Culture / Con texture Explorations in Anthropology and Literary Studies EDITED BY E. Valentine Daniel and Jeffrey M. Peck UNIVERSITY OF CALIFORNIA PRESS Berkeley Los Angeles London Culture/ Con texture I The editors wish to thank the University uf Michig-.U1 for its financial assistance in the preparation of this volume. tini".,~ity of Cali fomia Pre"" &rl:.dq and Lt» Angde., california ti"i"e~it)' of California PreO$ London, England CoI'}Tight (l 1996 by n 'e Rege"~ orlhe Uni"ersity ofCalifor"ia hinted in the United State~ of America lZ34.H.;89 ubrary ofCongr"SIj C.. .. taloging.in_Publication Data Culture/Comel<ture: E><plor-.nion~ in Anthropology and uterary Sludie./ edited by E. V. . lcntin., Daniel andJcllrey M. Peck. p. em. lnchtdes bibliographical references (p. ) and indcl<. ISB:-1 (. ...~ ZQ..08463-2 (doth: acid-free paper). _ ISBN ()..52(M)8446-(l (pM. . : add.frtt paper) I. Ethnology-AltIhorship. 2. Uterature and anthropology. 3. Amhrop"l"g)' in lile ...~ ture. 4. Culture. ". Criticism. I. Daniel, E. Valentine. II, Peck,Jdfrey M .. 19:.0- GN307.7.C85 1996 306-<k20 94-3997 CIP The paper u..,d in thi~ publication meets th., minimum r"quir.,m.,nts of American National Standard for Information Sci .. nc. . _ Pe. . r manenc. . of I'aper for Printed Librdry Materials. ANSI Z39,48-1984 CONTENTS Acknowledgments / I1ii Culture/ Contexture: An Introduction From an Anthropologist's Point ofV;.:w: The Literary E. Vaitnlint Daniel I 1 From a Literary Cliric/Germani!I', Point ofYiew: Anthropology /tffrtJ M. Peel! I 13 TI", Crmtribm;ons E. VahntintDanu[and/effrryM. Pull. I 20 PART I • NARRATIVE FIEI OS I. The Culture in Pocll)' and the Poetry in Culture;: PaZ/IEwri,!! I 17 2. The Story of tile jackal Hunter Girl '8 Margartl Tmwidc / .'I. Frc:.h Uma Ikan~ and Storie. from Occupied Cypms Mary' N. La)l»m / 84 4. Narrative Etlmogt"?phy, Elile Culture, and the Language of the Market Dan Rug I J05 5. Exogamous Relations: Tra\"e! Writing. the Incest Prohibition, and Hawthorne's Tra1lsjrJrouJlio1! Susan S/m)(Jrt / 132 6. The World in a Text: How to Read '1'"$1"$ Tropiqua Chfford Gmt: / J'6 CONTENTS PART II • IDENTITY MARKINGS 7. Ethnic Selves/Ethnic Signs: Invention of Self, Space, and Genealogy in Immigrant Writing Awu Sqhml / 17' 8. Turk.~ a.~ Subjects: The Ethnographic NO\'ds of Paul Geiersbach ArimeA. T,.,.aolia / 19' 9. Narnuive, Genealogy, and the Historical Consciousnes.s: SdOlOod in a Disintegrating State lniln &mm&an / 214 ]0 Rac .. and RlIins lila Nunt~ / 235 II. Rae .. under Represclllalion David fJujd / 249 PART III • llNSETTI.ING TEXTS 12. Reading Culture: Anthropology and the Textualj,(ation of India 2n Njchmas B 1Jirlt.s I ] 3 Gh"st]j. .c [)"rn;'fc3rjon,,' Trx,w,] PI,.,"!""", and tli .. Origins of Japanesc Nativist Ethnology Marilyn /IJ'j / 296 14. The Construction of America: The Anthropologist as Columbus MirhlUi TaU$sig / J23 15. Crushed Glass, or, Is There a Counterpoint to Culture? F Vaknliur Danirl I 157 COSTR!BI!TORS I 177 INDEX 1 3tH ACKNOWLEDGMENTS Grateful acknowledgment is made for permission granted to reprint scveral essays in this volume: Clifford Geertz's essay is reprinted from his book Works and Lives: The Anthropologist as Aulharwilh the permission of the publishers. Stanford Uni versity Press. © 1988 by the Board ofTrustces ohhc Leland Stanford Junior University. Permission to reprint also granted by Blackwell Publishers, Ox ford, England. Marilyn Ivy's essay is reprinted from her book Discourses a/the Vanislling: Modemif)', Plwntasm, Japan (Chicago: University of Chicago Press. 1995), © 1995 by The University of Chicago. All rights reserved. David Lloyd's ess,1.}' is reprinted from the Oxford Literary Review 13 (Spring 1991): 62-94. Reprinted with permission. Dan Rose's essay is reprinted from Anthl'opologiml Quarterly 64:3 (1991): 109-125, where the original title was MElite Discourses of the Market and Narrath'c Ethnography.~ Susan Stewart's essay is reprinted from her book Crimes of Wrilillg: Prob lems i'l the Containment of &jJrtseutation. Copyright © 1991 by Oxford Uni \'ersity Press, 1m;. Rcpr'inlcd by pcnnission. The essays by Stewart, Lloyd, and Ivy have been slightly revised for their republication in this m1ume. We owe special thanks to Marilyn Iv)" John Pemberton. Stephanie Hoelscher, and especially Margaret Hoey-Daniei, who helped us at \'arious stages in the preparation of the manuscript. Culture/Contexture: An Introduction Jeffrey E. Valentine Daniel and M. Peck The presence of the literary in amhropoJogy is best described as "un canny~-a nonscientific drive lodged in the heart of a putative science, a presence both desired and dreaded, a Freudian unheimlich. For literary study, anthropology has for the most sen'ed merely as a source of the eso teric in theory and example. About fifteen years ago, the two fields found deeper significance in each other, which resulted in a flurry of publications heightening this awareness. In Culture/Conltxlufe,l scholars from these two disciplines join, for the first time, to reflect on the antidisciplinary urge that has made this creative rapprochement both possible and necessary. The common urge springs from a common predicament. Both anthropology and literary study-and culture and writing-are alive to their extrinsic and intrinsic