Cultural Heritage in a Changing World PDF
Preview Cultural Heritage in a Changing World
Karol Jan Borowiecki · Neil Forbes Antonella Fresa Editors Cultural Heritage in a Changing World Cultural Heritage in a Changing World ThiSisaFMBlankPage Karol Jan Borowiecki (cid:129) Neil Forbes (cid:129) Antonella Fresa Editors Cultural Heritage in a Changing World Editors KarolJanBorowiecki NeilForbes UniversityofSouthernDenmark CoventryUniversity OdenseM,Denmark Coventry,UnitedKingdom AntonellaFresa PromoterS.r.l. Peccioli(Pisa),Italy ISBN978-3-319-29542-8 ISBN978-3-319-29544-2 (eBook) DOI10.1007/978-3-319-29544-2 LibraryofCongressControlNumber:2016934040 #TheEditor(s)(ifapplicable)andTheAuthor(s)2016.Thisbookispublishedopenaccess. Open Access This book is distributed under the terms of the Creative Commons Attribution- Noncommercial 2.5 License (http://creativecommons.org/licenses/by-nc/2.5/) which permits any noncommercialuse,distribution,andreproductioninanymedium,providedtheoriginalauthor(s)and sourcearecredited. Theimagesorotherthirdpartymaterialinthisbookareincludedinthework’sCreativeCommons license, unless indicated otherwise in the credit line; if such material is not included in the work’s CreativeCommonslicenseandtherespectiveactionisnotpermittedbystatutoryregulation,userswill needtoobtainpermissionfromthelicenseholdertoduplicate,adaptorreproducethematerial. Thisworkissubjecttocopyright.AllrightsarereservedbythePublisher,whetherthewholeorpartof the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation,broadcasting,reproductiononmicrofilmsorinanyotherphysicalway,andtransmissionor informationstorageandretrieval,electronicadaptation,computersoftware,orbysimilarordissimilar methodologynowknownorhereafterdeveloped. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publicationdoesnotimply,evenintheabsenceofaspecificstatement,thatsuchnamesareexempt fromtherelevantprotectivelawsandregulationsandthereforefreeforgeneraluse. Thepublisher,theauthorsandtheeditorsaresafetoassumethattheadviceandinformationinthis book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained hereinorforanyerrorsoromissionsthatmayhavebeenmade. Coverillustrations:PromoterDigitalGallery;DancersMalaysia:masuti/Shutterstock Printedonacid-freepaper ThisSpringerimprintispublishedbySpringerNature TheregisteredcompanyisSpringerInternationalPublishingAGSwitzerland Acknowledgements Theeditorsgratefullyacknowledgetheinvaluablecontributionsmadetotheprep- arationofthispublicationbyVictoriaThomswhoskilfullyandassiduouslyassisted in the editing of the manuscript and by Valentina Bachi who organised editorial processes expertly and efficiently. In conceiving this book, the editors wish to acknowledge a particular debt of gratitude to Marion Doyen for the inspiring and profound insights into cultural heritage which she so generously and enthusiasti- callyprovided. Thisbookhasbeenconceivedanddevelopedinthecontextofresearchcarried outundertheauspicesofRICHES—Renewal,InnovationandChange:Heritagein European Society—a project funded by the EU’s Framework Seven Programme, forresearch,technologicaldevelopmentanddemonstrationundergrantagreement no612789.WearegratefultoZolta´nKrasnai,ProjectOfficer,forallhisadviceand support.MoreinformationaboutRICHESiscontainedinthebook’sAppendices. v ThiSisaFMBlankPage Contents PartI ContextofChange CulturesandTechnology:AnAnalysisofSomeoftheChangesin Progress—Digital,GlobalandLocalCulture. . . . . . . . . . . . . . . . . . . . 3 MariellaCombi InterdisciplinaryCollaborationsintheCreationofDigitalDance andPerformance:ACriticalExamination. . . . . . . . . . . . . . . . . . . . . . 17 SarahWhatleyandAmaliaG.Sabiescu SoundArchivesAccessibility. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 37 SilviaCalamai,VeroniqueGinouve`s,andPierMarcoBertinetto TechnologyandPublicAccesstoCulturalHeritage:TheItalian ExperienceonICTforPublicHistoricalArchives. . . . . . . . . . . . . . . . . 55 CalogeroGuccio,MarcoFerdinandoMartorana,IsidoroMazza, andIldeRizzo Copyright,CulturalHeritageandPhotography:AGordianKnot?. . . . 77 FrederikTruyenandCharlotteWaelde PartII MediatedandUnmediatedHeritage ACaseStudyofanInclusiveMuseum:TheNationalArchaeological MuseumofCagliariBecomes“Liquid”. . . . . . . . . . . . . . . . . . . . . . . . . 