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Color Management for Digital Photographers for Dummies (ISBN - 0470048921) PDF

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by Ted Padova and Don Mason Color Management for Digital Photographers FOR DUMmIES ‰ 01_048924 ffirs.qxp 12/22/06 12:18 AM Page i 01_048924 ffirs.qxp 12/22/06 12:18 AM Page iv by Ted Padova and Don Mason Color Management for Digital Photographers FOR DUMmIES ‰ 01_048924 ffirs.qxp 12/22/06 12:18 AM Page i Color Management for Digital Photographers For Dummies® Published by Wiley Publishing, Inc. 111 River Street Hoboken, NJ 07030-5774 www.wiley.com Copyright © 2007 by Wiley Publishing, Inc., Indianapolis, Indiana Published by Wiley Publishing, Inc., Indianapolis, Indiana Published simultaneously in Canada No part of this publication may be reproduced, stored in a retrieval system or transmitted in any form or by any means, electronic, mechanical, photocopying, recording, scanning or otherwise, except as permit- ted under Sections 107 or 108 of the 1976 United States Copyright Act, without either the prior written permission of the Publisher, or authorization through payment of the appropriate per-copy fee to the Copyright Clearance Center, 222 Rosewood Drive, Danvers, MA 01923, (978) 750-8400, fax (978) 646-8600. Requests to the Publisher for permission should be addressed to the Legal Department, Wiley Publishing, Inc., 10475 Crosspoint Blvd., Indianapolis, IN 46256, (317) 572-3447, fax (317) 572-4355, or online at http:// www.wiley.com/go/permissions. Trademarks: Wiley, the Wiley Publishing logo, For Dummies, the Dummies Man logo, A Reference for the Rest of Us!, The Dummies Way, Dummies Daily, The Fun and Easy Way, Dummies.com, and related trade dress are trademarks or registered trademarks of John Wiley & Sons, Inc. and/or its affiliates in the United States and other countries, and may not be used without written permission. All other trademarks are the property of their respective owners. Wiley Publishing, Inc., is not associated with any product or vendor mentioned in this book. LIMIT OF LIABILITY/DISCLAIMER OF WARRANTY: THE PUBLISHER AND THE AUTHOR MAKE NO REP- RESENTATIONS OR WARRANTIES WITH RESPECT TO THE ACCURACY OR COMPLETENESS OF THE CON- TENTS OF THIS WORK AND SPECIFICALLY DISCLAIM ALL WARRANTIES, INCLUDING WITHOUT LIMITATION WARRANTIES OF FITNESS FOR A PARTICULAR PURPOSE. NO WARRANTY MAY BE CREATED OR EXTENDED BY SALES OR PROMOTIONAL MATERIALS. THE ADVICE AND STRATEGIES CONTAINED HEREIN MAY NOT BE SUITABLE FOR EVERY SITUATION. THIS WORK IS SOLD WITH THE UNDER- STANDING THAT THE PUBLISHER IS NOT ENGAGED IN RENDERING LEGAL, ACCOUNTING, OR OTHER PROFESSIONAL SERVICES. IF PROFESSIONAL ASSISTANCE IS REQUIRED, THE SERVICES OF A COMPE- TENT PROFESSIONAL PERSON SHOULD BE SOUGHT. NEITHER THE PUBLISHER NOR THE AUTHOR SHALL BE LIABLE FOR DAMAGES ARISING HEREFROM. THE FACT THAT AN ORGANIZATION OR WEBSITE IS REFERRED TO IN THIS WORK AS A CITATION AND/OR A POTENTIAL SOURCE OF FURTHER INFORMATION DOES NOT MEAN THAT THE AUTHOR OR THE PUBLISHER ENDORSES THE INFORMA- TION THE ORGANIZATION OR WEBSITE MAY PROVIDE OR RECOMMENDATIONS IT MAY MAKE. FURTHER, READERS SHOULD BE AWARE THAT INTERNET WEBSITES LISTED IN THIS WORK MAY HAVE CHANGED OR DISAPPEARED BETWEEN WHEN THIS WORK WAS WRITTEN AND WHEN IT IS READ. For general information on our other products and services, please contact our Customer Care Department within the U.S. at 800-762-2974, outside the U.S. at 317-572-3993, or fax 317-572-4002. For technical support, please visit www.wiley.com/techsupport. Wiley also publishes its books in a variety of electronic formats. Some content that appears in print may not be available in electronic books. Library of Congress Control Number: 2006939459 ISBN: 978-0-470-04892-4 Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 1K/ST/QR/QX/IN 01_048924 ffirs.qxp 12/22/06 12:18 AM Page ii About the Authors Ted Padova first began his interest in amateur photography as a Peace Corps volunteer in Venezuela. He toured five Latin American countries, collecting shoeboxes of slides he hopefully will one day sort out. Upon completion of his two-year Peace Corps tour, he attended the New York Institute of Photography in Manhattan when it was a resident school, earning a diploma in Commercial Photography. In 2004, he retired from his Digital Imaging Service Bureau and Custom Photo Finishing Lab after 15 years of owning and operating three facilities. He has authored over 25 computer books on Adobe Acrobat, Adobe Photoshop, Adobe Photoshop Elements, and Adobe Illustrator. Today, he spends his time writing and speaking nationally and internationally on Acrobat PDF and digi- tal imaging. Don Mason is a graduate of Brooks Institute of Photography in Santa Barbara, California. He has been a professional photographer for more than three decades and works in virtually every aspect of commercial photography. Don first started using a computer in 1999, when he didn’t believe that digital imaging would ever replace his wing lynch system used for processing all his E-6 film and his darkroom where he made his own C-prints. After 4 years of intensive work in Adobe Photoshop, he abandoned his analog film lab and went completely digital. Today, he divides his time shooting professional commercial photography and printing art prints for a wide range of clients on his two, oversized Epson inkjet printers. 