Dharma, Disorder and the Political in Ancient India BIL-28-bowles.indd i 6-8-2007 8:50:07 Brill’s Indological Library Edited by Johannes Bronkhorst In co-operation with Richard Gombrich • Oskar von Hinüber Katsumi Mimaki • Arvind Sharma VOLUME 28 BIL-28-bowles.indd ii 6-8-2007 8:50:07 Dharma, Disorder and the P olitical in Ancient India $ § § The paddharmaparvan of the Mah bh rata By Adam Bowles LEIDEN • BOSTON 2007 BIL-28-bowles.indd iii 6-8-2007 8:50:08 Cover illustration: Death of Bhishma, Art of Legend India (www.artoflegendindia.com) This book is printed on acid-free paper. A C.I.P. record for this book is available from the Library of Congress. ISSN: 0925-2916 ISBN: 978 90 04 15815 3 Copyright 2007 by Koninklijke Brill NV, Leiden, The Netherlands. Koninklijke Brill NV incorporates the imprints Brill, Hotei Publishing, IDC Publishers, Martinus Nijhoff Publishers and VSP. All rights reserved. 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Fees are subject to change. printed in the netherlands BIL-28-bowles.indd iv 6-8-2007 8:50:08 (cid:3) for Tracey and Hamish and in memory of Nan CONTENTS Preface............................................................................................ xi Abbreviations.................................................................................. xiii List of figures.................................................................................. xvi Chapter One(cid:3) Introduction............................................................ 1 1.1(cid:3) The (cid:2)paddharmaparvan: A brief overview....................... 3 1.2(cid:3) A guide to this book: Propositions and directions............ 8 1.3(cid:3) A note on chronologies..................................................... 13 1.4(cid:3) Mah(cid:3)bh(cid:3)rata scholarship and the didactic corpora: What is ‘Mah(cid:3)bh(cid:3)rata’?....................................................... 16 Chapter Two(cid:3) ‘Distress’ in the literature on dharma and artha...................................................................... 36 2.1(cid:3) From the dharmas(cid:4)tras to the dharma(cid:5)(cid:3)stras.................... 37 2.1.1(cid:3) The dharmas(cid:4)tras...................................................... 37 2.1.2(cid:3) Manu and beyond..................................................... 44 2.2(cid:3) The Artha(cid:5)(cid:3)stra................................................................. 54 2.2.1(cid:3) The Artha(cid:5)(cid:3)stra and the dharma(cid:5)(cid:3)stras.................... 55 2.2.2(cid:3) Artha(cid:5)(cid:3)stra analyses................................................. 58 2.2.3(cid:3) The treasury ‘ko(cid:5)a’................................................... 68 2.2.4(cid:3) The weak king vs. the strong king............................. 71 2.3(cid:3) Concluding remarks......................................................... 77 Chapter Three(cid:3) Dharma................................................................ 81 3.1(cid:3) The origins of dharma: from dharman to dharma............. 82 3.1.1(cid:3) Saühit(cid:3)s................................................................... 84 3.1.2(cid:3) Br(cid:3)hmaõas................................................................ 89 3.1.3(cid:3) Upaniùads................................................................. 94 3.1.4(cid:3) (cid:6)rauta- and g(cid:7)hya-s(cid:4)tras........................................... 103 3.1.5(cid:3) Towards the dharmas(cid:4)tras........................................ 109 3.2(cid:3) The crisis and renewal of Br(cid:2)hmaõism: the ascetic and the g(cid:7)hastha.................................................. 117 3.3(cid:3) A(cid:3)oka................................................................................ 125 Chapter Four(cid:3) Yudhiùñhira and the narrative frame of the (cid:4)paddharmaparvan......................................................... 133 4.1(cid:3) The Mah(cid:3)bh(cid:3)rata, dharma, Yudhiùñhira............................ 135 4.2(cid:3) Yudhiùñhira’s crisis, dharma, and the (cid:2)paddharmaparvan.................................................. 151 viii CONTENTS Chapter Five(cid:3) Strategies of integration......................................... 155 5.1(cid:3) Integrative agents and transitional texts.......................... 