Table Of Content

INDEX TO CINEASTE, VOL. XXV INDEX KEY: First number is volume number; second Kusama, Karyn: “A New Combination: Women and BOOK REVIEWS number is number of issue; third and subsequent num- the Boxing Film,” by Aaron Baker, 25:4, 22-26 Anderson, Melissa: Flaming Classics: Queering the bers are page numbers. Articles are arranged alpha- Leigh, Mike: “Entertainment and Empire,” by Film Canon, 25:4, 59-60 betically by author; interviews are arranged alphabeti- Richard Porton, 25:2, 34-37 Anderson, Melissa: The Fruit Machine: Twenty cally by interviewee; film and home-video reviews are McKay, Jim: “An Indie Social Realist,” by Leonard Years of Writing on Queer Cinema, 25:4, 59-60 arranged alphabetically by film title; book reviews are Quart, 25:4, 45 Anderson, Melissa: Uninvited: Classical Hollywood arranged alphabetically by review author's name. Morris, Errol: “Truth ls Not Subjective,” by Roy Cinema and Lesbian Representability, 25:4, 59-60 Grundmann and Cynthia Rockwell, 25:3, 4-9 Besser, Howard: Film and the Anarchist Imagina- ARTICLES Norton, Edward: “Getting Out of My Head,” by Gra- tion, 25:3, 60-61 ham Fuller, 25:1, 6-13 Bromley, Carl: Movies and Money, 25:1, 57-59 Aleiss, Angela: “Iron Eyes Cody: Wannabe Indian,” Pontecorvo, Gillo: “The Dictatorship of Truth,” by Cacoulidis, Cleo: Cinema of Outsiders: The Rise of 25:1, 30-31 Edward Said, 25:2, 24-25 American Independent Film, 25:2, 67-68 Arthur, Paul: “Reviving Orson: or Rosebud, Dead or Sissoko, Cheick Oumar: “| Make Films about the Big Conrad, Randall: An Unspeakable Betrayal: Select- Alive,” 25:3, 10-13 Problems of Our Continent,” by Ray Privett, 25:2, 38- ed Writings of Luis Bufuel, 25:4, 60-61 Bignardi, Irene: “The Making of The Battle of 40 Havis, Richard James: City on Fire: Hong Kong Cin- Algiers,” 25:2, 14-22 Taymor, Julie: “Mayhem, Madness, Method,” by ema, 25:2, 66-67 Cheshire, Godfrey: “How to Read Kiarostami,” 25:4, Maria De Luca and Mary Lindroth, 25:3, 28-31 Lewis, Joel: Mad To Be Saved: The Beats, the ‘50s 8-15 and Film, 25:2, 68-69 Crowdus, Gary: “Getting Exercised Over Fight FILM REVIEWS Martin, Adrian: The Films of Jean-Luc Godard: See- Club,” 25:4, 46-48 After Life, Ed Kelleher, 25:1, 64 ing the Invisible, 25:4, 58-59 Doherty, Thomas: “The Sound of Silents,” 25:2, 60- American Beauty, Paul Arthur, 25:2, 51-52 McGilligan, Patrick: Burt Lancaster: An American 62 American Psycho, Richard Porton, 25:3, 43-45 Life, 25:4, 57-58 Frayling, Christopher: “The Making of Sergio An Affair of Love, Ed Kelleher, 25:3, 64 Menashe, Louis: The Red Atlantis: Communist Cul- Leone’s A Fistful of Dollars,” 25:3, 14-22 Angela’s Ashes, Michael Gray, 25:2, 56-57 ture in the Absence of Communism, 25:1, 56-57 Georgakas, Dan: “Ida Lupino: Doing It Her Way,” The Ballad of Ramblin’ Jack, Miller, Tom: The Suppression of Salt of the Earth 25:3, 32-36 