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Culture in networks PDF

294 Pages·2017·1.199 MB·English
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Contents Cover Title Page Copyright Acknowledgments 1 Culture and Social Networks: A Conceptual Framework Some Caveats Note PART I Fundamental Concepts 2 The Nuts and Bolts of Networks, through a Cultural Lens The Most Basic Network Concepts: Nodes/Actors and Edges/Ties Ego-Networks The Dyad The Crucial Notion of Homophily The Critical Importance of Triads From Triads to Larger Network Structures Conclusion Note 3 Basic Culture Concepts, with a Networks Inflection Important Elements of Culture for the Sociology of Networks Important Approaches to Culture for the Sociology of Networks Why Cultural Sociology Needs Networks Conclusion Note PART II Linkages of Networks with Culture 4 Culture through Networks: Diffusion, Contagion, Virality, Memes 2 How Social Networks Affect Diffusion Networks, Culture, and Diffusion with Respect to Social Movements Global Social Movements and Diffusion in the Internet Age Diffusion Elsewhere: Religion, Economy, Health, Fashion One New Direction: The Diffusion of Memes Conclusion Note 5 Culture from Networks: The Network Genesis of Culture Roles and Identities from Positions: The Structuralist Approach Networks as Sites of Norm Enforcement and Taste Convergence Networks as Incubators of Culture: Conceptual Foundations Networks as Germinators of Culture: Empirical Applications Conclusion Note 6 Networks from Culture: How Norms and Tastes Shape Networks Tastes and their Manifestation in Network Structure Cultural Skill in Discourse Norms and Schemas Conclusion Note 7 Networks of Culture: Culture as Relational Structures One-mode versus Two-mode Analysis Empirical Applications Topic Modeling Two-Mode Networks Conclusion 3 Note 8 Networks as Culture, or Networks and Culture Fused Historical Cases of “Network Cultures” Network Cultures in Organizations Contemporary Global Social Movements and the Public Sphere Characterizing the “Network Society” Networked Individualism on the Internet Blogs and Games: The Future of Network/Culture Intersections? Conclusion Note References Index End User License Agreement 4 Cultural Sociology series Culture and Cognition: Patterns in the Social Construction of Reality, Wayne H. Brekhus Protest: A Cultural Introduction to Social Movements, James M. Jasper Culture in Networks, Paul McLean The Culture of Markets, Frederick F. Wherry 5 Culture in Networks Paul McLean polity 6 Copyright © Paul McLean 2017 The right of Paul McLean to be identified as Author of this Work has been asserted in accordance with the UK Copyright, Designs and Patents Act 1988. First published in 2017 by Polity Press Polity Press 65 Bridge Street Cambridge CB2 1UR, UK Polity Press 350 Main Street Malden, MA 02148, USA All rights reserved. Except for the quotation of short passages for the purpose of criticism and review, no part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording, or otherwise, without the prior permission of the publisher. ISBN-13: 978-0-7456-8719-3 A catalogue record for this book is available from the British Library. Library of Congress Cataloging in Publication data Names: McLean, Paul Douglas, 1962– author. Title: Culture in networks / Paul McLean. Description: Cambridge, UK; Malden, MA : Polity Press, 2016. | Includes bibliographical references and index. Identifiers: LCCN 2016012611| ISBN 9780745687162 (hardback: alk. paper) | ISBN 9780745687179 (paperback: alk. paper) Subjects: LCSH: Social networks. | Culture. | Culture diffusion. Classification: LCC HM741 .M3895 2016 | DDC 302.3--dc23 LC record available at https://lccn.loc.gov/2016012611 The publisher has used its best endeavors to ensure that the URLs for external websites referred to in this book are correct and active at the time of going to press. However, the publisher has no responsibility for the websites and can make no guarantee that a site will remain live or that the content is or will remain appropriate. Every effort has been made to trace all copyright holders, but if any have been inadvertently overlooked the publisher will be pleased to include any necessary credits in any subsequent reprint or edition. For further information on Polity, visit our website: politybooks.com 7 Acknowledgments I would first like to thank Jonathan Skerrett of Polity who guided me along the process to completion of this project with gentle yet enthusiastic support – even when I periodically blew up at him via email with my frustrations. I would also like to acknowledge the input of two anonymous reviewers for Polity – one of whom strongly encouraged me to believe that what I was doing was worthwhile, the other of whom pushed me hard to try to make this a more coherent and useful book. Many scholars have helped me to think about networks and culture in interesting ways over the years. Rather than identify them by name, I hope their influence will be evident repeatedly in the pages of this book. However, I would like to single out my teacher and collaborator, John Padgett, for encouraging me onto this path of exploring the cultural aspects of social networks many years ago. I appreciate the assistance of May Nguyen, Haniyyah Hopkins and Susan Jaw, who at different times provided me with a great