Terry Eagleton is Distinguished A celebration of an extraordinary ‘Here are five expert pen portraits of the founding fathers Visiting Professor of English Literature of modern English literary criticism. Eagleton evokes their generation who transformed the at Lancaster University, and the author personalities and teases out their thought with all his study of literature of more than fifty books in the fields of characteristic judiciousness, asperity and wit.’ literary theory, postmodernism, politics, Professor Seamus Perry, University of Oxford Before the First World War, traditional ideology and religion. literary scholarship was isolated from ‘That these influential critics have been on the verge society at large. Then a younger of neglect goes without saying. Now Eagleton rescues them, generation of critics came to the fore. noting their individual failures while celebrating their Their work represented a reaction to revolutionary brilliance. These critics still matter as we think the impoverishment of language in about how a culture is formed and extended, valued and a commercial, utilitarian society preserved. This book deserves a very wide audience.’ increasingly under the sway of film, Jay Parini, author of Borges and Me FIVE advertising, and the popular press. For CRITICS them, literary criticism was not just ‘A presentation of key critics who taught us that reading WHO a way of diagnosing social ills: it had is both a technical skill and a vital human concern. Essential a vital moral function to perform. CHANGED for those who want to understand why we still need THE WAY literature in the days of Twitter and Instagram.’ Terry Eagleton explores the lives and WE READ Professor Maria Elisa Cevasco, University of São Paulo work of T.S. Eliot, I.A. Richards, William Empson, F.R. Leavis and Raymond ‘Eagleton offers a stimulating introduction to those Williams, and traces a vital tradition approaching the criticism of T.S. Eliot, I.A. Richards, of literary criticism that today is in William Empson, F.R. Leavis and Raymond Williams, danger of being neglected. This was while making a forceful contribution to the critical the heyday of literary modernism, tradition being constructed and analysed.’ a period of change and experimentation – Professor Daniel G. Williams, Swansea University the bravura of which spurred on developments in critical theory. These five critics rank among the most original and influential of modern times, and represent one of the most YALE UNIVERSITY PRESS remarkable intellectual formations in NEW HAVEN AND LONDON yalebooks.com yalebooks.co.uk twentieth-century Britain. ISBN 978-0-300-26448-7 ‘A superb introduction.’ 9 780300 264487 Cover design & illustration: David Wardle Seamus Perry CRITICAL REVOLUTIONARIES i ii CRITICAL REVOLUTIONARIES FIVE CRITICS WHO CHANGED THE WAY WE READ TERRY EAGLETON YALE UNIVERSITY PRESS NEW HAVEN AND LONDON iii Copyright © 2022 Yale University All rights reserved. This book may not be reproduced in whole or in part, in any form (beyond that copying permitted by Sections 107 and 108 of the U.S. Copyright Law and except by reviewers for the public press) without written permission from the publishers. For information about this and other Yale University Press publications, please contact: U.S. Office: [email protected] yalebooks.com Europe Office: [email protected] yalebooks.co.uk Set in Adobe Garamond Pro by IDSUK (DataConnection) Ltd Printed in Great Britain by TJ Books, Padstow, Cornwall Library of Congress Control Number: 2022930345 e-ISBN: 978-0-300-26820-1 A catalogue record for this book is available from the British Library. 10 9 8 7 6 5 4 3 2 1 iv For Tony Pinkney v vi CONTENTS Introduction 1 1 T.S. Eliot 12 2 I.A. Richards 80 3 William Empson 142 4 F.R. Leavis 195 5 Raymond Williams 257 Notes 309 Index 317 vii viii INTRODUCTION The conviction underlying this book is that a vital tradition of literary criticism is in danger of being neglected. This is so to some extent even in academia, as well as in the wider literary world. If not many students of literature today are likely to be familiar with the work of, say, I.A. Richards or Raymond Williams, the same may well be true of some of their teachers. Yet the five critics discussed in this book rank among the most original and influential of modern times, which is why I have chosen them. They also represent a specific intellectual formation, one of the most remarkable in twentieth-century Britain. All but one of them taught at the University of Cambridge. The exception is T.S. Eliot, yet Eliot had close connections with Cambridge, not least through his friend I.A. Richards, and as an informal consultant was a powerful influence on the shaping of English studies there. These men were part of what has been hailed as a critical revolution, one that trans- formed the academic study of literature and lent it a fresh centrality in 1