Christine Linnell PhD Thesis

372 Pages·2010·62.78 MB·English

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CHRISTINE LINNELL
CONTENTS
LIST OF ILLUSTRATIONS
2
ABSTRACT
9
PREFACE
10
.
difficulties during
Anglicanum;
encountered research of opus
acknowledgements
ODUCTION
16
-
for indication
thesis;
statement of position arrived at of situation of current
iconography; intention for
scholarship and critics; significance of
study of
iconography four to determine function
on copes; aim of copes through
liturgical importance
their in
examination of context; of angels the pre-Mass context
lines
their two
and role on copes; of enquiry
1. THE COPE AS T TU RGICAL SHOW-PIECE
22
-
brief introduction its
to
origins, applications and processional role; account of the
implications for
the
symbolic properties and wearer; categorisation of the extant
examples; examination of the special nature of the 'celebration' 'pontifical'
and copes
2. OPUSANGLICANUM. PRODUCTION METHOD4
AND WORKSHOP PRAC71CRS 50
-
importance
the English
short account of nature and of
medieval ecclesiastical
discussion
embroidery, of suggested methods of production; exploration of
held beliefs
currently regarding professional workshops and their possible likelihood
3. PRIMARY SOURCES 94
-
implications Matthew Paris investigation
of reference; English Italian
of and
inventories; conclusion from the findings; consideration of Velletri Roll as possible
design for
model source embroidery
4. THE COPE AS FC FS ASTICAT. AR. 136
part one
. -
_XRMPT.
the imagery, in iconographic
close examination of representational
complete
found the Anagni Bologna
programmes, as on and copes; general comments on
features for
the
vestments and particular as evidence certain assumptions, and
be drawn from
to the
conclusions exercise
5. TH COPE AS ECCLESIASTICAL EXEMPLAR, 183
two
part
-
the later Lateran Pienza to
close examination as above of and copes; attempts explain
their individualised programmes; summation of the findings of the four studies,
justification for function the in
and proposed of vestment a eucharistic setting
6. THE COPE Ag EUCHARISTIC EXEGETE 224
-
introduction to the the demonstration the liturgical
church setting and sacrament; of
how function
the they the the
connection of copes and within context of pre-Mass;
investigation
the the the
of significance of sanctus; examination of relationship
between the imagery the "pontifical" the
of vestments and sanctus, which establishes
the underlying theological authority of the iconography in general and the unique
by luxury items
contribution made these to the celebration of the eucharist
APPENDICES
248
BIBLIOGRAPHY
254
-1-
Complete for be found in the Bibliography the the text.
citations sources may at end of
by
All taken the
photographs, except where otherwise specified, were author.
Bologna Cope, English Embroidery; Frontispiece.
c1290-1300.
Museo Ctvico Medlevale, Bologna. (C. N. B. & C. di Bologna)
Pl. 1 St Gregg St, Benedict Tinted drawings from MS.
and a model-book,
112, 2.
p.
Stiftsbibliothek, Einsiedeln. (Source: Dodwell, 1993,8, Fig. 7. )
Pl. 2 Ascoli Piceno Cope, English Embroidery, detail: Pope Clement
c1265-72,
N (1265-68), bishop.
with archbishop and
Pinacoteca Civica, Ascoli Piceno. (Alinari. )
Pl. 3 Story Archangel Michael Mont St Michel, detail: Bishop St.
o on c1464,
Auberto. Antoniazzo Romano Melozzo da Forli.
and
Chapel the Holy Angel, Santi degli Apostoli, Rome. (V. Tiberia,
of
Antoniazzo Romanoper il Cardinale Bessarione Roma. )
a
Pl. 4 Stow Archangel Michael Mont St Michel, detail:
of on c1464,
Franciscans two Antoniazzo Romano Melozzo da Forli.
and priests. and
Chapel the Holy Angel, Santi degli Apostoli, Rome. (V. Tiberia,
of
Antoniazzo Romanoper il Cardinale Bessarione Roma. )
a
Pl. 5 Students Slate Frame in the Royal School Needlework,
working at a of
Hampton Court Palace, Surrey. (Photograph the Royal School
courtesy of
)
ofNeedlework.
