Download the Research Report 2013 - Victoria and Albert Museum

30 Pages·2014·0.49 MB·English

2V MESSAGE FROM
THE DIRECTOR
0
&
Research is a core activity of the V&A, and it
1
grows out of the Museum’s original commitment
A to the arts and sciences that shape the world
3 around us. This Annual Research Report lists the
outputs of staff from the calendar year 2013.

It does more than document the remarkable
R
productivity of individual experts throughout
the Museum: it testifies to the thriving research
E culture that joins them together in one of the
world’s most important centres for the preservation
and interpretation of art and artefacts. The V&A
S
plays a leading role in binding together the fields
of art, design and performance; conservation and
E
collections management; and object-led,
museum-based learning.
A
We let the world know about our work through
many different routes, which reach as large and
R
varied an audience as possible. Here you will find
the kinds of items you might expect – exhibition
C catalogues, scholarly monographs and articles in
specialist journals – but also television and radio
programmes, films, public lectures and digital
H resources.
Some of this research is developed through our
close relationships with universities and other
R educational institutions: the V&A is one of the
UK’s only national museums with an academic
URL (vam.ac.uk), and it is home to the world’s
E
oldest postgraduate programme in the history
of design, which today forms part of our
P
longstanding collaboration with the Royal
College of Art.
O
The V&A is international both in its collections
and its outlook. In this Report you will notice
R entries in French, Spanish, German and Russian
as well as English, and activities in places as
diverse as Ukraine, Libya and Colombia. Our
T
research connects us to the wider world and,
above all, ensures that the collections entrusted
to our care will continue to inspire creativity and
curiosity for many years to come.
Martin Roth
A
ROTH, MARTIN JACKSON, ANNA
Foreword: David Bowie is what follows. In: Geoffrey Ici, ailleurs, a quoi tient l’excellence en expositions? [Editor]. Yindu gongting de huihuang: Yingguo
Marsh and Victoria Broackes, eds, David Bowie Is... Keynote lecture delivered at the annual conference guoli weiduo liya yu aibote bowuguan guangcang
S
London: V&A Publishing, 2013, p.17 of the Société des Musées Québécois, Quebec City, zhenpin ji [The Splendour of India’s Royal Courts:
10 October 2013 Collection of the Victoria and Albert Museum].
I
Foreword. In: Beatriz Chadour-Sampson, Pearls. Beijing, Gugong chuban she [The Forbidden City
London: V&A Publishing, 2013, p.6 Working Internationally 1852-2013. Paper delivered A Publishing House], 2013. ISBN 978-7-5134-0391-7
at Nanjing Museum Reopening and 80th
Foreword. In: Hongzing Zhang, ed., Masterpieces Anniversary Ceremony and Conference, Nanjing, Changing the Face of the World. In: Ives Maes:
of Chinese Painting, 700-1900. London: V&A 7 November 2013 N The Future of Yesterday. Antwerp: Ludion, 2013,
Publishing, 2013, p.6 pp.22–40
Martin Roth: the man who is conceptualising
Foreword. In: Julius Bryant, ed., Alec Cobbe: Designs the V&A. Interview in Conceptual Fine Arts, Fashioning the Taisho¯ Period. Paper delivered
for Domestic Interiors. London: V&A Publishing, 5 December 2013. http://www.conceptualfinearts. D at the conference, The Greater Taisho¯ Period
2013, p.8 com/cfa/2013/12/05/martin-roth-the-man-who-is- 1900-1940: Years of Irony and Paradox, organised
conceptualizing-the-va/ by the Society for the Japanese Arts and held at
Roth, Martin with Kim Young-Won. Foreword. E Leiden University, Netherlands, 10-12 January 2013
In: Kim Young-Won, ed., Korean Art Collection of ‘Wir haben in Europa die Neugierde füreinander
the Victoria and Albert Museum. Daejeon: National verloren’. Interview for Zeit Online, 20 June 2013. P The Splendour of India’s Royal Courts. Lecture
Research Institute of Cultural Heritage, 2013, p.9 http://www.zeit.de/kultur/kunst/2013-06/ delivered at the Palace Museum, Beijing,
martin-roth-interview A 25 April 2013
Free Entry has become a lifeline for museums.
London Evening Standard, 19 February 2013 Participant in a discussion with Glenn Adamson The Japanese Collections at the V&A. Paper
and Kirsten Bound. V&A Podcast: Cultural R delivered at the symposium, Textile Matters:
Afterword. V&A Futureplan: Transforming the Diplomacy. Season 1, Episode 16, 2013. Collections, organised by and held at Bath School of
World’s favourite museum of art and design. http://www.vam.ac.uk/content/ Art and Design, Bath University, 1 November 2013
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London: V&A Publishing, 2013 articles/v/v-and-a-podcast-cultural-diplomacy/
Sumptuous Silks: Japanese kimono from 1600
M
Building Cultural Bridges: The value of cultural Doppelgänger Two: The Museum of the Future. to present day. Lecture delivered to the West of
relations between China and the UK. Special Goethe Institut, October 2013. England Costume Society, Bath, 23 November 2013
report: The People’s Republic of China. FIRST, http://www.goethe.de/ins/gb/lp/kul/dug/dop/
November 2013 dro/enindex.htm Member, Cecil Higgins Art Gallery Board
E
New Museum Concept for the 21st Century. Trustee, British Council
N
Lecture given at Zeppelin University,
EAST ASIA SECTION
Friedrichshafen, 24 January 2013 Member, FCO Diplomatic Excellence External Panel
Was Kultur für die Wirtschaft tun kann - und Member, Council of the Royal College of Art T FAULKNER, RUPERT
umgekehrt. Lecture given at Volkswagen With Eric Bates. Mazarin Chest Gallery Interactive,
Gläsernen Manufaktur, Dresden, 25 January 2013 Member, Court of Imperial College London Room 45, the Toshiba Gallery of Japanese Art
Managing Cultural Institutions. Lecture delivered Member, CHArt (Computers and the History
as part of the series, Imperial Business Insights, of Art) Committee
Imperial College London, 21 May 2013
HUTT, JULIA
The Reinvention of the Museum: On the Transition Discussant for Jan Dees, How Lacquer Art Rose to
of an Historical Institution. Lecture given at the the Challenge of Modernity. Paper delivered at
Jewish Museum, Berlin, 28 June 2013 the conference, The Greater Taishō Period
1900-1940: Years of Irony and Paradox, organised
Connecting the ages: the museum as curator by the Society for the Japanese Arts and held at
of dialogue between past, present and future. Leiden University, Netherlands, 10-12 January 2013
Contribution to panel, The Role of Contemporary
Art in Classical Museums, as part of the conference, Did the Japanese Inrō have European Origins?
Anish Kapoor in Istanbul, held at Sakip Sabanci Paper delivered at the International Netsuke
Museum, Istanbul, 11 September 2013 Society Convention, organised by the International
Netsuke Society and held at Grange St. Paul’s
Meeting Tomorrow: The Future of Partnership. Hotel, London, 10-14 May 2013
Keynote lecture delivered at annual conference
of the Dutch Museums Association,
‘s-Hertogenbosch, 3-4 October 2013
With Shayne Rivers. Object in Focus: 19th-century Member, Japan Art History Forum Associate Professor, Culture dell’Asia Centrale e The Making of Chinese Painting, 700-1900.
Japanese lacquer box. Livestream delivered at the Orientale (10/N3), ASN (Abilitazione Scientifica Lecture delivered at the East Asian Art Research
conference, Furniture: Making and Meaning, Member, Japan Society, London Nazionale) [National Academic habilitation] Seminar, organised by and held at SOAS,
organised by and held at the V&A, 17 May 2013 (2013-2017) 15 November 2013
KIM, ROSALIE
Flowers and Fauna of the Four Seasons: An Early Introduction: Korean Art at the Victoria and Albert PERSSON, HELEN Masterpieces of Chinese Painting, 700-1900.
