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DIONYSIUS ANDREAS FREHER: AN INQUIRY INTO THE WORK OF A FUNDAMENTAL CONTRIBUTOR TO THE PHILOSOPHIC TRADITION OF JACOB BOEHME PDF

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Copyright by Charles A. Muses 1951 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. DIONYSIUS ANDREAS FREHER An Inquiry Into The Work of A Fundamental Contributor to the Philosophic Tradition of JACOB BOEHME by Charles A. Muses Submitted in partial fulfillment of the requirements for the degree of Doctor of Philosophy, in the Faculty of Philosophy, Columbia University. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. D ionysius --V n d jcrait JX eh er j)orimtie/~jct jXmtx Sr v Jb^$ iDcn^hsS >L<?ndini 2^/ior. j?2.8-*€.tat’7’$> !P Jt**cAh* fim*. cUDoft. PLATE I Prom the PABADOXA., EMBLEMATA ... (Courtesy of the British Museum) Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. CONTENTS Page Preface .....................................v Acknowledgments ................... vlii Abbreviations .... x CHAPTER ONE DIONYSIUS FREHER - His Life, Circle and Influence! CHAPTER TWO A DISCUSSION OF WORKS, Including some Reconstruc­ tion in Philosophical Bibliography 68 CHAPTER THREE THE NATURE OF DIVINITY AND THE PROBLEM OF EVIL 113 CHAPTER FOUR POINT, CENTER, AND CIRCUMFERENCE ........... 159 CHAPTER FIVE THE SEVEN PROPERTIES AS A KEY PRINCIPLE OF EXPLANATION .... 200 Appendix................................... 237 Bibliography ............................24-3 Illustrations and Diagrams: Portrait of Freher, frontispiece Sheet of Freher1 s Handwriting .... 67a Schema for transfers of BMS, WMS,PMS..102 Schema for transfers of CMS and ChMS..103 Figures from the ParadoxarEmblemata...:- Flg.#3 ...........................17 5 18 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. CONTENTS Page:- Illu st rat i ons (C on t1 d) Fig. #7 ....’..i.............................. 112 10 116 12 ... ................................. 117 13 .................................... 118 16 .................................... 119 17 120 23 121 2 5 122 31 .................................... 123 47 .................................... 124 56 .................................... 125 64 .................................... 126 65 .................................... 127 66 133 69 .................................... 134 79 .....................................135 100 .................................... 216a 1 2 4 .................................... 136 128 ..................................... 218a 139 ..................................... 231a 140 .................................... 176a 143 .................................... 177a Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. PREFACE This study, as the title indicates, purposes to con­ cern itself with Dionysius Andreas Freher(1649-1728). Freher*s writings have been quoted in only two printed works(*) since his day, although one of the most recent book-length studies of Boehme, Brinton’s "Mystic Will" (1930), as well as the most modern editor to date of Boehme*s works in English, C.J. Barker, affirm Freher to be Boehme*s great expositor. This neglect becomes more understandable when it is considered that freher*a works still exist only in manu­ script, with the exception of the printed extracts from some of them to be found in Walton, op.clt. However, the present writer hss had all the manuscript works of Freher that are in the British Museum collections either photo­ stated or microfilmed, representing over seven thousand pages of closely written material which has been very rewarding to study(**). It was the writer’s long-standing interest in Boehme which led, by what might be termed a natural teleology, to the investigations culminating in the present work. (*) C. Walton, "Notes andMaterials...," London, 1856; and A.J. Penny, "Studies in Jacob Boehme," London, 1912. (**) We have also had microfilmed those works of Freher not in the British Museum which are to be found in Dr. Williams' Library, London. See Bibliography. v Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. vi With regard to procedural minutiae. the pagination of the Freher MSS is often dual, some of them having been paged consecutively by a later hand. Thus in the "Five Conferences" each of the five parts was originally separ­ ately numbered in the British Museum manuscript, while a later owner has numbered the pages of all the five con­ ferences sequentially throughout. In all such cases the continuous pagination is herein adopted for purposes of reference. In many portions of the MS. books, the number­ ing is by folios, marked in the upper right-hand corner of the right page. In these instances the quotation may be located easily enough without further specificity, thus rendering all references to the manuscripts mutually con­ formable, with an MS. number followed by a folio number. In the interests of easier reading, sources for quo­ tations will be largely included in the text, foot notes being reserved in general for comments of a more extended nature. Abbreviations used inreferring to Boehme1s and Freher1s works are explained in the list of titular abbreviations, q.v. Freher himself, although German was his native lang­ uage, nevertheless in his writings in English quoted Jacob Boehme also in English for the sake of greater continuity; we shall follow the same policy, subtending, hoxyever, the German text in addition where we feel it lends essential Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. vii clarification. All English quotations from Boehme herein used are from the reliable Sparrow-Ellistone translation (Barker's excellent re-edition wherever available), unless another be indicated. All German quotations from Boehme are from the 1715 Hamburg edition (2 vols. 4to) edited by ii Glusing. It remains only to add that the present work — the first to be devoted wholly to Freher— appears now upon the tricentennial anniversary of his birth. Thus, perhaps, it may appropriately serve to awaken a deserved interest in, andto express some of the appreciation too long withheld by time, of a true philosopher and a worker for greater understanding among men. Charles A. Muses New York, 1949 Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. vili ACKN OWLEDGMENTS First of all it is my wish to record my sincere thanks and appreciation to Professor Irwin Edman, Chairman of the Department of Philosophy, Columbia University, for his hav­ ing made it possible, through his permission, for me to pursue my pre-doctoral research with Boehme*s philosophy as the general topic, and for a continued genuine interest in-my plans and work of research. Acknowledgments are also due Professors Horace Leland Friess, James Gutman, and John Herman Randall,Jr., of the Department of Philosophy for their time and trouble in reading through the typescript and for the suggestions and recommendations adopted in casting this dissertation in its present form. I am particularly indebted to Professor Friess for our conferences and discussions since 194-6, not only in connection with the prosecution of this dissertation, but with my prior master's essay; and I realize no presumption in feeling that his counsels have been those of a friend as well as a philosoph­ er. Due and grateful acknowledgments are herewith rendered to the British Museum, the trustees of Dr. Williams* Library, London, and to Mr. Manly P. Hall, founder of the Philosophical Reproduced with permission of the copyright owner. Further reproduction prohibited without permission. ix Research Society Library, L03 Angeles, for their ready co­ operation in regard to the photostating and microfilming of manuscripts in their collections. My acknowledgments in this resepct are tendered also to the authorities of the Columbia University Library. Reproduced with permission of the copyright owner. Further reproduction prohibited without permission.

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