Table Of Content

ar t B O O K O F Girl with Cat, 1989, Fernando Botero (to find out more see page 41) ar t B O O K O F How to use this book Jacket images: Front: The Bridgeman Art Library: Monasterio de El Escorial, Spain / Giraudon tr (Durer); Musee Conde, Chantilly, France / Giraudon tl (Book of In this book, find out about different art hours); Private Collection/Christie’s Images c (Degas); Van Gogh Museum, Amsterdam, The Netherlands / styles, the works and lives of famous artists LONDON, NEW YORK, Giraudon br (Van Gogh); Corbis: Burstein Collection bl and sculptors, the way some artworks MELBOURNE, MUNICH, and DELHI (Hokusai); Marco Simoni / Robert Harding World Imagery (Gaudi); ©The Andy Warhol Foundation for the Visual were created, and the amazing range of art Arts t (Warhol); Lasar Segall, 1891 Vilna - 1957 São Senior designers Sonia Whillock-Moore Paulo, Collection of the Lasar Segall Museum, São around the world. There are four different Paulo, National Institute of the Historical Artistic and Pamela Shiels Patrimony, Brazilian Ministry of Culture: c (Segall) types of page in this book: Senior editor Deborah Lock AAdHCddSaidluGteldiiemtoeA aiMmnoenrnanetma c,la ldWe ayle i aDredFdnenlieece,td sittLMynciogo hgrHorne rl r boli,Rib eryeR oyanM b a cs ,Aihc aMnShacn,a akeanPdle,re e iylEFken Go alnSTisz yarWthaae noSbdradmmeyhbt, lhaeih tr shagu, s IJdMwnpf aehoneae nooek nanardiemrn sbsssA agdiR ltn oTreamnIdSgcp T hho k fsi P o R wamprOoe kFcrra I HLiieEnpkranstdahyn u gsh adn amhots sres yh ea hnit 2 ti0 e h oiwm e T10h ex G 15e ant W25av9e x o f7 K2a nma)awCa l1or 2w9od3c ut abnaosaorbAoTosHchHcmdwahhereo ofohorrr oooeeuoreore gmfvrg mtawkd albfe? esiiektbafiedietd esss nAis odntdhidsieKttHi tn ed sha fiogalnoenewsse(eaooi sm saen n ro enwa— tnw hyawnslr te tfycanh vgloeH T to veonw 3lye ueu—n h oh 1reroomp0H yil o pesw aaT s dausn 0 leheiv m8aybAeode0gdnl0g enfkfl ne trahho0 e ddroaek h y gntoka cr tmteoewhy obdkC e udietwps)kl e a sfHf aKHs pneiask hsigo ehrOn e mnkerashe nuaefiwg rsgey cs oeea ehw t it svsfibtttafsn Oh s hmobhceho sorakiwadehbCjieh eevfenseysdoHre eu wr traehogu emoom gchoeoe sMhedeo isocs u1na vprtes ucw ablbtnoysens y 8nsakhao ia?dune d hw gue 0nap ceotittspalt s sn k s 0ehtda ic si n d srtsnaook ins enmmfy s fvdK ptuesuo ouusinrhTedaMToMAppvrcnthhhu innsfheaeeshtob eeec ta eahsic smu hiyiueo T lfhpkponn aoGseuHsr hnaeuge enteogrpguib GdegasrigeneF neie stgah etaihu h h twytncr tssr ttw eseM k a h eiihSaWtesEochu dwtikno rv(oafvnxhrfiaa eu odrlve uhpsdav8JJnvi VFnatus aeeac 2r Asi e mta n oc9ap Wepdnaaqw ut dkpwnhsenan bauus 1dmdsfHo ejnjn8sdde o eiac sfoi a3abe eenko s arfv3s ayh n slsln n)ee oieees d i f CCfl(aesStTbickHbSPfiAbKH1111111Ainnnhnouprhhu7777888aoianueomiculmofld k6779124dkneowdrinsurnwttnuoystuh0587449ruoaõuue ddnc tsna vTasssesrh 1m ei o ado1tt nie õaea aBBJACDiei anhrpfwnni ed 8g d spssMderoenKi ye0 iiae aonc o mm d0hvbranrahdaa eawnofpne)aio0t ge ynnmpyd skosaeto i :ge wklyun nd ennd eaaooeaesyks shd i ss d a asa aebtsas a u dhne i npohs coe nad s c skdde Publishing manager Bridget Giles 54AatDw2too mwd da0oo n0yydzoc oibndeulesn allkctyot kns Ccw t okphwa eldpsn n p?at hit Tnsioae nthatc n e2s!eyh 2 tsen0hd oeCaf taEe rrma ybim asketi kn g Tpboae ekimd o afa wce oidsoo dwranw onn on da wwheal ybaee wash wteh