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Drag! The Ultimate Dragazine - 2nd Edition 2022 PDF

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NEW TTHHEE UULLTTIIMMAATTEE DDRRAAGGAAZZIINNEE LILY SAVAGE! The only interview in over 10 years DIVINE! The world’s first drag superstar Lawrence CHANEY GET UP CLOSE TO SCOTLAND’S QUEEN SUPREME RUPAUL’S DRAG RACE ln a o t i gidit TT hh ee uu ll tt ii mm aa tt ee gg uu ii dd ee i D E INSIDE! LADY BUNNY | BALLROOM | WILLAM | WIGSTOCK | PRISCILLA | TO WONG FOO D N NO SECOEDITI LATRICE ROYALE | DRAGULA | BEBE ZAHARA BENET | MISS COCO PERU | LYPSINKA + MORE TTHHEE UULLTTIIMMAATTEE DDRRAAGGAAZZIINNEE Future PLC Quay House, The Ambury, Bath, BA1 1UA Editorial Editor Darren Scott Designer Emma Wood Compiled by Sarah Bankes & Adam Markiewicz Senior Art Editor Andy Downes Head of Art & Design Greg Whitaker Editorial Director Jon White Welcome to this very special publication celebrating very Contributors Michael de Búrca, Ryan Butcher, Dean Collins, Jack Cullen, Joshua Haigh, special people – drag queens! Specifically, celebrating drag Alim Kheraj, Lee Kynaston, Louis Staples, Adam Tanswell queens in popular culture – you’ll find some of the most iconic Cover images moments from music, stage, films, television and books within RuPaul: BBC/World of Wonder Lawrence Chaney photographed by Lovelace Visual these pages. and retouched by Herr The Queen Growing up, I was drawn to drag queens from an early age. Photography Perhaps, looking back, I admired – and envied – their ability to All copyrights and trademarks are recognised and respected embrace their sexuality and live their true lives. But all I knew Thanks to Jo Allan (Jo Allan PR), Sian Allen (LYBD), Haley Baker (FX), Mikyla Baker then was that the likes of Divine and RuPaul were, what I’d (HBO), Denize Belingy (Discovery), Sarah Bemand (BFI), Tara Bennett, come to know as, ‘fierce’. I was hooked and I’ve loved drag for Chris Boyd (Organic Publicity), Noah Brodie (Divine Official Enterprises), George Butterick (Brian Butterick Memorial), Jenny Carroll (Premier), as long as I can remember. I hope that love comes across in Ben Chamberlain (Bread And Butter PR), Nick Chen, Hannah Clapham Drag! The Ultimate Dragazine. (HC Publicity), Jack Collins (Neil Reading PR), Adrienne D’Amato (FX), Jeff Dorta (Project Publicity), Natalie Dubois (Stan), Len Evans (Project As you’ll be only too aware, there are all different types of Publicity), Mia Farrell (BFI), Kevin Gibson (Universal), Kitty Greenleaf (Jo drag, as well as varying styles of performance and art – and Allan PR), Stuart Henshall (Brunswick Aces), Matt Ingham (Cherry Red), Sally Johnson (DNA PR), Aoife Kilbane (BBC), Lana Kim (FX), Jason King there are many, many entertainers mentioned within these (Kings Queens Entertainment), Brian Lau (Producer Entertainment), pages. Please do look them up, watch their videos, follow their Megan MacLeod (HBO), Joan Marshrons (BM Creative Management Ltd), Lizzi Morton (BBC), Tom Parker (PWL), Anna Penney (Moneypenney PR), socials, and tip these girls. But also dig a little deeper – there’s a Jill Reading (BFI), Imogen Reid (BBC), Lisa Richards (Organic Publicity), rich history of talent and I’m aware we’re only scratching the Sarah Rhodes (Rhodes Media), Liam Rudden (Edinburgh Evening News), Luke Seraphin (Sky), Charlotte Simon (FX), Stephen Sparco (Voss Events), surface here. One of the joys of putting this dragazine together Hannah Talpassh (Disney), Susan Taylor (Stan), Rosalee Todd (Universal), was being able to revisit some classic performers, but also to Kelly Walker (Universal), Derek Walsh, Michael Warwick (MW Talent), Kevin Wilson (Kevin Wilson PR), Jason Woodely (Premier), Yildiz (Drags of discover new music, new books and new documentaries. And Anarchy), Kim Yong (Disney) this is coming from an old drag queen herself! Queer history is Advertising so vibrant and fascinating – there’s always something else if Media packs are available on request Commercial Director Clare Dove you take the time to look. International Of course, it could never be a definitive history of drag – I Head of Print Licensing Rachel Shaw know that. That’s why we limited it to drag in popular culture [email protected] www.futurecontenthub.com for this publication. Everything here is intended as a mere Circulation appetiser before your Tic Tac main meal. The library really is Head of Newstrade Tim Mathers open, and there’s so much Production wonderful talent and history Head of Production Mark Constance Production Project Manager Matthew Eglinton and many life stories to Advertising Production Manager Joanne Crosby discover. Get reading, get Digital Editions Controller Jason Hudson Production Managers Keely Miller, Nola Cokely, All content previously watching – honestly, the Vivienne Calvert, Fran Twentyman appeared in this edition wonders you’ll find out there Printed in the UK of Drag! at your fingertips… We could Distributed by Marketforce, 5 Churchill Place, Canary Wharf, London, E14 fill many, many magazines. 