Eighteenth-Century Group of Japanese Lacquer. Museum. In: Kim Young-Won, ed., Korean Art (Review of) Dieter Kuhn, ed., Chinese silks. New Discussion with Glenn Adamson and Craig Clunas
Paper delivered at the conference, Asian Lacquer Collection of the Victoria and Albert Museum. Haven and London: Yale University Press, 2012. for V&A Podcast, 26 October 2013. http://www.
Symposium, organised by Buffalo State, The State Daejeon: National Research Institute of Cultural Textile History, vol.44, no.2, 2013, pp. 274–6 vam.ac.uk/content/
University of New York and held at Buffalo State Heritage, 2013. pp.21–35 articles/v/v-and-a-podcast-hongxing-zhang-and-
University, 20-24 May 2013 (Review of) Robin Netherton and Gale R. Owen- craig-clunas,-chinese-paintings/
(Review of) Joan Kee, Contemporary Korean Art: Crocker, eds, Medieval Clothing and Textiles 8.
Trustee, Chiddingstone Castle, Kent Tansaekhwa and the urgency of method. Woodbridge: The Boydell Press, 2013. Medieval
Minneapolis: University of Minnesota Press, 2013. Archeology, vol.57, p.381
MIDDLE EAST SECTION
IRVINE, GREGORY Hossein Amirsadeghi, The Power of Now. London:
From Namban to Meiji: The availability and Thames & Hudson in association with TransGlobe Chinese textiles and dress in the V&A collection.
reception of Japanese Art in the West. In: Gregory Publishing limited, 2013. Art Newspaper, Lecture delivered as part of evening series BAIN, ROWAN
Irvine, ed., Japonisme and the Rise of the Modern International Edition, Art Basel in Miami Beach organised by and held at the Shanghai Museum, High and Dry. Ottoman Bath Clogs and the Allure
Art Movement: the Arts of the Meiji Period. daily edition, 5 December 2013, p. 20 Shanghai, China, 11 December 2013 of the Eastern Women. Paper delivered at the
London: Thames and Hudson, 2013, pp.16–53 conference, The World at Your Feet, organised by
Korean contemporary art and craft at the V&A. The Heel. Radio Broadcast for programme, The the University of Northampton and Northampton
Wakon Yosai – Japanese Spirit, Western techniques: Presentation delivered for an International Why Factor. BBC World Service, 14 January 2013 Museum and Art Gallery and held at the
Meiji Period Arts for the West. In: Gregory Irvine, ed., Summer Campus (ISC) course on Korean Modern University of Northampton, 20-21 March 2013
Japonisme and the Rise of the Modern Art Art organised by and held at Korea University, Committee Member, Early Textile Study Group
Movement: the Arts of the Meiji Period. London: Seoul, 22 July 2013 Displaying Shoes in the V&A. Paper delivered
Thames and Hudson, 2013, pp.166–223 WILSON, MING at the symposium, The Cinderella Syndrome:
Interview. September 2013. Reign marks, owners marks and makers marks. Displaying Shoes in Museums, organised by and
Japanese Enamels: the Seven Treasures. Talk http://www.muzine.go.kr/2013/47th/ Lecture delivered at the Hong Kong Oriental held at Northampton Museum and Art Gallery,
delivered at Weston Park Museum, Sheffield, accompany03.jsp Ceramics Society, Hong Kong, 24 June 2013 21 October 2013
27 February 2013
Shim, Jin-Sol. New Korean Acquisition. October 2013. Council member, Oriental Ceramic Society, London CAREY, MOYA
Japanese Enamels: the Seven Treasures. Lecture http://www.vam.ac.uk/b/blog/network/ In the Absence of Originals: Replicating the
given at the Russell-Cotes Museum and Art aggregation10-se032red ZHANG, HONGXING Tilework of Safavid Isfahan for the Victoria and
Gallery, Bournemouth, 1 August 2013 [Editor and author]. Masterpieces of Chinese Albert Museum. Paper delivered for the panel
Korea, now and then. The Art Newspaper Online. Painting, 700-1900. London: V&A Publishing, 2013. sponsored by Historians of Islamic Art
Diplomatic Gifts of Japanese Arms and Armour in December 2013. 360p. ISBN 9781851777563 Association, Between Maker, Agent, Collector,
the Nineteenth Century. Lecture delivered at the http://www.theartnewspaper.com/articles/ Curator and Conservator: Interdisciplinary
conference, East Meets West: Diplomatic Gifts of Korea-now-and-then/31221 Masterpieces of Chinese Painting, 700-1900: Approaches to the Study of Islamic Tilework, at
Arms and Armour between Europe and Asia, held Autumn Exhibition at the Victoria and Albert the College Art Association conference, New York,
at the Royal Armouries, Tower of London, MENGONI, LUISA Museum October 26 2013-January 19 2014. 14 February 2013
14 September 2013 Adapting to foreign demands. Chinese enamelled Arts of Asia [Hong Kong], vol.43, no.6, 2013, pp.64–77
copperwares for the Thai market. In: Anne Håbu Tilework Drawings from Iran: Accessing Safavid
Japonisme or Japonaiserie? The influence of and Dawn F. Rooney, eds, Royal Porcelain from [In Chinese]. The Making of Chinese Painting, Architecture from South Kensington. Lecture
Japan on western art. Lecture delivered at Siam. Unpacking the Ring collection. Oslo: 700-1900. Art & Collection [Taiwan], no.255, delivered for the Oriental Ceramic Society,
Christie’s, South Kensington as part of the launch Hermes Publishing, 2013. pp. 106–23. 2013/12, pp.122–9 London, 14 May 2013
of the book, From Namban to Meiji: The availability ISBN 978-82-8034-200-3
and reception of Japanese Art in the West, A Short Guide to a Long History. The Art Later Safavid Painting: Reza 'Abbasi in Isfahan.
