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Cultural expression, creativity and innovation PDF

489 Pages·2010·87.194 MB·English
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(cid:85) (cid:72) (cid:87) (cid:86) (cid:72) (cid:75) (cid:70) (cid:81) (cid:68) (cid:48) (cid:3) (cid:73) (cid:82) (cid:3) (cid:92) (cid:87) (cid:76) (cid:86) (cid:85) (cid:72) (cid:89) (cid:76) (cid:81) (cid:56) (cid:3) (cid:85) Anheier & Isar-3927-Prelims:Anheier-Prelims.qxd 20/10/2009 2:22 PM Page i (cid:72) (cid:87) (cid:86) (cid:72) (cid:75) (cid:70) (cid:81) (cid:68) (cid:48) (cid:3) (cid:73) THE CULTURES AND GLO(cid:82)BALIZATION SERIES (cid:1) (cid:3) (cid:92) CULTURAL(cid:87) EXPRESSION, (cid:76) CREATIVITY AND INNOVATION (cid:86) (cid:85) (cid:72) (cid:89) (cid:76) (cid:81) (cid:56) (cid:3) Anheier & Isar-3927-Prelims:Anheier-Prelims.qxd 20/10/2009 2:22 PM Page ii (cid:85) Anheier & Isar-3927-Prelims:Anheier-Prelims.qxd 20/10/2009 2:22 PM Page iii (cid:72) (cid:87) (cid:86) (cid:72) (cid:75) (cid:70) (cid:81) (cid:68) (cid:48) (cid:3) THE CULTURES AND GLOBALIZATION SERIES (cid:1) (cid:73) (cid:82) (cid:3) CULTURAL EXPRESSION, (cid:92) CREATIVITY AND(cid:87) INNOVATION (cid:76) (cid:86) (cid:85) Edited by (cid:72) HELMUT ANHEIER (cid:89) YUDHISHTHIR RAJ ISAR (cid:76) (cid:81) (cid:56) Guest editor Christopher Waterman (cid:3) Anheier & Isar-3927-Prelims:Anheier-Prelims.qxd 20/10/2009 2:22 PM Page iv IntroductionandEditorialArrangement©HelmutAnheierand YudhishthirRajIsar2010,Chapters©Contributors2010 Firstpublished2010 Apartfromanyfairdealingforthepurposesofresearchorprivatestudy,or criticismorreview,aspermittedundertheCopyright,DesignsandPatentsAct, 1988,thispublicationmaybereproduced,storedortransmittedinanyform,orby anymeans,onlywiththepriorpermissioninwritingofthepublishers,orin thecaseofreprographicreproduction,inaccordancewiththetermsoflicences issuedbytheCopyrightLicensingAgency.Enquiriesconcerningreproduction outsidethosetermsshouldbesenttothepublishers. SAGEPublicationsLtd 1Oliver’sYard 55CityRoad LondonEC1Y1SP SAGEPublicationsInc. 2455TellerRoad ThousandOaks,California91320 SAGEPublicationsIndiaPvtLtd B1/I1MohanCooperativeIndustrialArea MathuraRoad NewDelhi110044 SAGEPublicationsAsia-PacificPteLtd 33PekinStreet#02-01 FarEastSquare Singapore048763 LibraryofCongressControlNumber2009925322 BritishLibraryCataloguinginPublicationdata AcataloguerecordforthisbookisavailablefromtheBritishLibrary ISBN978-1-4129-2085-8 ISBN978-1-4129-2086-5(pbk) TypesetbyC&MDigitals(P)Ltd,Chennai,India PrintedinGreatBritainbyAshfordColourPressLtd Printedonpaperfromsustainableresources (cid:85) Anheier & Isar-3927-Prelims:Anheier-Prelims.qxd 20/10/2009 2:22 PM Page v (cid:72) (cid:87) (cid:86) CONTENTS (cid:72) (cid:75) (cid:70) (cid:81) ForewordbyStuartHall (cid:68) ix Acknowledgements xiii (cid:48) Contributors xvi Listofboxes,figures,photos,platesandtables xxiv (cid:3) (cid:73) Introduction 1 (cid:82) YudhishthirRajIsarandHelmutK.Anheier (cid:3) PART1 ISSUESANDPATTERNSINCULTURALEXPRESSION 17 (cid:92) OverarchingIssues 19 (cid:87) 1 Creativity:AlternativeParadigmstothe‘CreativeEconomy’ 21 (cid:76) RustomBharucha (cid:86) 2 RecognitionandArtisticCreativity 37 JoniMayaCherboandHaroldL.Vogel (cid:85) 3 WalkingwiththeDevil:Art,CultureandInternati(cid:72)onalization 47 GerardoMosquera (cid:89) 4 …ButWhatIsTheQuestion?Art,ResearchandtheProductionofKnowledge 57 (cid:76) GilaneTawadros (cid:81) 5 ImprovisinginaWorldofMovement:Transit,TransitionandTransformation 62 MaruškaSvašek (cid:56) 6 DiasporicSpaces:Migration,Hybr(cid:3)idityandtheGeoculturalTurn 78 KeithNurse 7 CreativityandIntellectualPropertyRights 86 JasonToynbee 8 Exile,CultureandIdentity 99 RasoulNejadmehr 9 The‘Creativity’ofEvil? 