rree chei emedg e aa hpse radceuasa ro obeo rp aine eldf t Tponhieno npagasp eidrk managde hse nc pveesede dn Demacfkhee c eoontos ro lofn dko spu sersed magadien oor Mmfe atumkn sm nw oF aruaap it nteo scaaannuddo c aeic ohc t rtme ehei ggoec tgeooe tt s Deussnsuaagn tddoofahn u geliesn anscpnedsdd c caeyv etle se c 55 Production editor Sean Daly ARTIST or SCULPTOR PROFILE: Find out about Production controller Claire Pearson the life, style, and work of a famous artist or Jacket designer Jess Bentall sculptor and take an up-close look at a work. Jacket editor Mariza O’Keeffe EaAdnrudtA c PHEarimttici sotticolunoyra r naienSasn cdnurdh elJ artusNeaneliindnaaa ettr LisrcHo, e hn MacReatrrualre sirnbGs e- earaVJc golfcoleo eaWsrrrs yoLCa,fy l htLoForonaninssm t,d ieiol’ysn FRTwnwwbehhorhohfeeee eerttremw ootuh snde rr sCfp o ecRnud cwbabsmloo re alphtukos shms esdF ab i(t h t decHc readaret ocra ieeer erhnunn Ohrn wno Hfsesnykdn mdigwW nt ncuoqsfsqu tdi ar o e huaeuuae Dt dceesd pen swaeroedhsFIhci lopdtsaD asrek teomwoiafsesoraP a nhec na y dr)urh y Tcoo d ee aie mtw vtemHneepeld fgbohsttddhcere l r vosE a e e eha maaecwbdcmiltofn eYdyn nolnmpetmoond nclr ghiecage pDqectcbvneaert hnoosok nn euce is Obiegser aeseredea dhaoetmre cnehnw d n T esoresst cectoopdfenm Hee to a p d e pnTt nu ct hAhncehtEol lt ihfuaapeashesTe otonetreg idlsmmn ueo e?onee dpuwh a ouyuea db cgcxalrrnp cegapaefmaeu A eohr zlomidddlf dsoa s aoioloriaste a n oa nrfsoeashrtann ngrme d fhatnle es r d o r a l A amoo bbIIfTwtetT(aaaasThwwhsHsanhu auuhoahhonnnbgeIeaaeeeKuasem eee ru d hwsny ihpwchchoc vcwe ui sy twtha eoeo eetoip tnow stsinOeh wles dd desun etdT nfohnoeerkab m nwri aksU wn? cy egunsdwfihbtkghealraaine or WRym o nan7 a t vedpoinuoRev nrsw llow9eg f ro somyw bhe nriroanhdhEddisee m?euu uhm a)yhg f Eaa ahLasocuw al e o taht n pdF svevs (Nea nhfet n o deby o u eviddi e nino fss ur e d s) P1tr ctnatit ryf TeFrenstou As rw Nrmei noPo atmanpde thi ids ptwayyhe) Ta he srdr negd redc kc oorn dw en e hm aIda ifnom h slsednsa Hm3p1Apohog ea ftmb Ces riehrpeameu en aecp r dtpre hkrnp h eehetsphdol eaenepu le pa ’gw edrtslsR g d mn bebaosws g oemeptenh rn atbd aetR nnyo omweam e sbifwt wdohwdee tte d esthnalml lwe swp r or wt gmalhths otare sltth e meoai errnwa teki s gsw ya mwEay fnoeerdrnrlr tle dna42fr tencsrdo eAtcHOp dma ueensgotam dec ihe a tve t lh rntm as ahpkeicRfvoc h oolw euu mmarrraf safii n nwn uesPaf tosd e wo me cn eopaotm r e t oplti ehcsee td ce aw alpl cexd uw ae s and Children’s Programs at the 187lhl d ft htC t BE TGh bt Plllp K f h th 1bPltk p t dt hhl h f f ph lf dd b 4hhh d t fb th h bf hGl ft th d Af B pd Ch plld k h t hP ddt ttl h lfi 1fS4t1 tC tLhkpt Ml dh hl Vt ftl f Rh t l tl fl ht h P6 t8 I 1 94 h ph hh f Rl bl Np8t6 Tdh lb M C l L f tlkh fl S d th R9d3 tT h Md f d tf pl )ht D Dt1t9 Philadelphia Museum of Art, USA HOW DID THEY DO THAT? Find out how an artist or sculptor did their work and see how First published in the United States in 2009 by the technique developed through history. DK Publishing GALLERY Mdrn rtAnml n t 3C7o5p Hy0ru9igd h1so0t n ©1 1S 2 t1r0eC20e D9t1, 32DN 7 oe61rw 0l–i nY 90go 78 rK/ k70,i n9N6d ee5wr s4l Ye 3yo r2Lk i1m10i0te1d4, aiaAmdAndgncafooiafrmrekr enTniradnahel gstepn soh e tviona asavnsSr fm esF ioeoc p fGfd ae ep s va lsc1po2et utSwyr