Pl. 6 BAVArchivio Can. S. Pietro, inventari 1,1361, fol. 38'.
Biblioteca Apostolica Vaticana, Vatican City. (Biblioteca Apo$tolica
Vaticana. )
P1.7 BAVArchivio CRn. S Metro. Inventari 1,1361, fol. 43.
Biblioteca Apostolica Vaticana, Vatican City. (Biblioteca Apostolfca
Vaticana. )
Pl. 8 Velletri Roll, England (? ),
c1270-80.
Museo Capitolare, Velletri.
Pl. 9 Nolf Tangere, detail: Velletri Roll.
me
P1.10 Embroidered Altar Frontal, Rome,
c1300.
Museo del Duomo, Anagni.
-2-
Pl. 11 Anagni Cope, English Embroidery, last 13th Century.
quarter
Museo del Duomo, Anagai.
Pl. 12 Coronation the Virgin; detail: Anagni Cope.
of
P1.13 Bologna Cope.
Pl. 14 Angel Carrying Crown Foiled Disc, detail: Bologna Cope.
and
P1.15 The Treasury, Basilica St. John Lateran, Rome.
of
Pl. 16 Lateran Cope, English Embroidery,
c1300-20.
Tesoro di S: Giovanni in Laterano, Rome.
P1.17 Centre Panel Lateran Cope.
of
Pl. 18 Crucifixion, detail: Lateran Cope.
Pl. 19 Coronation the Virg detail: Lateran Cope.
of
P1.20 Angel Portable Harp, detail: Lateran Cope.
with
11 Museo della Cattedrale, Pienza.
P1.21
Pl. 22 Pienza Cope, English Embroidery,
c1325.
11 Museo della Cattedrale, Pienza.
Pl. 23 Scenes from the Life the Virgin, detail: Pienza Cope.
of
11 Museo della Cattedrale, Pienza. (V &A Museum. )
Pl. 24 Scenes from the Life Virgin, detail: Pienza Cope.
ofthe
11 Museo della Cattedrale, Pienza. (V &A Museum. )
P1.25 Scenes from the Life the Virgin, detail: Pienza Cope.
of
11 Museo della Cattedrale, Pienza. (V &A Museum. )
Pl. 26 Scenes from the Life the Virgin, detail: Pienza Cope.
of
11 Museo della Cattedrale, Pienza. (V &A Museum. )
Pl. 27 Musical Angel Horseback detail: Steeple Aston Cope, English
on
,
Embroidery, 14th Century.
early
Lent to the V&A Museum by the Vicar and Churchwardens of Steeple
)
Aston. (Photograph from Visual Publication Transparency.
a
Pl. 28 bim, detail: Crypt Ceiling, Anagni Cathedral, 1250-55.
Anagni Cathedral Crypt.
Pl. 29 Se him, detail: Syon Cope, English Embroidery,
c1300.
)
V&A Museum (Photograph from Visual Publication Transparency.
a
-3-
Pl. 30 Censing Angel, detail: Anagni Cope.
Museo del Duomo, Anagni.
Pl. 31 Musical Angel, detail: Lateran Cope.
Tesoro di S. Giovanni in Laterano, Rome.
Pl. 32 Musical Angel, detail: Bologna Cope.
Fig. 1 Clare Chasuble, English Embroidery, 1272-94.
V&A Museum, London. (V &A Museum. )
Fig. 2 Cantate. Monks Singing, Benedictine Choir Psalter, 14th Century.
Bodleian Library, Oxford, MS. Auct d. 2.2., £ 113v. (Bodleian Library. )
Fig. 3 Ski Orphrey, English Embroidery, 2nd. 14th Century.
quarter
Statens Hstoriska Museer, Stockholm. (The Central Board National
of
Antiquities the National Historical Museums. )
and
Fig. 4 Watercolour "Lost" Cope, English Embroidery,
of
c1315-35.
Walker Art Gallery, Liverpool. (National Museums Galleries
and on
Merseyside. )
Fig. 5 St. Laurence, Deacon, detail: English Embroidered Orphrey, 15th
early
Century.