01_048924 ffirs.qxp 12/22/06 12:18 AM Page iii 01_048924 ffirs.qxp 12/22/06 12:18 AM Page iv Dedication Ted Padova: For Arnie Don Mason: For Jim, Joe, and Wes Authors’ Acknowledgments Our sincere thanks to the following people who graciously allowed us to use photos of their delightful children: Claire Lahorgue and her children, Michael and Sarah; and Jennifer Randle and her children, Cody, Calico, and Becky. We’d also like to thank Courtney Creasy, Joel Berkovitz, Karen Krulikowsky, Lisle Gates, Carole Murray, Dan Mancini, Mark Young, Cheri Zadarski, Nicole Saint-John, and Kortney Penrose. To the AOL Photo Chat gang — your input helped keep it real. 01_048924 ffirs.qxp 12/22/06 12:18 AM Page v Publisher’s Acknowledgments We’re proud of this book; please send us your comments through our online registration form located at www.dummies.com/register/. Some of the people who helped bring this book to market include the following: Acquisitions, Editorial, and Media Development Project Editor: Rebecca Huehls Sr. Acquisitions Editor: Bob Woerner Copy Editors: Laura Miller, Heidi Unger Technical Editor: Michael Sullivan Editorial Manager: Leah P. Cameron Media Development Specialists: Angela Denny, Kate Jenkins, Steven Kudirka, Kit Malone Media Development Coordinator: Laura Atkinson Media Project Supervisor: Laura Moss Media Development Manager: Laura VanWinkle Editorial Assistant: Amanda Foxworth Sr. Editorial Assistant: Cherie Case Cartoons: Rich Tennant (www.the5thwave.com) Composition Services Project Coordinator: Patrick Redmond Layout and Graphics: Denny Hager, Heather Ryan Proofreaders: Laura Albert, Betty Kish Indexer: Palmer Publishing Services Anniversary Logo Design: Richard Pacifico Publishing and Editorial for Technology Dummies Richard Swadley, Vice President and Executive Group Publisher Andy Cummings, Vice President and Publisher Mary Bednarek, Executive Acquisitions Director Mary C. Corder, Editorial Director Publishing for Consumer Dummies Diane Graves Steele, Vice President and Publisher Joyce Pepple, Acquisitions Director Composition Services Gerry Fahey, Vice President of Production Services Debbie Stailey, Director of Composition Services 01_048924 ffirs.qxp 12/22/06 12:18 AM Page vi Contents at a Glance Introduction .................................................................1 Part I: The Basics of Color Editing..................................5 Chapter 1: Understanding Color.......................................................................................7 Chapter 2: Controlling Lighting ......................................................................................21 Chapter 3: Calibrating Your Monitor..............................................................................29 Chapter 4: Color Profiles and File Formats ...................................................................55 Part II: Image Brightness and Contrast Corrections .......77 Chapter 5: Making Tonal and Brightness Corrections.................................................79 Chapter 6: Correcting Contrast ....................................................................................111 Chapter 7: Using Adjustment Layers ...........................................................................133 Part III: Color Corrections..........................................149 Chapter 8: Identifying Color Problems ........................................................................151 Chapter 9: Color Correcting Skin Tones ......................................................................157 Chapter 10: Using Levels and Color Variations to Make Color Corrections ...........179 Chapter 11: Advanced Color-Correction Methods.....................................................195 Chapter 12: Camera Raw Color Correction.................................................................227 Part IV: Finishing Work.............................................241 Chapter 13: Printing .......................................................................................................243 Chapter 14: Soft Proofing Color....................................................................................273 Part V: The Part of Tens ............................................283 Chapter 15: Ten Tips for Better Tone and Color ........................................................285 Chapter 16: Ten Reasons to Upgrade to Photoshop..................................................293 Index .......................................................................309 02_048924 ftoc.qxp 12/22/06 12:18 AM Page vii 02_048924 ftoc.qxp 12/22/06 12:18 AM Page viii

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