PRIMERS Context PRIMERS Context Architecture and the Genius of Place ERIC PARRY To A. A. P. and I. M. P. © 2015 John Wiley & Sons Ltd Registered office John Wiley & Sons Ltd, The Atrium, Southern Gate, Chichester, West Sussex, PO19 8SQ, United Kingdom For details of our global editorial offices, for customer services and for information about how to apply for permission to reuse the copyright material in this book please see our website at www. wiley.com. All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted, in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, except as permitted by the UK Copyright, Designs and Patents Act 1988, without the prior permission of the publisher. Wiley publishes in a variety of print and electronic formats and by print-on-demand. Some material included with standard print versions of this book may not be included in e-books or in print-on- demand. 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ISBN 978-1-119-95271-8 (paperback) ISBN 978-1-118-94673-2 (ebk) ISBN 978-1-118-94674-9 (ebk) ISBN 978-1-118-94567-4 (ebk) Executive Commissioning Editor: Helen Castle Project Editor: David Sassian Assistant Editor: Calver Lezama Cover design, page design and layouts by Karen Willcox, www.karenwillcox.com Printed in Italy by Printer Trento Srl Cover photograph by Dirk Lindner Acknowledgements A book of this kind, like designing a building or directing a film, is made up of a complex web of parts, and here the actors are those who have participated; my most significant debt is for the time they allowed me in discussing their projects, particularly Álvaro Siza, Adam Caruso and Peter St John, Shelley McNamara and Yvonne Farrell, Lisa Fior, and Peter and Anneliese Latz. The stimulus to write has been a desire to add a bridge between practice, which consumes my daily life, and the academic discourse of architectural and urban studies. In the latter I am lucky to have long-standing friendships with outstanding contributors: Dalibor Vesely who encouraged me from the outset, Peter Carl, Bob Maxwell, Wilfried Wang and David Leatherbarrow with their boundless generosity, Joseph Rykwert and Richard Sennett through their writings and conversation. The chapter on the kinetics of the street is the beginning of a broader study that was stimulated by the Theatrum Mundi group that Richard Sennett and Ricky Burdett have set in intriguing motion. Associated with this chapter has been the photographic record created by Dirk Lindner which continues to inspire me. Closer to home the project would not have been possible without the diligent, intelligent support of José de Paiva and in its production to Sarah Blackmore. My partners in practice Robert Kennett and Nick Jackson have been generous in their support and reading of the script. José de Paiva, Tao Sule-DuFour, Eimear Hanratty and Russell Watson have created a number of the drawings for which I am very grateful. Finally for their gracious patience and encouragement I am most indebted to Helen Castle and Merit Claussen. Eric Parry Contents Introduction 008 Chapter 1: Pavement 013 Chapter 2: Horizon 048 Chapter 3: Simultaneity 078 Chapter 4: Kinetics 106 Chapter 5: Artifice 146 Select Bibliography 185 Index 187 Picture Credits 192 Eric Parry Introduction There are a growing number of remarkable projects reflecting a widening global appetite and audience for architectural adventure. When Frank Gehry’s Bilbao Guggenheim Museum opened in 1997, the cherry on the urban renewal cake, it did more at a stroke than the massive infrastructure projects that preceded it, to reinvent the image of that city. Many others have followed suit, calling on the undoubted talents of a battalion of architects who spend as much time in airports as in their offices. At the same time interest in the city as an urban and social science project has burgeoned with the exponential rate of global urban expansion. Deyan Sudjic’s book The 100 Mile City (1992) explored the reality of the megacity with a breathtaking pace to mirror its subject. The Urban Age project, centred at the London School of Economics and supported generously by the Deutsche Bank’s Alfred Herrhausen Fund, has allowed eminent academics from the fields of law, economics, urban policy, urban design, politics and sociology to circumnavigate the globe to assess the comparative conditions of some of the most influential cities. This work reached a peak of public 008
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