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Childhood in Shakespeare's Plays PDF

149 Pages·2006·11.76 MB·English
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Childhood in Shakespeare’s Plays PETER LANG New York (cid:121) Washington, D.C./Baltimore (cid:121) Bern Frankfurt am Main (cid:121) Berlin (cid:121) Brussels (cid:121) Vienna (cid:121) Oxford Morriss Henry Partee Childhood in Shakespeare’s Plays PETER LANG New York (cid:121) Washington, D.C./Baltimore (cid:121) Bern Frankfurt am Main (cid:121) Berlin (cid:121) Brussels (cid:121) Vienna (cid:121) Oxford Library of Congress Cataloging-in-Publication Data Partee, Morriss Henry Childhood in Shakespeare’s plays / Morriss Henry Partee. p. cm. Includes bibliographical references and index. 1. Shakespeare, William, 1564–1616—Criticism and interpretation. 2. Shakespeare, William, 1564–1616—Characters—Children. 3. Childhood in literature. 4. Children in literature. 5. Shakespeare, William, 1564–1616. King Richard III. 6. Shakespeare, William, 1564–1616. King John. 7. Shakespeare, William, 1564–1616. Macbeth. 8. Shakespeare, William, 1564–1616. Winter’s tale. I. Title. PR2992.C4P37 822.3’3—dc22 2006022451 ISBN 0-8204-7646-3 Bibliographic information published by Die Deutsche Bibliothek. Die Deutsche Bibliothek lists this publication in the “Deutsche Nationalbibliografie”; detailed bibliographic data is available on the Internet at http://dnb.ddb.de/. Cover design by Joni Holst The paper in this book meets the guidelines for permanence and durability of the Committee on Production Guidelines for Book Longevity of the Council of Library Resources. © 2006 Peter Lang Publishing, Inc., New York 29 Broadway, New York, NY 10006 www.peterlang.com All rights reserved. Reprint or reproduction, even partially, in all forms such as microfilm, xerography, microfiche, microcard, and offset strictly prohibited. Printed in Germany CONTENTS PREFACE . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . vii CHAPTER ONE SHAKESPEARE AND THE HISTORY OF CHILDHOOD Challenges in Interpreting Childhood . . . . . . . . . . . . . . . . . . . . . . 1 Shakespeare’s Involvement with Childhood . . . . . . . . . . . . . . . . . . 7 CHAPTER TWO BIRTH AND EARLY CHILDHOOD The Beginning of Life . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 12 Family Size . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 17 The Dangers of Childbirth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 20 Nurturing the Infant . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 22 Feeding and Swaddling . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 23 CHAPTER THREE FAMILY AND THE OLDER CHILD The Resemblance of Children to Parents . . . . . . . . . . . . . . . . . . 28 The Bonds Between Children . . . . . . . . . . . . . . . . . . . . . . . . . . 30 The Emotional Attachment between Parents and Children . . . . 32 Innocence and Ignorance in Young Children . . . . . . . . . . . . . . . 34 Parental Discipline . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 38 Education . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 40 CHAPTER FOUR INNOCENCE AND EVIL IN RICHARD III The Childhood of Richard . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 45 The Young Princes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 49 The Death of the Princes . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 58 CHAPTER FIVE LEGITIMACY AND ILLEGITIMACY IN KING JOHN The Status of Philip Faulconbridge . . . . . . . . . . . . . . . . . . . . . . 62 vi Contents Arthur and Political Expediency . . . . . . . . . . . . . . . . . . . . . . . . 67 Arthur and Hubert . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 71 The Response to Arthur’s Death . . . . . . . . . . . . . . . . . . . . . . . . 75 CHAPTER SIX CHILDHOOD IN MACBETH Importance of Family and Children . . . . . . . . . . . . . . . . . . . . . . 78 The Family of Macbeth . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 82 Macduff and his Family . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 89 Macbeth and Childhood . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 93 CHAPTER SEVEN IDEAL AND REAL CHILDHOOD IN THE WINTER’S TALE Past and Present Childhood . . . . . . . . . . . . . . . . . . . . . . . . . . . . 99 Mamillius and his Family . . . . . . . . . . . . . . . . . . . . . . . . . . . . 103 Perdita and Infanticide . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 107 WORKS CITED . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 117 INDEX . