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Dante’s Philosophical Life: Politics and Human Wisdom in "Purgatorio" PDF

295 Pages·2018·2.25 MB·English
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Dante’s Philosophical Life Dante’s Philosophical Life Politics and Human Wisdom in Purgatorio Paul Stern Copyright © 2018 University of Pennsylvania Press All rights reserved. Except for brief quotations used for purposes of review or scholarly citation, none of this book may be reproduced in any form by any means without written permission from the publisher. Published by University of Pennsylvania Press Philadelphia, Pennsylvania 19104-4112 www.upenn.edu/pennpress Printed in the United States of America on acid-free paper 1 3 5 7 9 10 8 6 4 2 Library of Congress Cataloging-in-Publication Control Number: 2017056086 ISBN 978-0-8122-5011-4 To Lisa And if this is so, we will say that those among the living who have and will have available to them the things stated are blessed—but blessed human beings. —Aristotle Nicomachean Ethics 1101a19–21 Hence choice is either intellect marked by a certain longing or longing marked by thinking and a starting point of this sort is a human being. —Aristotle Nicomachean Ethics 1139b4–6 The prudence of a king is that unequaled seeing at which the arrow of my intention strikes. —Dante, Paradiso XIII. 104–5 CONTENTS Chapter 1. Politics, Poetry, and Philosophy in Purgatorio Chapter 2. “What Good Would Climbing Do?”: The Rationale and Impetus for the Pursuit of Self-Knowledge (Cantos I–IX) Chapter 3. “To a Better Nature You Lie Subject”: The Political Character of Humanity and Nature (Cantos X–XVII) Chapter 4. Disrobing the Siren: The Zealous Pursuit of Clarity (Cantos XVII–XIX) Chapter 5. “When Love Breathes Within Me”: The Desirability of Desire (Cantos XIX–XXVII) Chapter 6. “The Nest for Human Nature”: Earthly Paradise and the “Happiness in This Life” (Cantos XXVIII–XXXIII) Chapter 7. Dante’s Human Wisdom Notes Index Acknowledgments CHAPTER 1 Politics, Poetry, and Philosophy in Purgatorio I came to Dante’s Commedia already well into my career.1 Preparing to teach it in a first-year course, I, like many readers, was captivated by the poem’s sheer imaginative power. As a student of classical political philosophy, I was also impressed—and puzzled—by how frequently Dante uses this power for a political end. In particular, I wondered why politics should have such prominence in a poem about the Christian afterlife, especially a conception of it that chimes so clearly and insistently with a classical understanding. This wonder motivates my study. Its primary aim is not to explicate Dante’s political views, a task ably accomplished by others.2 Rather, it seeks to account for the philosophic importance of politics in the poem, to explain why in an intellectual milieu shaped by Christianity and Neoplatonism, a religion and a philosophic school united in their diminishment of politics, the political realm should occupy such a significant place in the Commedia’s vision. My thesis is that the poem’s political surface provides the key to its depths. More specifically, I argue that the prominence and meaning Dante accords politics are crucial to the vindication of rational inquiry into the human good, which, I also argue, is his poem’s intent. American Dante scholarship of the past fifty years maintains a different view. With a few notable exceptions, this scholarship understands the poem’s intent as religious.3 Charles Singleton supplies this reading’s principle: “Dante sees as poet and realizes as poet what is already conceptually elaborated and established in Christian doctrine.”4 For Singleton, the poem’s purpose as versified Christian doctrine is plain. Yet, precisely the Christian character that makes Singleton’s characterization credible renders anomalous the meaning and prominence the poem gives to politics. The Commedia repeatedly highlights a political life significantly more robust than “Christian doctrine” is at all likely to endorse. A few examples

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When political theorists teach the history of political philosophy, they typically skip from the ancient Greeks and Cicero to Augustine in the fifth century and Thomas Aquinas in the thirteenth, and then on to the origins of modernity with Machiavelli and beyond. Paul Stern aims to change this settl
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