9 October 2013 Meeting new market demands. The production of Newspaper, Section 2, no.250, October 2013, Lecture delivered for the SOAS Diploma in Asian
archaeological fakes in China in the early decades pp.19–20 Art, held at SOAS, London, 18 June 2013
Japanese Enamels: the Seven Treasures. Talk of the 20th century. Paper presented as part of
delivered at the Willis Museum, Basingstoke, the workshop, Pour une sociologie des faux: faux Organiser of the conference, The Making of Picking the Right Path. Decisions and Divination
6 November 2013 et faussaires dans l’art chinois et japonais (XIXe Chinese Painting: 700 to the present. International in Islamic Science. Paper delivered for the
siècle et 1ère moitié du XXe siècle), organised by conference organised to coincide with the workshop, Early Modern Projectors and
Japanese Cloisonné Enamels: the Seven Treasures, the Centre de Recherche sur les civilisations de exhibition Masterpieces of Chinese Painting, Technologists, organised by the V&A and held
Museums Sheffield. Part of the V&A UK tour of l’Asie Orientale and held at the Collège de France, 700-1900, held at the V&A, 5-6 December 2013 at the Italian Cultural Institute, London,
the exhibition, Japanese Cloisonné Enamels: the Paris, 13-14 November 2013 17 September 2013
Seven Treasures. http://www.youtube.com/ Notes on the Painting Stretcher. Conference paper
watch?v=G-xKcoT95oQ&feature=c4-overview&lis Chinese enamelled copperwares in the Ring delivered at the conference, The Making of
t=UUe7nI9FyFE8Csr5ReNt9QpQ collection. Paper presented as part of the seminar, Chinese Painting: 700 to the Present, held at the
Royal Porcelain from Siam, the Museum of V&A, 6 December 2013
Cultural History, Oslo, 23 November 2013
Studying the Stars in Iran: Positioning al-Sufi’s by Dr Kathleen Bickford Berzock, Associate A circular journey. Iranian lacquer and its travels A Royal shrine from Mandalay, Art-Historical and
Book of Constellations in Islamic Art History. Director of Curatorial Affairs, Block Museum, in Europe. Norouz lecture organised by and held Conservation Considerations. Lecture delivered at
Seminar delivered as part of the series, Persian Northwestern University, held at the Art Institute at the V&A, 27 March 2013 the conference, Buddhist Art and its Conservation,
and Islamic Arts: Transcultural Geographies, Chicago, 15-17 August 2013 organised by the V&A and the Courtauld Institute
organised by and held at the Courtauld Institute A circular journey. Iranian lacquer and its travels and held at the Courtauld Institute, London,
of Art, London, 29 October 2013 Islamic objects in Christian contexts: gift exchange in Europe. Paper delivered at the conference, 3-4 May 2013
and relic translation. Paper presented at the Orientality: Cultural Orientalism and Mentality,
The Mirza Akbar Architectural Drawings at the conference, Translating Cultures in the Hispanic organised by the Cambridge Shahnama Centre CRILL, ROSEMARY
V&A. Broadcast for Tamasha Arts Programme. World, organised by Art in Translation, University and the Orientalist Museum, Doha, and held at Seven Yogis, a Dog and a Banyan Tree: the long
BBC Persian, 25 April 2013 of Edinburgh, 7-8 November 2013 Pembroke College, Cambridge, 17-18 May 2013 journey of a Rajasthani composition. In Mahesh
Sharma and Padma Kaimal, eds, Themes,
The Ardabil Carpet. Broadcast for Manoto TV, Ivory carving in Islamic Spain: Materials and The gun of Sultan Mahmud I in Baltimore. Lecture Histories, Interpretations. Essays in Honour of
20 June 2013 Politics in the context of trans-Saharan trade. in the series, Turkish Art and Culture, organised by B.N. Goswamy. Ahmedabad: Mapin Publishing,
Seminar presented at the World Art Research and held at the Turkish Cultural Foundation, 2013, pp. 160–7
Member, May Beattie Fellowship Committee, Seminar series, Sainsbury Centre for Visual Arts, Istanbul, 23 October 2013
Ashmolean Museum, Oxford University of East Anglia, 20 November 2013 Patronage at the Indian Courts. In: Anna Jackson,
Collecting and curating Islamic art in the 21st ed., Yindu gongting de huihuang: Yingguo guoli
ROSSER-OWEN, MARIAM Samarra. Finds from the Herzfeld Excavation century. Lecture delivered at the Casa Árabe, weiduo liya yu aibote bowuguan guangcang
With Alex Metcalfe, eds, Forgotten Connections: in the Victoria and Albert Museum. http:// Madrid, 7 November 2013 zhenpin ji [The Splendour of India’s Royal Courts:
material culture and exchange in the central and samarrafindsproject.blogspot.co.uk/ Collection of the Victoria and Albert Museum].
western Mediterranean, 7th-13th centuries. Special From text to art form in the Ottoman Hilye. Paper Beijing, Gugong chuban she [The Forbidden City
issue of Al-Masaq: Islam and the Medieval Member, Academic Advisory Committee, The delivered at the conference, The Rhetoric of Publishing House], 2013, pp.293–304
Mediterranean, vol. 25:1 (April 2013) Barakat Trust Images: Logos, Icon, Logo, in the series, The Athens
Dialogues: Logos – Icon – Logo, organised by the Indian textiles in Georgian Britain. Lecture
‘From the Mounds of Old Cairo’: Spanish ceramics Series Editor, Arts and Archaeology of the Islamic Onassis Foundation and the Centre for Hellenic delivered to the Georgian Society, Brighton,
from Fustat in the collections of the Victoria and World, (Brill) Studies, King’s College, London, and held at King’s 9 Jan 2013
Albert Museum. In: Actas del I Congreso College, London, 30 November 2013
Internacional Red Europea de Museos de Arte Academic adviser, Walters Art Gallery, Baltimore, Indian Trade Textiles. Lecture to students at
Islámico. Granada, Patronato de la Alhambra y for exhibition entitled, Pearls on a String: Art and Member, Conseil scientifique du Musée du Louvre the National Institute of Design, Ahmedabad,
Generalife, 2013. pp. 235–59. Available online at: Biography in the Islamic World (autumn 2015 and India, 11 Feb 2013
<http://remai.alhambra-patronato.es/es/content/ touring to Asian Arts Museum, San Francisco)
actas> Collecting India 1798-2013. Lecture delivered
SOUTH AND SOUTH
Co-supervisor, PhD thesis, Universidad Autónoma, at Arts Reverie, Ahmedabad, India, 11 Feb 2013
The Gold Route: Trans-Saharan Trade and Luxury Madrid (2011-15)
EAST ASIA SECTION
Arts in Medieval Europe. Keynote lecture delivered Landscape in Rajasthani Painting. Paper delivered
as Lansdowne Visiting Lecturer to the University Member Advisory Board, Alamar at the conference, Rajasthani Painting, organised
of Victoria (BC) Medieval Studies Workshop, CHAN, SAU FONG by the National Museum Institute and held at
9 February 2013 Associated Scholar, MEDHis, Consejo Superior de South-East Asian Textiles in the V&A: 19th Century the National Museum of India, New Delhi, India,
Investigaciones Científicas, Madrid Acquisitions. In: Izabela Kopania, ed., South-East 20 March 2013
‘An historical museum of ornament’: architectural Asia: Studies in Art, Cultural Heritage and Artistic
plaster casts from Granada and Cairo in the South Peer reviewer, Edinburgh University Press Relations with Europe. Warsaw & Torun´: Polish Sri Lanka and the Chintz Trade. Lecture delivered
Kensington Museum. Research lecture delivered Institute of World Art Studies & Tako Publishing to the Friends of Sri Lanka at the V&A, 5 June 2013
as Lansdowne Visiting Lecturer to the University Peer reviewer, Journal of Medieval Iberian Studies House, 2012 [2013], pp.185–92. ISBN 9788362737277
of Victoria (BC) Medieval Studies Progamme, Rajasthani paintings in the Howard Hodgkin
12 February 2013 Peer reviewer, Medieval Encounters Designs and Motifs on Malay Silver. Paper collection. Lecture delivered at the National
delivered at the study day accompanying the Museum of Wales, Cardiff, 13 September 2013
Co-organiser, with Sarah M. Guérin, of the Peer reviewer, Muqarnas: An Annual on the Visual display, Silver from the Malay World, organised
conference, Beyond the Western Mediterranean: Cultures of the Islamic World by and held at the V&A, 1 November 2013 Nath yogis in Mughal and Rajasthani painting.
