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Charles De Gaulle and the Media: Leadership, TV and the Birth of the Fifth Republic PDF

317 Pages·2018·2.92 MB·English
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FRENCH POLITICS, SOCIETY AND CULTURE CHARLES DE GAULLE AND THE MEDIA Leadership, TV and the Birth of the Fifth Republic Riccardo Brizzi French Politics, Society and Culture Series Editor Jocelyn Evans University of Leeds Leeds, United Kingdom This series examines all aspects of French politics, society and culture. In so doing it focuses on the changing nature of the French system as well as the established patterns of political, social and cultural life. Contributors to the series are encouraged to present new and innovative arguments so that the informed reader can learn and understand more about one of the most beguiling and compelling of European countries. More information about this series at http://www.palgrave.com/series/14991 Riccardo Brizzi Charles De Gaulle and the Media Leadership, TV and the Birth of the Fifth Republic Riccardo Brizzi University of Bologna Bologna, Italy Translated by Jon Kear French Politics, Society and Culture ISBN 978-3-319-65641-0 ISBN 978-3-319-65642-7 (eBook) DOI 10.1007/978-3-319-65642-7 Library of Congress Control Number: 2017955032 © The Editor(s) (if applicable) and The Author(s) 2018 This work is subject to copyright. All rights are solely and exclusively licensed by the Publisher, whether the whole or part of the material is concerned, specifically the rights of translation, reprinting, reuse of illustrations, recitation, broadcasting, reproduction on microfilms or in any other physical way, and transmission or information storage and retrieval, electronic adaptation, computer software, or by similar or dissimilar methodology now known or hereafter developed. The use of general descriptive names, registered names, trademarks, service marks, etc. in this publication does not imply, even in the absence of a specific statement, that such names are exempt from the relevant protective laws and regulations and therefore free for general use. The publisher, the authors and the editors are safe to assume that the advice and information in this book are believed to be true and accurate at the date of publication. Neither the publisher nor the authors or the editors give a warranty, express or implied, with respect to the material contained herein or for any errors or omissions that may have been made. The publisher remains neutral with regard to jurisdictional claims in published maps and institutional affiliations. Image credit: Keystone Pictures USA / Alamy Stock Photo Printed on acid-free paper This Palgrave Macmillan imprint is published by Springer Nature The registered company is Springer International Publishing AG The registered company address is: Gewerbestrasse 11, 6330 Cham, Switzerland To Fulvio with Gratitude, on the Eve of the Beginning of a New Project A c rchives onsulted Archives of the Fondation Charles de Gaulle – Archives of the Rassemblement du peuple français (A-L) National Archives, Paris (AN) – Archives of the Presidency of the Republic (5 AG 1) – Association nationale pour le soutien de l’action du Général de Gaulle (AS) – Archives of the Ministry of Information (F41) – Raymond Cartier Collection (14 AR) – «Le Petit Parisien» Collection (11AR) – Louis Terrenoire Collection (449AP) National Archives, Fontainebleau (ANF) – Pierre Sabbagh Collection Centre d’histoire de l’Europe du vingtième siècle, Fondation nationale des sciences politiques – Michel Debré Collection (AMD) – Archive of the Club Jean Moulin (CJM) – Hubert Beuve-Méry Collection (BM) – François Goguel Collection (FG) vii viii ARCHIVES CONSULTED Office universitaire de recherche socialiste (OURS) – Guy Mollet Collection (AGM) Inathèque de France, Bibliothèque nationale de France (INA) – Charles De Gaulle Collection – Jean Lecanuet Collection – François Mitterrand Collection – Guy Mollet Collection – Georges Pompidou Collection – Archive of the Ortf (Office de Radiodiffusion-Télévision Française) A cknowledgement This book is a revised and updated edition of L’uomo dello schermo. De Gaulle e i media, originally published in Italy in 2010 by Il Mulino and later translated into French by Presses Universitaires de Rennes (De Gaulle et les médias. L’homme du petit écran, 2014). The book was made possible thanks to the help and advice of several people. I wish in particular to thank Paolo Pombeni and Gaetano Quagliariello who supervised my doctoral thesis, Fulvio Cammarano, to whom I dedi- cate this book, Maria Serena Piretti and Stefano Cavazza, who have con- stantly provided me with help and encouragement. I also wish to thank Palgrave and especially Jocelyn Evans, Ambra Finotello, Imogen Gordon Clark and Periyanayagam Leoselvakumar for believing in this project. To Jon Kear I also offer my thanks for his sensitive and precise translation. I am indebted to several people who have contributed enlightening discussions of parts of this book. I wish to thank and acknowledge in this regard Fabrice d’Almeida, Christian Delporte, Georgette Elgey, Jean- Noël Jeanneney, Marc Lazar, Gilles Le Béguec, Jean-Marie Mayeur, Nicolas Roussellier, the late René Rémond, Pierre Rosanvallon and Olivier Wieviorka. I also wish to thank my friends and colleagues at the Department of Political and Social Sciences at the University of Bologna and on the board of the periodical Ricerche di storia politica. I am grateful to all those who have provided me with assistance in accessing archives and cultural institutions; particular thanks are due to Agnès Callu, Gérard Ermisse, Martine de Boisdeffre (Archives Nationales in Paris); Christine Pétillat (Archives Nationales, Centre des Archives Contemporaines de Fontainebleau); Philippe Oulmont and Guillaume ix x ACKNOWLEDGEMENT Papazoglou (Fondation et Institut Charles de Gaulle, Paris); Jean-François Sirinelli and Dominique Parcollet (Archives d’Histoire Contemporaine de la Fondation Nationale des Sciences Politiques, Paris); Denis Lefebvre (Archives de L’Office Universitaire de Recherche Socialiste, Paris); Denis Maréchal (Institut National de l’Audiovisuel, Paris); the staff at the Bibliothèque Nationale in Paris, the Inathèque de France and the library of the Senate of the Republic in Rome. Special thanks is owed to Etienne Burin des Roziers, Jean-Marcel Jeanneney, Pierre Lefranc, Charles Koubésserian, Édouard Sablier and Michel Bongrand, key figures during the Gaullist era who kindly agreed, over the years, to meet me and pro- vided me with their invaluable first-hand testimonies. My heartfelt thanks to Pierpaolo, Estelle, Roberto, Paola and Émilie for their generous hospitality when I was in France; without their warm friendship and support my research trips to France would have been much less interesting and far more costly. Last but not the least, I wish to thank my family for their unfailing support and affection.

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This book explores Charles De Gaulle's use and strict control of television between 1958 and 1969, highlighting the association between charismatic power and television with regards to legitimizing the Gaullist leadership and determining an evolution towards presidentialism during the Fifth Republic
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