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Contexts of War: Manipulation of Genre in Virgilian Battle Narrative PDF

232 Pages·2004·2.32 MB·English
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ContexotfsW ar Contextosf War ManipuloafGt einoirnne VirgiBlaitaNtnal rer ative AndreoRloas si THE UNIVERSITY OF MICHIGAN PRESS AnnA rbor To Priscilla­ sit tiblie uitse rra Copyr©i bgyht th Uen iveorfsM iitcyh i2g0a0n4 Alrli grhetsse rved Publiisnth heUedn ited oSfAt maetrebisyc a ThUen iveorfs iMtiyc Phriegsasn Manufacitntu hrUeen di ted oSfAt maetreisc a @ Prinotnae cdi frde-pepa er 20027 00620 0250 04 4 3 2 1 Nop arotft hpiusb licmaatybi ero enp roduced, stored inar etrsiyesvtaoelrtm r,a nsmiinat ntfyeo dro mrb ya ny meanesl,e ctmreocnhiacn,oi roc tahle,r wwiitsheto,hu wetr itten premissoifto hpneu blisher. A CIcP atalofgor t rhebicosooi raksdv aiflorambt lhBeer itLiibsrha ry. LibroafCr oyn grCeastsa loging-iDna-tPau blication RosAsnid,r eola Conteoxfwt asrm a:n ipuloafgt einoirnnVe i rgiblaitnatanlr er aIAt nidvree Roolsas i. p.e m. Inclbuidbelsi ogrreaefprheinaccnaeidlsn dex. 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Acknwoledgments Thipsr ojsetcatra tsae P dh .dDi.s seratnasdti intochnee h na usn dergone numermoeutsa morapnhcdoh saensog fte istI ltceso. m plebtriimonengt sh e pleaosftu hraen kailtnlhgfr e i enadnssd c howlhaohr asv hee lpmeead l ong thwea yF.i rIsw ta,nt tot haRnikc hTahrodm amsyt, h easdivsi wshoor , convimnect eogd ob actkoV irwghiolIm,h adde seyretaeerdas r lwiheern, smitbtyaes nu ddpeans sfioGorrn e eepki grIaa pmah lyes.xto r emgerlayt eful tot hoet hmeerm beorfms yd isserctoamtmiioAtnlt eeses,a ndraon dB archiesi WendCellalu fsoetrnh ,es iurp paonrcdto nsetnacnotu ragement. Iw oualldls iotk ote h aEnlka Fiannet hAanmd,rF eewl dhBeorKbra ,s ter, JoshKuaatD ze,b orSathe iKnaetrh,a VroilnFkar, o mZae italnidan lt,lh e membearnssd t udoefnt thDsee partomfCe lnats astPi rcisn cUentiovne r­ siwthye,Ir w ea lsu ceknyo utgosh p emnydfi ryseta arft egrr aduaIat mi on. alsmoo sgtr atteofm uylfr ienadnsdc olleaatgA umehse rCsotl lege­ Cynthia Damon,t hRleia cPtkee t MGearrri sfhfiBatelhclSsk,i,y n aonsd, SarUap ton-wwhiossdeao nmdf rienIdt srheiapsa unrdte oa, lo lft he membearnsdfr ienodfts h Dee partomfCe lnats astHi acrsv awrhdoh ave welcommeeb da cwki tghr ewaatr mItnhp .a rtiicncu olnanre,wc ittithoh ni s stuIdw yo,u llidtk oem entmiyoL na tcionl leKaagtuCheoysl ,e mZaenp,h StewRaircth,Ta arrdr Raincth,Ta hrodm aasn,de ,s pecCihaalrlSlyei,ge a l, whotsreu ilnys pirlaatssietom nioannlaO rv iIad u diLtaebsdut.nt o lte aIs t, � ACKNOWLDEGMENTS wanttoe xprmeygs rsa tittoau ltdlheu e n dergraandgdur aatdesu tautdee nts Ih avmee itn t helsaefs etyw e aTrhse.ii dre aanstd h egioroh du mohra ve beeasn o urocfse t reanngsdtu hp port. Thee diatnotdrh tew aon onymroeuasdo eftr hsUe n iveorfMs iicthyi ­ ganP reosfsf edreecdi rseicvoem mendfaottrhi ieom npsr oveomfte hnet manuscDraivpEitld.m eLre,aK hr onenabneTdri gmO, ' Sulhlaivrveea na d multdirpaloftefts h een tmiarneu scarnihdpa tvr ee scmueefr do mn umer­ ouesr rors. Iw inlolet v etnrt yot hamnykh usbaPnide,mr yof ;a thmeymr