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Cezanne in the Studio: Still Life in Watercolors PDF

166 Pages·2004·17.42 MB·English
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C E Z A N NE IN THE S T U D IO Still Life in Watercolors Carol Armstrong THE J. PAU L GETTY MUSEUM, LO S ANGELES This publication is issued in conjunction Library of Congress with the exhibition Cezanne in the Catalogin'g-in-Publication Data Studio: Still Life in Watercolors, held at the J. Paul Getty Museum, October 12, 2004- Armstrong, Carol M. January 2, 2005. Cezanne in the studio : still life in watercolors / Carol Armstrong, p. cm. Merrill Lynch Includes index. ISBN 0-89236-623-0 (hardcover) Corporate Sponsor i. Cezanne, Paul, 1839-1906. Still-life with blue pot—Exhibitions. 2. Still-life painting, French—19th century—Exhibitions. 3. Cezanne, © 2004 J. Paul Getty Trust Paul, 1839-1906—Criticism and interpretation. I. Cezanne, Paul, 1839-1906. II. J. Paul Getty Getty Publications Museum. III. Title. 1200 Getty Center Drive, Suite 500 ND1950.C4A75 2004 Los Angeles, California 90049-1682 759.4—dc22 www.getty.edu 2004003230 Christopher Hudson, Publisher Mark Greenberg, Editor in Chief Every effort has been made by the publisher John Harris, Editor to trace copyright holders. Any unacknowl- Karen Jacobson, Manuscript Editor edged claimants should notify the publisher for Jeffrey Cohen, Designer recognition in future editions. Anita Keys, Production Coordinator Anthony Peres, Photographer Cover: Paul Cezanne. Still Life with Blue Pot Typesetting by Diane Franco (detail). (See plate i.) Color separations by Professional Graphics Inc., Rockford, Illinois Frontispiece, right: Details from the Atelier Printed and bound by CS Graphics Pte. Ltd., des Lauves, c. 1953. Singapore Notes to the Reader Objects in the exhibition are illustrated as plates. Detail images of the Getty's Still Life with Blue Pot are numbered consecu- tively throughout the book. Their exact location on the watercolor can be found by referring to the keys to the details, located on pages 141-43. For further information on the Getty's Still Life with Blue Pot—including prove- nance, bibliography, and exhibition history—see George R. Goldner, with the assistance of Lee Hendrix and Gloria Williams, European Drawings i: Catalogue of the Collections (Malibu, Calif.: J. Paul Getty Museum, 1988), 150. Contents Foreword ix Deborah Gribbon Acknowledgments x Lee Hendrix Lenders to the Exhibition xi Opening Lines i The Biography of Objects 9 The Landscape of Still Life 45 Picture and Sketch 75 Pencil Lines and Watercolors 101 Finishing Touches 137 Keys to Details 141 Index 144 Photography Credits 148

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In the last years of his life, Paul Cezanne produced a stunning series of watercolours, many of them still lifes. Still Life with Blue Pot is one of these late masterpieces it is now in the collection of the Getty Museum. In Cezanne in the Studio: Still Life in Watercolors, Carol Armstrong places th
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