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Community Theatre and AIDS PDF

193 Pages·2011·6.252 MB·English
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Studies in International Performance Published in association with the International Federation of Theatre Research General Editors: Janelle Reinelt and Brian Singleton Culture and performance cross borders constantly, and not just the borders that define nations. In this new series, scholars of performance produce interac- tions between and among nations and cultures as well as genres, identities and imaginations. Inter-national in the largest sense, the books collected in the Studies in International Performance series display a range of historical, theoretical and critical approaches to the panoply of performances that make up the global surround. The series embraces ‘Culture’ which is institutional as well as improvised, underground or alternate, and treats ‘Performance’ as either intercultural or transnational as well as intracultural within nations. Titles include: Patrick Anderson and Jisha Menon (editors) VIOLENCE PERFORMED Local Roots and Global Routes of Conflict Elaine Aston and Sue-Ellen Case STAGING INTERNATIONAL FEMINISMS Christopher Balme PACIFIC PERFORMANCES Theatricality and Cross-Cultural Encounter in the South Seas Matthew Isaac Cohen PERFORMING OTHERNESS Java and Bali on International Stages, 1905–1952 Susan Leigh Foster WORLDING DANCE Helen Gilbert and Jacqueline Lo PERFORMANCE AND COSMOPOLITICS Cross-Cultural Transactions in Australasia Helena Grehan PERFORMANCE, ETHICS AND SPECTATORSHIP IN A GLOBAL AGE Judith Hamera DANCING COMMUNITIES Performance, Difference, and Connection in the Global City Silvija Jestrovic and Yana Meerzon (editors) PERFORMANCE, EXILE AND ‘AMERICA’ Ola Johansson COMMUNITY THEATRE AND AIDS Sonja Arsham Kuftinec THEATRE, FACILITATION, AND NATION FORMATION IN THE BALKANS AND MIDDLE EAST Carol Martin (editor) THE DRAMATURGY OF THE REAL ON THE WORLD STAGE Alan Read THEATRE, INTIMACY & ENGAGEMENT The Last Human Venue Shannon Steen RACIAL GEOMETRIES OF THE BLACK ATLANTIC, ASIAN PACIFIC AND AMERICAN THEATRE Joanne Tompkins UNSETTLING SPACE Contestations in Contemporary Australian Theatre S. E. Wilmer NATIONAL THEATRES IN A CHANGING EUROPE Evan Darwin Winet INDONESIAN POSTCOLONIAL THEATRE Spectral Genealogies and Absent Faces Forthcoming titles: Adrian Kear THEATRE AND EVENT Studies in International Performance Series Standing Order ISBN 978–1–4039–4456–6 (hardback) 978–1–4039–4457–3 (paperback) (outside North America only) You can receive future titles in this series as they are published by placing a standing order. Please contact your bookseller or, in case of difficulty, write to us at the address below with your name and address, the title of the series and the ISBN quoted above. Customer Services Department, Macmillan Distribution Ltd, Houndmills, Basingstoke, Hampshire RG21 6XS, England Community Theatre and AIDS Ola Johansson © Ola Johansson 2011 Softcover reprint of the hardcover 1st edition 2011 978-1-349-30177-5 All rights reserved. No reproduction, copy or transmission of this publication may be made without written permission. No portion of this publication may be reproduced, copied or transmitted save with written permission or in accordance with the provisions of the Copyright, Designs and Patents Act 1988, or under the terms of any licence permitting limited copying issued by the Copyright Licensing Agency, Saffron House, 6–10 Kirby Street, London EC1N 8TS. Any person who does any unauthorized act in relation to this publication may be liable to criminal prosecution and civil claims for damages. The author has asserted his right to be identifi ed as the author of this work in accordance with the Copyright, Designs and Patents Act 1988. First published 2011 by PALGRAVE MACMILLAN Palgrave Macmillan in the UK is an imprint of Macmillan Publishers Limited, registered in England, company number 785998, of Houndmills, Basingstoke, Hampshire RG21 6XS. Palgrave Macmillan in the US is a division of