Materials, Techniques and Artistic Production, Paper delivered at the conference, Yoga: the Art
650-1500, held at the Courtauld Institute of Art Fellow, Royal Asiatic Society Organiser of the study day, Silver from the of Transformation, organised by and held at the
London, 20 April 2013 Malay World, organised by and held at the V&A, Freer/Sackler Gallery, Smithsonian Institution,
STANLEY, TIM 1 November 2013 Washington DC, 21 November 2013
West African trade and the ivories of al-Andalus. New Islamic galleries. The Burlington Magazine,
Paper presented at the conference, Text and vol.155, June 2013, pp.396–401 CLARKE, JOHN Committee Member and Treasurer, Indian Art
Image: Ivory trade in Late Antiquity and Early Oral history work with Tibetan and Nepalese Circle
Islam, Warburg Institute, London, 18-19 June Ottoman-period manuscripts from the Haramayn. metalworkers (1986-91). In: Linda Sandino and
In: Venetia Porter and Liana Seif, eds, The Hajj: Matthew Partington, eds, Showing and Telling: PATEL, DIVIA
Participant. Meeting of the scientific committee Collected essays. London: The British Museum, Oral History in the Visual Arts. London: Bloomsbury, 100 years of Indian Cinema: Indian Ink. Sight and
for the forthcoming exhibition, The Gold Route: 2013, pp.224–7 2013, pp.105– 12 Sound, April 2013, pp.54–8
Art, Culture and Trade Across the Sahara, curated
FF
Copying Ajanta: Conservation and Rediscovery of WILK, CHRISTOPHER
some 19th-century paintings. Lecture delivered at AU Co-organiser, Furniture: Making and Meaning.
the conference, Buddhist Art and its conservation, Symposium held at the V&A, 17 May 2013
organised by the V&A and the Courtauld Institute
of Art and held at the Courtauld Institute of Art, S The Material Culture of Plywood. Paper delivered
R
London, 3-4 May 2013 at the symposium, Furniture: Making and
H Meaning, organised by and held at the V&A,
STRONGE, SUSAN N 17 May 2013
Jade at the Mughal Court in the 17th Century.
Transactions of the Oriental Ceramic Society, vol. I Plywood: the material that dare not speak its
76, 2011-2012 [2013], pp. 71–84 I name. Annual lecture of the Furniture History
O
Society, held at the Society of Antiquaries, London,
T
Jahangir’s Itinerant Masters. In: Mahesh Sharma 21 October 2013
and Padma Kaimal, eds, Themes, History,
Interpretations: Indian Painting: Essays in Honour NU Trustee, Emery Walker Trust
of B.N. Goswamy. Ahmedabad: Mapin Publishing,
2013 Advisory Board, American Museum in Bath
R
Flowers in Mughal Art. Lecture delivered at the D Advisory Council, Art Fund
study day, Mughal India, organised by and held
E
at the British Library, London, 9 March 2013 Advisory Board, AHRC Antique Dealers: the British
E Antiques Trade in the 20th Century: A Cultural
,
Travels with the Moghul Emperor. Lecture Geography. Project hosted by the University of

delivered to open the series, Art and Travel, P Leeds and Leeds Museums and Art Galleries
T
organised by and held at the University of Bristol,
22 October 2013 A
E
FURNITURE AND
By the Light of the Sun of Jahangir. Lecture
delivered at the Fifth Biennial Hamad bin Khalifa RX
WOODWORK
Symposium on Islamic Art, organised by Sheila
S. Blair and Jonathan M. Bloom of Virginia
TT SECTION
Commonwealth University, Richmond, Virginia,
and held in Palermo, Sicily, 9-11 November 2013
M
I DONNELLY, MAX
Member, Advisory Group, East Indian Company L John Pollard Seddon and the Medieval Court
at Home. Project hosted by the Department of of 1862. Paper delivered at the symposium, The
History, University College London E Architect as Furniture Designer, organised by
E
the Furniture History Society in association with
Fellow, Royal Asiatic Society, London the Royal Institute of British Architects and held
S
N
at the Wallace Collection, London, 9 March 2013
Member, Society of Authors

The Medieval Furniture of John Pollard Seddon.
T& Paper delivered at the symposium, Neostijlen
in het interieur 1850-1900: Pierre Cuypers en
tijdgenoten, organised by Stichting Ebenist
and held at the Rijksmuseum, Amsterdam,
25 October 2013
Charles Forster Hayward, Furniture Designer.
12th Peter Gray Memorial Lecture organised by
the Hayward History Centre and held at Lingfield
Day Centre, Lingfield, 28 October 2013
Council Member, The Furniture History Society
Committee Member, The Decorative Arts Society
Fellow, Society of Antiquaries of London
TEXTILES AND
HAY, KATE Unfassbar. Immaterielles Sammeln. Paper The Line of Beauty. Harpers Bazaar, March 2013.
Object Lesson: The Chinese lacquer panels of the delivered at the 6th Annual conference on the pp.290–301, 377
FASHION SECTION
frame of a seventeenth-century mirror present an topic, Collecting Design, organised by the Society
intriguing puzzle. V&A Magazine, no. 30, Spring for Design History and held in Berlin, 3 May 2013 (Review of) Gloria Groom, ed., Impressionism,
2013, p.96 BETHUNE, KATE Fashion and Modernity. New Haven and London:
Alchemy of the Everyday. Design in Berlin in the [Contributing author]. In: Claire Wilcox and Jenny Yale University Press, 2012 and Debra N. Mancoff,
HUMPHREY, NICK 1970s and 80s. Paper delivered at the symposium, Lister, eds, V&A Gallery of Fashion. London: V&A, Fashion in Impressionist Paris. London and New
A new approach to furniture at the Victoria and Style Cities: Berlin, organised by and held at the 2013. pp. 70–5, 78–9 York: Merrell, 2012. Art Quarterly, Spring 2013, p.28
Albert Museum, London - The Dr. Susan Weber V&A, London, 8 June 2013
Gallery. Antiques and Fine Arts Magazine, Gatsby Glamour to Dior’s New Look: The The Hat: An Essential Accessory? Lecture delivered
Anniversary edition, January 2013, pp.199–205 Intangibles. When Objects become Interface. Paper Changing Silhouette of Couture, 1920-1950. as part of the series, Séminaire sur l’histoire de la
delivered at the symposium, Good Things Bad Lecture delivered at the Day of Knowledge mode et du vêtement- La mode: objet d’études?
A New Furniture Gallery for the V&A. Lecture Things, organised by Nottingham University and organised by the Goldsmiths’ Company in (II), organised by and held at the Institut National
to members of the Art Fund organised by The held at Nottingham Contemporary, 10-11 June 2013 association with their exhibition, Ultra Vanities: d’Histoire de l’Art, Paris, 7 May 2013
Art Fund and held at Millais House, London, Bejewelled Make Up Boxes from the Age of
6 May 2013 Ghosts and Dancers. Communicating the Glamour, London, 11 June 2013 Fabric of Britain: Knitting’s Golden Age. Television
Immaterial. Keynote lecture delivered at the broadcast as part of the series, Handmade in
With Jonathan Pratt. Table Talk. Post-performance international conference, Discursive Space, hosted Curating Club to Catwalk. Lecture delivered to Britain. BBC 4, 18 September 2013
discussion after Table, a new play by Tanya Ronder, by Ryerson University and the Art Gallery of Fashion Curation students, London College of
organised by National Theatre Platforms and held Ontario, Toronto, 20-23 June 2013 Fashion, 3 December 2013 V&A Podcast: Curating Contemporary Fashion.
at the National Theatre, London, 9 May 2013 http://www.vam.ac.uk/content/
Sense and Sensibility. Paper delivered at Club to Catwalk blog. April-July 2013. http://www. articles/v/v-and-a-podcast-curating-
Entre France et Grande-Bretagne: l’étude et symposium, Remembering as constructive act – vam.ac.uk/b/blog/va-network/blitz contemporary-fashion/
l’enseignement de la muséologie et de la artistic concepts for museum collections, organised
conservation. Participant in round-table by Humboldt Lab Dahlem, 19 October 2013 BROWNE, CLARE SHOWstudio Lanvin panel discussion.
discussion organised by Festival Histoire de l’art ‘Silks, Velvets, Cloths of Gold and Other Such http://showstudio.com/blog/post/live_now_
and held at Château de Fontainbleau, 2 June 2013 Exhibition review editor, Design and Culture. Precious Raiments’: Clothing and Furnishing the lanvin_live_panel_discussion
The Journal of the Design Studies Forum Tudor and Stuart Courts. In: Olga Dimitrieva and
Displaying Design and the Decorative Arts: New Tessa Murdoch, eds, Tudors, Stuarts and the SHOWstudio Givenchy panel discussion.
