Cloke_ppr 2/14/08 2:09 PM Page 1 PAUL CLOKE Country Visions Country Visions PAUL CLOKE C o Country Visions is a highly readable, challenging and incisive collection of essays, exploring different ways of knowing rurality; u of understanding the countryside. The essays suggest that we must go beyond cultural constructions of rural idyll and their n accompanying political, cultural and theoretical orthodoxies, t which risk both ‘purification’ of transgressive presences and r practices, and ignorance of significant agency and performance. y Country Visions re-views the countryside as heterogeneous, V dynamic and often dystopic. It is an authoritative and engaging collection, emphasising that rural areas are not just known i s differently, they are also performed differently. i o Country Visions can be read as a running debate, as a series of glimpses into the nature of rural areas, each carrying a different n understanding of what can be known, and what should be known. Essayists explore the different ways in which rural areas are: s • represented and idyllised • known and understood through practice and performance • envisioned as theoretical and political arenas P It begs questions about how to read, analyse and write about the A country; about how the countryside works for its actors; and how U it might work better in the future. L C Paul Cloke is Professor of Geography at Bristol University, and L Founder Editor of Journal of Rural Studies. O K E Cover illustration by Peter Gudynas www.pearsoneduc.com CVA01 2/14/08 1:55 PM Page i Country Visions CVA01 2/14/08 1:55 PM Page ii We work with leading authors to develop the strongest educational materials in geographical sciences, bringing cutting-edge thinking and best learning practice to a global market. Under a range of well-known imprints, including Prentice Hall, we craft high quality print and electronic publications which help readers to understand and apply their content, whether studying or at work. To find out more about the complete range of our publishing, please visit us on the World Wide Web at: www.pearsoneduc.com CVA01 2/14/08 1:55 PM Page iii Country Visions Edited by Paul Cloke CVA01 2/14/08 1:55 PM Page iv Pearson Education Limited Edinburgh Gate Harlow Essex CM20 2JE United Kingdom and Associated Companies throughout the world Visit us on the World Wide Web at: www.pearsoneduc.com First published 2003 © Pearson Education Limited 2003 All rights reserved. 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ISBN 0130 89601 2 British Library Cataloguing-in-Publication Data A catalogue record for this book is available from the British Library 10 9 8 7 6 5 4 3 2 1 07 06 05 04 03 Typeset in 10/12pt Sabon by 35 Printed and Bound in China CVA01 2/14/08 1:55 PM Page v For Viv, Liz and Will with love CVA01 2/14/08 1:55 PM Page vi CVA01 2/14/08 1:55 PM Page vii Contents List of contributors xii List of figures xiii Acknowledgements xiv 1 Knowing ruralities? 1 Paul Cloke Moving beyond the rural idyll 1 The country and hybridity 5 Reading country visions 7 References 13 2 Reproducing rural idylls 14 Michael Bunce The rural idyll in the rise of urban-industrialism 15 Images of rural 19 Contemporary communication and reproduction of the rural idyll 22 Spaces of the rural idyll 24 Idylls and counter-idylls 26 References 28 3 The rural gaze 31 Simone Abram The gaze 32 Separating the gaze 34 Rural, urban, suburban, subrural 36 Discussion 45 Notes 47 References 47 CVA01 2/14/08 1:55 PM Page viii viii CONTENTS 4 Rural mappings 49 Catherine Brace Introduction 49 Discovering the rural 52 Countryside and nationhood 62 Conclusion 69 Notes 70 References 70 5 Different genres, different visions? The changing countryside in postwar British children’s literature 73 John Horton Introduction 73 1945–1969: ‘classic’ representations of countryside 75 1970s: ‘politicised’ representations of countryside 78 1980s: ‘reactionary’ representations of countryside 83 1997–: ‘new’ representations of countryside 86 Conclusions 88 Notes 89 References 90 6 The view from Cobb Gate: falling into liminal geography 93 Mark Lawrence Introduction: the background of the foreground 93 Moving targets: thinking about film and new visions of rurality 96 The persistence of pastoralism 99 The unfinished liminal experience of simulation 106 Conclusions 112 References 113 7 Working with crabs 116 Deborah Dixon The where of Eastern Carolina 116 Animating the landscape 117 Locating people in the seafood sector 120 Constructing and placing ‘labour’ 122 Giving meaning to the working body 126 Conclusion 131 Acknowledgement 132 Notes 133 References 133 CVA01 2/14/08 1:55 PM Page ix CONTENTS ix 8 Landscape, performance and dwelling: a Glastonbury case study 136 John Wylie Introduction 136 Landscape and representation: metaphor and materiality 138 Landscape from image to dwelling 141 A Glastonbury case study 147 Conclusion 154 References 155 9 Spiritual embodiment and sacred rural landscapes 158 Julian Holloway Introduction 158 Representing the sacred rural 159 Embodying the sacred rural 163 Articulating a spiritual infralanguage 169 Conclusion 175 References 175 10 Homosexuals in the heartland: male same-sex desire in the rural United States 178 David Bell The homosexual rural 183 The rural homosexual 185 Conclusion 190 Acknowledgements 192 References 192 11 New country visions: adventurous bodies in rural tourism 195 Carl Cater and Louise Smith The increasing popularity of countryside adventures 195 Adventure and nature 196 Adventurous places 198 The ‘adventure capital of the world’ 200 Inclusion and exclusion 202 Representations of Queenstown 205 Performing adventure 209 The place of a rural setting 211 New rural spaces? 213 Notes 215 References 215