Digital Lives in the Global City D i g i t a l LIVES in the Global City Contesting Infrastructures edited by Deborah Cowen, Alexis Mitchell, Emily Paradis, and Brett Story © UBC Press 2020 All rights reserved. No part of this publica UBC Press gratefully acknowledges the tion may be reproduced, stored in a retrieval financial support for our publishing program system, or transmitted, in any form or by any of the Government of Canada (through the means, without prior written permission Canada Book Fund), the Canada Council of the publishe. for the Arts, and the British Columbia Arts Council. Library and Archives Canada Cataloguing This book has been published with the in Publication help of a grant from the Canadian Federation Title: Digital lives in the global city : for the Humanities and Social Sciences, contesting infrastructures / edited through the Awards to Scholarly Publications by Deborah Cowen, Alexis Mitchell, Program, using funds provided by the Social Emily Paradis, and Brett Story. Sciences and Humanities Research Council of Names: Cowen, Deborah, editor. | Mitchell, Canada. We also acknowledge support from Alexis, 1983 editor. | Paradis, Emily, 1968 Furthermore, a program of the J.M. Kaplan editor. | Story, Brett, editor. Fund. Description: Includes bibliographical references and index. Identifiers: Canadiana (print) 2020025815X | Canadiana (ebook) 20200260480 | ISBN 9780774862387 (softcover) | Set in Gilam and Sabon by Artegraphica ISBN 9780774862394 (PDF) | Design Co. ISBN 9780774862400 (EPUB) | Copy editor: Lesley Erickson ISBN 9780774862417 (Kindle) Proofreader: Caitlin GordonWalker Subjects: Indexer: Judy Dunlop LCSH: Cities and towns—Technological Cover designer: Martyn Schmoll innovations. | LCSH: Technology—Social Illustrations on pages 18–19, 114–15, and aspects. | LCSH: Sociology, Urban. | LCSH: 206–7: Lize Mogel City and town life. | LCSH: Smart cities. | LCSH: Online social networks—Social UBC Press aspects. | LCSH: Information society. The University of British Columbia Classification: LCC HT153 .D54 2020 | 2029 West Mall DDC 307.76—dc23 Vancouver, BC V6T 1Z2 www.ubcpress.ca This book, and the collaborative research out of which it emerges, is anchored in the work of activists organizing for urban justice around the world. The collection took nine years to bring into being and materializes in 2020 to a world on fire, with longstanding urban struggles for Black lives, migrant rights, and racial, economic, environmental, and infrastructural justice reaching a boiling point. In the context of the global pandemic, political life and digital life are ever more and inextricably entangled. This collection archives this extraordinary moment and reminds us that activists, artists, and scholars were taking up these issues long before they were “laid bare” by COVID-19. We dedicate this work to the movements and communities organizing for change – those whose labour has gotten us to this definitive moment, and those who are working to take global urban life into a more just future. Contents Contents TORONTO ix Foreword: The Towers in 21 Digital Debt in a Precarious the World, the World in the City | Emily Paradis, Heather Frise Towers | Katerina Cizek, director 46 Toronto’s Unsecure(d) Urban of the NFB’s Highrise project Debtscape | Alan Walks xv Foreword: When Localities 57 Automating Social Inequality | Go Global | Saskia Sassen, Robert Krystle Maki S. Lynd Professor of Sociology at Columbia University 65 ACORN’s Campaign for Affordable Access | Judy Duncan, ACORN 3 Introduction | Deborah Cowen, Alexis Mitchell, Emily Paradis, 73 Transmutations | Nehal El-Hadi Brett Story SECURITY AND SURVEILLANCE 85 Digital Borders and Urban Worlds | Stephen Graham 89 Audre Lorde’s File and June Jordan’s Skyrise | Simone Browne 94 Policing the Future(s) | R. Josh Scannell 102 Policing Borders through Sound | Anja Kanngieser 108 Big Data Meet Location Monitoring | James Kilgore 112 Digital Apartheid | Visualizing Impact MUMBAI SINGAPORE 117 Mumbai Rising, Buildings 209 The Labour of Global City Falling | Emily Paradis, Brett Story, Building | Alexis Mitchell, Deborah Cowen Deborah Cowen 145 On “MarketFriendly” Planning 233 Skyline of Dreams | Grace Baey in Mumbai | Hussain Indorewala, 238 Sunny Island Set in the Sea | Shweta Wagh Charmaine Chua 153 Kashaf Siddique on Being 248 Singapore as “Best Home” | Precariously Home in the Natalie Oswin Suburbs | Deborah Cowen, Kashaf Siddique 260 Not another Cinderella Story | Symon James-Wilson 160 Dispatch from Mumbai | Deborah Cowen, Paramita Nath 167 #WhyLoiter | Shilpa Phadke, Sameera Khan 271 Acknowledgments 273 Contributors SHIFTING AND SCRIPTING 277 Index URBAN LIVES 175 HighAltitude Protests and Necropolitical Digits | Ju Hui Judy Han 179 Terabytes of Love | Indu Vashist 186 The Most Hated Woman in Israel | Shaka McGlotten 194 DIY WIFI | Heather Frise 200 Network Dislocations | Nicole Starosielski viii Contents Foreword The Towers in the World, the World in the Towers this book emerged out of a unique creative documentary project called Highr ise, at the National Film Board of Canada (NFB). Highrise was a sevenyear experiment in documentary, communityengaged research and co creation in nonfiction storytelling using emergent technologies. The documentary makers who were part of the project were interested in the actual people who make up the growing density of the global suburbs (inspired originally by our own city of Toronto, Canada). We also wanted to learn how vertical lives – literally, residents of these suburbs living in highrise buildings – are entangled with digital infrastructures and systems. For Highrise, we did not follow the conventional documentary pro cess of first finding subjects and experts to interview for a film, then interviewing them based on our questions, and then disappearing into an edit suite to shape an argument. We were mandated instead by the NFB to experiment in both form and content. Inspired by the NFB’s legendary Challenge for Change project in the 1960s and 1970s, we were challenged to build the project out of a process rather than defining the process by the end goal. Our process was informed by community based and crossdisciplinary methods of cocreation. The project grew out of relationships and community engagements rather than arriving with preset agendas. For seven years, our team of documentarians worked alongside archi tects, urban planners, housing activists, technologists, scholars, and, most importantly, highrise residents themselves. Together, we built relation ships over time, and in so doing, we also jointly built the framing, the questions, and the goals of each of the many projects that spilled out from ix