over: what’s best in New York is new, via Chicago, by Theatrical space: a meeting place for actor and audience, by John Jeffrey Sweet January October Coming into his own: actor Max Casella isn’t a teenager anymore, by \ Thespian Festival album: photographs from the best week of the Tony Vellela . September year, by R. Bruhn and Don Corathers October Different kinds of theatre classrooms: summer study programs, by \ trail of Tonys: from Broadway to Chicago to Connecticut, Orla Swift February producers brush elbows, by Jeffrey Sweet September Engaging with the times: a look back at British theatre and its society, [reasuring the moment: fleeting performances endure as memories, by Jeffrey Sweet sab.S acneetolibanh sanuseeerceestecnou ieakmieapsceecuei bene’ . May BYY POTENCY SOWIE: casscasivaesacsusvissucvevsbeseavedeessvasasosasascestsavecsceusesntiod March Exit Christiansen: in Chicago, they're hugging a critic, by Jeffrey Turning images into words: audio description tells the visual story, by Sweet BRAT AA Soe RS RNC ones dos sn cec satu Ceasex «daciocasanaunnssk suivaanvnbhenovadncaetriaoenes March A fire within: the stunning theatrical vision of Julie Taymor, by [wo birds: a luminescent Seagull, and another one, by Jeffrey RRM io Lh Sindc cs Stu uniodusSecccek pascal: vebsopetbsenen pasbecesvohiowse Novembe1 Sweet Octobei For the love of theatre: summer stock internships and Voice magic: learning the tricks of vocal variety, by Lissa Tyle1 apprenticeships, by Orla Swift February PIR sansa sree sn esate tsucusuncsdecesen sas Yoon tesasnttan eves eahciuptnsan evustassakasioned March Fundamentals of lighting: the ellipsoidal reflector spotlight, by Wake-Up Call (play), by Stephen Gregg .................scsssessssseeee November Katherine Shirek Doughtie and Steve Nelson January \ warrior with her pen: playwright Melanie Marnich creates her own Getting old: creating age makeup, by Janet Flora realities for the stage, by Laura C. Kelley...................... September Great expectations: eight theatre students talk about their plans and Way off Broadway: composers find artistic homes away from home, by dreams, by DOR PEREER MSN 55 sos sniencosspraseesvawnnoiseacssewieces September BARNA EMD Si cesses ccxrencsaiasdd cascacaseulscedipp baaatnsseanceesesessmiievntaiceo ssM ay If it’s Sunday, this must be Oslo: traveling to where the play began, by Where you're going: figuring out what you’re going to do next Toby Zinman December Isabella (play), by Emily Anderson......................sccsssscssssscseveseees October Lives in the theatre: the Educational Theatre Association honors Authors Tom Jones and Harvey Schmidt, by Don Corathers ........... Octobe1 Ahart, John: Theatrical space: a meeting place for actor and Looking for a character: enrich a portrayal through research, by audience October Ce ER ir aR cee ee ete i ee ee ee April Anderson, Emily: Isabella (play) October Love and death at the Humana Festival, by Don Corathers........... May Baker, Celia R.: The best artists in the world, too: Cultural Olympiad Make it real: the basics of stage makeup, by Janet Flora ............ March BIRATONG SHANE MANGE UNAI AL: sis. cSscvoassacsueeautocscctsaseacendscesestoussbtetnestad April Making theatre in a hurry: the improv scene in Philadelphia, by Toby Bruhn, R.: A Thespian Festival album: photographs from the best MNUMNMNNR oS Soe te Agctoik esbe discs atc ns Gouush eae URSA pOCES Serpe RG a eOtOEE March week of the vear (with Don Corathers) October 38 DRAMATICS © MAY 2002 Corathers, Don: Lives in the theatre: the Educational Theatre Nelson, Steve: Fundamentals of lighting: the ellipsoidal reflector Association honors Tom Jones and Harvey Schmidt October spotlight (with Katherine Shirek Doughtie) January Love and death at the Humana Festival Sokeccat ee Rand, Lisa: Reservations (play) October A Thespian Festival album: photographs from the best week of the Renaud, Lissa Tyler: Voice magic: learning the tricks of vocal