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D. H. Lawrence: New Studies PDF

197 Pages·1987·18.589 MB·English
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MACMILLAN STUDIES IN TWENTIETH-CENTURY LITERATURE Michael Black D. H. LAWRENCE: THE EARLY FICTION Carolyn Bliss PATRICK WHITE'S FICTION Laurie Clancy THE NOVELS OF VLADIMIR NABOKOV Peter J. Conradi IRIS MURDOCH: THE SAINT AND THE ARTIST Clare Hanson SHORT STORIES AND SHORT FICTIONS, 1880-1980 Christopher Heywood (editor) D. H. LAWRENCE: NEW STUDIES Dominic Hibberd OWEN THE POET David Leon Higdon SHADOWS OF THE PAST IN CONTEMPORARY BRITISH FICTION Oddvar Holmesland A CRITICAL INTRODUCTION TO HENRY GREEN'S NOVELS Holger Klein with John Flower and Eric Hornberger (editors) THE SECOND WORLD WAR IN FICTION Simon Loveday THE ROMANCES OF JOHN FOWLES Harold Orel THE LITERARY ACHIEVEMENT OF REBECCA WEST Tony Pinkney WOMEN IN THE POETRY OF T. S. ELIOT Alan Sandison GEORGE ORWELL: AFTER 1984 Lars Ole Sauerberg SECRET AGENTS IN FICTION Linda M. Shires BRITISH POETRY OF THE SECOND WORLD WAR Patrick Swinden THE ENGLISH NOVEL OF HISTORY AND SOCIETY, 1940-80 Eric Warner (editor) VIRGINIA WOOLF: A CENTENARY PERSPECTIVE Terry Whalen PHILIP LARKIN AND ENGLISH POETRY Anne Wright LITERATURE OF CRISIS, 1910-22 Further titles in preparation Series Standing Order If you would like to receive future titles in this series as they are published, you can make use of our standing order facility. To place a standing order please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address and the name of the series. Please state with which title you wish to begin your standing order. (If you live outside the UK we may not have the rights for your area, in which case we will forward your order to the publisher concerned.) Standing Order Service, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire, RG212XS, England. D. H. Lawrence New Studies Edited by Christopher Heywood M MACMILLAN PRESS Editorial matter and Chapter 8 © Christopher Heywood 1987; Chapter 1 © Colin HoImes 1987; Chapter 2 © R. P. Draper 1987; Chapter 3 © Neil Roberts 1987; Chapter 4 © Ian MacKillop 1987; Chapter 5 © Michael Bentley 1987; Chapter 6 © Andrew Peek 1987; Chapter 7 © Roger Ebbatson 1987; Chapter 9 © Henry Schvey 1987; Chapter 10 © Emile Delavenay 1987; Chapter 11 © Annemarie Heywood 1987 Softcover reprint of the hardcover 1st edition 1987 978-0-333-30922-3 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No paragraph of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright Act 1956 (as amended), or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, 33 -4 Alfred Place, London WCIE 7DP. Any person who does any unauthorised act in relation to this publication may be liable to criminal prosecution and civil claims for damages. First edition 1987 Reprinted 1988 Published by THE MACMILLAN PRESS LTD Houndmills, Basingstoke, Hampshire RG21 2XS and London Companies and representatives throughout the world Typeset in Great Britain by Vine & Gorfin Ltd, Exmouth, Devon British Library Cataloguing in Publication Data D. H. Lawrence: new studies. - (Macmillan studies in 2Oth-century literature 1. Lawrence, D. H. - Criticism and interpretation I. Heywood, Christopher 823' .912 PR6023.A93ZI ISBN 978-1-349-18697-6 ISBN 978-1-349-18695-2 (eBook) DOI 10.1007/978-1-349-18695-2 Contents Preface and Acknowledgements vii List of Abbrevifl1ions ix Notes on the Contributors Xl Lawrence's Social Origins Colin Holmes 2 The Poetry of D. H. Lawrence 16 R. P. Draper 3 Lawrence's Tragic Lovers: The Story and the Tale in Women in Love 34 Neil Roberts 4 Women in Love, Class War and School Inspectors 46 Ian MacKillop 5 Lawrence's Political Thought: Some English Contexts, 1906-19 59 Michael Bentley 6 The Sydney Bulletin, Moby Dick and the Allusiveness of Kangaroo 84 Andrew Peek 7 A Spark beneath the Wheel: Lawrence and Evolutionary Thought 90 Roger Ebbatson 8 'Blood-Consciousness' and the Pioneers of the Reflex and Ganglionic Systems 104 Christopher Heywood v vi Contents 9 Lawrence and Expressionism 124 Henry Schvey 10 Lawrence, Otto Weininger and 'Rather Raw Philosophy' 137 Emile Delavenay II Reverberations: 'Snapdragon' 158 Annemarie Heywood Index 182 Preface and Acknowledgements Most of these essays began as contributions to a lecture series commemorating the half-century of D. H. Lawrence's death. The series was arranged and delivered in Sheffield in the Division of Continuing Education of Sheffield University during 1979/80. Another com memoration, the cenknary of his birth in 1885, has intervened, but still the need persists from the time of the lecture series to relate Lawrence's writings to some of the specific problems, events, linesofargument, and themes, of his age. His novels, poems, essays, letters and travels were an expression of a society as much as of an individual artist's impulses and impressions. Many details of the movements leading to the formation of his works have been lost, but many can still be retrieved by research and inquiry. The essays pursue their