deal of help in organizing the bibliography for this book. Leigh Mueller did a great job of copy-editing the manuscript. Much of this book was written in a faculty study at the Alexander Library at Rutgers University, where I could utilize the library’s terrific collection of materials. Although I developed no strong personal relationship with the staff of the library during my evening and weekend sojourns there, I am very grateful for the use of that space, and simply for the existence of such a welcoming place in which to work. I am a huge fan of the open-stacks, public university library, of which Alex is a great example. I would like to thank all of my colleagues and friends in the Sociology department at Rutgers University for providing me with a hospitable academic home for the last sixteen-plus years. In particular, I thank Debby Carr, Chip Clarke, Jeanie Danner, Judy Gerson, Lisa Iorillo, Joanna Kempner, Laurie Krivo, Diane Molnar, Julie Phillips, Pat Roos, Zakia Salime, Hana Shepherd, Randy Smith, Kristen Springer, Dianne Yarnell, and Eviatar Zerubavel for times spent talking in each other’s offices or otherwise hanging out. 8 I also greatly appreciate the intellectual stimulation I received, especially with respect to the conjoined topics of networks and culture, from two former colleagues: John Levi Martin, now at the University of Chicago, and Ann Mische, now at the University of Notre Dame. I miss them both. I very much appreciate the network ties I have formed with Marya Doerfel, Keith Hampton, and Matt Weber in the School of Communication and Information at Rutgers over the last several years. And I would also like to give a shout-out to Professor Brad Evans in Rutgers’ excellent English department, for our stimulating discussions about novels, networks, and the digital humanities, and simply for his friendship. I owe my biggest debt to many students – both graduate students and undergraduates – who, in various ways, have stimulated my interest in the diverse intersections of social networks and culture, and led me to think of those intersections more coherently. In particular, I have in mind Jeff Dowd, Gina Giacobbe, Neha Gondal, Anne Kavalerchik, Preeti Khanolkar, Eric Kushins, Vanina Leschziner, Yusheng Lin, Janet Lorenzen, Derek Ludovici, Sourabh Singh, Kathy Smith, Eunkyung Song, Charles Tong, and King-to Yeung. I would like to thank Neha in particular for the especially formative role she has played in developing my understanding of, and my approach to, networks and culture, through our collaborative research. On a more personal note, I’d like to thank Susan Liebell for being the best co-parent anyone could hope for. I thank my two younger children, Adam and Julia Liebell-McLean, who turned me into the father of twins – a network position I never anticipated occupying – in 1999, and who have lent so much meaning to my life ever since. Finally, I thank my older son, Eli Liebell-McLean, for the ways he too has enriched my life. And I dedicate this little book to him, cognizant that he has a deeper but also more intuitive grasp of the ways culture and networks go together than I am ever likely to have. 9 1 Culture and Social Networks: A Conceptual Framework This book provides an extended treatment of the various ways in which we can imagine social networks to intersect with culture. The term social network refers to a set of entities – actors, organizations, or locations, for example – and the ties that exist among them. Social network analysis refers to a set of concepts and procedures by means of which social network properties may be analyzed. The term culture is one of the most complex terms in the social sciences to define, but we can understand it broadly to refer to the knowledge, beliefs, expectations, values, practices, and material objects by means of which we craft meaningful experiences for ourselves and with each other. It might help a bit to think of networks as hardware (circuitry) and culture as software (rules and routines for action), although that analogy is deceptively clear. The circuitry is largely inert without rules or recipes specifying how the parts go together, how information is to be created, and how communication flow will be controlled. On the other hand, the products that may be potentially created via the software are activated only via concrete pathways and connections existing in network form. Again, the analogy is simplistic, but it has the merit of reinforcing the idea that social networks and culture go together synthetically, even necessarily. What varies is only the extent to which either network structure or cultural recipes are emphasized in order to answer specific research questions. The amount of scholarly attention devoted to the two topics of networks and culture, taken separately, has grown tremendously in recent years. The International Network for Social Network Analysis (INSNA) hosts an annual conference of ever-growing proportions, and it is home to a highly active listserv for the discussion of all kinds of networks-related questions. Meanwhile, the Culture section of the American Sociological Association has grown into one of the very largest since the late 1990s. More substantively speaking, on the networks side, although the 10

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