Table Of Content

CRITIOUL Index to Volume 41 Page numbers refer to the following issues: Pages 3-96: Fail Pages 99-190: Winter Pages 195-304: Spring Pages 307-448: Summer ACKER, KATHY Simmons, Ryan. The Problem of Politics in Feminist Literary Criticism: Contending Voices in Two Contemporary Novels, 319-34. AMIS, MARTIN Moran, Joe. Artists and Verbal Mechanics: Martin Amis’s The Information, 307-17. Annesley, James. Blank Fictions: Consumerism, Culture and the Contemporary American Novel. Book Review, 92-94. Bach, Rebecca Ann. See INGALLS. BARNES, JULIAN Brooks, Neil. Interred Textuality: The Good Soldier and Flaubert’s Parrot, 45-51. BARTH, JOHN Fulmer, James Burton. “First Person Anonymous”: Sartrean Ideas of Consciousness in Barth’s Lost in the Funhouse, 335-48. Bluestone, Stephen. See MALAMUD. Brooks, Neil. See BARNES and FORD. Cook, Rufus. The Art of Uncertainty: Cultural Displacement and the Devaluation of the World. 227-35. Cooperman, Jeannette Batz. The Broom Closet: Secret Meanings of Domesticity in Post- feminist Novels by Louise Erdrich, Mary Gordon, Toni Morrison, Marge Piercy, Jane Smiley, and Amy Tan. Book Review, 88-89. COOVER, ROBERT Elias, Amy. Oscar Hijuelos’s The Mambo Kings Play Songs of Love, Ishmael Reed’s Mumbo Jumbo, and Robert Coover’s The Public Burning, 115-128. Cowart, David. See PY NCHON (a). Day, Lisa B. See VERDELLE. DeLaMotte, Eugenia C. Places of Silence, Journeys of Freedom: The Fiction of Paula Marshall. Book Review, 89-91. Doyle, Jacqueline. See SMITH. DUNN, KATHERINE Weese, Katherine. Normalizing Freakery: Katherine Dunn’s Geek Love and the Female Grotesque. 349-64. Elias, Amy. See HIJSUELOS, REED, COOVER. ERDRICH, LOUISE Mitchell, Jason P. Louise Erdrich’s Love Medicine, Cormac McCarthy’s Blood Meridi- an, and the (De)Mythologizing of the American West, 290-304. CRITIQUE CRITIOUL Index to Volume 41 Page numbers refer to the following issues: Pages 3-96: Fail Pages 99-190: Winter Pages 195-304: Spring Pages 307-448: Summer ACKER, KATHY Simmons, Ryan. The Problem of Politics in Feminist Literary Criticism: Contending Voices in Two Contemporary Novels, 319-34. AMIS, MARTIN Moran, Joe. Artists and Verbal Mechanics: Martin Amis’s The Information, 307-17. Annesley, James. Blank Fictions: Consumerism, Culture and the Contemporary American Novel. Book Review, 92-94. Bach, Rebecca Ann. See INGALLS. BARNES, JULIAN Brooks, Neil. Interred Textuality: The Good Soldier and Flaubert’s Parrot, 45-51. BARTH, JOHN Fulmer, James Burton. “First Person Anonymous”: Sartrean Ideas of Consciousness in Barth’s Lost in the Funhouse, 335-48. Bluestone, Stephen. See MALAMUD. Brooks, Neil. See BARNES and FORD. Cook, Rufus. The Art of Uncertainty: Cultural Displacement and the Devaluation of the World. 227-35. Cooperman, Jeannette Batz. The Broom Closet: Secret Meanings of Domesticity in Post- feminist Novels by Louise Erdrich, Mary Gordon, Toni Morrison, Marge Piercy, Jane Smiley, and Amy Tan. Book Review, 88-89. COOVER, ROBERT Elias, Amy. Oscar Hijuelos’s The Mambo Kings Play Songs of Love, Ishmael Reed’s Mumbo Jumbo, and Robert Coover’s The Public Burning, 115-128. Cowart, David. See PY NCHON (a). Day, Lisa B. See VERDELLE. DeLaMotte, Eugenia C. Places of Silence, Journeys of Freedom: The Fiction of Paula Marshall. Book Review, 89-91. Doyle, Jacqueline. See SMITH. DUNN, KATHERINE Weese, Katherine. Normalizing Freakery: Katherine Dunn’s Geek Love and the Female Grotesque. 