Comparative Drama 2001 - 2002: Vol 35 Index

1 Pages·0.2 MB·English

Index to Volume 35 (2001-2002)
Collington, Philip D.: Self-Discovery in Montaigne’s
“Of Solitarinesse” and King Lear
Conlan, J. P.: Shakespeare’s Edward III:
A Consolation for English Recusants
Evans, Robert C.: Flattery in Shakespeare’s Othello:
The Relevance of Plutarch and Sir Thomas Elyot
Fotheringham, Richard: Amphitheater Staging: In-the-Round
or to the Front (and What About Asides)? ............cscccsscseseeseseees 163
Guy, Nancy: Brokering Glory for the Chinese Nation:
Peking Opera’s 1930 American Tour
Hassel, R. Chris, Jr.: Intercession, Detraction, and Just
Judgment in Othello
Chengzhou He: Hedda and Bailu: Portraits of Two
“Bored” Women
Hinden, Michael: O’Neill and Jamie: A Survivor’s Tale
Hornback, Robert: Emblems of Folly in the First Othello:
Renaissance Blackface, Moor’s Coat, and “Muckender”
Marks, Elise: “Othello/me”: Racial Drag and the Pleasures
of Boundry-Crossing with Othello
Mazzaro, Jerome: Shakespeare’s “Books of Memory”:
1 and 2 Henry VI
Moll, Richard J.: Staging Disorder: Charivari
in the N- Town Cycle
Reid, Gregory J.: Mapping Jouissance: Insights from a Case
Study in the Schizophrenia of Canadian Drama
Rollins, John B.: Judeo-Christian Apocalyptic Literature
and John Crowne’s The Destruction of Jerusalem
Scherb, Victor I.: Situating the Holy: Celtic Community
in Breton and Cornish Saint Plays
Serper, Zvika: “Between Two Worlds”: The Dybbuk
and the Japanese Noh and Kabuki Ghost Plays
Wallace, Elizabeth Kowaleski: Theatricality
and Cosmopolitanism in Hannah Cowley’s
The Belle’s Stratagem
Westfall, Suzanne: The Boy Who Would Be King:
Court Revels of King Edward VI, 1547-53