5HU www.marketforce.co.uk Tel: 0203 787 9001 Who knows, if you show us RuPaul’s Drag Race is a trademark of World Of Wonder/VH1 © 2022 enough love we might come Drag! The Ultimate Dragazine Second Edition (LBZ4415) © 2022 Future Publishing Limited back to share some more We are committed to only using magazine paper which is derived from responsibly with you. Follow us on managed, certified forestry and chlorine-free manufacture. The paper in this bookazine was sourced and produced from sustainable managed forests, conforming to strict Twitter and Instagram environmental and socioeconomic standards. The paper holds full FSC or PEFC certification and accreditation. @thedragazine and let us All contents © 2022 Future Publishing Limited or published under licence. All rights know what you think! reserved. No part of this magazine may be used, stored, transmitted or reproduced in any way without the prior written permission of the publisher. Future Publishing Limited (company number 2008885) is registered in England and Wales. Registered office: Quay House, The Ambury, Bath BA1 1UA. All information contained in this publication is for information only and is, as far as we are aware, correct at the time of going to press. Future cannot accept any responsibility for errors or inaccuracies in such information. You are advised to contact manufacturers and retailers directly with regard to the price of products/services referred to in this publication. Apps and websites mentioned in this publication are not under our control. We are not responsible for their contents or any other changes or updates to them. This magazine is fully independent and not affiliated in any way with the companies mentioned herein. DARREN SCOTT Future plc is a public Chief executive Zillah Byng-Thorne (aka Molly Pageant) cLoomndpoann Sy tqoucok tEexdc ohna nthgee NonC-heixeef cfiuntaivnec ciahla oirfmficaenr RPeicnhnayrd L aHdukninti-nBgrfaonrdd Editor (symbol: FUTR) www.futureplc.com Tel +44 (0)1225 442 244 86 108 06 A Potted History of Drag It’s been going on for years and years! 12 Lawrence Chaney The UK’s reigning queen 38 T he Adventures of on winning Drag Race UK. 22 Priscilla, Queen Of 18 T he Library Is Open The Desert Drag terminology A retro look back at explained from A-Z. the iconic movie via 22 L ady Bunny classic interviews. New York’s reigning 44 D ivine queen spills the T. The legacy of the world’s 28 T o Wong Foo first drag superstar. Revisiting the classic drag 52 B eBe movie with its writer. Catching up with the 34 P .S. Burn This original crowned queen of RuPaul’s Drag Race. Letter Please 56 S um Ting Wong An incredible documentary about drag The Drag Race UK star on queens in the 1950s. music and her new EP. 4 | DRAG! The Ultimate Dragazine 94 28 112 102 L ily Savage A candid chat with a groundbreaking icon. 108 D ragula 44 The Boulet Brothers discuss their love of blending horror and drag. 112 R uPaul’s Drag Race The ultimate guide – featuring every season and every spin-off! 58 P op Goes Drag! 86 P riscilla, Queen 126 E nvy Peru The music icons who’ve Of The Desert The journey to been bringing drag to the The Musical becoming Holland’s mainstream for decades. first drag superstar. Jason Donovan talks 64 B luffer's Guide donning drag and 127 P riyanka To Ballroom producing the new Canada’s first drag Waltz, darling. touring stage show. superstar is here! 72 W igstock 90 L ypsinka 128 R ock M Sakura A look back at the The iconic star of stage She’s sickening AND legendary New York and screen talks origins. spectacular! drag queen festival. 94 E verybody’s Talking 129 H eidi N Closet 78 L atrice Royale About Jamie Season 12’s Miss She’s large, still in charge Congeniality has her and a West End lead! Designing costumes for own chat show. the hit stage show. 82 M iss Coco Peru 130 V anessa Mateo 98 W illam She’s big, she’s beautiful Miss Vanjie… Miss Vanjie… – you’re gonna love her. Business woman special! Miss… Vannnnjie! 