Creative P 4 STE BE ADED P 3 STE JEWELRY P 2 STE 33 Exquisite Designs Inspired by the Arts of China, Japan, India and Tibet By Carolyn Schulz TUTTLE Publishing Tokyo Rutland, Vermont Singapore CBJ Int V0.9.indd 1 12/26/12 4:42 PM CBJ Int V0.9.indd 2 12/26/12 4:43 PM Contents 44 Red & Black Double Stand Cinnabar Necklace 46 Turquoise & Coral Floating Necklace CHAPTER 4 Knotted Jewelry 48 Cord and Knotting 48 Larks Head Knot 48 Overhand Knot 49 The Square Knots 49 Half Square Knot 49 Square Knot 50 Loop and Bead Clasp 51 Making the Bead Side of the Clasp 51 Attaching a Cord Tail 4 Beaded Jewelry Inspired by Asian Art 52 Black & Copper Necklace 6 Notes On Materials and Tools 23 Basic Technique for Making Dangles 54 Red & Black Cube & Tube Necklace 24 Wood & Metal Cuff 55 Patina Donut Necklace CHAPTER 1 25 Aqua Lampwork With Silver Tubes 56 Black Knot Choker Elastic Cord Bracelets 26 Jade, Flowers & Butterfl ies 57 Amethyst Shamballa Bracelet 28 Black Velvet Choker 60 Pink Flower Green Macramé Choker 10 Using Elastic Cord 29 Red Fossil Coral Choker CHAPTER 5 10 Basic Technique for Using Elastic Cord 30 Silver & Jet Ring Loop and Chain Jewelry 10 Hints & Tips 31 Black & Pink Sparkle Ring 11 Tying a Slipknot 11 Tying a Surgeon’s Knot CHAPTER 3 62 Making Loops and Working With Chain 12 Marbled Splendor Wire Strung Jewelry 62 Basic Techniques for Making Single Loops 13 Cinnabar Magic 62 Opening and Closing Loops 14 Turquoise Cuff 32 Using Beading Wire and Crimp Beads 63 Opening and Closing a Jump Ring 15 Classy Ceramic 33 Attaching a Clasp Using the Flat (or a Link of Chain) 16 Exquisite Pearls Crimp Technique 63 Making a Bracelet, Necklace or Earrings with Chain 18 Jade & Onyx Watch Band 34 The Folded Crimp Technique 64 Abalone Shell Ensemble 35 When to Use Flat or Folded Crimping CHAPTER 2 Techniques 66 Gold & Peal Lariat and Earrings Memory Wire Jewelry 69 Red & Black Resin Bead Necklace 35 Floating Beads on Beading Wire Using 70 Etched Resin Choker Crimps Beads 72 Flower & Butterfl y Charm Bracelet 20 Using Memory Wire 36 Etched Jade Necklace 74 Elephant & Jade Bracelet ( With 20 Tools for Working with Memory Wire 37 Blue & Jade Necklace Matching Jade Earrings) 20 Optional Extras 40 Elegant Earrings 21 Basic Techniques for Using Memory Wire 41 Coral & Lava Bracelet 77 Resources 22 Hints & Tips 42 Pearl, Crystal & Ivory Necklace 79 Index CBJ Int V0.9.indd 3 12/26/12 4:43 PM Beaded Jewelry Inspired by Asian Art Eastern culture has infl uenced us for so long and in so many ways that it has slipped into our consciousness. We don’t always know why or how a thing looks or feels Asian; we only know that it does. As I pulled together the beads and components for this book, I also began to examine my own views of the Far East and how Asian culture has infl uenced me when designing jewelry. I didn’t have far to look. My mother’s family were Portuguese immigrants to the Hawaiian Islands, where East meets West. Cultural diversity abounds in every aspect of life from food to fabrics to religion to architecture, so it wasn’t hard to see how Asian color and texture have become part of the creativity I so enjoy. The arts of Asia can be highly practical or purely decorative. They range from the most austere and simple to the most ornate and intricate. The Eastern ability to observe, appreciate and capture beauty, especially the beauty of nature, is such that the most mundane objects can seem an act of worship. Beads, too, have been a part of many cultures from time immemorial. They have served as currency, as well as ornaments, and even expressions of status. They have been invested with power and spiritual meaning and are a wonderful medium for creative expression. This book aims to bring these two fascinating phenomena together. The designs included here borrow from the Asian use of color and texture as well as from aspects of Asian design. Some are simple pieces that can be completed in minutes, while others are more challenging but