349-64. Elias, Amy. See HIJSUELOS, REED, COOVER. ERDRICH, LOUISE Mitchell, Jason P. Louise Erdrich’s Love Medicine, Cormac McCarthy’s Blood Meridi- an, and the (De)Mythologizing of the American West, 290-304. CRITIQUE FERRE, ROSARIO Morrison, Ronald D. Remembering and Recovering Goblin Market in Rosario Ferré’s “Pico Rico, Mandorico, 365-79. FORD, FORD MADDOX Brooks, Neil. Interred Textuality: The Good Soldier and Flaubert’s Parrot, 45-5}. Fulmer, James Burton. See BARTH. GODWIN, REBECCA T. MacLeod, Christine. Rebecca T. Godwin’s Keeper of the House and the Politics of Transracial Narrative, 195-209. Green, Daniel. See SORRENTINO. Greiff, Louis K. See HEINEMANN. Hamill, John. See PY NCHON (b). HEINEMANN, LARRY Greiff, Louis K. In the Name of the Brother: Larry Heinemann’s Paco's Story and Male America, 381-89. HIJUELOS, OSCAR Elias, Amy. Oscar Hijuelos’s The Mambo Kings Play Songs of Love, Ishmael Reed’s Mumbo Jumbo, and Robert Coover’s The Public Burning, 115-128. INGALLS, RACHEL Bach, Rebecca Ann. Mrs. Caliban: A Feminist Postmodernist Tempest? 391-402. Keener, John F. Writing the Vacuum: Richard Nixon as Literary Figure, 129-151. Klinkowitz, Jerome. Vonnegut in Fact: The Public Spokesmanship of Personal Fiction. Book Review, 87-88. Knight, Christopher J. Hints and Guesses: William Gaddis’s Fiction of Longing. Book Review, 91-92. Kobre, Michael. See PERCY. MacLeod, Christine. See GODWIN. Macpherson, Heidi Slettedahl. See OLSEN. MALAMUD, BERNARD Bluestone, Stephen. God as Matchmaker: A Reading of Malamud’s “The Magic Bar- rel,’ 403-10. Malmgren, Carl D. See MORRISON, TONI. MASON, BOBBIE ANN O’Brien, Timothy D. Oppositions in /n Country, 175-190. McCARTHY, CORMAC Mitchell, Jason P. Louise Erdrich’s Love Medicine, Cormac McCarthy’s Blood Meridi- an, and the (De)Mythologizing of the American West, 290-304. Mikkonen, Kai. See ROTH. Mitchell, Jason P. See ERDRICH and McCARTHY. Moran, Joe. See AMIS Moraru, Christian. See REED (b). Morrison, Ronald D. See FERRE. MORRISON, TONI Malmgren, Carl D. Texts, Primers, and Voices in Toni Morrison’s The Bluest Eye, 251-62. O’BRIEN, TIM Slay, Jr., Jack. A Rumor of War: Another Look at the Observation Post in Tim O’Brien’s Going After Cacciato, 79-94. O’Brien, Timothy O. See MASON. OLSEN, TILLIE Macpherson, Heidi Slettedahl. Class-ifying Escape: Tillie Olsen’s Yonnondio, 263-289. SUMMER 2000, VOL. 41, NO. 4 Parker, Emma. See ROBERTS. PERCY, WALKER Kobre, Michael. The Teller and the Tale: Walker Percy’s Lancelot as Metafiction, 71-78. PYNCHON, THOMAS Cowart, David. Pynchon and the Sixties, 3-12. (a). Hamill, John. Looing Back on Sodom: Sixties Sadomasochism in Gravity’s Rainbow. 53-70 (b). REED, ISHMAEL Elias, Amy. Oscar Hijuelos’s The Mambo Kings Play Songs of Love, Ishmael Reed’s Mumbo Jumbo, and Robert Coover’s The Public Burning, 115-28 (a). Moraru, Christian. “Dancing to the Typewriter”: Rewriting and Cultural Appropriation in Flight to Canada, 99-113 (b). ROBERTS, MICHELE Parker, Emma. From House to Home: A Kristevan Reading of Michéle Roberts’s Daughters of the House, 153-73. ROTH, PHILIP Mikkonen, Kai. The Metamorphosed Parodical Body in Philip Roth’s The Breast, 13-44. Simmons, Ryan See ACKER and SMILEY (a). Slay, Jr., Jack. See O’ BRIEN. SMILEY, JANE Simmons, Ryan. The Problem of Politics in Feminist Literary Criticism: Contending Voices in Two Contemporary Novels, 319-34 (a) Strehle, Susan. The Daughter’s Subversion in Jane Smiley’s A Thousand Acres, 211-26. (b) SMITH, LEE Doyle, Jacqueline. “These Dark Woods Yet Again”: Rewriting Redemption in Lee Smith’s Saving Grace, 273-89. SORRENTINO, GILBERT Green, Daniel. “Terribly Bookish”: Mulligan Stew and the Comedy of Self-Reflexivity, 237-49. Strehle, Susan. See SMILEY (b). Varsava, Jerry. See WIDEMAN. VERDELLE, A. J. Day, Lisa B. “I Search to Where the Freedom Is”: The Influence of the Slave Narrative Tradition on A. J. Verdelle’s The Good Negress, 411-24. Weese, Ketherine. See DUNN. WIDEMAN, EDGAR JOHN Varsava, Jerry. “Woven of Many Strands”: Multiple Subjectivity in John Edgar Wide- man’s Philadelphia Fire, 425-44. CRITIQUE