Melissa Anderson, 25:4, 64 How Hollywood, Big Labor, and Politicians Black- Jackel, Anne: “The Grand Theater of the World: Beau Travail, George Rafael, 25:4, 40-41 listed a Movie in Cold War America, 25:3, 59-60 The Films of Lucian Pintilie,” 25:1, 27-29 Beautiful People, Andrew Horton, 25:3, 45-46 Monaco, James: Totally Tenderly Tragically Lucia, Cynthia: “’Has the Jury Reached Its Ver- Bedrooms and Hallways, Eleni Kosmidis, 25:1, 64 Essays and Criticism from a Lifelong Love Affair dict?’: Deliberating the Case of Cinema and the Being John Malkovich, David Sterritt, 25:2, 64 with the Movies, 25:2, 65-66 Law,” 25:1,14-18 Boys Don't Cry, Melissa Anderson, 25:2, 54-56 O'Brien, Harvey: Contemporary Irish Film: From The Lucia, Cynthia: “The Personal Becomes Political at The Brandon Teena Story, Quiet Man to Dancing at Lughnasa, 25:4, 54-57 the Montreal Festival,” 25:1, 36-38 Melissa Anderson, 25:2, 54-56 O’Brien, Harvey: /rish Film: The Emergence of a Mask, Mia: “Buppy Love in an Urban World,” 25:2, Cabaret Balkan, Andrew Horton, 25:1, 44-46 Contemporary Cinema, 25:4, 54-57 41-45 The Children of Chabannes, O'Brien, Harvey: Screening Ireland, 25:4, 54-57 Menashe, Louis: “Passage to the Balkans at the Alisa Lebow, 25:2, 64 O'Brien, Harvey: Shooting to Kili: Filmmaking and Thessaloniki Film Festival,” 25:3, 37-38 Croupier, loannis Mookas, 25:4, 64 the “Troubles” in Northern Ireland, 25:4, 54-57 Newitz, Annalee: “Whites on Film” (book reviews of East-West, Louis Menashe, 25:3, 64 O'Brien, Harvey: Stills, Reels and Rushes: Ireland The Birth of Whiteness: Race and the Emergence Erin Brockovich, Thomas Doherty, 25:3, 40-41 and the Irish in 20th Century Cinema, 25:4, 54-57 of U.S. Cinema, White and Blackface, White Noise: Eternal Memory: Voices from the Great Terror, Perez, Gilberto: Truffaut: A Biography, 25:1, 55-56 Jewish Immigrants in the Hollywood Melting Pot), Louis Menashe, 25:1, 64 Rosenbaum, Jonathan: Jacques Tati, 25:3, 61 + 39 25:2, 46-47 Felicia’s Journey, Richard Porton, 25:1, 42-43 Schatz, Thomas: Pre-Code Hollywood: Sex, Pipolo, Tony: “Joan of Arc: The Cinema’s Immortal From the Edge of the City, Aaron Krach, 25:4, 64 Immorality, and Insurrection in American Cinema, Maid,” 25:4, 16-21 Girl, Interrupted, Alice Cross, 25:3, 48-49 1930-1934, 25:3, 56-57 Porton, Richard: “Speak, Memory: The International Hamlet, Martha Nochimson, 25:4, 37-38 Schatz, Thomas: Sin in Soft Focus: Pre-Code Holly- Film Festival of Loulé,” 25:4, 52-53 Homecoming, Clifford Thompson, 25:2, 47 wood, 25:3, 56-57 Porton, Richard: “The Fort Lauderdale Film Festi- Judy Berlin, Leonard Quart, 25:2, 64 Slocum, J. David: “Bold! Daring! Shocking! True!” val,” 25:3, 38-39 Kadosh, Leonard Quart, 25:3, 64 A History of Exploitation Films, 1919-1959, 25:2, 66 Quart, Leonard: “” Second Look: The Pawnbroker,” Keepers of the Frame, Simeon Hutner, 