Directions at the V&A, London. Paper delivered at Supervisor, two PhDs, AHRC Collaborative Russian Tsars: Treasures of the Royal Courts. http://showstudio.com/blog/post/live_now_our_
a seminar for Danish museum curators held at Doctoral Awards, V&A/Royal College of Art, London: V&A Publishing, 2013. pp.126–43 givenchy_live_panel_discussion_is_underway
the Danish National Museum Copenhagen, Design Products programme
17 September 2013 (Review of) Maria Hayward and Philip Ward, eds, SHOWstudio Valentino panel discussion.
Member, Werkbundarchiv – Museum der Dinge, The Inventory of King Henry VIII: Volume II: Textiles http://showstudio.com/blog/post/couture_
Carved with Love: The Glorious Grinling Gibbons. Berlin and Dress. London: Harvey Millar Publishers for the valentino_live_panel_discussion_at_18_00_bst
Television broadcast as part of the series, Society of Antiquaries of London, 2012. Art
Handmade in Britain. BBC4, 17 January 2013 Member, Museums and Galleries History Group Newspaper, no. 244, March 2013, p.69 SHOWstudio Paris panel discussion.
http://showstudio.com/blog/post/on_demand_
Carved with Love: The Divine Craft of Carpentry. Member, Society for Design History (Germany) A Master Weaver shows his face: suggesting a footage_of_all_our_live_roundup_panels_now_
Television broadcast as part of the series, possible identity for an 18th-century portrait. available
Handmade in Britain. BBC4, 24 January 2013 Paper delivered at the Textile Society Symposium
in memory of Natalie Rothstein, held at the Tate Fashion Meets Art panel discussion.
Council Member, Regional Furniture Society Wellcome Collection, 15 March 2013 http://www.tate.org.uk/context-comment/
video/fashion-meets-art-google-hangout
SCHOLZE, JANA Early Modern Dress and Textiles at the V&A:
Foreword. In: Fredrikson Stallard, Crush, Gasoline reviewing the V&A collections for future projects. Member, judging panel, The British Council and
Garden, King Bonk, furniture. London: David Gill Paper delivered at the HERA Workshop for the British Fashion Council, International Fashion
Galleries, 2012 [2013] Fashioning the Early Modern project, held at the Showcase
Bowes Museum, 26 April 2013
Museumssemiotik. In: ARGE schnittpunkt, ed., External Advisor, Revalidation board, London
Handbuch Ausstellungstheorie und – praxis. Governor, Pasold Research Fund College of Fashion MA in Fashion Curation
Wien/ Koeln/ Weimar: Boehlau, 2013, p.173
Directing Council Member, CIETA (Centre DAVIES-STRODDER, CASSIE
Turn towards things. The 1990th at the Berlin International d’Etude des Textiles Anciens) [Contributing author]. In: Claire Wilcox and Jenny
Werkbundarchiv. Paper delivered on the occasion Lister, eds, V&A Gallery of Fashion. London: V&A
of the 40th anniversary of the Werkbundarchiv CULLEN, ORIOLE Publishing, 2013
in Berlin, 24 January 2013 Changes: Bowie’s Life Story. In: Victoria Broackes
and Geoffrey Marsh, eds, David Bowie Is… London:
V&A Publishing, 2013. pp.235–61
With Jenny Lister. The Heather Firbank Collection With Cassie Davies-Strodder. The Heather Firbank Member, Advisory Board, the Getty-funded Fellow, Royal Society of Arts
at the V&A. Lecture given at the Dress and Textiles Collection at the V&A. Lecture given at the Dress Research Network, Centre for Textile Conservation
Specialists (DATS) conference held at the Bath and Textiles Specialists (DATS) conference held at and Technical Art History, Glasgow University Associate Fellow, International Quilt Study Centre,
Royal Scientific and Literary Institution, the Bath Royal Scientific and Literary Institution, Lincoln Nebraska
10 October 2013 10 October 2013 Member, the Pasold Research Fund for Textile
History External Examiner, BA Fashion Textiles, University
EHRMAN, EDWINA Creating Histories: The V&A Fashion Gallery. of the Creative Arts, Rochester
Fashion and Art: Post-War to Pop. Lecture Lecture delivered to University of South Wales Vice president, CIETA (Centre International
delivered as part of a series organised by Claire Fashion Media students, V&A, 12 November 2013 d'Etude des Textiles Anciens) Trustee, Princess of Wales Royal Regimental
Wilcox and held at the Sotheby’s Institute, Museum
London, 28 May 2013 Committee Member, Costume Society Professor of Dress and Textile History, the
University of Glasgow STANFILL, SONNET
Ford Madox Brown’s Portrait of the Bromley Committee Member, DATS (Dress and Textile The Sartorial in Post-War Italy. Lecture delivered
Family. Paper delivered at the colloquium, Specialists) PRICHARD, SUE at the conference, Italian Fashion: Yesterday,
Portraiture and Materiality, organised by Capturing Beauty – Madonna, Mother, Muse. Today and Tomorrow, organised by and held at
Professor Marcia Pointon and Dr Viccy Coltman Member, judging panel, Graduate Fashion Week In: Finding the Unicorn – Tapestries Mythical and Columbia University, New York, 11 October 2013
and held at the Sterling and Francine Clark Art Modern. Catalogue that accompanied exhibition
Institute, Williamstown, Massachusetts, USA, Member, judging panel, Scotland Re:Designed of work by the West Dean Tapestry Studio, held at Fashion and Access at the V&A. Lecture delivered
18-19 October 2013 the Fleming Gallery, London, 17 April-1 June 2013 at the conference, Ethics of Access, organised by
NORTH, SUSAN and held at Smith College, Northampton, MA,
Regency dress. Lecture delivered at Tunbridge What the Elizabethans Wore: Evidence from Wills (Review of) Madelyn Shaw and Lynne Zacek 31 October 2013
Wells Museum and Art Gallery, 14 November 2013 and Inventories of the ‘Middling Sort’. In: Tarnya Bassett, Homefront & Battlefield: Quilts &
Cooper and Jane Eade, eds, Elizabeth I & Her People. Context in the Civil War. Lowell, MA: American Member, Courtauld Association Committee
Chairman, DATS (Dress and Textile Specialists) London: National Portrait Gallery, 2013, pp. 34–41 Textile History Museum, 2012. Textile History,
vol. 44, no. 1, May 2013, pp 138–40 Member, AHRC Interdisciplinary Italy
Committee Member, Textile Society MILLER, LESLEY ELLIS
Un pied dans la Grande Fabrique. Les Creativity and Confinement: Narrating the HMP Member, HERA The Enterprise of Culture
Adviser, Oxford Dictionary of National Biography dessinateurs de la soierie lyonnaise au XVIIIe Wandsworth Quilt. Paper delivered at the (University of Leeds)
siècle. Invited paper presented at the study conference, The Prison and The Public, organised
ISAAC, VERONICA day, Entre art et industrie: s’organiser sans by and held at Edge Hill University, Ormskirk, Member, Europeana Fashion
(Review of) Michelle Mayer, ed., Staging Fashion corporations (XVIIIe-XIXe siècles), organised Lancashire, 27 March 2013
1880-1920: Jane Hading, Lillie Elsie and Billie by and held at Université Paris 8, 31 May 2013 VOLSING, KRISTIAN
Burke. New Haven and London: Yale University With Katherine Swailes. The Mystic Hunt of the Chair featured in Lewis Morley’s 1963 photograph
Press, 2012. Costume, vol.47, no.1, 2013, pp.123–4 Fournir les Marchands de Modes à Paris au 18 Unicorn: Capturing Beauty. Lecture delivered to of Christine Keeler. V&A Magazine, no. 32
Siècle. Soieries françaises, matière première des accompany West Dean Tapestry Exhibition at
LISTER, JENNY marchands de modes, 1740-90. Invited paper Fleming Collection, London, 13 May 2013 The Rise and Fall of Clockwork Tinplate Novelties.
