Decorative Games Studies in Seventeenth- and Eighteenth-Century Art and Culture Advisory Board to the University of Delaware Press Board of Editors Elise Goodman, General Editor Joseph Baillio *Sarah R. Cohen *Anthony Colantuono Wayne Franits *Alden R. Gordon *Ann Sutherland Harris Walter Liedtke *William L. Pressly *Ann Schroder Rochelle Ziskin Books in This Series Art and Culture in the Eighteenth Century Caravaggio: Realism, Rebellion, Reception edited by Elise Goodman edited by Genevieve Warwick Dugdale and Hollar: History Illustrated Antoine Watteau: Perspectives on the Artist by Marion Roberts and the Culture of His Time edited by Mary Sheriff Piety and Politics: Imaging Divine Kingship in Louis XIV’s Chapel at Versailles From Sacred to Secular: Visual Images by Martha Mel Stumberg Edmunds in Early American Publications by Barbara E. Lacey Changing Minds: The Shifting Perception of Culture in Eighteenth-Century France Performing the “Everyday”: The Culture of Genre by John C. O’Neal in the Eighteenth Century edited by Alden Cavanaugh Utility and Beauty: Robert Wellford and Composition Ornament in America The Artist as Original Genius: Shakespeare’s by Mark Reinberger “Fine Frenzy” in Late-Eighteenth-Century British Art by William L. Pressly From Savage to Citizen: The Invention of the Peasant in the French Enlightenment Caricature Unmasked: Irony, Authenticity, by Amy S. Wyngaard and Individualism in Eighteenth-Century English Prints by Amelia Rauser Abstraction and the Classical Ideal, 1760–1920 by Charles A. Cramer Decorative Games: Ornament, Rhetoric, and Noble Culture in the Work of Jacques-Louis David: New Perspectives Gilles-Marie Oppenord (1672–1742) edited by Dorothy Johnson by Jean-François Bédard Decorative Games Ornament, Rhetoric, and Noble Culture in the Work of Gilles-Marie Oppenord (1672–1742) Jean-François Bédard UNIVERSITYOFDELAWAREPRESS Newark Published by University of Delaware Press Co-published with The Rowman & Littlefield Publishing Group, Inc. 4501 Forbes Boulevard, Suite 200, Lanham, Maryland 20706 www.rlpgbooks.com Estover Road, Plymouth PL6 7PY, United Kingdom Copyright © 2011 by Jean-François Bédard All rights reserved.No part of this book may be reproduced in any form or by any electronic or mechanical means, including information storage and retrieval systems, without written permission from the publisher, except by a reviewer who may quote passages in a review. British Library Cataloguing in Publication Information Available Library of Congress Cataloging-in-Publication Data Library of Congress Cataloguing-in-Publication Data on file under LC#2010006334 ISBN: 978-1-61149-008-4 (cl. : alk. paper) eISBN: 978-1-61149-009-1 ∞™The paper used in this publication meets the minimum requirements of the American National Standard for Information Sciences—Permanence of Paper for Printed Library Materials, ANSI/NISO Z39.48-1992. Printed in the United States of America En souvenir de mes parents Contents List of Illustrations 9 Acknowledgments 11 Abbreviations 13 Introduction 17 Notes on the Facsimile 39 Facsimile of Oppenord’s Ornamented Copy of the Ripa-Baudoin Iconologie 41 Facsimile Key 260 Appendix I: List of Oppenord’s Principal Projects and Buildings 270 Appendix II: Transcription of the “Etat et description de l’Hôtel de Cambray” (1749) 277 Appendix III: Bibliographic Description of Ripa-Baudouin’s Iconologie(Paris, 1636) 280 Selected Bibliography 282 Index 285 7 Illustrations Fig. 1. Gilles-Marie Oppenord (Paris panel, Hôtel des États du Languedoc, Paris. 1672–Paris 1742). Three designs for cartouches 1713–19. The Cooper-Hewitt, National and one for a cynegetic trophy; folio 46 recto Design Museum, 1911–28–231. . . . . . . . . . . . . . . 24 of an ornamented copy of the first French edition of Cesare Ripa’s Iconologiaby Jean Fig. 5. Reconstructed plan of the second floor, Baudoin, illustrated by Jacques de Bié (1636). Hôtel des États du Languedoc, Paris.After After 1713. Collection Centre Canadien Philippe Vasserot and J. H. Bellanger, map- d’Architecture/Canadian Centre for Archi- makers. Plan of the Banque de France.1809. tecture, Montreal, DR1991:0007:046 r. . . . . . . . . 20 Archives nationales de France, F3111/105. Key: 1. Terrace; 2. Great Court; 3. Dining Fig. 2. Gabriel Huquier (Orléans 1695–Paris Room; 4. Antechamber; 5. Small Room; 1772), printmaker; after Gilles-Marie Oppenord 6. Landing; 7. Great Antechamber; 8. Salon; (Paris 1672–Paris 1742), architect and draftsman. 9. Room; 10. Chamber; 11. Gallery; Three designs for cartouches; plate E6 of the 12. Garden; 13. Antechamber; 14. Ante- “Cinquième Livre Contenant des Cartouches ...” chamber; 15. Room; 16. Chamber; 17. Closet; of the Premier [-onzième] Livre de différents 18. Closet; 19. Restroom; 20. Boudoir; morceaux à l’usage de tous ceux qui s’appliquent 21. Service Court. . . . . . . . . . . . . . . . . . . . . . . . . . 25 aux beaux arts (Moyen Oppenord).Etching and engraving. 314 ×228 mm. Collection Centre Fig. 6. Elevation of wood paneling from the Canadien d’Architecture/Canadian Centre for Hôtel des États du Languedoc as installed Architecture, Montreal. . . . . . . . . . . . . . . . . . . . . 21 in the dining room, Hôtel de la Trémoïlle, Paris.Figures 108–9 of Fiske Kimball, The Fig. 3. Jacques Rigaud (ca 1681–1754), print- Creation of the Rococo(Philadelphia: maker. View towards the northeast, Place des Philadelphia Museum of Art, 1943). . . . . . . . . . .26 Victoires, Paris.Early eighteenth century. Bibliothèque nationale de France, Département Fig. 7. Gilles-Marie Oppenord (Paris, des estampes et de la photographie,Va. 230e. . . . 23 1672–Paris, 1742), architect and draftsman. Unfolded partial elevation for paneling of Fig. 4. Gilles-Marie Oppenord (Paris, 1672– the salon, Château de la Grange-du-Milieu, Paris, 1742), architect and draftsman. Two Yerres.After 1721. ©Department of Prints half elevations for mantels surmounted by and Drawings, Nationalmuseum, Stockholm, mirrors and an elevation for a decorative THC 5112. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . .27 9
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