25:3, 64 Sprinker, Michael: Film Follies: The Cinema Out of 25:2, 48-50 The Little Girl Who Sold the Sun, Order, 25:1, 60-61 Rafael, George: “The Discreet Charms of Luis Simeon Hutner, 25:4, 64 Sterritt, David: Artists in the Audience: Cults, Camp, Bufuel: A Centenary Tribute,” 25:2, 32-33 Luminous Motion, Adele Madelo, 25:4, 64 and American Film Criticism, 25:3, 57-59 Rothwell, Kenneth: “Shakespeare Goes Digital,” Man on the Moon, David Sterritt, 25:2, 52-54 West, Dennis: South American Cinema: A Critical 25:3, 50-52 Not One Less, Richard James Havis, 25:3, 46-48 Filmography, 1915-1994, 25:1, 61 Sharrett, Christopher: “Zu/u, or The Limits of Liber- On the Ropes, Susan Ryan, 25:1, 64 alism,” 25:4, 28-33 Our Song, Leonard Quart, 25:4, 43-44 +7 HOMEVIDEO REVIEWS West, Dennis: “Karlovy Vary, Take 34,” 25:1, 38 + 61 Rebels with a Cause, Paul Arthur, 25:4, 35-36 The Cabinet of Dr. Caligari, Christopher Sharrett, West, Dennis: “Trdia is Far from Hollywood,” 25:4, Scottsboro: An American Tragedy, 25:4, 48-50 53 Geoffrey Jacques, 25:4, 38-40 Chushinguara, Diane Stevenson, 25:3, 53-55 Set Me Free, Melissa Anderson, 25:3, 64 The 47 Ronin, Diane Stevenson, 25:3, 53-55 INTERVIEWS Shadow of the Vampire, David Sterritt, 25:4, 34-35 Germany, Pale Mother, Stuart Liebman, 25:1, 51-52 Becker, Peter: “Providing a Film Archive for the Smoke and Mirrors: A History of Denial, Go, Joe Riley, 25:1, 54 Home Viewer,” by Gary Crowdus, 25:1, 47-50 Marco Calavita, 25:4, 64 The Messiah, Rosemary Rotondi, 25:2, 64 Breillat, Catherine: “A Woman's Vision of Shame The Talented Mr. Ripley, Nosferatu: A Symphony of Horror, and Desire,” by Robert Sklar, 25:1, 24-26 Michael Bronski, 25:3, 41-43 Christopher Sharrett, 25:4, 48-50 Corrieri, Sergio: “Memories of Underdevelopment: Time Regained, Melissa Anderson, 25:1, 43-44 Rushmore, Marco Calavita, 25:4, 50 Thirty Years Later,” by Paul B. Miller, 25:1, 20-23 Today is a Good Day: Remembering Summer of Sam, Paula Massood, 25:2, 62-64 Dougherty, Marion: “Fifty Years of Casting,” by Dan Chief Dan George, Angela Aleiss, 25:2, 64 Winstanley, Richard Porton, 25:4, 51 Georgakas and Kevin Rabalais, 25:2, 26-31 Topsy-Turvy, Richard Porton, 25:2, 57-59 Women of Vision, Jenny Deller, 25:1, 53-54 Egoyan, Atom: “The Politics of Denial,” by Richard Trial in Prague, Louis Menashe, 25:4, 41-43 Porton, 25:1, 39-41 Twin Falls Idaho, Alice Cross, 25:1, 64 Jacquot, Benoit: “A Child of the New Wave,” by Wallowitch & Ross: This Moment, Peter Brunette and Gerald Peary, 25:3, 23-27 Ed Kelleher, 25:2, 64 Cineaste: The First 100 Issues: A Cumulative Index, Kael, Pauline: “I Still Love Going to the Movies,” by Wisconsin Death Trip, Christopher Sharrett, 25:2, 64 covering our issues from 1967-2000, is now being Leonard Quart, 25:2, 8-13 Women in Black, Rosemary Rotondi, 25:1, 64 prepared for publication in early 2001. CINEASTE 27