vear (with R. Bruhn) Cctober variety March Doughute, Katherine Shirek: Fundamentals o hting: the ellipsoidal Royer, Jessica: Blazing her own career trail: Jessica Thebus, freelance reflector spotlight (with Steve Nelson) January director and more Everman, Mariah: Rapunzel Uncut (play) October \ fire within: the stunning theatrical vision of Julie Flora, Janet: Blood, sweat, and tears: how to make an actor look like Taymo1 November ROMCTIENG TING CAL CVAD BERN ED: dics. ccetaseicwsccvessessaxtsacseisecsecnsuecies ; May Sweet, Jeffrey: After the fall: why theatre is as important RO TUEIEGE OU: CP CANTIND ARO TIA ROUND on ccc one cscs cock cas ncecoeuciendincecees April . November Make it real: the basics of stage makeup March Book reviews, Days and A ights at the Second City: A Memoir, with Notes Garrison, Gary: Ten tools for writing ten-minute plays January on Staging Review Theatre, by Bernard Sahlins and Produce Your Play Getlen, Larry: Overnight delivery: the 24 Hour Plays enlists stars for a Without a Producer: A Survival Guide for Actors and Playwrights Who September 11 benefit November Need a Production, by Mark Hillenbrand ..................ece September Gregg, Stephen: Great expectations: eight theatre students talk about Classics, move over: what's best in New York is new, via ERGR IS a eet AIAAR ORO AIING 0502 ls cnasca duet seat evn sncasddescbsorseeinos September Chicago January NVR OD CREE IAN ses ntcs saat euddeeuaskqonssefetssocantesss csesdseenrsatteen s November Engaging with the times: a look back at British theatre and its Hiaehnel; Alan: Properly Rites: (lay) -.<5.ccccce-sccosecssceseesesveacdeas September ON ae asad ox sig cae tp sasaweucneaatdenceeta catag abtasaddenctelisaneaiotadsaserimlues May Harry, Lou: Blasting to Broadway: the marching band breaks out of Exit Christiansen: in Chicage, they're hugging a critic........... April halftime October \ trail of Tonys: from Broadway to Chicago to Connecticut, Sound playmakin; : a Los Angeles theatre company has turned PIEOGUCETS HFUSTY CIDOWS (25.5 cacisesscssssasacccseceesssdeecasnDcsEs PoUssCnMaIsOsEd!e theatre on its ear [reasuring the moment: fleeting performances endure as Hatcher, Chuck: CD-ROM review, Wireless Microphones in the Theatre, memories POY NAATEDD SEV PINT ASCARI AGRON us c0c3 sec acas consc cuscecssestssaensdasstqasecdboesnsuaced April Iwo birds: a luminescent Seagull, and another one FLOMOR ews RESO GNM TEQUENDIAY)) vn.us0csescunssessseseseesvansacsssessveadenee’ March Swift, Orla: Be a student again: training for teachers Huyck, Ed: Playwrights find inspiration in history: building a shipyard Different kinds of theatre classrooms: summer study musical in Wisconsin January programs Kelley, Laura C.: Book review, The New York Times Book of Broadway, For the love of theatre: summer stock internships and edited by Ben Brantley January apprenticeships February Running in rep: what it takes to create a theatrical Looking for a character: enrich a portrayal through RU RARR BR EN sd csieSiecacy nc actcan spnd tbna s ses nav ect vhnessodon snuacseceans cde November IER RMR eos nga di votes desea tantra p i ec qeser sed etadaiesniacionaaits April Turning images into words: audio description tells the visual Tuttle, Jon: Sonata for Armadillos (play) ........:.cccsscecseccescereereeseeseees April BBE RENG ag cSeccccau ees sees rao destecr aven evo asea cia ioctasuaneh cau casyusais coos tes Sadalgesisenn March Vaccariello, Linda: Book review, Changing Stages: A View of British and A warrior with her pen: playwright Melanie Marnich creates het American Theatre in the Twentieth Century, by Richard Eyre... January COTTE FC ARIES TOT CRG Si a sane scscccakteves eadenssesnnrcesesecaiveds September Vaughan, Jessica: The Millennials (play) October Way off Broadway: composers find artistic homes away from Vellela, Tony: The alien kid grows up: Joseph Gordon-Levitt’s new RUG IINNNS sc cao pan pice edt adn oe iotananas tndcenc os tnaws