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 135 PREFACE R eaders too often dismiss Shakespeare’s understanding of children by saying that he—like other Elizabethans—views them merely as small adults. This over-simplification distorts the range of his allusions to childhood. The playwright frequently employs references to children to give his adult figures a dimension beyond the requirements of the plot. Although adults usually idealize their own childhood, they often manifest hostility to children in general. Moreover, the subtlety of Shakespeare’s presentation of child characters deserves a greater recognition. Far from creating one-dimensional figures—either unnaturally precocious or sentimentally innocent—the playwright skillfully varies his portrayal of youth. The truculence of young Coriolanus bears little resemblance to the verbosity of the son of Macduff; the aggressive young Duke of York has little similarity to the delicate Mamillius. Despite the general antipathy that some adults in Shakespeare may demonstrate toward youth, parents can establish intense bonds with their own children. A powerful desire for a semblance of personal immortality through children initiates the relationship, and the experience of having children usually completes the process. Lacking a full objectivity toward children, parents in Shakespeare sometimes regard their offspring as extensions of themselves. These parents may not only neglect the emotional needs of their children, but also they may ignore their intellectual perceptions. Unthreatened by the passivity of infancy, adults often display extravagant sentimentality toward their young offspring. The increasing autonomy of the growing children, however, challenges the parent. Disobedience in older children usually causes violent rage in the parent. It is no wonder, then, that the conflict of fathers and daughters forms a significant part of many of Shakespeare’s plays. Just as political and economic patterns of Elizabethan England differ from those of today, family configurations in Shakespeare rest on distinctive attitudes toward human development. Although the basic instinctive love viii Preface parents have for children probably remains constant throughout recorded time, changes in the political, economic, and social climate alter the actual manifestation of those feelings. Most writers agree with Lawrence Stone that Shakespeare wrote in a transitional period during which the nuclear family slowly replaced the extended family as the predominant form of bonding between individuals. Moreover, the printing press and corresponding need for education initiated a gradually increasing awareness of childhood, a special period of life with needs distinct from those of adults. The process was far from complete, however, in Shakespeare’s time. Neither warfare nor political necessity made special allowances for children. Boys accompanied military campaigns at a very early age, and many parents sent their young offspring away as domestic servants or apprentices. In short, suggesting an intense, but ambivalent bonding between generations, Shakespeare’s plays present the sentimentalization of childhood within a context of patriarchal authority. I would like to express my deepest appreciation to Professor Thomas M. Cranfill for challenging me to begin this inquiry and to Trudy Bach- Whitehead for encouraging me to finish the project. Especial thanks go to my wife, Donna, for her careful reading of my prose. She has prevented me from making many a stylistic infelicity. And I would like to acknowledge my son, Morriss M. Partee, and his associate, Nate Duval, who contributed their considerable skills as graphic designers to the format of this book. 1 CHAPTER ONE SHAKESPEARE AND THE HISTORY OF CHILDHOOD C I HALLENGES IN NTERPRETING C HILDHOOD A n examination of the enormous range of Shakespeare’s references to childhood offers an insight not only into his dramatic art, but also into the Elizabethan attitude toward children. Certainly, more attention to parental attitudes toward children and to the experiences of children themselves is welcome. As Erikson says, “One may scan work after work on history, society, and morality and find little reference to the fact that all people start as children and that all peoples begin in their nurseries” (16). Awareness of the complexity of the inquiry into a period of human development such as childhood can help guard against unwarranted subjectivity. Absence of any theory at all throws the reader back on personal intuition. Covert psychological bias is harder to detect and eliminate than political or intellectual prejudice. Moreover, even establishing the chronology of childhood involves a value judgment, since different eras view the timing of the transition from infant to child to adolescent according to diverse criteria. The absence of clearly defined data pertaining to the history of childhood compounds the theoretical difficulties. Official pronouncements may have no relationship to the actual practice of parents. Clerics in the Middle Ages, for instance, would have little direct access to the realities of family life (Hanawalt 2). In addition, quantity may be deceptive. Although relatively few in number, the Puritans created an extensive body of literature concerning children. The general population might not have had such an interest. The most personal and emotionally significant material derives from the needs and interests of the literate and propertied classes, the small minority of wealthy people who could buy books or leave diaries.

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