155 5.2(cid:3) Frame analysis................................................................. 159 5.3(cid:3) Interlocution and framing................................................. 163 5.4(cid:3) Narrative motifs and rhetorical types............................... 172 5.4.1(cid:3) Before a narrator begins.......................................... 172 5.4.2(cid:3) Rhetorical types: coherence as a manner of speaking................................ 177 5.5(cid:3) Concluding remarks......................................................... 189 Chapter Six(cid:3) Laws for a king in crisis: Texts on (cid:2)paddharma I............................................................. 190 6.1(cid:3) ‘In praise of conduct procuring a treasury’..................... 190 6.1.1(cid:3) Yudhiùñhira’s questions to Bh(cid:5)ùma........................... 191 6.1.2(cid:3) Bh(cid:5)ùma’s response to Yudhiùñhira............................ 192 6.1.3(cid:3) The ko(cid:5)a.................................................................... 204 6.1.4(cid:3) Justifications............................................................. 207 6.1.5(cid:3) The king’s duty (dharma).......................................... 208 6.1.6(cid:3) The king’s salvation.................................................. 210 6.2(cid:3) ‘In praise of war’.............................................................. 211 6.3(cid:3) ‘The conduct of a royal sage’........................................... 216 6.4(cid:3) ‘A bandit’s way of life’..................................................... 224 6.5(cid:3) ‘In praise of power’.......................................................... 229 6.6(cid:3) ‘The deeds of K(cid:2)pavya’.................................................... 234 6.7(cid:3) ‘Explaining what can and cannot be appropriated’......... 240 6.8(cid:3) ‘The tale of the three fish’................................................. 243 6.9(cid:3) ‘The dialogue between the cat and the mouse’................. 249 6.10(cid:3) ‘The dialogue between P(cid:6)jan(cid:5) and Brahmadatta’.......... 258 6.11(cid:3) ‘The dialogue between Kaõiïka and (cid:7)atruütapa’......... 262 6.12(cid:3) ‘The dialogue between Vi(cid:3)v(cid:2)mitra and the dog-cooker’..................................................................... 268 6.13(cid:3) ‘In praise of wise br(cid:2)hmans’.......................................... 280 Chapter Seven(cid:3) Diversions on a theme: Texts on (cid:2)paddharma II............................................................ 295 7.1(cid:3) ‘The dialogue between the dove and the hunter’.............. 295 7.2(cid:3) ‘The dialogue between Indrota and P(cid:2)rikùita’................. 306 7.3(cid:3) ‘The dialogue between the vulture and the jackal’........... 319 7.4(cid:3) ‘The dialogue between the wind and the (cid:7)almali tree’..... 330 Chapter Eight(cid:3) Setting things right: Transitional texts of the (cid:4)paddharmaparvan I......................... 334 8.1(cid:3) ‘The chapter on greed’..................................................... 335 8.2(cid:3) ‘The chapter on ignorance’.............................................. 340 8.3(cid:3) ‘The chapter on self-restraint’.......................................... 342 CONTENTS ix 8.4(cid:3) ‘The chapter on austerity’................................................ 347 8.5(cid:3) ‘The chapter on the real’.................................................. 349 8.6(cid:3) ‘The dissolution of anger and so on’................................ 353 8.7(cid:3) ‘The chapter on bad men’................................................. 356 Chapter Nine(cid:3) Coda: Transitional texts of the (cid:4)paddharmaparvan II........................ 359 9.1(cid:3) ‘Concerning penance’...................................................... 360 9.2(cid:3) ‘The origin of the sword’.................................................. 372 9.3(cid:3) ‘The song in six parts’...................................................... 382 9.4(cid:3) ‘The tale of the ungrateful man’....................................... 391 Chapter Ten(cid:3) Conclusion.............................................................. 405 Bibliography................................................................................... 409 Index............................................................................................... 426
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