St Martin’s Press LLC, 175 Fifth Avenue, New York, NY 10010. Palgrave Macmillan is the global academic imprint of the above companies and has companies and representatives throughout the world. Palgrave® and Macmillan® are registered trademarks in the United States, the United Kingdom, Europe and other countries. ISBN 978-0-230-20515-4 ISBN 978-0-230-30043-9 (eBook) DOI 10.1057/9780230300439 This book is printed on paper suitable for recycling and made from fully managed and sustained forest sources. Logging, pulping and manufacturing processes are expected to conform to the environmental regulations of the country of origin. A catalogue record for this book is available from the British Library. A catalog record for this book is available from the Library of Congress. 10 9 8 7 6 5 4 3 2 1 20 19 18 17 16 15 14 13 12 11 For Amanda, Ezra and Zaza This page intentionally left blank Contents List of Illustrations ix Series Editors’ Preface xi Acknowledgements xii Introduction 1 Bringing the messages back to their questions 7 A festival, travelling troupes, and ukimwi 11 The fieldwork sites 16 Research hypothesis and realization 22 1 HIV Prevention as Community-Based Theatre 33 Life as epidemic mimicry 33 The parallel developments of community-based theatre and HIV prevention 37 The development of Theatre for Development 41 The reproductive misfortune of Zakia 52 2 The Performativity of Community-Based Theatre 56 Topical uncertainties of traditional practices 59 The ritual function of speech acts 62 The performativity of community-based theatre 66 3 The Social Drama of Backstage Discourse and Performance 79 Part I 80 Morbidity and commitment in Ilemera village 80 The religious predicament 86 The backstage performance of community-based theatre 90 Part II 92 The social drama of AIDS statistics 92 The social drama of focus group discussions 94 Focus group discussions as action research 104 Part III 105 A lost performance in Mumbaka village 105 A wider epidemic pattern 120 vii viii Contents 4 A Deadly Paradox: Assessing the Success/Failure of Community-Based Theatre against AIDS 123 CBT as epidemiological counteraction 126 The multiple lives and deaths of Neema 130 Towards a community-based theatre as a relational agency 138 Recommendations 142 Appendices Appendix I: Focus Group Discussions: Modus Operandi 149 Appendix II: Questionnaire for HIV Preventive Organizations in Tanzania 151 Notes 156 Bibliography 169 Index 177 List of Illustrations Pictures 1 A poster about the increasing burden of funerals in Botswana in 2002 2 2 The theatre troupe Red Star rehearsing music before their show at the festival in Bagamoyo, September 2001 12 3 A widow is rescued at the last moment by a neighbour as she attempts to commit suicide; performance by Red Star theatre troupe in their home town Bukoba, Kagera region, in 2004 14 4 The theatre group from the Lumesule youth centre in the Mtwara region being transported on the back of a pick-up truck 19 5 A ferry on Lake Victoria, close to Bukoba town in the Kagera region 34 6 Three female characters perform before an audience in the village of Sululu in the Mtwara region 43 7 A Joker leads a post-performance discussion in the village of Sululu, Mtwara region 50 8 Audience at a community performance at Bunazi market near the Ugandan border in the Kagera region 69 9 Rehearsal of a scene about circumcision in Mikangaula youth centre, Mtwara region 77 10 Personnel at the youth centre of Ilemera village, Kagera region 80 11 Four women from the village of Gabulanga in an ongoing focus group discussion 85 12 A young man discusses condom use with counsellors in a performance in Birabo, Kagera region 89 13 A community group performs a dance before the theatre performance in the village of Kenyana, Kagera region 129 14 The older brother grabs Neema’s hand after demanding sex from her 131 15 Audience in the village of Kenyana 133 16 A woman pushes a man after finding out about his second wife; performance in Masasi town, Mtwara region 138 ix

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