99 AnnaMariaMarras,MariaGerolamaMessina,DonatellaMureddu, andElenaRomoli TheMuseumasInformationSpace:MetadataandDocumentation. . . 111 TrilceNavarreteandJohnMackenzieOwen TheMuseumofGamers:UnmediatedCulturalHeritageThrough Gaming. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 125 SerdarAydinandMarcAurelSchnabel vii viii Contents PartIII Co-creationandLivingHeritageforSocialCohesion ChangeofMuseumsbyChangeofPerspective:ReflectingExperiences ofMuseumDevelopmentintheContextof“EuroVision—Museums ExhibitingEurope”(EUCultureProgramme). . . . . . . . . . . . . . . . . . . 145 SusanneSchilling TechnologiesLeadtoAdaptabilityandLifelongEngagement withCultureThroughouttheCloud. . . . . . . . . . . . . . . . . . . . . . . . . . . 163 SilviadelosRiosPerez,MariaFernandaCabrera-Umpierrez, MariaTeresaArredondo,ShanshanJiang,JacquelineFloch, andMariaEugeniaBeltran ThePlaceofUrbanCulturalHeritageFestivals:TheCase ofLondon’sNottingHillCarnival. . . . . . . . . . . . . . . . . . . . . . . . . . . . . 181 ErnestTaylorandMoyaKneafsey ToolsYouCanTrust?Co-designinCommunityHeritageWork. . . . . 197 SimonPoppleandDanielH.Mutibwa CrowdsourcingCulture:ChallengestoChange. . . . . . . . . . . . . . . . . . . 215 DoraConstantinidis PartIV Identity TheSpanishRepublicanExile:Identity,BelongingandMemory intheDigitalWorld. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 237 LidiaBocanegraBarbechoandMaurizioToscano GrowingUpinthe‘Digital’Age:ChineseTraditional CultureIsComingBackinDigitalEra. . . . . . . . . . . . . . . . . . . . . . . . . 255 SituXiaochun Erratumto:TheSpanishRepublicanExile:Identity,Belonging andMemoryintheDigitalWorld. . . . . . . . . . . . . . . . . . . . . . . . . . . . . E1 AppendixA:RICHESProjectandResources. . . . . . . . . . . . . . . . . . . . 269 AppendixB:TheRICHESTaxonomy. . . . . . . . . . . . . . . . . . . . . . . . . . 285 List of Editors and Contributors Editors Karol Jan Borowiecki is associate professor in economics at the University of SouthernDenmark.HeholdsaPh.D.ineconomicsfromTrinityCollegeDublinand a Ph.D. in economic history from Lund University. His research interests lie in cultural economics and economic history, as such he has studied the historical incidence, development andlong-termimportanceofcultural heritage and artistic activityinaglobalcontext,withaparticularfocusoncreativeclustersandmigration of artists. He has published, among others, in the Review of Economics and Statistics, Journal of Urban Economics, Journal of Cultural Economics, European ReviewofEconomicHistory andOxfordEconomicPapers.Heistherecipient of severalacademicprizesandgrants,sitsontheexecutiveboardoftheAssociationfor Cultural Economics International (http://www.culturaleconomics.org/), and is co- founderandco-editorofEconomistsTalkArt.org(http://economiststalkart.org/)—a platformaimedatthedisseminationofresearch-basedpolicyanalysisandcommen- tarybyculturaleconomists.e-mail:[email protected] NeilForbes isprofessorofinternationalhistoryatCoventryUniversity,intheUK, and coordinator of the EU’s FP7 RICHES project—Renewal, Innovation and Change:HeritageandEuropeanSociety.Hisresearchinterestsandpublicationslie inculturalheritage,especiallyconflictheritageandthememorialisationofwar,and in the history of international political, economic and business relations from the nineteenth century, specialising in the study of the interwar years. He has led a number of EU and UK research projects, including a large digitisation project in associationwithBTplcandTheNationalArchives.Formerlydirectorofresearchat CoventryUniversity,hesitsonanumberofadvisoryboards,peerreviewpanelsand nationalandinternationalbodies.e-mail:[email protected] AntonellaFresa isdirectoratPromoterS.r.l.ICTexpert;Antonellaispublishing and working on European projects since the 1990s, on digitisation, access and creative reuse of cultural content, long-term digital preservation, smart cities, citizen science, e-Infrastructures and cloud technologies. Previously, she is the advisor of the Italian Ministry of Cultural Heritage and Activities, project officer ix
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