Vaseplesn aden ed councytpadsvenssdusntiacend May acting challenges ssceasastcducui gaat .. January Kramer, Seth: Speak Now (play) January Coming into his own: actor Max Casella isn’t a teenager PISA WAETOR: INNE) LEM CDIAY) Sosa cccscstcsssescscaseesstbessestsnsswivescaseuaie May RENIN sca ccs Secs send case aass sada ainedocbasdpaesd esbeansiopaccsueuccnciassie e September Marshall, Jhon: Book review, Sondheim and Lloyd-Webber: The New Zinman, Toby: If it’s Sunday, this must be Oslo: traveling to where TUSPOGE OV IMEC CREOLE siseus scutes saissibenntinne sonsatevessscessssevaieasts April BENS PUR CRAIN eos ses suscistosce sense sssa¥esncstanssasedectwisnsstisasaseseananeseanas May Miller, Bruce: Book review, An Acrobat of the Heart: A Physical Approach Making theatre in a hurry: the improv scene in to Acting, Inspired by the Work of Jerzy Grotowski, by Stephen PEMA AAR RNR Sc 5355 ca conc csdncss kya canan ey scpasacenonoakeseo4sedavedeqsasdtdansesudas e March I SAUACEND orn snlvecedysseays augdse sve syasucaas ous eapsesan ata satcateastneteuaesanens September Actions speak loudly: making the audience feel ............. November Subjects An actor’s encyclopedia: the ABC’s of crafting a role .... September Acting Mastering your craft: it takes more than talent to scale the Actions speak loudly: making the audience feel, by Bruce HAUNTING 55 05 ch oc tacas si aasdeoscccoiws acids sonnceledieu sakes csteeGecsse asncetaiwsteas May Miller bined west ae Rag ston, 2h cot ssiran Mags oie tebacansusanecenancaqeeuds November MAY 2002 © DRAMATICS 39 An actor’s encyclopedia: the ABC’s of crafting a role, by Bruce by Jeffrey Sweet Miller Septembe1 A trail of Tonys: from evista vy to Chicago to Connecticut, Looking for a character: enrich a portrayal through research, by Orla producers brush elbows, by Jeffrey Sweet .............:..0+ September ROME are Ota tai p se ss bnedc ash ota rapes taike karan bs owed ern pammnen petirhannebacouewonsasaseeet April Treasuring the moment: fleeting performances endure as memories, Mastering your craft: it takes more than talent to scale the mountain, BPW MREB E V CIOL oseo sc ccavecces vschectacensenkvasessah rosaasecuas cousoeesnaskucacutese March by Bruce Mille: Two birds: a luminescent Seagull, and another one, by Jeffrey Voice magic: learning the tricks of vocal variety, by Lissa Tyler Sweet October Renaud Playwriting Book and CD-ROM reviews len tools for writing ten-minute plays, by Gary Garrison January An Acrobat of the Heart: A Physical Approach to Acting, Inspired by the Work of Jerzy Grotowski, by Stephen Wangh (Bruce Miller) ..... Septembe1 Reports Changing Stages: A View of British and American Theatre in the Twentieth SPEARS CAPEEANIAT TDP UNE WEW 5555 ocvnnan ses aps cep pUdacen cusetsciavescneanechewes November Century, by Richard Eyre (Linda Vaccariello) January Che best artists in the world, too: Cultural Olympiad shared Salt Lake Days and Nights at the Second City: { Memoir, with Notes on Siaggiinngg Review BOOTIE Aiy NCUA We, SSAMET Gi csc ases ceca naseeschersccassbs-adreaeuavonsuansseen April Theatre, by Bernard Sahlins (Jeffrey Sweet) ...............00 September Blasting to Broadway: the marching band breaks out of halftime, by The New York Times Book of Broadway, edited by Ben Brantley (Laura C. Lou Harry October Kelle January If it’s Sunday, this must be Oslo: traveling to where the play began, by Produce Your Play Without a Producer: A Survival Guide for Actors and Toby Zinman wasdslsUsnacuevascsekadtavevse¥el vateee May Playwrights Who Need a Production, by Mark Hillenbrand (Jeffrey Love and death at the Humana Festival, by Don Corathers........... May RON eb athe Sao bo caicecep ceca uri pain coseuctentebausme ca atpanserereenes Septembe1 Making theatre in a hurry: the improv scene in Philadelphia, by Toby Sondheim and Lloyd-Webber: The New Musical, by Stephen Citron (Jhon Zinman March DIIREMEAGAND DFs ts catient suse ooppcnvecwninsUenccnncesbesssupaidyatessteescessesebasneataces