the george gund foundation imprint in african american studies The George Gund Foundation has endowed this imprint to advance understanding of the history,culture,and current issues of African Americans. UUCC--BBaarraakkaa__TTooPPrreessss..iinndddd aa 33//1100//22000099 55::3388::1133 PPMM The publisher gratefully acknowledges the generous support of the African American Studies Endowment Fund of the University of California Press Foundation, which was established by a major gift from the George Gund Foundation. UUCC--BBaarraakkaa__TTooPPrreessss..iinndddd bb 33//1100//22000099 55::3388::1144 PPMM Digging UUCC--BBaarraakkaa__TTooPPrreessss..iinndddd ii 33//1100//22000099 55::3388::1144 PPMM MUSIC OF THE AFRICAN DIASPORA Samuel A. Floyd, Jr., Editor Emeritus Guthrie P. Ramsey, Jr., Editor 1. California Soul: Music of African Americans in the West, edited by Jacqueline Cogdell DjeDje and Eddie S. Meadows 2. William Grant Still: A Study in Contradictions, by Catherine Parsons Smith 3. Jazz on the Road: Don Albert’s Musical Life, by Christopher Wilkinson 4. Harlem in Montmartre: A Paris Jazz Story between the Great Wars, by William A. Shack 5. Dead Man Blues: Jelly Roll Morton Way Out West, by Phil Pastras 6. What Is This Thing Called Jazz?: African American Musicians as Artists, Critics, and Activists, by Eric Porter 7. Race Music: Black Cultures from Bebop to Hip-Hop, by Guthrie P. Ramsey, Jr. 8. Lining Out the Word: Dr. Watts Hymn Singing in the Music of Black Americans, by William T. Dargan 9. Music and Revolution: Cultural Change in Socialist Cuba, by Robin D. Moore 10. From Afro-Cuban Rhythms to Latin Jazz, by Raul A. Fernandez 11. “Mek Some Noise”: Gospel Music and the Ethics of Style in Trinidad, by Timothy Rommen 12. The Memoirs of Alton Augustus Adams, Sr.: First Black Bandmaster of the United States Navy, edited with an introduction by Mark Clague, with a foreword by Samuel Floyd, Jr. 13. Digging: The Afro-American Soul of American Classical Music, by Amiri Baraka UUCC--BBaarraakkaa__TTooPPrreessss..iinndddd iiii 33//1100//22000099 55::3388::1144 PPMM Digging The Afro-American Soul of American Classical Music Amiri Baraka UNIVERSITY OF CALIFORNIA PRESS Berkeley . Los Angeles . London UUCC--BBaarraakkaa__TTooPPrreessss..iinndddd iiiiii 33//1100//22000099 55::3388::1144 PPMM University of California Press, one of the most distinguished university presses in the United States, enriches lives around the world by advancing scholar- ship in the humanities, social sciences, and natural sciences. Its activities are supported by the UC Press Foundation and by philanthropic contributions from individuals and institutions. For more information, visit www.ucpress.edu. University of California Press Berkeley and Los Angeles, California University of California Press, Ltd. London, England © 2009 by Amiri Baraka Library of Congress Cataloging-in-Publication Data Baraka, Imamu Amiri, 1934– Digging : the Afro-American soul of American classical music / Amiri Baraka. p. cm.—(Music of the African diaspora ; 13) ISBN 978-0 -5 20-25715-3 (cloth : alk. paper) 1. African Americans—Music—History and criticism. 2. Music—History and criticism. 3. African American musicians. I. Title. ML3556.B1612 2009 780.89'96073—dc22 2008025976 Manufactured in the United States of America 18 17 16 15 14 13 12 11 10 09 10 9 8 7 6 5 4 3 2 1 The paper used in this publication meets the minimum requirements of ansi/niso z39.48–1992 (r 1997) (Permanence of Paper). UUCC--BBaarraakkaa__TTooPPrreessss..iinndddd iivv 33//1100//22000099 55::3388::1144 PPMM Little of beauty has America given the world save the rude grandeur God himself stamped on her bosom: the human spirit in this new world has expressed itself in vigor and ingenuity rather than in beauty. And so by fateful chance the Negro folk-song—the rhythmic cry of the slave—stands today not simply as the sole American music, but as the most beautiful expression of human experience born this side the seas. It has been neglected, it has been, and is, half despised, and above all it has been persistently mistaken and misunderstood; but notwithstanding, it still remains as the singular spiritual heritage of the nation and the greatest gift of the Negro people. W. E. B. DuBois, “Of the Sorrow Songs,” in The Souls of Black Folk UUCC--BBaarraakkaa__TTooPPrreessss..iinndddd vv 33//1100//22000099 55::3388::1144 PPMM This page intentionally left blank UUCC--BBaarraakkaa__TTooPPrreessss..iinndddd vvii 33//1100//22000099 55::3388::1144 PPMM Contents Photographs follow p. 310. Introduction 1 Part One: Essays 1. Griot/Djali: Poetry, Music, History, Message 5 2. Miles Later 9 3. The “Blues Aesthetic” and the “Black Aesthetic”: Aesthetics as the Continuing Political History of a Culture 19 4. Blues People: Looking Both Ways 28 5. Rhythm 33 6. The American Popular Song: “The Great American Song Book” 38 7. Blues Line 47 8. Cosby and the Music 49 9. Nina Returns 56 10. Jazz Criticism and Its Effect on the Music 72 11. Not “the Boss”: Bruce Springsteen 86 12. Wynton Marsalis: Black Codes (from the Underground) 88 UUCC--BBaarraakkaa__TTooPPrreessss..iinndddd vviiii 33//1100//22000099 55::3388::1144 PPMM
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