105 DraganKlaic RegionalRealities 111 10 The‘Creator’asEntrepreneur:AnAfricanPerspective 113 PaulBrickhill 11 TheTurnoftheNative:VernacularCreativityintheCaribbean 124 AnniePaul (cid:85) Anheier & Isar-3927-Prelims:Anheier-Prelims.qxd 20/10/2009 2:22 PM Page vi (cid:72) (cid:87) (cid:86) (cid:72) viCONTENTS (cid:75) 12 CreativeContemporaryDesignintheArabWorld 131 (cid:70) HudaSmitshuijzenAbiFarès (cid:81) 13 CulturalPolicinginSouthAsia:AnAnti-globalizationBacklash AgainstFreedomofExpression? (cid:68) 148 LaurentGayer,ChristopheJaffrelotandMalvikaMaheshwari (cid:48) 14 TheStruggletoExpress,CreateandRepresentintheBalkans 158 (cid:3) ZalaVolcic (cid:73) 15 CreativeEconomy,GlobalCity:GlobalizingDiscoursesandthe ImplicationsforLocalArts (cid:82) 166 LilyKong (cid:3) GenresandIssues 177 (cid:92) 16 TheCyclesofCreativityintheMusicIndustry 179 (cid:87) PeterTschmuck (cid:76) 17 CreativeCommunitiesandEmergingNetworks 189 ClaytonCampbell (cid:86) 18 CreativeSpaces (cid:85) 200 NancyDuxburyandCatherineMurray (cid:72) 19 LiteraryHybridsandtheCircuitsofTranslation:TheExampleofMiaCouto 215 (cid:89) StefanHelgesson (cid:76) 20 EmergencesinDigitalCulture 225 IvaniSantana (cid:81) 21 FashionandEthics:ReinventingMo(cid:56)delsofConsumptionandCreativity inaGlobalIndustry 235 MoTomaneyandJulieThomas (cid:3) 22 CreativityandInnovation:TheRoleofPhilanthropy 245 DianaLeat 23 DigitalNetworksandSocialInnovation:StrategiesoftheImagination 261 EugenioTisselli 24 ClosingReflections 273 ChristopherWaterman ColourPlateSection 287 PART2 INDICATORSUITES 299 2.1 CulturalIndicatorSuites:AnIntroduction 301 HelmutK.AnheierandMichaelHoelscher (cid:85) Anheier & Isar-3927-Prelims:Anheier-Prelims.qxd 20/10/2009 2:22 PM Page vii (cid:72) (cid:87) (cid:86) (cid:72) CONTENTSvii (cid:75) 2.2 Creativity Indexes 307 (cid:70) Enrico Bertacchini and Walter Santagata (cid:81) 2.3 Measuring Creativity and Innovation 317 Michael Hoelscher (cid:68) Data Suites (cid:48) 329 (cid:3) Policy 330 Regulatory Frameworks, Levi Brooks and JJ Kaye, designers 330 (cid:73) Digest: Regulatory Frameworks Intellectual Property, Levi Brooks and JJ Kaye, designers (cid:82) 334 Digest: Intellectual Property (cid:3) Investment 338 Education, Luca de Sanctis Barton, designer (cid:92) 338 Digest: Education (cid:87) Philanthropy, Leon Hong and Camile Orillaneda, designers 344 Digest: Philanthropy (cid:76) Research & Development, Leon Hong and Camile Orillaneda, designers 348 Digest: Research and Development (cid:86) Diversity (cid:85) 352 Institutions, Mylinh Trieu Nguyen, designer 352 Digest: Institutions (cid:72) Membershipin Organizations, Donnie Luu, designer 356 (cid:89) Digest: Membership in Organizations Practices & Participation (cid:76) Events, Jono Brandell, designer 360 Digest: Events (cid:81) Places: Indicators for six cities, Ryan Weafer, designer 366 Digest: Places (cid:56) Migration, Fei Liu, designer 370 Digest: Migration (cid:3) Creativity and Hybridity 374 Creativity & Innovation Indices, design Christo Allegra, designer 374 Digest: Creativity and Innovation Indices Hybridity Languages, Vincent Cordero, designer 378 Digest: Languages The Blogosphere, Lindsay Harvey, designer 382 Digest: The Blogosphere ECO Trends and Innovation, Derek Heath and Katherine Wu, designers 386 Digest: ECO Trends and Innovation Music, Alok Jethanandani, designer 390 Digest: Music New & Syncretic Religions, Christopher Tuyay, designer 394 Digest: New and Syncretic Religions