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Dictionary of Celtic Myth and Legend PDF

248 Pages·1997·27.735 MB·English
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Dictionary of Celtic Myth and Legend MIRANDA J. GREEN The bonfires of Beltene; the rites of head-hunting; the horned god; Cu Chulainn and the bands of ancient Irish heroes; the mysteries of the Otherworld: here is the entire panoply of old Celtic ritual and belief. The ancient Celts were the greatest and most power- ful of the early European peoples residing north of the €00003351b48 Alps. Warlike, exuberant and superstitious, they saw divinities in every facet of life and nature, venerating deities of the sun, thunder, water, war, healing, hunting, fertility and death. Each tree, mountain, lake, bog and spring housed its own spirit, which had to be propitiated and appeased. In addition to their many gods, the Celts possessed a complicated array of concepts and rituals. They prac- ticed human and animal sacrifice, and a powerful priesthood — the Druids — presided over much of their religious life: bull worship, the veneration of oaks, anda pantheon which included the goddess-queen Medb and the Morrigan, a sinister war-goddess. Symbols — the boar, the spoked wheel, the cauldron — effigies and numerology all featured in the battery of motifs and rités that embodied their world-view. The Dictionary of Celtic Myth and Legend contains entries on every aspect of Celtic myth, religion and folk- lore in Britain and Europe between 500 Bc and ab 400. In parallel with the fruits of archaeological research — shrines, images of deities, inscriptions and votive objects — the testimony of Classical writers and the ear- liest recorded versions of the pagan oral traditions of Wales and Ireland provide us with a complete overview of Celtic lore. This all-embracing reference guide pre- sents that fund of knowledge in over 400 copiously illustrated articles, together with a comprehensive historical Introduction. Here is a fascinating volume for anyone with an interest in the extraordinary world of the pagan Celts. With 243 illustrations On the jacket: detail of the Gundestrup Cauldron, silver (originally gilded), probably 4th — 3rd c. Bc. Published by permission of the Danish National Museum. sab ee i a @ 2 apt “4, Misty: ee Digitized by the Internet Archive In 2022 with funding from Kahle/Austin Foundation https://archive.org/details/dictionaryofceltO000aldh Dictionary of Celtic Myth and Legend Say, Qe Se Se SA Yok) )\ aig SEs Lg be I~ VEX a NEC: NX WY ee GLE 3 3052 09222 4064 MIRANDA J. GREEN Dictionary of Celtic Myth and Legend 243 illustrations calel THAMES AND HUDSON ‘ PUBLIC LIBRARY rent Collinge, Ceteraco For Eunice, Stephen and Ann Frontispiece Drawing by Jen-Delyth, entitled The Keltic Mandala. This is a symbolic illustration of the Celtic year, with its seasonal cycle, in the form of a wheel. The mandala incorporates many motifs found in Celtic art and mythology, such as the stag, the bull, birds, the solar wheel, oak leaves and the Tree of Life. Any copy of this book issued by the publisher as a paperback is sold subject to the condition that it shall not by way of trade or otherwise be lent, resold, hired out or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition including these words being imposed on a subsequent purchaser. © 1992 Thames and Hudson Ltd, London First published in the United States in 1992 by Thames and Hudson Inc., 500 Fifth Avenue, New York, New York 10110 Library of Congress Catalog Card Number 91-65265 All Rights Reserved. No part of this publication may be reproduced or transmitted in any form or by any means, electronic or mechanical, including photocopying, recording or any other information storage and retrieval system, without prior permission in writing from the publisher. Printed and bound in Singapore Contents Acknowledgments 6 Reader’s Guide a Introduction 9 Subject Index 23 THE DICTIONARY 26 Bibliography 229 Sources of the Illustrations 239 ‘Events which can be dated and analysed, and placed at a proper distance from the present, can also at some stage begin to appear far away; can fade. Myths are fresh; they never lose their force.’ V.S. Naipaul Acknowledgments I should like to express my gratitude to the following people, who have helped me on this project in many ways: Wynne Lloyd, for teaching me Welsh; Brian Ramsden, for helping to get me computerized; Paul Barrett; Dr Sioned Davies; Frank Delaney; Professor Geraint Gruffydd; Dr Brynley Roberts; Dr Terry Thomas; Dr Graham Webster. Finally, I want to say a special word of thanks to Stephen, whose encouragement acted as my Cauldron of Regeneration!

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