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Constructing Chaucer: Author and Autofiction in the Critical Tradition PDF

297 Pages·2009·2.545 MB·English
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THE NEW MIDDLE AGES BONNIE WHEELER, Series Editor The New Middle Ages is a series dedicated to pluridisciplinary studies of medieval c ultures, with particular emphasis on recuperating women’s history and on feminist and gender anal- yses. This peer-reviewed series includes both scholarly monographs and essay collections. PUBLISHED BY PALGRAVE: Women in the Medieval Islamic World: Power, Crossing the Bridge: Comparative Essays Patronage, and Piety on Medieval European and Heian Japanese edited by Gavin R. G. Hambly Women Writers edited by Barbara Stevenson and The Ethics of Nature in the Middle Ages: On Cynthia Ho Boccaccio’s Poetaphysics by Gregory B. Stone Engaging Words: The Culture of Reading in the Later Middle Ages Presence and Presentation: Women in the by Laurel Amtower Chinese Literati Tradition edited by Sherry J. 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Kennedy Ages: Power, Faith, and Crusade The Post-Historical Middle Ages edited by Matthew Gabriele and Jace edited by Elizabeth Scala and Stuckey Sylvia Federico The Poems of Oswald von Wolkenstein: An English Translation of the Complete Works Constructing Chaucer: Author and (1376/77–1445) Autofiction in the Critical Tradition by Albrecht Classen by Geoffrey W. Gust CONSTRUCTING CHAUCER AUTHOR AND AUTOFICTION IN THE CRITICAL TRADITION Geoffrey W. Gust CONSTRUCTING CHAUCER Copyright © Geoffrey W. Gust, 2009. Softcover reprint of the hardcover 1st edition 2009 978-1-4039-7643-7 All rights reserved. First published in 2009 by PALGRAVE MACMILLAN® in the United States—a division of St. Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Where this book is distributed in the UK, Europe and the rest of the world, this is by Palgrave Macmillan, a division of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-1-349-53712-9 ISBN 978-0-230-62161-9 (eBook) DOI 10.1057/9780230621619 Library of Congress Cataloging-in-Publication Data Gust, Geoffrey W. Constructing Chaucer : author and autofi ction in the critical tradition / Geoffrey W. Gust. p. cm.—(The new Middle Ages) Includes bibliographical references. 1. Chaucer, Geoffrey, d. 1400—Criticism and interpretation. 2. Chaucer, Geoffrey, d. 1400—Technique. 3. Persona (Literature) 4. Authors and readers. 5. First person narrative. I. Title. PR1924.G87 2009 821(cid:1).1—dc22 2008047342 A catalogue record of the book is available from the British Library. Design by Newgen Imaging Systems (P) Ltd., Chennai, India. First edition: June 2009 10 9 8 7 6 5 4 3 2 1 To “my girls,” Kym and Kylee CONTENTS Acknowledgments xiii 1 Persona and Personalities: Medieval Lineage, Modern Legacy 1 1.1 U nveiling the Mask: Historical Definitions of the Persona 4 1.2 Premodern Persona-Theory: A Brief History 9 1.3 “Self”-Projections: Modern Persona-Theory, Chaucer the Pilgrim, and Chaucer the Man 28 1.4 Autofiction, Neo Persona-Theory, and Chaucerian Interpretation 36 2 Getting a Life: Biographical Constructions of Chaucer the Man 51 2.1 Early Praise for the “Fadir” of English Poetry and the Creation of the Chaucer “Legends” 54 2.2 The Early Modern Justification of Chaucer 58 2.3 Eighteenth-Century Changes and “Legendary” Continuations 63 2.4 Romanticizing Chaucer the Man 68 2.5 Fact or Fiction? Chaucer’s “Lives” from Nicolas to the Present 72 3 Chaucer Speaks: Memoirs of the Man? 87 3.1 The Man and His Familiars: Chaucer Talks to Friends 90 3.2 The Man and His Monarchs: Chaucer Talks to Kings 102 3.3 The Man and His Maker: Chaucer Talks to God 112 4 Lives of Their Own: The Wife of Bath, the Pardoner, and Critical (Dis)Approval 121 4.1 Lives of Their Own: Scholarly Ethics and the Wife of Bath and Pardoner 124 4.2 The Wife’s “Wommanhede”: Alisoun, (Anti)Feminism, and Scholarly Acceptance 129 4.3 The Pardoner’s “Privetees”: Physiognomy, Perversion, and Scholarly Retreat 142

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