(Photograph from Focal Point Filmstrips Ltd Transparency. )
Fig. 6 Central Portal Tympanum, La Madeleine, Vezelay,
c1125.
(Source: Pl. 4, Katzenellenbogan, 1959. )
Fig. 7 Rose Window, York Minster,
c1270.
Fig. 8 John Panel, English Embroidery, 1300-20.
ofThanet
V&A Museum. (Photograph from Visual Publication Transparency)
a
.
Fig. 9 Peter the Deacon; detail: Durham Maniple, English Embroidery, 909-916.
Durham Cathedral. (Source: Fig. 7, Ivy, 1992. )
(worked by
Fig. 10 Sample Underside Couching, the
author).
of
Fig. 11 Reverse
side of above sample.
Fig. 12 Sample Circle Split Stitch, (worked by the
author).
of of
Fig. 13 Sample Laid Work, (worked by the
author).
of
Jubilee Cope, 1977.
Fig. 14 Dr. Ellison, Bishop London, the
of wearing
(Source: Frontispiece by Press Embroidery, 1977. )
genry,
-4-
Fig. 15 Beryl Dean helpers Jubilee Cope.
and working on
(Source: Fig. 72, Millar Harris, Embroidery, 1977. )
on p. and
Fig. 16 Head detail: Pienza Cope.
of a Queen,
Fig. 17 Reverse Side Lateran Cope.
of
Fig. 18 Adoration the Magi, detail: Lateran Cope
of
Fig. 19 Reverse Adoration the Magi, detail: Lateran Cope.
side of of
Fig. 20 Pelikan, detail: Pienza Cope.
Fig. 21 Women Transferring Designs, from Libro de
primo rechami.
...
Alessandro Paganino, 1527.
(Source: Staniland, 1991, Pl. 29,32 64. )
and
Fig. 22 Augel, detail: Bologa Cope.
Fig. 23 Section Bologna Cope.
of
(Source: taken from Photocopy Fotofest Print, by Museo Ctvico
of a sent
Medievale, Bologna. )
Fig. 24 Cope Chests, York Minster, We 12th Century
and c1280.
Fig. 25 W[y into Jerusalem Betmyal, detail: Velletri Roll.
and
Fig. 26 Molt Tangere ?, detail: Velletri Roll.
me with
Fig. 27 Crucifixion Deosition, detail: Velletri Roll.
and
detail:
Fig. 28 Fntombment, Velletri Roll.
Fig. 29 Scenes from the Life the Virgin, English Embroidery, 1320-40.
of
V&A Museum. (Source: Pl. 11, King Levey, 1993. )
and
Fig. 30 Three Maries, detail: Velletri Roll.
Fig. 31 Christ before Pilate Flagellation, detail: Velletri Roll.
and
Fig. 32 Deposition, detail: Velletri Roll.
Fig. 33 Entombment, detail: Velletri Roll.
Fig. 34 Syon Cope.
Fig. 35 Vatican Cope, English Embroidery,
c1290.
Museo Cristlano del Vaticano, Rome.
Fig. 36 Entombment, detail: Anagni Cope.
-5-
Fig. 37 Flight into Egypt, detail: Anagni Cope.
Fig. 38 Christ the Doctors, detail: Anagni Cope.
with
Fig. 39 Three Maries, detail: Anagni Cope.
Fig. 40 Death the Virgin, detail: Anagni Cope.
of
Fig. 41 Miracle the Corn, detail: Anagni Cope.
of
Fig. 42 Nativity, detail: Anagni Cope.
Fig. 43 Presentation in the Temp, detail: Anagni Cope.
Fig. 44 Journey the Magi, detail: Anagni Cope.
of
Fig. 45 Magi before Herod, detail: Anagni Cope.
Fig. 46 Adoration Magi, detail:
the Anagni Cope.
of
Fig. 47 Dream the Magi, detail: Anagni Cope.
of
Fig. 48 Massacre the Innocents, detail: Anagni Cope.
of
Fig. 49 Annimcisition, detail: Anagni Cope.
Fig. 50 Visitation, detail: Anagni Cope.
Fig. 51 Annunciation to the Shepherds, detail: Anagni Cope.