contexwrcs; MContcxture being the term Hobbes used to connote both Lhe texwre Lhal surrounds and the texwre that constiwtes. The Lhemes by which Lhe authors work through the fascination and fears Lhat hold these disciplines together and hold them apart range from reading and race, nation and narration, and writing and representation to state and self, incest and violence, and travel and time. The resulting revelation is one of rich possibilities that each side, in its own contexture, holds for the olher. E. VALENTINE DANIEL: FROM AN ANTHROPOLOGIST'S POINT OF VIEW: THE LITERARY In previewing my colleague's "Point ofView~ that follows, I was struck by the image he paints of scholars in literary swdy wanting to get their hands dirty M in the field.M Some anthropologists today, with more than a cemury's hind sight, are more likely to identifY with Lady Macbeth fretting about all the perfumes of Arabia not being up to snuff for sweetening her little hands. 2 CULTURE/CONTEXTURE: AN INTRODUCTION For some of us al least, fieldwork is an act of "atonement,~ alOnement for sins less sanguinary but more consequcntialthan Lady Macbeth's, atone ment for ollr conceits and the conceit of the West wherein our disciplinary interests originated. We provided the theory; they provided the cases. The more romantic among us ha\"c sought to make such atonements by gelting lO this unclUous word's radical etymology by achieving an al-<>ne.ment2 with the Other \~hom ,,'C have violated. But stich attempts arc condemned 10 fail c,'en as the awkwardness of the dccompounded word in question defies an :u-onc-menl with "atonement. ~ The atonement an anthropologist is capable of making is at best all atonement iNlwt:OI self and Other, almost never an al-one-ment with the Other. Gelling to know the Other has been anthropology's raison d'etTe. This Other has existed for anthropology in two modes. The first concerns an other people, the second another form. The form in que.~lion goes by the popular appellation of the day, ~t.he text.·' Myemphasis in this introduction will be on the form that sustains the notion of the text, the literary. To ap preciate anthropology'S encounter with the literary, we need to briefly re view anthropology's engagement with its other Other, another people. The Other asa people has borne various names throughout anthropology's brief histol)': primith'es. nath'es, traditional peoples, tribes, and ethnic groups, to mention huta few. In shon. anthropology has been enamored by that which is foreign to it. This Other with which anthropology has attempted to en gage, and about which much has been written recently, is difference essen tialized and distanced in time and space by a particular way of coming to know it.3 Willingly or otherwise, this form of knowledge has abetted three strategies of engagement with difference: conquest, conversion, and mar ginalization (Connolly 1991: 36-63). The project is essentially Hegelian: how to reconcile the radical divide generated by the Enlightenment. the divide between subject and object, self and other, home and the world (Adorno 1973). Conquest and coll\'ersion, the stratagems of conquistadors and priests, respectively (Todorov 1985), played lambently on the methods and theories of anthropology. Broadly speaking, from its Tylorean begin nings in 1878 until E. E. Evans-Pritchard's 1950 Marreu IeClure, amhropol ogy's conquests advanced on the shoulders of the pumped-up brawn of positivist scientism in which reductionist explanations were the be-all and end-all. Insofar as the quest was for explanations rather than interpreta tions, laws rather than patterns, universals rather than particulars, the pre ,I dictability or naturalized moral order rather than the spontaneity of a moral~ cultural field, the conquest of the Other lay in the imposition on it of such explanations, naturalized laws, and universals, with little regard to the historically specific scientislic culture \0 which the5C valorized goals be longed. Had the conquest in question, the conquest by imposition, been limited to Qur understanding ofthe Other. it would have been a partial one. CULTURE/CONTEXTURE: AN INTRODUCTION ) But to the extent that we may ha,"c succeeded in converting the Others to our point of ,~cw witham rcciprocity, in making them see themselves as we see them, our conquest is a resounding one. In many amhropology depart ments in India, for example. cranial indexes and nasal indexes, along with the concept of race, continue to preoccupy researchers. The high-precision calibrating instruments needed for such measurements are no longer im ported from Europe but are locally manufaclUred. Archaeology, history, and folklore have become the instruments for constructing hoary traditions, antiquarian nations, and jealous national identities (e.g., see Ivy, this volume). And occasionally the point is made tragicomically vivid, as when Margaret Trawick's search for thc Jackal Hunters' myth of origin ends at the door of the group's Mchief nath'e-informant~ who informs her that the uI'-text of the myth is lO be found in none other than the little black box of a white man who had taped the myth some }'ears earlier. Authorship, in its SC\'eraJ senses, had been surrendered to a foreign white male who, in this