5 | DRAG! The Ultimate Dragazine A POTTED HISTORY OF DRAG Drag queen legend Jonny Woo. 6 | DRAG! The Ultimate Dragazine A POTTED HISTORY OF DRAG A P OT T E D H I S TO R Y O F From Ancient Greece via Shakespeare’s Globe to RuPaul’s runway – a whirlwind introduction to those that served looks first… WORDS: JACK CULLEN e love death drops and Drag history is a white-knuckle ride best. But let’s take a strut through typing “OMG DEAD!” of radical counter culture. A risqué relay herstory, and zoom in on a few of the but how much do we race of queer fantasy that has run its wacky wiggy sisters who’ve kept the know about the drag way through centuries of underground world spinning like a disco ball for quite queens who are establishments and illicit parties, not to some time now… literally dead, mention a spiky assault course of catwalking across the arrests, murders, suicides and scandal. Today drag is the centuries before us? The powerful story of William Today drag is the glossiest and most Dorsey Swann, a black former-slave glossiest and most lmucernattioivne iint shtaitsu etivoenra blleye-ne,n ndootr tsoe d and wsehlfo-i wdeanst pifioesdsi bdlrya gth qeu fieresnt, ewvaesr only lucrative it has ever N PHIPPS O fwaostrilddi oisu bsleyn ste olfn- dDorcaugm Reancete, hd.u Tnhchee d raered itshceorvee’sr esdti lal fae lwot y meaorrse b oafc tkh. iCs hances been, not to mention ND, SIM A over pizza cooing at countless queens, exciting jigsaw waiting to be unearthed institutionally- GR M some of whom are household names as more and more people become A dceolienbg stphien r-oouffns.d Ts hoant ’csh garte saht,o owbsv iaonuds ly, pasTsoio dniasttiel la dbroaugt’ sd sruang.dry past down efansdtiodrisoeuds layn sde lf- HE CLAPH aanlwda oyfs c loikuer sthe iws.e love it. But it wasn’t ifneatotu trhee c baoni loendl ym bine ta o ffo ao lmisahg aatztienme pt at documented AGES: T M I 7 | DRAG! The Ultimate Dragazine A POTTED HISTORY OF DRAG Police raid a and Mozart were constantly packing their ball in New operas with cross-dressing palavers too, and York in 1939. ‘castrati’ singers just added to the thrill. MOLLYWOOD Molly Houses were the meeting places for a 17th century sapling gay community, Molly being a slur meaning effeminate man. In 1709 Ned Ward wrote in his exposé The Secret History of London Clubs, “Mollies rather fancy themselves women, imitating all the little vanities that custom has reconciled to the female sex, affecting to speak, walk, tattle, curtsy, cry, scold, and mimic all manner of effeminacy!” Molly Houses were an assemblage of gay bar, brothel, cabaret space, fetish club, café, mafia den, LinkedIn and Tinder. Drag acts at Ichikawa Komazo II Molly Houses parodied washer women and as Akaneya Hanshichi housewifey chit chat, suggesting Cher might in Hadesugata On’a not have been born yet. There were draggy Maiginu, circa 1798. skits including ‘mock marriages’ and even ‘mock births’, that sometimes turned sexual. Hindu histories have reference points for Illustrations from the 1700s show men cross-dressing. The story of Mulan first pops laughing in female attire and fanning New York up in the 6th century, and Japanese Kabuki themselves while boys stolen off the street police arrest a theatre in the 1630s concreted a strong were seduced and had their feet kissed while man in drag. tradition of female impersonation in Asia. other men watched through peep holes. We’ll likely never know for sure – but did Yikes. SHADY LADIES cavemen pull their willies between their legs Judges condemning queens to prison couldn’t and say, “Look, I’m a cavewoman!”