April Overnight delivery: the 24 Hour Plays enlists stars for a September 11 Wireless Microphones in the Theatre: Interactive CD-ROM Instructional Tool, STRSTRE FOG TANT AI soho svn dacives pasa eciconcdedsossebececcenes November by Martin John Gallagher (Chuck Hatcher) .......0.0. eee April Running in rep: what it takes to create a theatrical smorgasbord, by Laura C: ee TE DRA RERER OEE, CRC EE RPT ere eer Reee ety Ne November College A Thespian Festival album: photographs from the best week of the Where vou're going: figuring out what you're going to do next « year, by R. Bruhn and Don Corathers October December Turning images into words: audio description telis the visual story, by Laura C. a re NN a a akOe March Directories Way off Broadway: composers find artistic homes away from home, by 2002 College Theatre Directory December ASEAN Ah oe RSMO onsc cn cu ceca vessousptiacy namiauksuusaacsucxesechcaasanbeaoeesoynadeoennten e May 2002 Summer Theatre Directory. Sa oo Oa ee ee February Scripts Interviews and profiles Isabella, by Emily Anderson October The alien kid grows up: Joseph Gordon-Levitt’s new acting The Millennials, by Jessica Vaughan October challenges, by Tony Vellela January Nine Ten, by Warren Leight ... (uevakgatssecbuucsteeeta te cees May Blazing her own career trail: Jessica Thebus, Redbeaen director and Property Rites, by Alan Haehnel September SERIO SY CRMC Me OV ON oo wos oes cou utes savte select iv tonavsemescovemesounerueens April Rapunzel Uncut, by Mariah Everman October Coming into his own: actor Max Casella isn’t a teenager anymore, by PCCEGE AG EREDE TS LWT RARDIN. oc Sesin tcc atosveotasveisendern eons March Tony Vellela oes Septembe1 Reservations, by Lisa Rand October Exit Christiansen: in Chicago, they're hugging a critic, by Jeffrey Sonia for AVMAGULD S, TY GOW DUNE s..501cc6s0csscesecstasesstesecseboxtveestnecoye April 2 eo, ERIE EREa Ce Ret er a Cee Ce ED et Sar ce At cee ES April Speak Now, by Seth Kramer January A fire within: the stunning theatrical vision of Julie Taymor, by Jessica WV QRENID SOA, THY SOE NORCO ois sisscipenssgenssccosnceadsesnseipansnene November Oy ERC RPE Tp Sneath Ra: Son enn AN De eee De et oR oa OnE November Great expectations: eight theatre students talk about their plans and Technical theatre dreams, by Stephen Gregg September Blood, sweat, and tears: how to make an actor look like something Lives in the theatre: the Educational Theatre Association honors the cat dragged in, by Janet Flora ayes May Tom Jones and Harvey Schmidt, by Don Corathers Octobe! Fundamentals of lighting: workhorse of the ‘tid the cignsttel Playwrights find inspiration in history: building a shipyard musical in reflector spotlight, by Katherine Shirek Doughtie and Steve Wisconsin, by Ed Huyck January Nelson January Sound playmaking: a Los Angeles company has turned theatre on its Getting old: creating age makeup, by Janet Flora ...........0.cccee April ear, by Lou Harry aA shechipacceto peespek sosncotorb bbe teapanhastoaeen anes oieus a aauseeaAS May Make it real: the basics of stage makeup, by Janet Flora ............ March A warrior with her pen: playwright Melanie Marnich creates her own Theatrical space: a meeting place for actor and audience, by John realities for the stage, by Laura C. Kelley.................00 Septembe1 Ahart October Observations Theatre careers After the fall: why theatre is as important as ever, by Jeffrey Be a student again: training for teachers, by Orla Swift February BORON a tsi ba ons alicia aes coro catinie dees tter re unig e S ocse as i oe Novembe1 Different kinds of theatre classrooms: summer study programs, by Classics, move over: what’s best in New York is new, via Chicago, by Orla Swift February Jeffrey Sweet January For the love of theatre: summer stock internships and Engaging with the times: a look back at British theatre and its society, apprenticeships, by Orla Swift February 40 _DRAMATICS « MAY 2002