asweeet uorsdaf af uo lilla nlfs g n bs aoaMeprmhdtattnr o s aWshedr u nlotiaifss sn Ecdv n san gcfctctel onethio ed e dps k ts mh nsei(cid:1)shI g oIoet teoD bkadwe a foss e ff 9onty3nvos rts9mone esd r tMantnnoe ptrr hp Cs agestem Eepbaddcegco nanekrelesrtds ea rhnT hlso epiLn Wnlgdr helmadroms n Cge a 1tiem 6sle7nc a(cid:0)1oaacEeorh td aWe lfpoi5i nHto oo4c r ienn d o ctdsVAto LnpcrWcaosne s o onnassdmo e do Cb baotaaI e n epa aea lo m Bntrehideidm m d adOtmaerIe c eansslC W pooo lrhellnaoeaeslze deoeieeg hed n bhe ? s (cid:0)1spTSnnhc e araiFea9 lP Gp2n naetFus r aeTrJ glz(cid:1)rp pe TnMhfdnl teatezepB no am sseeh tfpscKt M ycocaEelreofiirp3 ueohnWamp ennrltiipfago n ceH n t a sneMtte(snsha sr etO g bo seFe2 spsS s msd flehoalt4emoiedsi i a ocmmomoooh xniddiin mends )e t arot sbc i ea o o lsnsn a 1cedoiia cecM nde mrooBee nWhs tla s1 oadooee1 lhrahbclenrsessrrrl e g aoel dn DrA(cid:3)brT neW dAea h t Re aMDscni moaoenorens s onkaasn s ete sd yepa ficjo i1ncsts trca0 0dtnnes b dtt o en etlo rnpg roemhapoheenlrstr All rights reserved under International and Pan- pAumbliecraictiaonn Cmoapyy rbieg hret pCroodnuvecendti,o sntos.r eNdo i np aar tr eotfr itehvias l 84 (cid:0)Bmnn dCsBf smouo set oftlhsa nr es l omo iamgosk sdiaa emrsdokd re hp d o Bsopaoeanm faetdrl e kenfbe dea h b e cia anrehde me Wforndoei d tsh eseh K(cid:3)BAc hrntLneo ruejn k ma kco h iAi nWslboeone uieadsk nh1 9 eaCS 7tno h anttaiecere sC n2aan nahi0d8r oa nn t ln rrknislt it o((cid:3)ponanS Thuctsrnd gp aserstlr d s thoeen n hdm ea)a fB s oT anar8g j9ohi1 paFg HiGee ancaadhnrl nsRrSsoa stnto es sro aemaiassee da O l (cid:3)CTHmhos es Hn eCknmnkhsooenr oesnn koe ke foc a srh tnpe td it1 c9oXehdosl0 Bhsr eX e oip npo iegtianep hdos r g 85 system, or transmitted in any form or by any means, GALLERY: Marvel at the different ways artists electronic, mechanical, photocopying, recording, or around the world and throughout art history otherwise, without the prior written permission have portrayed the same subject. of the copyright owner. Published in Great Britain is avabAilya cbDaleota rfllroiongmg r Kethcioen rdLde irbfsorlrea yrtyh L iosi mfb Coitoeodkn. g ress. ART STYLE 1T0Chtue0r gba0ourhe0tld me eoyensfpwnett i aeC ahhabTEhhrmnyioogsegiepsit en Csotmssoo sh eppi mafr esrlnaoyaemeeoetdwl nocef u o d gbifdpta buaarTfals e syeesauoitwfoz hrr ii wnempeatsil n drlheate ege rca e randnaa d aadesoie n te rnm uc esgradTo vibsemhyuosaeidrlan t cuae(stgkgtset oc teuoahmhrdrnrey ot op b obcrTayeloehs ngu)ctei hnen weasrrrnesay iesn O7lQ1SEtdah6ea c mdHe 4nefltn oota1g rpdces e1id dD”ro1 t d b I yBnektr dnnehkho teacati oa n dHsdfl( d tapbaty rt pi t h theo)n m “ eg trsgk hae t d MseppY2nipllcnnhohle rdie addmshn g Metg i nreemc9n e d bntds0 a sa qsbLr rn eh e( rt ds H tn fsse tesn d ) S2DCcmo 0haahpshni t nngrseneg n o thgoduhe th aycs Es9 ast0d oim edl soo S o WrCn hed tth ntefeoa Cooen mod nia l nd t t CC2bhh Qh k Bt Chbd b ISBN 978-0-7566-5511-2 psfthmeoiohame yhcii g meCu l wcnahehsirin nynctty aaw laa e nm adel fh PobChhnd renhfcmn2lne p al6nLdhogs0 ri pdndat0s hd tptndK go seact rd BesChhl ”r oocfbEnl tmd c ta P hseora enre nses s d TtsTMohh iei esPn ktegocah D il nel nctsn l th pen s SgteT yWhr e1 n3 aZPeh 8irn1edp1tm4ho4i0 0 sga”n bd eWae n rhniged HYMWMhmo2hu7eaniin9ndg a dhpggt Nn