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Contemporary Perspectives In Critical And Social Philosophy (Social and Critical Theory: a Critical Horizons Book Series) PDF

424 Pages·2004·1.6 MB·English
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Contemporary Perspectives in Critical and Social Philosophy Social and Critical Theory A Critical Horizons Book Series Managing Editorial Board john rundell ‒ danielle petherbridge jan bryant ‒ john hewitt ‒ jeremy smith VOLUME 2 Contemporary Perspectives in Critical and Social Philosophy edited by John Rundell, Danielle Petherbridge, Jan Bryant, John Hewitt & Jeremy Smith BRILL LEIDEN • BOSTON 2004 This book is printed on acid-free paper. Social and Critical Theory – A Critical Horizons Book Series provides a forum for the critical analysis of issues and debates within critical and social theories and the traditions through which these concerns are often voiced. The series is committed to publishing works that offer critical and insightful analyses of contemporary societies, as well as exploring the many dimensions of the human condition through which these critiques can be made. Social and Critical Theory publishes works that stimulate new horizons of critical thought by actively promoting debate across established boundaries. Library of Congress Cataloging-in-Publication Data Library of Congress cataloging-in-publication data is available on the Library of Congress website: catalog.loc.gov. ISBN 90 04 14159 6 ISSN 1440-9917 © Copyright 2004 by Koninklijke Brill NV, Leiden, The Netherlands All rights reserved. No part of this publication may be reproduced, translated, stored in a retrieval system, or transmitted in any form or by any means, electronic, mechanical, photocopying, recording or otherwise, without prior written permission from the publisher. Authorization to photocopy items for internal or personal use is granted by Brill provided that the appropriate fees are paid directly to The Copyright Clearance Center, 222 Rosewood Drive, Suite 910, Danvers, MA 01923, USA. Fees are subject to change. printed in the netherlands Contents Chapter 1 John Rundell, Danielle Petherbridge, Jan Bryant, John Hewitt, Jeremy Smith Issues and Debates in Contemporary Social and Critical Philosophy 1 Chapter 2 Karl Ameriks The Key Role of Selbstgefühl in Philosophy’s Aesthetic and Historical Turns 27 Chapter 3 Manfred Frank Fragments of a History of the Theory of Self-Consciousness from Kant to Kierkegaard 53 Chapter 4 Daniel Hoolsema Manfred Frank, Philippe Lacoue-Labarthe, and Jean-Luc Nancy: Prolegemena to a French-German Dialogue 137 Chapter 5 Andrew Bowie Schleiermacher and Post-Metaphysical Thinking 165 Chapter 6 Christoph Menke The Presence of Tragedy 201 Chapter 7 Max Pensky Natural History: The Life and Afterlife of a Concept in Adorno 227 Chapter 8 Martin Seel Adorno’s Contemplative Ethics 259 Chapter 9 Robert Sinnerbrink Recognitive Freedom: Hegel and the Problem of Recognition 271 Chapter 10 Jean-Philippe Deranty Injustice, Violence and Social Struggle. The Critical Potential of Honneth’s Theory of Recognition 297 Chapter 11 Nikolas Kompridis From Reason to Self-Realisation? Axel Honneth and the ‘Ethical Turn’in Critical Theory 323 Chapter 12 Stefan Auer The Paradoxes of the Revolutions of 1989 in Central Europe 361 Chapter 13 Maria R. Márkus In Search of a Home: In Honour of Agnes Heller on her 75th Birthday 391 Chapter 14 Agnes Heller The Unmasking of the Metaphysicians or the Deconstructing of Metaphysics? 401 John Rundell, Danielle Petherbridge, Jan Bryant, John Hewitt, Jeremy Smith Issues and Debates in Contemporary Critical and Social Philosophy I.Modernities,Recognition and Subjectivities Contemporary Perspectives in Critical and Social Philosophy brings together a range of per- spectives concerning ways of conceptualising and thinking about the modern constellation. These perspectives concern the way in which the subject has been conceptualised, and in relation to this debates and disputes con- cerning its constitution, including its relation with others. Each of these concerns is also informed by the historicity or historical self- consciousness of modernity. Moreover,because each of the essays published here involves the historical self-consciousness of modernity, each invokes a dialogue of the present with its pasts in terms of memories, recoveries and interpretations. Each essay combines a longer historical view of past interpretations with the articulation of ongoing and contemporary concerns. This combination of present con- cerns with the horizons of the past includes the recovery of the long, deep and often poorly understood history of the Romantic current of modernity, especially its early German version, a history with which the essays by Karl Ameriks, Manfred Frank, Daniel Hoolsema, Andrew Bowie and Christoph Menke are centrally concerned. The range of different approaches to the modern constellation presented in this volume also highlights other recent developments within German criti- cal and social philosophy and includes essays by Martin Seel and Max Pensky, and critical discussions of the works not only of Manfred Frank, but also Theodor Adorno and Axel Honneth. Moreover, these recent developments open onto dialogues and exchanges within and across the traditions and bod- ies of work upon which these writers draw. These critical exchanges have occurred around the traditions of hermeneutics, post-structuralism, and Critical Theory, as well as with other traditions including the Budapest School rep- resented in this volume by Agnes Heller and Maria Márkus. To be sure, there are many disagreements between these writers and among their interlocutors in this current collection of essays—disagreements that will be explored below. Nonetheless, if, even momentarily, a single aspect unites them and the philosophical and socio-theoretical traditions with which these writers work, it is an unease and even alarm concerning the instru- mentalising version of the modern world, so tellingly portrayed in the works of Adorno and Horkheimer, and reconstructed here in the essays by Martin Seel and Max Pensky. Whether this unease is couched in terms of the ‘the social pathologies of modernity’ (Honneth), ‘the hermeneutical emergency of the subject’ (Frank), or ‘of homelessness and loss of meaning’ (Heller), there is a continuing concern that these instrumentalising actions—and the reduc- tion of the subject to nature, a system, a text, a language—will not only con- tinue unabated but also transform the self-understanding of what it means to be human.1 However, and as will become clear in the critical exchanges with the works of Manfred Frank, Theodor Adorno, Axel Honneth, and Agnes Heller in this volume, these writers and their traditions part company and enter into deep disagreements concerning their own responses to this particular modern land- scape. For Honneth and Heller the responses are driven by politically moti- vated critiques that attempt to re-work the legacy of practical reason. For each of these figures modernity remains a politicalproblem, which is addressed 2 • Editorial Introduction in terms of political form and ethical actions. For Frank, and the long Romantic heritage with which he engages, as well as Adorno, an aesthetically charged response opens onto the unique and creative dimensions of humanity that are either ignored, or suppressed, or written out by instrumentalist accounts. Moreover, each of these different responses is grounded in competing para- digms. For Heller and Honneth, the political responses to the instrumental- ising dimension of modernity are invoked through an intersubjective paradigm, whilst for Frank and Adorno the aesthetic response opens onto a recon- struction of the paradigm of the subject. Nonetheless, and notwithstanding the differences of approach that occur in the works of Frank, Honneth and Heller, and by implication Adorno, there is also an affinity between them in the light of their critiques not only of instrumentalist rationalism, but also of rationalism per se. This is especially the case with regard to the more recent procedural rationalism of Jürgen Habermas’ theory of communicative action, whose work forms the back- ground against which many of the critical dialogues in this volume are made. Whilst it is beyond the scope of this introductory essay to do more than point to their own critiques of Habermas, each in their own way criticises his reliance on the propositional use of language as the quasi-transcendental ground of a universal pragmatics.2Each in their own way, points to pre- or non-linguistic and affective dimensions of human action that already and always are invoked in any pattern of action. Frank invokes the notion of inner self-conscious awareness or selbstgefühl, which has some affinities with Heller’s own philo- sophical anthropology of feelings and needs, whilst Honneth emphasises the pre-cognitive and affectively articulated struggles for recognition.3 These essays, then, should be read both as presentations of the positions of each of these writers and the traditions in which they work, and as contri- butions to ongoing debates between those who may be viewed as protago- nists, but from the perspective of greater distance share some striking ‘elective affinities’. II.Recovering German Romanticism: The Aesthetics of Selbstgefühl and the Modernity of Tragedy One of the enduring legacies and practices of modernity, apart from its instru- mentalising version, is another current expressed as aesthetic self-creation, Editorial Introduction • 3 which Charles Taylor has termed, following Herder, the expressivist tradi- tion.4One of the major figures who has attempted to recover this expressivist tradition beyond its articulation in the works of Herder is Manfred Frank. His work opens onto the uniqueness of the subject—a topic and pre-occu- pation central to early Romanticism in particular. For Manfred Frank, the phi- losophy of the subject, in which the issue of aesthetic self-creation is usually couched, is neither an outdated nor a dead issue.5 He not only critiques the intersubjectivist turn in contemporary critical and social philosophy, but also posits an irreducibility of subjectivity to context. His particular notion of the subject signals both his debt to the early Romantic tradition in German phi- losophy and his ongoing recovery of its contours against the backdrop of Kant’s own program and its legacy in German Idealism. The transcendental program laid down by Kant provided a problematic model for the nature of subjectivity, a model that entailed that the subject was both the synthesiser of knowledge concerning nature and society, and was the source of this synthetic activity through the faculty of reason. Reason entailed that judgements could be made from within the subject’s own resources. Notwithstanding the anthropological revolution entailed in Kant’s transcen- dental program, it, nonetheless, presupposes a capacity for the subject to reflect upon the condition of the formation of knowledge without knowing the nature of this capacity—a charge that, for example both Fichte and Hegel made against him. In other words, the transcendental capacity to generate a reflection and form a synthesis entailed that the subject could be both sub- ject and object simultaneously. The objectivating capacity was due to the fac- ulty of reason, whilst the substance of the subjective was left un-addressed, or was sublated to the capacity of transcendental thinking. Nonetheless, Kant recognised that whilst this thinking is limited to the way in which it synthesised intuitions, he had to assume the existence of a ‘something’ in addition to a deontological capacity. In other words, for thinking—or more generally, consciousness—to be operable something in addition must be pre- supposed. This pre-supposition is the starting point of much of Manfred Frank’s work, and is formulated as a familiarity or self-consciousness that must be present for the subject prior to its cognitive activity. Karl Ameriks, in “The Key Role of Selbstgefühlin Philosophy’s Aesthetic and Historical Turns,” argues that Manfred Frank draws on three paths that devel- 4 • Editorial Introduction

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Contemporary Perspectives in Critical and Social Philosophy brings together a range of essays concerning ways of conceptualising modernities, subjectivities, and recognition. It highlights recent developments in German critical and social philosophy and includes essays by Martin Seel, Christoph Menk
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