Table Of Content

CRITIOUL Index to Volume 43 Page numbers refer to the following issues: Pages 3-111: Fall 2001 Pages 115-208: Winter 2002 Pages 211-304: Spring 2002 Pages 307-405: Summer 2002 BARKER, PAT Mukherjee, Ankhi. Stammering to Story: Neurosis and Narration in Pat Barker’s Regeneration. 49-62 BISHOP, ELIZABETH Furlani, Andre. Elizabeth Bishop’s Stories of Childhood: Writing the Disaster. 148-60 BYATT, A. S. Jetfers, Jennifer M. The White Bed of Desire in A. S. Byatt’s Possession. 135-47. Sorensen, Sue. Death in the Fiction of A. S. Byatt. 115-34. COETZEE, J. M. Cornwell, Gareth. Realism, Rape, and J. M. Coetzee’s Disgrace. 307-22. COMING-OF-AGE NOVELS IN THE 1980s AND 1990s Curnutt, Kirk, Teenage Wasteland: Coming-of-Age Novels in the 1980s and 1990s. 93-111. Cornwell, Gareth. See COETZEE, J. M Curnutt, Kirk. See COMING OF AGE NOVELS IN THE 1980s AND 1990s. EMECHETA, BUCHI Nnoromele, Salome C. Representing the African Woman: Subjectivity and Self in The Joys of Motherhood. 178-90. Emilsson, Wilhelm. See SINCLAIR, IAIN. Fowler, Doreen. See McCULLERS, CARSON. Furlani, Andre. See BISHOP, ELIZABETH. GRAY, ALASDAIR March, Cristie. Bella and the Beast (and a Few Dragons, Too): Alasdair Gray and the Social Resistance of the Grotesque. 323-46. Graybill, Mark S. See HUMPHREYS, JOSEPHINE and MASON, BOBBIE ANN. HAGEDORN, JESSICA Mendible, Myra. Desiring Images: Representation and Spectacle in Dogeaters. 289-304. Harde, Roxanne. See REED, ISHMAEL. Hollowell, John. See THERNSTROM, MELANIE. Hout, Syrine C. See NASRALLAH, EMILY. HUMPHREYS, JOSEPHINE Graybill, Mark S. Reconstructing/Deconstructing Genre and Gender: Postmodern Identity in Bobbie Ann Mason's /n Country and Josephine Humphreys’s Rich in Love. 239-59. Jeffers, Jennifer M. See BYATT, A. M. Jensen, Birgit A. See SCHNEIDER, PETER. JOHNSON, DENIS Parrish, Timothy L. Denis Johnson’s Jesus’ Son: To Kingdom Come. 30-48. CRITIQUE CRITIOUL Index to Volume 43 Page numbers refer to the following issues: Pages 3-111: Fall 2001 Pages 115-208: Winter 2002 Pages 211-304: Spring 2002 Pages 307-405: Summer 2002 BARKER, PAT Mukherjee, Ankhi. Stammering to Story: Neurosis and Narration in Pat Barker’s Regeneration. 49-62 BISHOP, ELIZABETH Furlani, Andre. Elizabeth Bishop’s Stories of Childhood: Writing the Disaster. 148-60 BYATT, A. S. Jetfers, Jennifer M. The White Bed of Desire in A. S. Byatt’s Possession. 135-47. Sorensen, Sue. Death in the Fiction of A. S. Byatt. 115-34. COETZEE, J. M. Cornwell, Gareth. Realism, Rape, and J. M. Coetzee’s Disgrace. 307-22. COMING-OF-AGE NOVELS IN THE 1980s AND 1990s Curnutt, Kirk, Teenage Wasteland: Coming-of-Age Novels in the 1980s and 1990s. 93-111. Cornwell, Gareth. See COETZEE, J. M Curnutt, Kirk. See COMING OF AGE NOVELS IN THE 1980s AND 1990s. EMECHETA, BUCHI Nnoromele, Salome C. Representing the African Woman: Subjectivity and Self in The Joys of Motherhood. 178-90. Emilsson, Wilhelm. See SINCLAIR, IAIN. Fowler, Doreen. See McCULLERS, CARSON. Furlani, Andre. See BISHOP, ELIZABETH. GRAY, ALASDAIR March, Cristie. Bella and the Beast (and a Few Dragons, Too): Alasdair Gray and the Social Resistance of the Grotesque. 