YeaGh3rd e6oeZodtdD 8 np V eg3encyaoll 2nlneern neebdadgs s it s NWeWhfgrd eosZ yn gg h ColoPr rrienptreodd uaPncrtidnio tbnino gbu ynL dMt db.ey, d UiLaKe oD , eCvhelionpament 6 acpcatsQmd vthol aheumetenshrn vgye opyemsd n o drc lpawpe ssoocd0oenm n w0o aolcleCyu d ens hirtslea n y arawn trle ngh seemnars o ooed eea n d mhin s ed e BTFRb WDnnhe 0nf fa r6 DCyedese 1 npss8k Cn e f0 HadEa pohne sm odb9srl neCkyrloanE g p t es H e pptoseaaa r nnears an sg T6Tdeanbanc8behs PEneemsst9hmtg 0e Faat7 na geirD domtato reyl os j l n ods rbaraT a mh npt htlYslednlmot) g)T eye Lts b ndot g f OTASacoadte d Tneccmmgpdpe ees Dm L satly ta ntl a pDsoa nsokt mdya la d m6rf 0 oo1immt18 30sh2D 7ebT m Gerr aeXrt nf lededa l 7 ART STYLE: Find out about the different styles Discover more at of art and follow the timeline of changing www.dk.com styles through art history. Contents 10 Early art 12 Rocky beginnings 34 Leonardo da Vinci 14 Egyptian scribes 36 Jan van Eyck 16 Faces in art 38 How to use oil paint 18 How to make frescoes 40 Children in art 20 Dreamtime art 42 Baroque (1600s) 22 How to make mosaics 44 Jan Vermeer 24 Gods and heroes in art 46 Still life in art 26 Chinese art 48 Rococo (1700s) 28 How to create colors 50 Francisco de Goya 30 Renaissance (1400s-1500s) 52 How to use watercolor 32 Landscapes in art 54 Katsushika Hokusai 56 Modern art 58 Impressionism 82 Grant Wood 60 Claude Monet 84 Animals in art 62 How to paint with pastels 86 Postwar abstract art 64 Vincent van Gogh 88 Jackson Pollock 66 Nighttime in art 90 Sir Sidney Nolan 68 After Impressionism 92 War in art 70 Henri Matisse 94 Andy Warhol 72 Pablo Picasso 96 Street art 74 Naïve art 98 Work in art 76 Paul Klee 100 Friedensreich Hundertwasser 78 Surrealism 102 Modern art 80 Joan Miró 104 Sculpture 106 Carved in stone 120 Gustav Vigeland 108 The Terra-cotta 122 Abstract sculpture Army sculptors 124 Henry Moore 110 How to carve wood 126 Alberto Giacometti 112 African sculpture 128 How to create Land art 114 How to sculpt marble 130 Sculpture NOW 116 Michelangelo Buonarroti 132 Damien Hirst 118 Frédéric-Auguste Bartholdi 134 Get up close to the real thing! 136 Glossary 138 Index of artists and sculptors 140 Acknowledgments What is art? This is a tricky question to answer, because art can be so many things: It’s not just It’s not just h ppy … anger but can also show , ... but can also be collage, pain, wonder, SADNESS, and mosaics, prints, PHOTOGRAPHY, many other emotions. sculpture, video, painting, and many other media. It’s not just It’s not just acceptable pretty … … but can also be but can also be horrifying, rebellious scandalous, and challenging. , controversial, dramatic , and spiritual. 8 “Painting is poetry that is seen rather than felt...” (Leonardo da Vinci, Renaissance artist, see page 34) It’s not just It’s not j st in galleries an image … but can also be a meaningful ... but can also be in churches, idea and a historical source, public buildings, in parks and on informing us about the lifestyle of the streets, in magazines—in fact, people in the past and present. there’s art all around you. It’s not just It’s not CITSILAER just for art ... but can also be abstract, lovers symbolic, imaginary, distorted, … or a fleeting impression of a moment in time. but also for all people of all ages to react to. 9