writers' discoveries, insights and preoccupations, without addressing themselves to any prescribed limit or plan. The essays printed here make no attempt to cover all the works, and they do not present a coherent view. At times they present conflicting, or complementary, views of the same text or set of problems. No effort is made here to reconcile discordant views. They register, rather, the tensions inherent in the works themselves. The tendency of7he Rainbow and Women in Love to dominate the discussion reflects the key position of the novels which began as 'The Sisters' in the unfolding of Lawrence's art and ideas. These essays trace some of the landmarks in the rise and fall of a great creative achievement. Thanks are due to the contributors for their patience in awaiting the results of arrangement and editing, which took longer than had been expected. Occasional notes in the text point to the writers having altered or developed the views given in the original series. The Division of Continuing Education at Sheffield University and the Department of English Literature at Sheffield University are thanked for arrangements leading to the presentation and collecting of these essays. The essay by Professor Delavenay replaces the paper orginally given in the series. The essay by Henry Schvey was first given at the 1980 International Conference of the British Comparative Literature Association at the Vll Vlll Preface and Acknowledgements University of Kent at Canterbury. The organisers are thanked for the arrangements leading to the presentation of this paper. A special note of thanks goes to Julia Steward and Valery Rose, for their long-suffering patience, good humour, and skilled assistance, during the editorial work. All quotations from the various works by D. H. Lawrence are published by permission of Laurence Pollinger Ltd, on behalf of the Estate of the late Frieda Lawrence Ravagli, who are warmly thanked for advice, assistance and co-operation. The following collections are thanked for having consented to the publication of the works by Oskar Kokoschka appearing in the essay by Henry Schvey: Offentliche Kunstsammlung, Kunstmuseum Basel (for Die Windsbraut, 1914); the Museum of Modern Art, New York (for Hans Tietze and Erica Tietze-Conrat, 1909). The following are thanked for permission to reproduce graphic material included in the essay by Annemarie Heywood: Frobenius-Institut, Frankfurt-am-Main (Figure 6, from Leo Frobenius, Kulturgeschichte Afrikas); Newnes Books and Photographie Giraudon, Paris (Figure 7, from Geoffrey Parrinder, African Mythology); Souvenir Press (Figures 5 and 8, from Joseph O. Campbell, The Masks of God, III; Occidental Mythology); Thames and Hudson (Figures 4, 9 and 10, from Stanislas Klossewski de Rola, The Secret Art of Alchemy). The editors of the following journals are thanked for permission to reprint essays first published by them: Etudes A nglaises , for the essay by Christopher Heywood; Literature and History, for the essay by Colin Holmes; Notes and Queries, and the D. H. Lawrence Society and the D. H. Lawrence Journal, for the essay by Andrew Peek. Every effort has been made to trace all the copyright-holders, but if any have been inadvertently overlooked, the publishers will be pleased to make the necessary arrangements at the first opportunity. List of Abbreviations The following abbreviations are used throughout in references to commonly cited works by or about Lawrence, and identify the editions specified below. Wherever possible, references to these works are given in the text. AR Aaron's Rod (Harmondsworth: Penguin, 1950). CL D. H. Lawrence: Collected Letters, ed. Harry T. Moore, 2 vols (London: Heinemann, 1962). CP The Complete Poems ofD . H. Lawrence, ed. V. de S. Pinto and W. Roberts (Harmondsworth: Penguin, 1977). ET Jessie Chambers, D. H. Lawrence: A Personal Record by E. T. (London: Frank Cass, 1965). F Fantasia of the Unconscious/Psychoanalysis and the Unconscious (Harmondsworth: Penguin, 1971). Hardy Lawrence on Hardy and Painting, ed. H. W. Davies (London: Heinemann, 1973). K Kangaroo (Harmond'iworth: Penguin, 1950). KL The Quest for Rananim: D. H. Lawrence's Letters to S. S. Kotelianski, ed. George J. Zytaruk (Montreal and London: McGill-Queen's University Press, 1970). LCL Lady Chatterley's Lover (Harmondsworth: Penguin, 1960). Letters I The Letters of D. H. Lawrence, ed. James T. Boulton, vol. I (Cambridge: Cambridge University Press, 1979). Letters /I The Letters of D. H. Lawrence, ed. George J. Zytaruk and James T. Boulton, vol. 2 (Cambridge: Cambridge University Press, 1981). Nehls D. H. Lawrence: A Composite Biography, ed. Edward Nehls, 3 vols (Madison, Wis.: University of Wisconsin Press, 1957-9). Ph Phoenix (London: Heinemann, 1936). PhIl Phoenix II, ed. W. Roberts and Harry T. Moore (London: Heinemann, 1962). PhS D. H. Lawrence: A Selection from 'Phoenix', ed. A. A. H. Inglis (Harmondsworth: Penguin, 1971). R The Rainbow (Harmondsworth: Penguin, 1966). ix

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