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Design as a catalyst for learning PDF

168 Pages·1997·9.8 MB·English
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Design as a Catalyst Learning for stuov ( node tior I igages a variety of student learning styles and makes ojwectijhs between school subjects and problem solving 1 in daily lit" MEREDITH DAVIS • PETER HAWLEY • BERNARD MCMULLAN • GERTRUDE SPILKA Design as a Catalystfor Learning MEREDITH DAVIS • PETER HAWLEY • BERNARD MCMULLAN • GERTRUDE SPILKA AssociationforSupervisionandCurriculumDevelopment Alexandria, Virginia USA AssociationforSupervisionand Curriculum Development 1250N. PittStreet • Alexandria,Virginia 22314-1453 USA Telephone: 1-800-933-2723or703-549-9110 • Fax:703-299-8631 Website: http://www.ascd.org • E-mail: [email protected] Gene R. Carter,ExecutiveDirector MichelleTerry,AssistantExecutiveDirector, ProgramDevelopment NancyModrak, Director, Publishing John O'Neil,AcquisitionsEditor JulieHoutz,ManagingEditorofBooks KathieFelix,AssociateEditor MaryBeth Nielsen,AssistantEditor ReneBahrenfuss,CopyEditor CharlesD. Halverson, ProjectAssistant GaryBloom, Director, Editorial, Design, andProductionServices Karen Monaco,SeniorDesigner TraceyA. Smith, ProductionManager Dina Murray,ProductionCoordinator John Franklin,ProductionCoordinator DesignedbyGrafikCommunications, Ltd. CoverDesign byKaren Monaco Copyright©1997bytheAssociationforSupervisionandCurriculumDevelopment. Allrightsreserved.Nopartofthispublicationmaybereproducedortransmittedin anyformorbyanymeans,electronicormechanical,includingphotocopy,recording, oranyinformationstorageandretrievalsystem,withoutpermissionfromASCD. ReaderswhowishtoduplicatematerialcopyrightedbyASCDmaydosoforasmall feebycontactingtheCopyrightClearanceCenter,222RosewoodDr.,Danvers,MA 01923,USA(telephone:508-750-8400;fax:508-750-4470).ASCDhasauthorized theCCCtocollectsuchfeesonitsbehalf.Requeststoreprintratherthanphotocopy shouldbedirectedtoASCD'spermissionsofficeat703-549-9110. ASCDpublicationspresentavarietyofviewpoints.Theviewsexpressedorimpliedin thisbookshouldnotbeinterpretedasofficialpositionsoftheAssociation. PrintedintheUnitedStatesofAmerica. ASCDStockNo.:197022 ASCDmemberprice:$28.95 nonmemberprice:$34.95 December1997memberbook(p).ASCDPremium,Comprehensive,andRegularmembers periodicallyreceiveASCDbooksaspartoftheirmembershipbenefits.No.FY98-3 LibraryofCongressCataloging-in-PublicationData Designasacatalystforlearning/MeredithDavis... [etal.]. p. cm. PapersbasedonresearchconductedbytheOMGCenterfor CollaborativeLearning. Includesbibliographicalreferences(p.). ISBN0-87120-284-0(pb) 1.Creativethinking—Studyandteaching—UnitedStates. 2. Design—Study andteaching—UnitedStates. 3.Problem-solving—Studyandteaching- UnitedStates. 4.Activelearning—UnitedStates. 5.Curriculumplanning— UnitedStates. 6.Educationalchange—UnitedStates. I. Davis,Meredith (MeredithJ.) LB1062.D475 1997 370.15'2-dc21 97-43361 CIP 01 00 99 98 97 5 4 3 2 1 Table of Contents Foreword Acknowledgments Introduction Chapter 1 Learning Through Design Chapter 2 Lifelong Learning. Chapter 3 A Strategyfor Excellent Teaching Chapter 4 Design in the Curriculum Chapter 5 Opportunities and Challenges for Schools Chapter 6 Conclusions and Recommendations Appendix A Design Education in the Context of Education Reform Appendix B Sources of Information and Assistance Appendix C Schools Cited in this Study Bibliography Aboutthe Authors Aboutthe NEA AboutASCD The Design as a Catalystfor Learning project was funded through a cooperative agreement (DCA 93-08) from the National Endowmentfor the Arts, a federal agency. The initial project research was conducted by Gertrude J. Spilka, principal researcher, Bernard McMullen, and Lisa Nutter ofthe OMG Centerfor Collaborative Learning in Philadelphia, Pa. Foreword this book speaks directly to educators, problems they may encounterat work but I believe it holds insights that and in the community. Above all, we will be ofinterest to parents and want them to be happy and engaged business leadersas well. In his 1997 State in life, to know how to keep learning, ofAmerican Education address, U.S. enjoying, and contributing. Secretary ofEducation Richard W. Goal Three ofour National Riley reminded us that as we approach Education Goals, endorsed by the the 21st century, "nothing should be nation's governors and both parties in more important to us as a nation than Congress, summarizes these desires well. the actions we take now to help our After stating that all children should young people prepare for the future."1 As graduate from high school with a firm a mother, I know what all parents want understanding ofcore subjects including for their children: to give them every math, science, social studies andthearts opportunity to reach their full potential. it continues ". . . and every school in We want our children to know how to America will ensure that all students work well with other people. We want learn to use their minds well, so that them to feel competent in solving the they may be prepared for responsible — particularly with people from different and civic leaders gave testimony to the cultural backgrounds. Such workers also value ofthe arts in developing the kinds know how to access, evaluate, interpret, ofwell-rounded, hard-working, innov- and communicate information in a ative performers they are seeking. variety ofmedia. They have the curiosity They know that, in any art form, the citizenship, further