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Cultures of Taste Theories of Appetite: Eating Romanticism PDF

310 Pages·2004·1.64 MB·English
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Cultures of Taste/Theories of Appetite Eating Romanticism Edited by Timothy Morton Timothy_FM.qxd 11/11/03 5:12 PM Page i Cultures of Taste/Theories of Appetite: Eating Romanticism This page intentionally left blank Timothy_FM.qxd 11/11/03 5:12 PM Page iii Cultures of Taste/Theories of Appetite: Eating Romanticism Edited by Timothy Morton Timothy_FM.qxd 11/11/03 5:12 PM Page iv CULTURESOFTASTE/THEORIESOFAPPETITE © Timothy Morton,2004 All rights reserved.No part of this book may be used or reproduced in any manner whatsoever without written permission except in the case of brief quotations embodied in critical articles or reviews. First published 2004 by PALGRAVE MACMILLAN™ 175 Fifth Avenue,New York,N.Y.10010 and Houndmills,Basingstoke,Hampshire,England RG21 6XS Companies and representatives throughout the world PALGRAVE MACMILLANis the global academic imprint of the Palgrave Macmillan division of St.Martin’s Press,LLC and of Palgrave Macmillan Ltd. Macmillan® is a registered trademark in the United States,United Kingdom and other countries.Palgrave is a registered trademark in the European Union and other countries. ISBN 0–312–29301–1 hardback ISBN 0–312–29304–6 paperback Library of Congress Cataloging-in-Publication Data Cultures of taste/theories of appetite / [edited] by Timothy Morton. p.cm. Includes bibliographical references and index. ISBN 0–312–29301–1 (hc)—ISBN 0–312–29304–6 (pbk) 1.Food habits.2.Food preferences.3.Taste.4.Appetite.5.Food habits in literature.6.Dinners and dining in literature.I.Morton,Timothy,1968– GT2850.C86 2004 394.1(cid:2)2—dc22 2003058081 A catalogue record for this book is available from the British Library. Design by Newgen Imaging Systems (P) Ltd.,Chennai,India. First edition:January,2004 10 9 8 7 6 5 4 3 2 1 Printed in the United States of America. Timothy_FM.qxd 11/11/03 5:12 PM Page v Contents List of Illustrations vii Acknowledgments ix Notes on Contributors xi Preface xv Introduction Consumption as Performance:The Emergence of the Consumer in the Romantic Period 1 Timothy Morton Part I Constructions,Simulations,Cultures 19 Chapter 1. William Henry Ireland:From Forgery to Fish ’n’Chips 21 Nick Groom Chapter 2. The Taste of Paradise:The Fruits of Romanticism in the Empire 41 Timothy Fulford Chapter 3. The Politics of the Platter:Charlotte Smith and the “Science of Eating” 59 Penny Bradshaw Chapter 4. Sustaining the Romantic and Racial Self: Eating People in the “South Seas” 77 Peter J.Kitson Chapter 5. Eating Romantic England:The Foot and Mouth Epidemic and Its Consequences 97 Nicholas Roe Timothy_FM.qxd 11/11/03 5:12 PM Page vi vi Contents Part II Waiter,There’s a Trope in My Soup: Close Readings 113 Chapter 6. Hegel,Eating:Schelling and the Carnivorous Virility of Philosophy 115 David L.Clark Chapter 7. Byron’s World of Zest 141 Jane Stabler Chapter 8. Beyond the Inconsumable:The Catastrophic Sublime and the Destruction of Literature in Keats’s The Fall of Hyperion and Shelley’s The Triumph of life 161 Arkady Plotnitsky Part III Disgust,Digestion,Thought 181 Chapter 9. The Endgame of Taste:Keats,Sartre,Beckett 183 Denise Gigante Chapter 10. A “Friendship of Taste”:The Aesthetics of Eating Well in Kant’s Anthropology from a Pragmatic Point of View 203 Peter Melville Chapter 11. (In)digestible Material:Illness and Dialectic in Hegel’s The Philosophy of Nature 217 Tilottama Rajan Chapter 12. Romantic Dietetics! Or,Eating Your Way to a New You 237 Paul Youngquist Afterword Let Them Eat Romanticism:Materialism, Ideology,and Diet Studies 257 Timothy Morton Index 277 Timothy_FM.qxd 11/11/03 5:12 PM Page vii List of Illustrations James Gillray,A Voluptuary under the Horrors of Digestion (London,1792).Copyright the British Museum,London. xvii James Gillray,Temperance Enjoying a Frugal Meal (London,1792). Copyright the British Museum,London. xix James Gillray,Substitutes for Bread (London,1795).Copyright the British Museum,London. 61 James Gillray,Germans Eating Sour-Krout (sic) (London,1803). Copyright the British Museum,London. 260 This page intentionally left blank Timothy_FM.qxd 11/11/03 5:12 PM Page ix Acknowledgments F irst and foremost, I would like to thank Denise Gigante for her inspiring and unstinting work on early drafts of this book.Thanks to my superb and varied contributors for their constant attention to their work.My discussions with David Clark have been particularly spir- ited and I extend my gratitude to him for his warmth and encouragement. I would like to thank the University of Colorado and in particular the Graduate Committee on the Arts and Humanities for their award of a Faculty Fellowship during the academic year 2001–02,during which I had the chance to do major work on this project.I have also been supported by a generous subvention from the Dean’s Committee on Excellence to help with reproduction costs.This book was seen into production by the consistent expertise of Kristi Long, Melissa Nosal, Rose Raz, and Ian Steinberg. An earlier version of Denise Gigante’s essay was published in Romanticism on the Net(2002) and Studies in Romanticism(2001).An earlier version of Tim Fulford’s essay was published in European Romantic Review (Fall 2000). I would like to thank David Simpson for his unfailing support and cogent,insightful advice.I am grateful to Jeffrey Cox and the Center for the Humanities and the Arts at CU Boulder for their timely invitation to me to present my work for this volume at their work-in-progress seminar: in particular I would like to thank the participants Bud Coleman,Andrew Cowell,Steven Epstein,Bruce Holsinger,and John Stevenson.Iwould also like to thank Brad Johnson and Alice den Otter. Jamie Oliver’s recipe books provided much of my culinary reading and practice while I was preparing this volume:can I recommend his very fine risottos? Finally,my head and stomach would have come apart long before now if it had not been for the inspiration of my wife Kate,who has worked with me well beyond the call of duty.

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Cultures of Taste/Theories of Appetite brims with fresh material: from fish and chips to the first curry house in Britain, from mother's milk to Marx, from Kant on dinner parties to Mary Wollstonecraft on toilets. It examines a wide variety of Romantic writers: Hegel, Coleridge, Charlotte Smith, Wor
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