instance, happened to be Trawick's own student (see Trawick, this volume). But the opposite point needs to be made as well. The muscle of scienti sm and colonialism notwithstanding, and despitc Edward Said's (1989) pes simistic picture of what anthropology had wrought, the Other has not only bent to but also resisted, frustrated, and transformed anthropological de signs. That is, the asymmetry in the power relationship has not been con sistently tilted in the anthropologisl's favor. We certainly overstate the case when we attribute too much power 10 the anthropological account, inter· pretive or explanatory, in considering the dyadic relationship between thc anthropologist and his or her Other. By and large, the Other's reality con· tinue$ to exist, persist, grow, and change, independent of how that Othcr is reconstituted in anthropological reality, Timcschange, too. Consider Edgar Thurston, that British civil servant-cum-Iay ethnographer of the early part of this century about whom Nicholas Dirks writes in his essay (this volume). Quite apart from ~making much or (in both senses) the ~castes and tribes of South India,~ Thurston's se,'en volumcs by that title became a paradig matic text for thc construction of South India's cthnographic reality and a \'critable manual for learning about South Indian society. By contrast, the writings of most contemporary ethnographers lack that ~reality-makingM power. I can think of at least six reasons for such a state of affairs. First, con temporary anthropology has consciously attempted 10 disengage itselffrom both explicit and tacit collusion with Ihe designs of the more obvious cen ters of power. Second, in the late twentieth century, anthropological pro ductions do not matter as much to these centers and institutions of power as do lhe productions of economics, political.science, psychology, and C\'cn sociology, Third, anthropology has come to possess self-doubts about its prcvious claims (0 explanatory authority (the kind of self-doubts sadly lack- 4 CULTURE/CONTEXTURE, AN INTRODUCTION ing in many of its sister social sciences). Fourth, anthropology's Other is not only distanced by space and time but, as often, by stalUS and class as well. in which, as Dan Rose shows in this volume, the anthropologist is his Other's unequal. Fifth, a signifkant number of anthropologists have taken to heart Evans-Pritchard's claim (or at least pans of it) that if anthropology Mstudies societies as moral systems and not as nalUra! systems, then it "is a kind of hislOriography, and therefore ultimately of philosophy of art. (It is] ... interested in design rather than process, ... seeks patterns and not scien tific law.~, and interprets ralher than explainsM (1962; 152). But finally and most significantly, anthropologists as well as those in literary study- in spired by the likes ofJ acques Derrida, Raymond \Villiams, Michel Foucault, Mikhail B.lkhtin, Walter Benjamin, and Antonin Gramsci-ha\'e realized that there are narratives, other than the available master narrative!!, that need to be drawn on to compose ethnographies. The writing of such eth nographies calls ror the cultivalion or an ear ror discourses that are normally drowned out by hegemonic ones, Such discourses, or rather, Mcounter M discourses (Marcus 1992), have made McultureM into an unsettled and unsettling thing, much like writing, or even more like "reading.~ The last nm point, reading culture, is amplified by Dirks in this volume, we arc geL ling ahead or our story, Ir conquest. and conversion are fWO interrelated operations employed by anthropology, especially in its engagement with the Olher in distant lands, marginalization is the strategy employed by anthropology (as well as the lib eral sectors or the society in which it feels mostly at home) in its engagement with the Other among us, The latter is most often expressed in the liberal idiom of tolerance without the awareness thai toleration is but another rorm or marginalization and neutralization. a point elegantly brought out by David Lloyd in his chapter. The strategies of tolerating by marginalizing and marginalizing by tolerating are resorted to mostly in coming to terms with lhe stranger among us, who, in lhe argOl of our lime, is called the elhnic. Regardless of which three strategies are resorted to, and in whiche\'er com bination, the relationship between self and Other is embedded in a matrix of a kind or power: ~the power overw rather than Mthe power to." A friend of mine, in a moment of alliterative weakness, opposed MotheringM to "moth ering.~ To continue this somewhat infelicitous pun, Mmo1heringW is no less implicated in a relationship of power and can be construed in two ways. At the negative end. it rhymes with "smothering~ and is found in various kinds of mushy universalisms. in a lovcy-dovey "family of manM or Walt Dis neyesque Small World and in Benetton ads with smiling faces of sevcral rcp resenr,.'lIive Mraccs.M At its ideal best, it nurtures rather than smothers difference. it invoh'es a power-to rather than a power-oycr: the power to bring out the beSt in the other or make a space wherein the other might find his or her identity and the freedom to express iL5 But irthat were to be the
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