equally fun and rewarding. Hopefully, the designs in this book will inspire you to try variations and experiment with your own sense of Asian style. CBJ Int V0.9.indd 4 12/26/12 4:43 PM CBJ Int V0.9.indd 5 12/26/12 4:43 PM 6 C R E A T I V E B E A D E D J E W E L R Y NOTES ON MATERIALS AND TOOLS Beads Beads come in all shapes and sizes and in wide variety of materials, both natural and man made. They are available in every color, shade and hue you can imagine. Finding just the right color and texture can be the diff erence between a nice piece and a fabulous piece. Some people seem to have been born with the natural instinct for what goes best with what. I am not one of weight of the piece and level of wear the piece will be those people—it’s through observation and exposed to, so be careful to choose accordingly. This experimentation that I have found my style and area of book shows you just some of the many diff erent styles comfort. My advice, even to those with a great innate that are out there so, again, get out and look around. sense of style, is get out and about. Look at what people You’ll fi nd that it’s not unusual to build a piece around are wearing around you. Look at the colors and textures the perfect closure or ear wire—that’s how beautiful of beads in the pre-made jewelry being sold in the some fi ndings can be. stores. Then, experiment by mixing and matching and fi nding exactly what works for your design. Cords, Threads and Wire Findings Cords, threads and wire come in a variety of diff erent materials and strengths. While you’ll see many diff erent For those of you completely new to beading, fi ndings types in this book, new stringing materials are becoming are the metal components used to hold the piece available seemingly day by day. I encourage you to together. Clasps/closures, ear wires and jump rings all experiment with whatever appeals to your senses to fall into this category. The right fi ndings depend on the create own unique jewelry. You’ll note that stringing material lengths are given in both inches and metrics. If your ruler doesn’t off er metric measurements, it’s a good idea to invest in one that does. Metric measurements are a bit more precise, which will be especially helpful when working with multiple strands of diff erent lengths. The slight diff erence it makes in the drape of a piece can result in a more polished look. CBJ Int V0.9.indd 6 12/26/12 4:43 PM CBJ Int V0.9.indd 7 12/26/12 4:43 PM 8 C R E A T I V E B E A D E D J E W E L R Y Stringing necklaces, smaller ones for rings. sizes, thicknesses and materials, and Elastic/stretch cord comes in are extremely versatile. A good Cotton, leather, wire, ribbon, diff erent thickness, and in black as assortment of these is invaluable. tubing—the list of wonderful well as in clear. Most craft stores carry a basic stringing materials goes on and on. variety. A wider selection of sizes, Pictured are some types used in the Chains and materials can be purchased projects in this book (from top): from bead vendors. Base metal chain is available in most Stringing wire comes in many craft stores. Precious metal chains, strengths, thicknesses and colors. Crimps and Covers such as gold, gold-fi lled, sterling Cotton cord is also available in many silver, and others can generally be Crimp tubes and beads vary in size colors and thicknesses, and can be found in bead shops or through and thickness to suit the many waxed or not (waxed cord is more online vendors. diff erent types of stringing materials resistant to fraying). Memory wire available. If a crimp detracts from comes in several gauges as well as in Pins and Rings the look of your piece, a matching diff erent coil sizes. The length you crimp cover is a great fi x. see here is suitable for bracelets. Like most fi ndings, head pins, eye Larger coils are available for pins and jump rings come in many CBJ Int V0.9.indd 8 12/26/12 4:43 PM
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