. Of course HE’S BEHIND YOU! have imagined today’s glittering world of they bloody did. The UK’s great pantomime tradition has its RuPaul. Yet just as they would struggle to roots in 16th century Italy’s Commedia understand our times, we aren’t best A MIDSUMMER NIGHT’S Dell’Arte. Think gorgeous leggings, bells, and equipped to fathom theirs. Language evolves QUEEN masks like they sell in Venice. But these faster than law while feelings often lay Drag timelines often kick off with clownish plays became popular in the UK. In unspoken. Thanks to social media we now Shakespeare. There were dozens of 1732 the Covent Garden Theatre was built in have a wide pool of definitions and playwrights in the 1500s but Bill was top dog expressions that would have been alien to our as his company staged plays for Queen ancestors, not to mention new ways to Elizabeth four times a year at The Globe. connect. The queer spark was always there, Only men were allowed onstage and the that’s for sure, but they didn’t have today’s word “drag” appears pencilled into the toolkit. margins of scripts. Scholars argued over When looking at drag history, many whether it was shorthand for “DRessed As resources are linked to crimes, deaths or Girl” or a nickname for the costumes that flashy promo from big productions because dragged along the floor. these things leave indelible footprints (size 11 Shakespeare used the all-male schtick to honey!) poke fun. Plays like Twelfth Night and As You But to study drag you must ask yourself Like It are positively pinging with storylines what it is that you actually mean – men in that dwell and delight in gender dresses being amusing? Radical theatre? pandemonium. Iconic characters like Juliet, Gender-bending fashion? Mrs Doubtfire? Or Desdemona and Cleopatra were all created fame-hungry stage school kids living for the with particular boys in mind. ‘gram? People reflect on this period in terms of restriction, but audiences loved the cocks-in- ANCIENT ORIGINS frocks farce of it all. While in Europe Handel Drag’s core elements existed thousands of years ago and transvestites are cited in the Hebrew Bible several centuries before Christ. It may not have been meme-able and “sickening”, but it certainly turned enough heads for priests to condemn it in 450 BC. The ancient Roman festival Saturnalia upended not just gender norms but everything including slaves dressing as masters. The Feast Of The Holy Innocents was an outrageous early Christian festival that had Dan Leno, boys cosplaying priests, and before that William Shakespeare’s circa 1880, as Pagans loved a slice of gender illusion with Twelfth Night at the Mother Goose their sacrificial fire-leaping outdoor sex. Apollo Theatre in London. at Drury Lane. 8 | DRAG! The Ultimate Dragazine A POTTED HISTORY OF DRAG Frederick Park (right) and Ernest Boulton as Fanny and Stella, 1869. Ella Shields has her hair done by Max Factor, circa 1930. London by John Rich, a successful harlequin, WILLIAM DORSEY SWANN and producers began tweaking the format, Meanwhile in DC, yards away from The remixing it with English tales like Dick White House, a party of black men were Whittington and Robin Hood. Dames became arrested in 1888 for dancing in satin gowns. a mainstay of pantomimes and broke the The organiser, William Dorsey Swann, was a fourth wall to make fun of topical subjects. former-slave who ran a meet-up. Black Peter Pan was an early ‘drag king’ character butlers, messengers and coach riders would as audiences came to expect a woman in dress up, get drunk, and get laid. His parties that role. also had white men “of respectable Actor Samuel Simmons found fame as parentage”, drinking champagne, dancing and Mother Goose while James Rogers made basking in “a hell of iniquity” (as one reporter waves as Widow Twanky at The Strand (the put it). Swann became an early gay activist name is a piss-take of Twankea Tea, a cheap and is currently the first person in America to brand imported from China at the time). have identified as a “queen of drag”. A book The biggest panto star was Dan Leno, about his life is due out soon, The House of whose “Wicked Aunt” gave Drury Lane a Swann, published by Picador Books. This smash sell-out with Babes In The Wood. In underground US scene eventually evolved 1900 Leno opened his own London venue, into ballroom culture (see page 66). The Clapham Grand, which to this day still stages the biggest names in drag – Alaska, VARIETY AND VAUDEVILLE Baga Chipz and Sasha Velour, as well as local Vaudeville made drag commercially viable. faves like Diane Chorley, Myra Dubois, and Among the magicians, ventriloquists and Aaron Carty AKA The Beyoncé Experience. strong men, audiences would gasp in disbelief when drag queens performed and then FANNY AND STELLA revealed their true identities – how titillating! Thomas and Frederick were two Victorian Unlike Burlesque, Vaudeville was supposed good-time boys arrested one night in 1870 for to be a family night out and in 1915 Variety leaving a theatre dressed as ladies – namely magazine ranted about “the offensive, their female alter egos “Fanny and Stella”. disgusting, effeminate impersonators”. Hundreds gathered to watch the boys leave Needless to say, everyday people LOVED IT. the police station the next morning, roughed Bert Savoy became a big name and so did up in their giant gowns. This was going out in Julian Eltinge (whose fee even outgrew drag, yonks before the days of Wigstock or Charlie Chaplin’s). Big-budget musicals were Mighty Hoopla. The nation was gripped when built around Eltinge, including Cousin Lucy it emerged that Thomas was also dating Lord and The Fascinating Widow. The Russell Clinton, who couldn’t cope with the exposé Brothers did well too with their show, Bitch, and killed himself (or possibly fled). Penny pretending to be a pair of Irish servant girls. pamphlets (the tabloids of their day) were Vesta Tilley, Hetty King and Ella Shields were dedicated to the public’s hunger for this three very successful drag kings from this CE case. Fanny and Stella toured for years after period. OFFI the trial. A book (see page 10) and a stage play RD O mcoemAanne s1i n8th 7de0ry ap’gva,er w tnyhe iivncevhri tmbaeteieaonnn fs so marygeson t“ tWwenee.a srhinagll PN19iR3g0hOst lwHifehI ewBnaI AsT dmIrOeivreiNcna ubnadnenregdr obuonodze i.n A tnh e Y, ESSEX REC women clothing”. This suggests that some unsupervised, experimental scene flourished GETT pneeoedpeled k an celwue t.h e term while others still ibne cseacmree tk annodw dnr aags “qTuheeen Psa snuzryg eCdr ainze w”.h Jaeta n AGES: M I 9 | DRAG! The Ultimate Dragazine A POTTED HISTORY OF DRAG Malin was a prohibition era break-out drag star. The Slide was one such bohemian joint on New York’s Bleecker Street with queens singing show tunes. Princess Toto, Madam Fisher and Phoebe Pinafore were all on the bill at this raucous dive. Over in London drinking was never out of season but drag parties were being raided. A mass arrest at a Holland Park party in 1933 called “Lady Austin’s Camp Boys” saw 27 men go to jail. Lady Austin, the event’s male organiser, was unapologetic in court saying, “Before long this will be allowed”. Berlin and Paris drag scenes flourished but then fell at the feet of fascism. The world’s bubbling drag scene dissolved into World War II and men who hadn’t been allowed to dance in dresses were now suddenly required to run into machine gun fire. A TIME AND A PLACE Marsha P Johnson, a By the ‘60s drag was surfacing again on a Stonewall legend. tense mafia-controlled scene. The fantastic 1967 documentary The Queen followed a drag fellow queen and friend Marsha P Johnson pageant hosted by The Flawless Sabrina and famously joined the struggle later on. starring Crystal LaBeija. It went on to win Marsha went on to join the performance wide acclaim at Cannes, but while a lucky few group Hot Peaches in 1972, and later The were enjoying drag docs, authorities were still Angels of Light, a drag troupe that evolved out hostile. of San Francisco’s Cockettes. She moved in In the early hours of June 28th 1969 Warhol’s circle for a while but was a tensions hit boiling point when patrons at troublemaker too, partly due to mental health The Stonewall Inn fought back against a raid, difficulties, she was barred from many gay kickstarting six days of carnage that energised bars whose proprietors said she would start the contemporary gay rights movement. Some fights. Like civil rights and feminism before it, Riots at The of the arrested queens and transgender gay rights groups were divided and riddled Stonewall Inn, patrons were marched to the toilets to have with rifts. Some were trying to seduce rights New York, their genitals inspected. By chance, Sylvia out of governments via “good behaviour” and 1969. Rivera was one of the queens at the Stonewall quiet assimilation, which clashed of course that night, as was Stormé DeLarverie. Their with vibrant radical sex-worker drag queens. Dressing Up Drag, A History British Music Hall: Fanny & Stella We Can Be Heroes: Peter Ackroyd Of Female An Illustrated Neil McKenna London Clubland (1979) Impersonation In History (2013) 1976-1984 The Performing Richard Anthony Chris Sullivan and Arts Baker (2005) Graham Smith Roger Baker (1995) (2012) 10 | DRAG! The Ultimate Dragazine

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Most books are stored in the elastic cloud where traffic is expensive. For this reason, we have a limit on daily download.