Dance, Sheriah Altobar, designer 398 Digest: Dance Forms (cid:85) Anheier & Isar-3927-Prelims:Anheier-Prelims.qxd 20/10/2009 2:22 PM Page viii (cid:72) (cid:87) (cid:86) (cid:72) viiiCONTENTS (cid:75) Hip Hop, Alyssa Wang, designer 403 (cid:70) Digest: Hip Hop Reality TV, Jason Hanakeawe, designer (cid:81) 406 Digest: Reality TV Body Art, Tiffany Payakniti, designer (cid:68) 410 Digest: Body Art Web 2.0, Stephen Sulistiawan, designer (cid:48) 414 Digest: Web 2.0 (cid:3) 2.4 Creativity, Innovation, Globalization: What International Experts Think (cid:73) Helmut K. Anheier and Michael Hoelscher 421 (cid:82) References: Data Suites & Digests 437 (cid:3) Index 453 (cid:92) (cid:87) (cid:76) (cid:86) (cid:85) (cid:72) (cid:89) (cid:76) (cid:81) (cid:56) (cid:3) (cid:85) Anheier & Isar-3927-Prelims:Anheier-Prelims.qxd 20/10/2009 2:22 PM Page ix (cid:72) (cid:87) (cid:86) FOREWORD (cid:72) (cid:75) Stuart Hall (cid:70) (cid:81) (cid:68) This collection of essays follows through the line of inquiry (cid:48) opened up by the two previous volumes in The Cultures and (cid:3) Globalization Series. The aim of the series is to track the(cid:73) complex inter-relations between global- ization and culture (cid:82)in its many forms in the contemporary world. (cid:3) Volume 3 identifies a particular site of such interactions defined (cid:92) by the inter-relationships between three aspects of the wider ques- (cid:87) tion: creativity and innovation, cultural e(cid:76)xpressions and global- ization. The essays and papers collec(cid:86)ted here offer, from a vari- ety of perspectives, a rich explo- rati(cid:85)on of this field. They present a diverse set of examples (cid:72) and deepen our understanding and conceptualization of the (cid:89) complexities involved in these (cid:76) relationships. The three terms are fully (cid:81) defined in the wide-ranging introductory essay which frames (cid:56) the volume. Here, we try to set the stage for that investigation (cid:3) by looking briefly at the way the concepts have undergone significant changes of meaning in recent years and how these shifts affect their field of operations in the con- temporary period. Creativity refers to the capacity, through imagination or invention, to produce something new and original (hence its close relationship to innovation). Innovation underscores the role which the idea of novelty has come to play in modern creative practices and the high value accorded to originality, Modernism’s injunction to ‘make it new’, the significance placed on breaking traditions and the construction of radically new forms. Cultural expressions refer to the many forms in which the values, experiences, ideas, identities, beliefs, hopes, achievements and aspirations of a peo- ple or social group find expression and take significant – and signifying – form. Globalization marks the emerging inter-relationships and inter-dependences – economic, political, cultural – between different societies and parts of the world. Its contemporary form defines the new terrain on which cultural practices interact and the ‘global’ character which creativity, innovation and cultural expressions assume in their contemporary form. In western culture, much reinforced by Romanticism, creativity has been associated with the gifted individual, touched by genius, who is uniquely capable of bringing aes- thetic expression to a high pitch of excellence. This excludes many of those civiliza- tions in which the association of creativity with the individual is not so strong (which,

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