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Defensive measures: the poetry of Niedecker, Bishop, Glück, and Carson PDF

144 Pages·2005·0.647 MB·English
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Defensive Measures .................11087$ $$FM 03-11-0508:31:21 PS PAGE1 .................11087$ $$FM 03-11-0508:31:21 PS PAGE2 Defensive Measures The Poetry of Niedecker, Bishop, Glu¨ck, and Carson Lee Upton Lewisburg Bucknell UniversityPress .................11087$ $$FM 03-11-0508:31:23 PS PAGE3 (cid:1)2005byRosemontPublishing&PrintingCorp. Allrightsreserved.Authorizationtophotocopyitemsforinternalorpersonaluse, or the internal or personal use of specific clients, is granted by the copyright owner,providedthatabasefeeof$10.00,pluseightcentsperpage,percopyis paiddirectlytotheCopyrightClearanceCenter,222RosewoodDrive,Danvers, Massachusetts01923.[0-8387-5607-7/05$10.00(cid:2)8¢pp,pc.] AssociatedUniversityPresses 2010EastparkBoulevard Cranbury,NJ08512 ThepaperusedinthispublicationmeetstherequirementsoftheAmerican NationalStandardforPermanenceofPaperforPrintedLibraryMaterials Z39.48-1984. LibraryofCongressCataloging-in-PublicationData Upton,Lee,1953– Defensivemeasures:thepoetryofNiedecker,Bishop,Glu¨ck,and Carson/LeeUpton. p. cm. Includesbibliographicalreferencesandindex. ISBN0-8387-5607-7(alk.paper) 1.Americanpoetry—20thcentury—Historyandcriticism. 2.Women andliterature—UnitedStates—History—20thcentury. 3.American poetry—Womenauthors—Historyandcriticism. 4.Bishop,Elizabeth, 1911–1979—Criticismandinterpretation. 5.Glu¨ck,Louise,1943— Criticismandinterpretation. 6.Carson,Anne,1950—Criticismand interpretation. 7.Niedecker,Lorine—Criticismandinterpretation. I. Title. PS151.U68 2005 811(cid:1).5099287—dc22 2004062343 PRINTEDINTHEUNITEDSTATESOFAMERICA .................11087$ $$FM 03-11-0508:31:23 PS PAGE4 for Cecilia .................11087$ $$FM 03-11-0508:31:23 PS PAGE5 .................11087$ $$FM 03-11-0508:31:24 PS PAGE6 Contents Acknowledgments 9 Introduction:Poetry asDefense 13 1. HumilityDoesNotCancelStubbornness:Defensive Positioning inLorine Niedecker 32 2. Tiltingat Sense:Defensive NonsenseinElizabeth Bishop 56 3. Erotic Distances:Defensive ElevationsinLouiseGlu¨ck 80 4. ScholarshipandDebasement:OverlayingtheDefenses inAnne Carson 99 Afterword:ThePriceWePayforMakingClaims 120 Notes 127 Bibliography 136 Index 142 7 .................11087$ CNTS 03-11-0508:31:25 PS PAGE7 .................11087$ CNTS 03-11-0508:31:25 PS PAGE8 Acknowledgments I am gratefulto Lafayette College and itsprovost, June Schlueter, for an enhanced sabbatical during which most of this book was written. Special thanks to Greg Clingham, director of Bucknell Univer- sity Press, for his support of my work, and to Malcolm Hayward, editor of Studies in the Humanities, who first published my writing about Elizabeth Bishop. I am also grateful to Julien Yoseloff and ChristineA.RetzofAssociatedUniversityPresses. The staffof SkillmanLibrary has longbeen greatly helpful, and Iwanttoexpressmygratitudetothedirector,NeilMcElroy. IamdeeplyindebtedtoJillRiefenstahl,ouradmirableadminis- trativeassistantintheEnglishDepartmentofLafayetteCollege. Special thanks to the following for their support: Susan Blake, Carla Beers, Anna Duhl, Alexis Fisher, Bill Osborn, Diane Shaw, CarolynnVanDyke,andSylviaWatanabe. AlthoughI’mwritingaboutdefense,TheodoraandCeciliaZiol- kowski have no need of any defense whatsoever; they are beyond perfection. Rose Upton has enriched our lives immeasurably by joining our household permanently. Finally, as always, I thank Eric Ziolkowski for unsurpassed integrity and imagination—and forkindnessbeyondmeasure. Gratefulacknowledgmentismadetoindividualsandpublishers whogavepermissiontoreprintcopyrightedmaterial. Excerpts from GLASS, IRONY AND GOD, by Anne Carson, copyright (cid:1) 1922, 1994, 1995 by Anne Carson. Reprinted by per- missionofNewDirectionsPublishingCorporation. ‘‘Poetry’’ reprinted with the permission of Scribner, an imprint of Simon & Schuster Adult Publishing Group, from THE COL- LECTED POEMS OF MARIANNE MOORE by Marianne Moore. Copyright(cid:1)1935byMarianneMoore;copyrightrenewed(cid:1)1963 byMarianne MooreandT.S.Eliot. Excerpts from THE COMPLETE POEMS: 1927–1979 by Eliza- 9 .................11087$ $ACK 03-11-0508:31:31 PS PAGE9 10 ACKNOWLEDGMENTS beth Bishop. Copyright (cid:1) 1979, 1983 by Alice Helen Methfessel. ReprintedbypermissionofFarrar,StrausandGiroux,LLC. Portions from ‘‘Through the Lens of Edward Lear: Contesting Sense in the Poetry of Elizabeth Bishop,’’ by Lee Upton, Studies in theHumanities19.1(1992):68–79.ReprintedbypermissionofMal- colmHayward,Editor,StudiesintheHumanities. ExcerptsfromTHESEVENAGESbyLouiseGlu¨ck,copyright(cid:1) 2001 by Louise Glu¨ck. Reprinted by permission of HarperCollins PublishersInc. ExcerptsfromTHEFIRSTFOURBOOKSOFPOEMSbyLou- ise Glu¨ck, copyright 1968, 1971, 1972, 1973, 1974, 1975, 1976, 1977,1978,1979,1980,1985,1995byLouiseGlu¨ck.Reprintedby permissionofHarperCollinsPublishersInc. Excerpts from Lorine Niedecker: Collected Works, edited by Jenny Lynn Penberthy, copyright (cid:1) 2002 The Regents of the University of California. Reprinted by permission of the Regents of the Uni- versityofCalifornia. .................11087$ $ACK 03-11-0508:31:32 PS PAGE10

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