With Claire Wilcox. The V&A Gallery of Fashion. presented at the Commémorations nationales Journal of the Antique Metalware Society, vol. 21,
London: V&A Publishing, 2013. 160 p., ill., (col.). 2013 study day, Autour de Rose Bertin: Les Textiles at the V&A. Lecture delivered as part 2013, pp. 64–73
ISBN 9781851777525 marchands de mode à Paris, organised by and of a series organised by and held at Museums
held at the Archives Nationales, Hôtel Soubise, Sheffield, 30 May 2013 WILCOX, CLAIRE
Sindy, Daisy, Pippa: Fashion Dolls in the 1960s. Paris, 17 December 2013 With Jenny Lister. The V&A Gallery of Fashion.
Lecture given at the study day, Teenage Dolls, With Holly Furneaux. Contested Objects: Curating London: V&A Publishing, 2013
organised by and held at V&A Museum of Member, Scientific Committee, ‘Les progrès Soldier Art and Souvenirs. Paper delivered at the
Childhood, 16 March 2013 de l'industrie perfectionnée’. Ateliers et conference, Making Military History in Museums, Covering up. In: Linda Sandino and Matthew
manufactures de la Révolution française au organised by and held at the National Army Partington, eds, Oral History in the Visual Arts.
Fashionable Intelligence: The Board of Trade Premier Empire (France, 1789-1815), Colloque Museum, London, 13 September 2013 London: Bloomsbury, 2013, pp.153–9
Collection at the V&A. Lecture given at the study international pluridisciplinaire, Paris, Institut
day, Fashion in Wartime, organised by the Costume national d’histoire de l’art and Centre allemand Quilts 1700-2010: Unlocking Memories and Fashion. Lecture delivered to V&A Year Course,
Society and held at Snibston Discovery Museum, d’histoire de l’art, 13-14 June 2014 Emotions. Paper delivered at the conference, 22 April 2013
13 April 2013 Emotional Objects: Touching Emotions in Europe
Principal Investigator, Strand 2, HERA Fashioning 1600-1900, organised by and held at the Institute Lessons for the Future: the V&A Fashion Gallery.
With Claire Wilcox. Lessons for the Future: the the Early Modern: Creativity and Innovation in of Historical Research, University of London, Lecture delivered at Bowes Museum, Durham,
V&A Fashion Gallery. Lecture given at the HERA Europe 1500 1800, June 2010-May 2013 11 October 2013 26 April 2013
conference held at The Bowes Museum,
26 April 2013 Member, Editorial Board, Textile History Enid Marx: Rebel with a Cause. Lecture given at Fashion & Abstraction. Lecture delivered at
the study day, Hand Made Tube, held at the Sotheby’s Institute of Art, London, 7 May 2013
With Sonia Ashmore. The Shifting Shawl: The V&A Member, Scientific Committee, Labelsoie, Musées Clothworkers’ Centre for the Study and
collection. Lecture given at the Costume Society Gadagne, Lyon Conservation of Textiles and Fashion, V&A, Japanese Fashion. Lecture delivered at Sotheby’s
Symposium, Castle Museum, Norwich, 6 July 2013 12 December 2013 Institute of Art, London, 4 June 2013
CONTEMPORARY
Contemporary Fashion. Lecture delivered NORMAN, JOANNA Can this Gun Kill Someone? Collecting Design in
Sotheby’s Institute of Art, London, 11 June 2013 Performance and Politics in the Urban Spaces of the 21st Century. Paper delivered at the conference,
ARCHITECTURE,
Baroque Rome. In: Gregory Smith and Jan Gadeyne, M+ Matters, organised by and held at M+, Hong
On Curating Fashion. Talk delivered at Godolphin eds, Perspectives on Public Space in Rome, from Kong, 23 November 2013
DESIGN AND DIGITAL
& Latymer School, London, 28 September 2013 Antiquity to the Present Day. Farnham: Ashgate,
2013. pp.211–29 With Corinna Gardner. V&A in Shenzhen: Rapid
Editorial Board, Fashion Theory GARDNER, CORINNA Response Collecting. Paper delivered at UABB
In ‘public’ and ‘in private’: a study of festival in With Kieran Long. V&A in Shenzhen: Rapid (Bi-City Biennale of Urbanism/Architecture) 2013,
Member, AHRC Peer Review College seventeenth-century Rome. Paper delivered at the Response Collecting. Paper delivered at UABB Shenzhen, China, 7 December 2013
conference, Making Space for Festival, 1400-1700, (Bi-City Biennale of Urbanism/Architecture) 2013,
organised by the ESF Research Networking Shenzhen, China, 7 December 2013 Co-presenter. The House That £100k Built, six-part
Programme PALATIUM and the Society for television series. BBC2, October 2013
1600-1800 PROJECT
European Festivals Research, co-organised by the LIE, RUTH
University of Warwick and the University of Leuven The Unintended. The Unpublishables, no. 1, June Expert contributor. Restoration Home, eight-part
HOSKIN, DAWN and held at Palazzo Pesaro Papafava, Venice, 21-24 2013. http://www.the-unpublishables.co.uk/ series. BBC2, August 2013
Balloonmania Revealed: A Novelty Handkerchief March 2013
of 1783. June 2013. Music programming within institutions. Paper SHANNON, LOUISE
http://www.fashioningtheearlymodern.ac.uk/ Curating Europe 1600-1800 at the V&A. Paper delivered at the seminar, New Music Plus, 7.4 3D Printing an Empty Space in the Law. Volume:
object-in-focus/balloon-handkerchief/ delivered at the symposium, Issues in Curating, organised by and held at Middlesborough Institute The Shape of the Law, no.38, 2013
organised by and held at the University of Sussex, of Modern Art (MIMA), October 2013
Europe 1600-1800 Galleries Project. Presentation 5 June 2013
delivered at the study day organised by the LONG, KIERAN
Southern Counties Costume Society and held at Southbank Centre: thinking outside the glass box.
Stansted House, 2 March 2013 Evening Standard, 6 March 2013.
http://www.standard.co.uk/goingout/exhibitions/
‘Nature turned topsy-turvy’: Cross-dressing, southbank-centre-thinking-outside-the-glass-
Effeminacy and Sodomitical Inclinations at box-8522363.html
Masquerades in 18th-century London. Paper
delivered at the conference, Politeness and Architect Sou Fujimoto on his ‘house of straws’
Prurience: Transgressive Sexualities in the Long Serpentine Gallery summer pavilion. Evening
Eighteenth Century, organised by and held at the Standard, 4 June 2013.
University of Edinburgh, 2-3 September 2013 http://www.standard.co.uk/goingout/exhibitions/
architect-sou-fujimoto-on-his-house-of-straws-
LASIC, BARBARA serpentine-gallery-summer-pavilion-8643209.html
Échanges franco-anglais: les premières sociétés
photographiques et les premières expositions à Product design should do so much more than
Londres et à Paris (1851-1857). Paper delivered at encourage consumption. Opinion, Dezeen Online,
the Festival de l’Histoire de l’Art, held at the 10 October 2013. http://www.dezeen.