Fig. 52 Payment Judas, detail: Anagni Cope.
of
Fig. 53 Noll Tangere, detail: Anagni Cope.
me
Fig. 54 Descent into Limbo, detail: Anagni Cope.
Fig. 55 Assumption, detail: Anagni Cope.
Fig. 56 Martyrdom Becket; detail: Bologna Cope.
ofThomae
Fig. 57 Adoration the Magi, detail: Bologna Cope.
of
Fig. 58 Edry into Jerusalem, detail: Bologna Cope.
Fig. 59 Bemal, detail: Bologna Cope.
Fig. 60 Resurrection, detail: Bologna Cope.
Fig. 61 Descent into Limbo, detail: Bologna Cope.
-6-
Fig. 62 Westminster Retable,
c1270.
Westminster Abbey.
Fig. 63 Veronika Head Christ, detail: Bologna Cope.
of
Fig. 64 Acanthus Foliage, detail: Bologna Cope.
Fig. 65 Orphrey, detail: Lateran Cope.
Fig. 66 Martyrdom Thomas Becket, detail: Lateran Cope.
of
Fig. 67 Mmtyrdom St. Mart, detail: Lateran Cope.
of
Fig. 68 Martyrdom St. Catherine, detail: Lateran Cope.
of
Fig. 69 Martyrdom St. Laurence, detail: Lateran Cope.
of
Fig. 70 Last Super, detail: Lateran Cope.
Fig. 71 Resurrection, detail: Lateran Cope.
Fig. 72 Supper Emmaus, detail: Lateran Cope.
at
Fig. 73 Ascension Pentecost, detail: Passion Cope, English Embroidery,
and
0300.
Sacristy, Cathedral St. Bertrand de Comminges. (Source: Photograph
of
from Transparency lent by Pyre Destie, Curate St. Bertrand. )
at
Fig. 74 Pentecost Coronation the Virgin, detail: Passion Cope.
and of
Fig. 75 loyal, detail: Lateran Cope.
Fig. 76 Doubting Thomas, detail: Lateran Cope.
of
Fig. 77 Thee Maries, detail: Lateran Cope.
Fig. 78 Annunciation, detail: Lateran Cope.
Fig. 79 Christ before Pilate, detail: Lateran Cope.
Fig. 80 Noli Tongere, detail: Lateran Cope.
me
Fig. 81 may, detail: Lateran Cope.
,
Fig. 82 Annunciation, detail: Lateran Cope.
Fig. 83 Nativity, detail: Lateran Cope.
Fig. 84 Ascension, detail: Lateran Cope.
-7-
Fig. 85 Pentecost, detail: Lateran Cope.
Fig. 86 Virgin told her detail: Lateran Cope.
of eatth,
Fig. 87 Assumption, detail: Lateran Cope.
Fig. 88 Scenes from the Life Margaret, detail: Pienza Cope.
of
Fig. 89 Scenes from the Life Margaret, detail: Pienza Cope.
of
Fig. 90 Scenes from the Life Catherine, detail: Pienza Cope.
of
Fig. 91 Scenes from the Life Catherine, detail: Pienza Cope.
of
Fig. 92 Scenes from the Life Catherine, detail: Pienza Cope.
of
Fig. 93 Scenes from the Life Catherine, detail: Pienza Cope.
of
Fig. 94 Scenes from the Life Catherine, detail: Pienza Cope.
of
Fig. 95 Scenes from the Life Catherine, detail: Pienza Cope.
of
Fig. 96 Scenes from the Life Catherine, detail: Pienza Cope.
of
Fig. 97 Apostles told Death the Virgin Presentation the Virgin in the
of of and of
Temple, details: Pienza Cope.
Fig. 98 Funeral the Virgin Presentation in the Temple, details: Pienza Cope.
of and
Fig. 99 Apostles the Empty Bier Assumption, details: Pienza Cope.
at and
Fig. 100 Coronation the Virgin Nativity, detail: Pienza Cope.
of and
Dia. 1 Structural Plans Copes. (Source: Christie, 1938,8, Figs. 6-8. )
of
Dia. 2 Underside Couching. (Source: King Levey, 1993,112, Fig. 12. )
and
-8-