o,t her, anmdy b rotahneadr l;ml y e xtenfdaemdiI lc yo.un lodtt e wlhla Ito we the"mn,oi tIfh atde tno ngaunetdse mno utnhosit,If h aadv oinceevt eor beb rokaennadh eaorfbt r onwziet mhei.n" Earlainesdrh orvteerrs oifco hnasp 1ta enr2dsw erpeu blirsehsepde ctively as" ReveorfFs oarlt aunndCe h anignGe e nirneA enide1 0V,e"rl gii4u3s (179)39:14 -a,4n "dT hFea olfTl r oBye:t wTereand iatniGdoe nn" ri enD, .S . LeveannedD .P .N eleids,s,C . liaon Tdh e PAouegtussP:to aenta rynt dh e TrdaitioofA nnisce Hnits otgorrai(pBhry2i 0l0l,22, 3 )1-Ia5 m1g .r atfeofurl permitsosr eiuotsnhe ma att ehreirael. Texta ndA bbreviations Transloaftt ihIoeln isoa fHd o mearr fer oRmi chmLoantdt im1o9r5e1' s trans(lcaotpiyo1rn9i b5gy1Th htUe n iveorfCs hiitcya Iga omg) r.a tfeofru l permitsosr ieoutnsh ema att ehreiraTelr. a nsloafLt uicoanBnse' lslC uimv ile arfer oSmH. . B rau(nOdx f1o99r2.dF) oort hReorm aann Gdr eaeukt hIo rs havoeft ecno nsutlhttere adn sloaftt hLieoo enCbsl asLsiibcraaalnr hdya ve, ins omien staandcaepspt,oe rdt oifot nhset srea nslAabtbiroen�saf.to iro ns Greaenkd L ataiunt hgoernse rfaolllltyoh cweo nvenetsitoanbslb iys hed LiddaenlSdlc otGtr'ese k-ELnexgilcaionsndTh h Oexf orLdai tnD ictionary. Contents Introdu1c tion PART ONE 1 ThFea olfTl r oy BetwTearednii otann Gde nr1e7 2 Aene9i-1d2 ReadtihnFega bualnad Stthoery5 4 PART TWO 3 EpiLca ndscoafWp aers 7 3 4 Epic Caonntdth eIeds eto olfWo agry 84 5 TimoefWsa r 105 6 WitnetshsPeian sg1t 2 5 7 SpectaantSdop resc tacle ThDeu eble twTeuernn us an1d5 0A eneas PART THREE 8 CitIyd enitnti htey Ae1n7e1i d Bibliog1r9a7p hy IndLeoxc oru2m0 9 GeneIrnadle 2x1 7 Introduction In 1h9ib9so5 o Ak C opmanitoon St thyueo df V irNgiiclh,Ho olrassvf oailcle d hidsi sappoianbtotmuhetlen a tco kfa ttendteivootnto Ve idr giblaitatnl e scenaensid nviVtierdg islcihaotnlo af rusr tthherere seoanrt chhti osp ic. Givtehnab ta titstl hepe r incsiupbajle cto-fAm eant9.t-1 e2ir,ti s mosrte marktahbasltole i tattltee nhtaibsoe nep na itdoV irgil's technoifqs utersu catnuadrr er ang.e.mt.eh.nse tu bjaesac w th ole ise ntisreerliyho ouwse,uv nefra shiaonndia tbnsle eg,li emcpto ses fundamelnitmailt oanto iuournn sd erstoafhn odwVi inrghg airsle ­ workheiHdso mermiact erial.' Thper esbeonoitkts h ree sptoonas s iem isleanorsfs e u rpIre ixspee rienced wheInfi rbsetc aimnet erients htAeee dni del'asn dsocfwa aparen snd o ticed ane vidbeinbtl iogvroaiopdnht ihsceua blj weicttthh,e e x cluosfai f oenw , admitvteeridyml pyo retxacnetp tions.2 Int hwiosr Iko ,b vioduons olptyr etoerdn eds tiorc eo veevre arsyp ect oft htiosp tihcha atbs e elna be"luendf ashi(obnuiaitsrbt el ael"Rl ayt?h)e.r , Ia mc oncewrinttehhds e p eciisfisocuf ge e nemrainci pulianVt iirogni lian 1.H orasl1fl99157.,9 2.S enen 1.7a n2d3 -i2nt6 h per escehnatp ter.

Description:
Moving beyond the usual pairing of Homer and Virgil, Iliad and Aeneid, Rossi refutes the notion that Homer is the only code model for the latter. This in-depth study reveals that Virgilian battle narrative assimilates conventions of other literary genres, namely historiography and, indirectly, trage
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