323-46. Graybill, Mark S. See HUMPHREYS, JOSEPHINE and MASON, BOBBIE ANN. HAGEDORN, JESSICA Mendible, Myra. Desiring Images: Representation and Spectacle in Dogeaters. 289-304. Harde, Roxanne. See REED, ISHMAEL. Hollowell, John. See THERNSTROM, MELANIE. Hout, Syrine C. See NASRALLAH, EMILY. HUMPHREYS, JOSEPHINE Graybill, Mark S. Reconstructing/Deconstructing Genre and Gender: Postmodern Identity in Bobbie Ann Mason's /n Country and Josephine Humphreys’s Rich in Love. 239-59. Jeffers, Jennifer M. See BYATT, A. M. Jensen, Birgit A. See SCHNEIDER, PETER. JOHNSON, DENIS Parrish, Timothy L. Denis Johnson’s Jesus’ Son: To Kingdom Come. 30-48. CRITIQUE Klein, Susan M. See LESSING, DORIS LESSING, DORIS Klein, Susan M. First and Last Words: Reconsidering the Title of Summer Before the Dark. 228-38. March, Cristie. See GRAY, ALASDAIR. MASON, BOBBIE ANN Graybill, Mark S. Reconstructing/Deconstructing Genre and Gender Postmodern Identity in Bobbie Ann Mason's /n Country and Josephine Humphreys’s Rich in Love. 239-59 McCARTHY, CORMAC Sickels, Robert C. and Marc Oxoby. In Search of a Further Frontier Cormac McCarthy’s Border Trilogy. 347-59 McCULLERS, CARSON Fowler, Doreen. Carson McCullers’s Primal Scenes: The Ballad of the Sad Café. 260-70 Mendible, Myra. See HAGEDORN, JESSICA Michael, Magali Cornier. See THOMAS, D. M Mortimer, Armine Kotin. See SOLLERS, PHILIPPE Mukherjee, Ankhi. See BARKER, PAT. NASRALLAH, EMILY Hout, Syrine C. Exile, Existentialism, and Identity in Emily Nasrallah’s Flight Against Time. 30-48 Nichols, Catherine. See WALLACE, DAVID FOSTER Nnoromele, Salome A. See EMECHETA, BUCHI Oxoby, Marc. See McCARTHY, CORMAC Parrish, Timothy L. See JOHNSON, DENIS. REED, ISHMAEL Harde, Roxanne. “We will make our own future Text”: Allegory, Iconoclasms, and Reverence in Ishmael Reed’s Mumbo Jumbo. 361 ROTH, PHILIP Safer, Elaine. Tragedy and Farce in Roth’s The Human Stain. 2) 1-27 Safer, Elaine. See ROTH, PHILIP. SCHNEIDER, PETER Jensen, Birgit A. Peter Schneider's Vati: Contesting a German Taboo. 84-92 Sickels, Robert C. See McCARTHY, CORMAC SINCLAIR, IAIN Emilsson, Wilhelm. Iain Sinclair's Unsound Detectives. 271-88 Sol, Adam. See WALKER, ALICE SOLLERS, PHILIPPE Mortimer, Armine Kotin. The MRIs of Sollers’s Fiction. 379-91 Sorensen, Sue. See BYATT, A. M. THERNSTROM, MELANIE Hollowell, John. Thernstrom’s The Dead Girl: The Renunciation of Storytelling. 162-77. THOMAS, D. M. Michael, Magali Cornier. Materiality versus Abstraction in D. M. Thomas's The White Hotel. 63-83, VIRTUAL TRANSLATIONS AND TRANSMISSIONS OF THE PHYSICAL Worthington, Marjorie. Bodies That Natter: Virtual Translations and Transmissions of the Physical. 192-208. WALKER, ALICE Sol, Adam. Questions of Mastery in Alice Walker’s The Temple of My Familiar. 393-404. WALLACE, DAVID FOSTER Nichols, Catherine. Dialogizing Postmodern Carnival: David Foster Wallace's Infinite Jest. 3-16. Worthington, Marjorie. Se VIRTUAL TRANSLATIONS AND TRANSMISSIONS OF THE PHYSICAL. SUMMER 2002, VOL. 43, NO. 4