Château de Fontainebleau, 1-3 June 2013 com/2013/10/10/kieran-long-opinion-civic-duty-of-
product-design/
Displaced materialities and colliding visions: loan
exhibitions at the South Kensington Museum, V&A acquires Katy Perry false eyelashes as part of
1853-1875. Paper delivered at the conference, new ‘rapid response collecting’ strategy. Opinion,
Images of the Art Museum: Connecting Gaze and Dezeen Online, 18 December 2013.
Discourse in the History of Museology, organised http://www.dezeen.com/2013/12/18/rapid-
by and held at the Kunsthistorisches Institut in response-collecting-victoria-and-albert-museum-
Florenz (Max-Planck-Institut), 26-28 September kieran-long/
2013
In Public. Paper presented at Architecture Biennale,
Une élégante simplicité : un portrait de Rose Buenos Aires, Argentina, 25 September 2013
Bertin par Joseph Boze. Paper delivered at the
study day, Autour de Rose Bertin, Les marchands Participant in the panel discussion, Where did you
de mode à Paris, organised by the Archives Get those Jeans?, debate about disposable fashion
Nationales and held at the Hotel Soubise in Paris, organised by Intelligence Squared and the V&A,
17 December 2013 6 November 2013
Membership Officer, Museums and Galleries
History Group
DCS
WILLIAMSON, PAUL Comparisons between Henry Moore and Rodin. Curating the Renaissance. Workshop forming part
Medieval Sculpture in Ghent. Review of the Lecture delivered as part of the exhibition, Moore of an undergraduate course on global cultures,
EEC exhibition, Ontsnapt aan de Beeldenstorm: Rodin, organised by and held at The Henry Moore Curating Culture: behind the scenes of museums
Middeleeuwse beelden uit Utrecht, held at Foundation, Perry Green, 15 May 2013 and archives, held at NYU London, 6 March 2013
RU the Museum Catharijneconvent, Utrecht.
P
The Burlington Magazine, CLV, pp. 122–3 Contemporary Sculpture and Historical Telling Stories: Rethinking the Medieval &
Influences. Lecture and panel discussion delivered Renaissance Galleries at the V&A. Lecture
AA
L Fellow, Society of Antiquaries of London as part of a free lecture series organised by delivered at Villanova University, Philadelphia,
Gazelli Art House, London, 17 May 2013 31 November 2013
P Fellow, Royal Historical Society
RM
Marble and Making. Lecture delivered as part of Fellow, Society of Antiquaries of London
Director, Trustee and Member of Consultative the exhibition, Messenger of the Spirit: The Work
T
T Committee, The Burlington Magazine of Helaine Blumenfeld OBE, organised by and Member, Consultative Committee, The Burlington
held at Salisbury Cathedral Magazine
MIU Member, Consultative Committee, The Sculpture
C Journal Organiser. Study afternoon for the Decorative Art Member, Board of Advisors, Art History
Society on The New Sculpture Movement and its
SR Member, Consultative Committee, The Walpole role in the V&A’s Aston Webb Façade, held at the Member, Board of Advisors, Renaissance Studies,
E Society V&A, 15 February 2013 Journal of the Society for Renaissance Studies
E
N& Member, British Art Medal Society Member, Advisory Council, VISTAS (Virtual Images
of Sculpture in Time and Space)
, SCULPTURE SECTION
Academic Advisor, British Art Medal Society New

T Medallist Award (in collaboration with the British Andrew W. Mellon Fellow, Metropolitan Museum
M DAVIES, GLYN Museum) of Art, New York, September 2013-March 2014
G The Business of Embroidery: the broderers of
London before Incorporation. Paper delivered at Member, Twentieth Century Society THOM, DANIELLE
the conference, Opus Anglicanum - A Symposium, Impolite Interventions? English Satirical Prints in
LE organised by Glyn Davies and Michael Michael, Governor and Committee Member, Decorative the Presence of the Academy, c. 1750-1780.
and held at the V&A, 15 February 2013 Arts Society European Comic Art, vol. 6, no. 2, 2013, pp.13–39
AT
White Noise: Gothic Ivory Carving and MOTTURE, PETA TRUSTED, MARJORIE
A Nineteenth-Century Forgeries. Paper delivered at With Emma Jones and Dimitrios Zikos, eds, Baroque and Later Ivories. The Victoria and Albert
S
the conference Visual Medievalisms, held at King’s Carvings, Casts & Collectors. The Art of Museum. London: V&A Publishing, 2013. xxxviii,
College, London, 4 April 2013 Renaissance Sculpture. London: V&A Publishing, 502 p., col. ill, maps. ISBN 9781851777679
L
S 2013. 285 p. ill. (cheifly, col.). ISBN 978 1 85177 640 5
New Discoveries in Gothic Ivories and Embriachi Die Genauigkeit der Kontur. Abgüsse und Kopien
W
Carvings at the V&A. Lecture delivered as part of Introduction. In: P. Motture, E. Jones and D. Zikos, antiker Skulpturen in der Epoche des Klassizismus
a series organised by and held at the University eds, Carvings, Casts & Collectors. The Art of and cat. entries 8-17. In: Schönheit und Revolution.
of Oxford, 17 October 2013 Renaissance Sculpture. London: V&A Publishing, Klassizismus 1770-1820 (exh. cat.), Städel
2013, pp. xi–xiv Museum, Frankfurt am Main. Munich: Hirmer
O
Fabric of Britain: the Wonder of Embroidery. Verlag, 2013, pp. 52–86
Television broadcast as part of the series, Looking afresh: reviewing Italian Renaissance
Handmade in Britain. BBC 4, 2 October 2013 sculpture for the V&A’s Medieval & Renaissance Survivors of a Shipwreck: Ivories from a Manila
R
Galleries. In: P. Motture, E. Jones and D. Zikos, eds, Galleon of 1601. Hispanic Research Journal, vol. 14,
Trustee, Society for the Study of Medieval Carvings, Casts & Collectors. The Art of no. 5, October 2013, pp.446–62
K Languages and Literature Renaissance Sculpture. London: V&A Publishing,
2013, pp.17-31 (Review of) Eike D. Schmidt, Das Elfenbein der
Committee member, Gothic Ivories Project Medici. Bildhauerarbeiten für den Florentiner Hof.
, (Courtauld Institute of Art, London) [Catalogue entries]. In: Beatrice Paolozzi Strozzi The Burlington Magazine, vol.CLV, March 2013,
and Marc Bormand, eds, The Springtime of the pp.182–3.
HAMNETT, MELISSA Renaissance. Sculpture and the Arts in Florence
Teacher of Many, Leader of More. Edouard Lanteri: 1400-60. Florence: Mandragora s.r.l., 2013, (Obituary of) Nigel Glendinning. The Art
Sculptor, medallist and mentor. The Medal, No. 63, pp.334–7,436,459–460,500 Newspaper, no. 245, April 2013, p. 71
Autumn 2013, pp. 4–23.
Approaches to display at the Victoria and Albert (Review of) Collecting Spanish Art: Spain's Golden
(Review of) The Age of Innocence. Leeds: Henry Museum. Paper delivered at museology symposium, Age and America's Gilded Age. Journal of the
Moore Institute, 2013. Burlington Magazine, Bode-Museum, Berlin, 27 February 2013 History of Collections, vol. 25, no.2, July 2013,
vol.155, no.1328, November 2013, pp.789–90 pp.298–300
Barocke Elfenbein im Victoria und Albert Hon. Vice-President, ARTES (Iberian and Latin MURDOCH, TESSA Ambassadorial Gifts and Diplomatic Relations
Museum: Die Sammlung und seine Geschichte. American Visual Culture Group) With Olga Dmitrieva, eds, Treasures of the Royal between Russia and Britain in the 17th century.