learning, and pro- and creativity to pose questions and to artist is concerned with both process ductive employment in our Nation's innovate. They can grasp the dynamic and end product. Design, the subject of modern economy."2 relationships among parts that consti- this book, is a good example. Whether The world into which students now tute larger systems. They know how to the objective is aproduct, a building, a graduate is changing rapidly as global allocate human and material resources city plan, or a graphic communication, competition increases and information to get things done on time and to high when children are engaged in theprocess technology transforms the way work is standards ofquality. ofdesigning, they are learning to conducted. Where once the "three R's" We need these skills in all spheres of identify needs, frame problems, work were sufficient for most young people our society: in government, business, collaboratively, explore and appreciate to gain entry into the workforce, today and the nonprofit sector. The quality of the contexts within which a solution they are only the foundation for a set everyday life in ourcommunities as well must work, weigh alternatives, and ofhigher-level thinking and perfor- as the nation's economic vitality depend communicate their ideas verbally, mance skills sought by employers. The upon people's ability to view problems graphically, and in three dimensions. "knowledge worker" now in demand is from many perspectives, to construct Design is also about making and a person who works well in a team, creative approaches to solving them, doing as away ofknowing, ofreally and to evaluate those solutions with a understanding the abstract concepts critical eye. Such skills lie at the heart taught in schools. It's about putting ofengaged, responsible citizenship. ideas to work in situations that allow They are also fundamental to the inno- children to test themselves and the value vations that stimulate entrepreneurship oflearning in everyday life. Engaging and job growth. in periodic self-assessment and critiques How then do we develop these skills ofwork in progress, students come to in our children? What kind ofschools understand that performance testing to can nurture them? I am convinced high standards and continual improve- and an increasing number ofbusiness ment are fundamental to the process, in — and civic leaders are too that education lifelong learning no less than in design. in the arts is an essential component. Dance, theatre, music, and thevisual This was illustrated last year in a spe- arts share many ofthese characteristics cial education supplement published by and should be part ofany comprehen- Business Week magazine.3 There, business sive educational program. Design is in VI G o a a unique position, however, because powerful bridge, both literally and fig- the very "stuff' ofdesign is all around uratively You'll see children building children: in the classroom, the neighbor- and testing bridges as a means oflearn- hood, and even in the virtual worlds ing math, science, and social studies. available on the Internet. As the teachers You'll see how design helps teachers you will meet in this book reveal, the bridge different subjects and connect very fact that the products ofdesign are classroom learning with the larger so ubiquitous and so tangible makes community. Ultimately, whatever the design itselfan easy hook to capture type ofdesign and its curricular context, students' attention, a natural path on you'll see that the creative, problem- which to set them exploring how the solving process ofdesign helps both world works and how they can make a teachers and students achieve theirgoals. difference in it. In closing, I want to thank all those These teachers also will tell you who made this bookpossible both within that design helps students integrate and beyond the Arts Endowment and knowledge from other disciplines and to thank ASCD in particular for recog- motivates them to attend school. Given nizing the potential ofdesign to help that truancy costs the United States teachers all across the curriculum. If some S228 billion a year and corpora- what you see excites you, as I am sure tions spend an additional S30 billion it will, consider how to integrate these annually on the remedial education of methods into your community's schools, theiremployees, anypedagogical method into teacher-training programs, and that invigorates students' learning and into school-business partnerships. keeps them coming back for more is You will find design a potent catalyst worth aclose look by educators, parents, for excellence. Middle school students design and business leaders alike. the ideal city ofthe future for As President Clinton has stated on the annual National Engineers numerous occasions, education is our Week Future City Competition. most important bridge to the 21st Here, the winners show their century. It's one we all have a role in Jane Alexander computer-designed city to building. In this book you will see that Chairman President Clinton. design in education itselfconstitutes a National Endowment for the Arts 1 Riley,RichardW.(February18,1997).FourthAnnualStateofAmericanEducationAddress.Washington,D.C:U.S.DepartmentofEducation,p.2. 2 Goals2000:EducateAmericaAct.0994).PublicLaw103-227,signedintolawMarch31.1994. 3 BusinessVai.(October28.1996)."EducatingfortheWorkplaceThroughtheArts" *1 »"''"'' '

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