CCuubbiissmm aanndd aabbssttrraacctt aarrtt Author Museum of Modern Art (New York, N.Y.) Date 1936 Publisher The Museum of Modern Art Exhibition URL www.moma.org/calendar/exhibitions/2748 The Museum of Modern Art's exhibition history— from our founding in 1929 to the present—is available online. It includes exhibition catalogues, primary documents, installation views, and an index of participating artists. MoMA © 2017 The Museum of Modern Art Cezanne Gauguin d. 1903 1890 JAPANESE PRINTS Provence Seurat d.1891 1890 SYNTHETISM d. 1906 NEO-IMPRESSIONISM Van Gogh 888 Pont-Aven, Paris d. 1890 1886 Paris 895 1895 Redon Rousseau Paris Paris d. 1916 d. 1910 1900 I 1900 NEAR-EASTERN ART 1905 FAUVISM —I NEGROs culpture 1905 1905 Paris I n — ^— — . CUBISM 1906-08 Poris I > MACHINE ESTHETIC 1910 I (ABSTRACT) FUTURISM 1910 i EXPRESSIONISM ORPHISM 1910 Milan SUPREMATISM \ I 1911 Munich 1912 Paris 1913 Moscow V V v ^ Brancusi Hf* CONSTRUCTIVISM Paris 1915 11 1914 Moscow (ABSTRACT^ ^ DE STIJL and DADAISM NEOPLASTICISM Zurich Paris PURISM 1916 Cologne Leydei Berlin 1920 Berlin 1918 Paris 1920 1916 Paris BAUHAUS \ /ABSTRACT) Weimar Dessau SURREALISM 1919 1925 1925 MODERN 1925 1924 Paris ARCHITECTURE 1930 1930 NON-GEOMETRICALA BSTRACTA RT GEOMETRICAL ABSTRACTA RT 935 935 CUBISM ABSTRAARCTT byA lfreHd. B arrJ,r . Museumo f ModemA rt archive Painting, sculpture, industrial and commercial art, typography, pho tography, the theatre and the cim ema have felt the influence of Cub ism and abstract art. The history of non-representational art is here traced from its late 19th century an tecedents to its present renaissance. The principal sources of Cubism are illustrated by African sculpture and the work of Cezanne, Seurat and Rousseau; of Abstract Expres sionism by the work of Gauguin, van ong Gogh, Redon and Matisse. Am the 20th century movements repre sented are Cubism (Picasso, Braque, Leger, Gris, Duchamp) ; Cubist and abstract sculpture (Brancusi, Picas so, Archipenko, Duchamp -Villon, Lipchitz, Arp) ; Futurism (the Ital ians, Boccioni, Severini, Balla) ; Abstract Expressionism in Germany (Kandinsky, Klee) ; and abstract trends in Dadaism and Surrealism. The abstract movements which in volve architecture and the practical arts include Suprematism (Male- vich) and Constructivism in Russia ; de Stijl (Doesburg) and Neo-Plasti- cism (Mondrian) in Holland; Pur ism (LeCorbusier) in Paris ; and the Bauhaus group in Germany. 248 Pages, 223 Illustrations. Pric:e $3.00 mm PLEASER ETURNTO OFFICEO F MONROE WHEELER Cubism and Abstract Art V ' . PLEASER ETURNTO OFFICEO F MONROE WHEELER Painting Sculpture Constructions Photography Cubism and Abstract Art Architecture Industrial Art Theatre Films Posters Typography The Museum of Modern Art, New York fill Copyright, April, 1936, The Museum of Modern Art, 11 West 53rd Street, New York Contents 6 Acknowledgments 9 Preface Cubism and Abstract Art by Alfred H. Barr, Jr. 11 Introduction 19 Two main traditions of abstract art 20 From Impressionism to Fauvism 29 Analytical Cubism 54 Futurism 64 Abstract Expressionism in Germany 73 Abstract painting in Paris 77 Synthetic Cubism 103 Cubist sculpture 116 Brancusi 120 Abstract painting in Russia 130 Constructivism 140 Abstract art in Holland: de Stijl ; Neo-Plasticism 153 Post-War Germany : the Bauhaus 163 Purism 167 Abstract films 170 Abstract photography 172 -isian Abstract Dnd /*v ^ 179 Abstract in Surrealist art 197 The younger generation 203 Catalog by Dorothy C. Miller and Ernestine M. Fantl 234 Bibliography by Beaumont Newhall Figures in parentheses in captions beneath illustrations refer to numbers in catalog section.
Description: