Table Of Content

CRITIOUL studies in contemporary fiction Index to Volume 39 Page numbers refer to the following issues Pages 1-96: Fall Pages 97-192: Winter Pages 193-288: Spring Pages 289-384: Summer AUSTER, PAUL Brault, Pascale-Anne. “Translating the Impossible Debt: Paui Auster’s City of Glass,” 228-238. Dow, William. “Paul Auster’s The Invention ofS olitude: Glimmers in a Reach to Authenticity,” 272-281. Fleck, Linda L. “From Metonymy to Metaphor: Paul Auster’s Leviathan,” 258-270. Segal, Alex. “Secrecy and the Gift: Paul Auster’s The Locked Room,” 239-257. Swope, Richard. “Approaching the Threshold(s) in Postmodern Detective Fiction: Hawthorne’s “Wakefield” and Other Missing Persons,” 207-227. Zilcosky, John. “The Revenge of the Author: Paul Auster’s Challenge to Theory,” 195-206. BANVILLE, JOHN Booker, M. Keith. “Cultural Crisis Then and Now: Science, Literature, and Religion in John Banville’s Doctor Copernicus and Kepler,’ 176-192. BARKER, PAT Harris, Greg. “Compulsory Masculinity, Britain, and the Great War: The Literary-Historical Work of Pat Barker,’ 290-305. BELLOW, SAUL Kuzma, Faye. “The Demonic Hegemonic: Exploitative Voices in Saul Bellow’s More Die of Heartbreak; 306-324. Booker, M. Keith. See BANVILLE. BRADBURY, RAY McGiveron, Rafeeq O. “‘To Build a Mirror Factory’: The Mirror and Self-Examination in Ray Bradbury’s Fahrenheit 451,” 282-287. Brault, Pascale-Anne. See AUSTER. Brice, Jennifer. See HOGAN and SILKO BROOKNER, ANITA Usandizaga, Aranzazu. “The Female Bildungsroman at the Fin de Siécle: The “Utopian Impera- tive’ in Anita Brookner’s A Closed Eye and Fraud,” 325-340. Campbell, Neil. See MCCARTHY. CARRINGTON, LEONORA Carroll, Rachel. “‘Something to See’: Spectacle and Savagery in Leonora Carrington’s Fiction,” 154-166. Carroll, Rachel. See CARRINGTON. CARVER, RAYMOND Mullen, Bill. “A Subtle Spectacle: Televisual Culture in the Short Stories of Raymond Carver,” 99-114. Comnes, Gregory. See GADDIS. COMPARATIVE METAFICTION Tatsumi, Takayuki, “Comparative Metafiction: Somewhere between Ideology and Rhetoric,” 2-17. Daly, Macdonald. See SHARP. DOCTOROW E. L. Henry, Matthew. “Problematized Narratives: History as Fiction in E. L. Doctorow’s Billy Bath- 382 CRITIQUE CRITIOUL studies in contemporary fiction Index to Volume 39 Page numbers refer to the following issues Pages 1-96: Fall Pages 97-192: Winter Pages 193-288: Spring Pages 289-384: Summer AUSTER, PAUL Brault, Pascale-Anne. “Translating the Impossible Debt: Paui Auster’s City of Glass,” 228-238. Dow, William. “Paul Auster’s The Invention ofS olitude: Glimmers in a Reach to Authenticity,” 272-281. Fleck, Linda L. “From Metonymy to Metaphor: Paul Auster’s Leviathan,” 258-270. Segal, Alex. “Secrecy and the Gift: Paul Auster’s The Locked Room,” 239-257. Swope, Richard. “Approaching the Threshold(s) in Postmodern Detective Fiction: Hawthorne’s “Wakefield” and Other Missing Persons,” 207-227. Zilcosky, John. “The Revenge of the Author: Paul Auster’s Challenge to Theory,” 195-206. BANVILLE, JOHN Booker, M. Keith. “Cultural Crisis Then and Now: Science, Literature, and Religion in John Banville’s Doctor Copernicus and Kepler,’ 176-192. BARKER, PAT Harris, Greg. “Compulsory Masculinity, Britain, and the Great War: The Literary-Historical Work of Pat Barker,’ 290-305. BELLOW, SAUL Kuzma, Faye. “The Demonic Hegemonic: Exploitative Voices in Saul Bellow’s More Die of Heartbreak; 306-324. Booker, M. Keith. See BANVILLE. BRADBURY, RAY McGiveron, Rafeeq O. “‘To Build a Mirror Factory’: The Mirror and Self-Examination in Ray Bradbury’s Fahrenheit 451,” 282-287. Brault, Pascale-Anne. See AUSTER. Brice, Jennifer. See HOGAN and SILKO BROOKNER, ANITA Usandizaga, Aranzazu. “The Female Bildungsroman at the Fin de Siécle: The “Utopian Impera- tive’ in Anita Brookner’s A Closed Eye and Fraud,” 325-340. Campbell, Neil. See MCCARTHY. CARRINGTON, LEONORA Carroll, Rachel. “‘Something to See’: Spectacle and Savagery in Leonora Carrington’s Fiction,” 154-166. Carroll, Rachel. See CARRINGTON. CARVER, RAYMOND Mullen, Bill. “A Subtle Spectacle: Televisual Culture in the Short Stories of Raymond Carver,” 99-114. Comnes, Gregory. See GADDIS. COMPARATIVE METAFICTION Tatsumi, Takayuki, “Comparative Metafiction: Somewhere between Ideology and Rhetoric,” 2-17. Daly, Macdonald. See SHARP. DOCTOROW E. L. Henry, Matthew. “Problematized Narratives: History as Fiction in E. L. Doctorow’s Billy Bath- 382 CRITIQUE gate,” 32-40. Dow, William. See AUSTER. DUBOS, ANDRE Miner, Madonne, “*Jumping from one heart to another’: How Andre Dubus Writes about Women,” 18-31. ERDRICH, LOUISE Storhoff, Gary. “Family Systems in Louise Erdrich’s The Beet Queen,” 341-352. Fleck, Linda L. See AUSTER. Folks, Jeffrey J. See GORDIMER. GADDIS, WILLIAM Comnes, Gregory. “The Law of the Excluded Muddle: The Ethics of Improvisation in William Gaddis’s A Frolic of His Own,” 353-366. GORDIMER, NADINE Folks, Jeffrey J. “Artist in the Interregnum: Nadine Gordimer’s July's People,” 115-126. Smith, M. W. “Embracing ‘Other’: Dialogism and the Carnivalesque in Nadine Gordimer’s A Sport of Nature,” 41-47. Guzlowski, John. See SINGER. Harris, Greg. See BARKER. Henry, Matthew. See DOCTOROW. HOGAN, LINDA Brice, Jennifer. “Earth as Mother, Earth as Other in Novels by Silko and Hogan,” 127-138. JORDAN, NEIL Rogers, Lori. “*In Dreams Uncover’d’: Neil Jordan, The Dream ofa Beast, and the Body- Secret,” 48-54. Kuzma, Faye. See BELLOW. MCCARTHY, CORMAC Campbell, Neil. “*“Beyond Reckoning’: Cormac McCarthy’s Version of the West in Blood Merid- ian or The Evening Redness in the West; 55-64. McGiveron, Rafeeq O. See BRADBURY. Miner, Madonne. See DUBUS. Mullen, Bill. See CARVER. PUIG, MANUEL Zimmerman, Shari A. “Pubis Angelical: Where Puig Meets Lacan,” 65-80. PYNCHON, THOMAS Sanders, Mark. “The Politics of Literary Reinscription in Thomas Pynchon’s V.;” 81-96. Rogers, Lori. See JORDAN. Sanders, Mark. See PYNCHON. Schiff, James A. See SMILEY. Segal, Alex. See AUSTER. SHARP, ELLIS. Daly, Macdonald. “Malice Aforethought: The Fictions of Ellis Sharp,” 139-153. SILKO, LESLIE MARMON Brice, Jennifer. “Earth as Mother, Earth as Other in Novels by Silko and Hogan,” 127-138. SINGER, ISAAC BASHEVIS Guzlowski, John. “Isaac Bashevis Singer’s Satan in Goray and Bakhtin’s Version of the Carniva- lesque,” 167-175. SMILEY, JANE Schiff, James A. “Contemporary Retellings: A Thousand Acres as the Latest Lear,” 367-381 Smith, M. W. See GORDIMER. Storhoff, Gary. See ERDRICH. Swope, Richard. See AUSTER. Tatsumi, Takayuki. See COMPARATIVE METAFICTION. Usandizaga, Aranzazu. See BROOKNER. Zilcosky, John. See AUSTER. Zimmerman, Shari A. See PUIG. SUMMER 1998, VOL. 39, NO. 4