Lecture delivered at The Kunsthistorisches Courts: Tudors, Stuarts and the Russian Tsars. Lecture delivered at Pushkin House, London,
Museum, Vienna, 8 May 2013 Editorial Board, The Medal London: V&A Publishing, 2013. 176 p. ill (chiefly col.) 18 March 2013
ISBN 978-1-85177-731-0
The University and the Museum. Understanding Co-ordinator, International Ivories Group Treasures of the Royal Court: Tudors, Stuarts and
Baroque Ivories. Lecture delivered at the With Maurice Howard. ‘Armes and Bestes’: Tudor the Russian Tsars. Lecture delivered in connection
University of York, 20 May 2013 Fellow, Society of Antiquaries of London and Stuart Heraldry. In: Tessa Murdoch with Olga with the V&A exhibition to the Society of
Dmitrieva, eds, Treasures of the Royal Courts: Dilettanti, 21 March 2013 and the Summerleaze
Les Galeries de Moulages au Musée Victoria et Tudors, Stuarts and the Russian Tsars. London: V&A Gallery, Wiltshire, 15 May 2013
Albert: Une Histoire Breve et Projets d’Avenir. Publishing, 2013, pp. 56–67
METALWORK
Lecture delivered at the conference, Extension, With Frances Parton and Julia Webb.
Rénovation, Réhabilitation, held at the Musée From the Gate to the Hearth: Metalwork at Ham Ambassadorial Gifts of Silver. Lecture delivered to
SECTION
Rodin, Paris, 31 May 2013 House. In: Christopher Rowell, ed., Ham House, the Silver Society at the Society of Antiquaries,
400 years of collecting and patronage. New London, 25 March 2013
Medieval Scandinavia and Victorian South EATWELL, ANN Haven and London: Yale University Press, 2013,
Kensington. Keynote lecture at the conference, Investors in New technology: Michael Faraday and pp.232–47 Huguenot Silversmiths of London. Lecture
Sculptural Mobilities, organised by the Edward Barnard and Sons. Antique Metalware delivered as part of a year course, organised by
Department of Scandinavian Studies, University Society Journal, Vol.21, 2013, p.38–49 Chinoiserie. In: Yuan Ming Yuan: Qing Emperor’s and held at the V&A, 10 July 2013
College London and the Visual and Material Splendid Gardens. Taipiei, Taiwan: Bright Ideas,
Research Centre, Kingston University and held at EDGCUMBE, RICHARD 2013, pp.34–41 With James Rothwell. Co-organiser of the
University College London, 3 July 2013 ‘O, those jewels! The pride and glory of this study weekend, Country House Collections in
kingdom.’ In: Olga Dmitrieva and Tessa Murdoch, With Paul Boucher. Montagu House, Bloomsbury: West Sussex, for the Furniture History Society,
Co-organiser and chair at the meeting and eds, Treasures of the Royal Courts: Tudors, Stuarts a French household in London, 1673-1733. In: Debra 6-8 September 2013
conference of the International Ivories Group held and the Russian Tsars. London: V&A Publishing, Kelly and Martin Cornyck, eds, A history of the
at the Museo degli Argenti, Palazzo Pitti, Florence, 2013, pp. 144–57. ISBN 978 1 85177 731 0 French in London: Liberty, Equality, Opportunity. With Frances Parton and Jessica Rosenthal
17 July 2013 London: Institute of Historical Research, 2013, McGrath. Organisers of the Conference, Emerging
Fellow, Society of Antiquaries of London pp.43–67 Empires: England and Muscovy in the 16th and
The Cast Courts at the Victoria and Albert 17th centuries, in association with the Society for
Museum: A Brief history and Plans for the Future. Associate, Museums Association Time’s Melody: Charles Clay’s Musical Clocks. Court Studies, to coincide with the exhibition,
Paper delivered at Aberdeen Replication Apollo, vol.CLXXVIII, no.614, November 2013, Treasures of the Royal Courts: Tudors, Stuarts and
Workshop held at the University of Aberdeen, Committee Member, Society of Jewellery pp.78–85 the Russian Tsars, held at the V&A, 14-15 June 2013
29 October 2013 Historians
[Contributor on Cathedral plate]. In: English With Frances Parton and Jessica Rosenthal
Translatlantic Baroque. Rome translated to Lima. Committee Member, Sculpture and Furnishings Cathedrals and Monasteries Through the McGrath. Organisers of the seminar, Russia,
Paper delivered at the conference, Translating Subcommittee of the Church Buildings Council Centuries: History, Community, Worship, Art, Britain and the West in the Sixteenth Century:
Cultures in the Hispanic World, organised by Architecture, Music, Christianity and Culture Diplomacy, Trade and Culture, in association with
and held at the University of Edinburgh, KENNEDY, KIRSTIN series. York: University of York, 2013. Interactive the Society for Court Studies, 13 June 2013
7 November 2013 ‘Don Egidio de Roma con el comentario del DVD-Rom
Tostado en romance para el Rey Don Juan’: The [Catalogue entries for loan exhibits]. Treasures of
Co-organiser of the conference, Ivory and the Spanish Translation of the De Regimine Principum (Review of) Helen Jacobsen. Luxury and Power: the Royal Courts, Tudors, Stuarts and the Russian
Elephant: A Historical Perspective, held at Lanka in the Victoria and Albert Museum (MSL/1950/2463). The Material World of the Stuart Diplomat, Tsars. March 2013. http://www.vam.ac.uk/content/
Decorative Art, Colombo, 26-28 November 2013 In: Barry Taylor, Geoffrey West and Jane Whetnall, 1660-1714. Oxford Historical Monographs, 2012. exhibitions/treasures-of-the-royal-courts/
eds, Text, Manuscript, and Print in Medieval and Huguenot Society Journal, XXX, no.1, 2013,
Shipwrecked Ivories from a Manila Galleon. Modern Iberia: Studies in Honour of David Hook. pp.113–14 Rich Tea. Blog post about exhibition, Taste and
Paper delivered at the conference, Ivory and the New York: Hispanic Seminary of Medieval Studies, Essence: Chinese and Western Historical Tea
Elephant: A Historical Perspective, held at Lanka 2013, pp. 176–97 (Review of) Deborah Dependahl Waters with an Pieces, held at the Macao Museum of Art, Hong
Decorative Art, Colombo, 27 November 2013 appreciation by David L. Barquist. A Handsome Kong. Apollo Magazine, December 2013.
Un copón en el Victoria and Albert Museum, Cupboard of Plate: Early American Silver in the http://www.apollo-magazine.com/tea/
French ivories in the Victoria and Albert Museum. Londres, procedente de la iglesia de S. Pietro Cahn Collection. Cambridge: John Adamson, 2012.
Lecture given at Château-Musée de Dieppe, a Fusariello, Nápoles. Rivista dell’ Osservatorio per Huguenot Society Journal, XXX, no.1, 2013, Curatorial advisor and Trustee, Handel House
13 December 2013 le Arti Decorative in Italia. December 2013. pp.122–3 Museum
www.unipa.it/oadi/rivista
The V&A Cast Courts. Radio broadcast on Boston Tea Party. (Review of) The Hartman Trustee, Idlewild Trust
BBC Radio 4, December 2013 Form and function. Lecture delivered to The Galleries at the Boston Museum of Fine Arts.
Oxford Intellectual Property Conversazione 2013, Apollo, July/August, 2013. pp.83–5 Director (Trustee) and Curatorial Advisor, French
Member, AHRC Peer-Review College organised by the Oxford Faculty of Law and held Hospital
in Pembroke College, Oxford, 15 March 2013 New discoveries made through the V&A Treasures
Trustee, Association of Art Historians exhibition. Lecture delivered at Russian Academy Director (Trustee), Huguenot Heritage Centre,
Committee Member, ARTES (Iberian and Latin of Sciences, Moscow, 27 September 2013 Rochester, Kent
American Visual Culture Group)