Camera Obscura 2003: Vol 18 Index

3 Pages·2003·0.18 MB·English

Volume Index
Volume 18 corresponds to issues 52—5 4.
Melinda Barlow
Feminism 101: The New York Women’s Festival, 1972-1980. No. 54;
PP: 3—39-
Burlin Barr
Too Close, Too Far: Cultural Composition in Straub and Huillet’s Too
Early, Too Late. No. 53; pp. 1-25.
Sean Desilets
The Rhetoric of Passion. No. 53; pp. 57-91.
Pat Gill
Taking It Personally: Male Suffering in SMM. No. 52
_
Roger Hallas
AIDS and Gay Cinephilia. No. 52; pp. 85-127.
HeatherJ . Hicks
Hoodoo Economics: White Men’s Work and Black Men’s Magic in
Contemporary American Film. No. 53; pp. 27-55.
Aniko Imre
Twin Pleasureos f Feminism: Orlando Meets My Twentieth Century. No.
543 pp. 177-211.
216 - Camera Obscura
Ruth D. Johnston
The Jewish Closet in Europa, Europa. No. 52; pp. 1-33.
Alexandra Juhasz
No Woman Is an Object: Realizing the Feminist Collaborative Video.
No. 54; PP. 71-97.
Alisa Lebow
Memory Once Removed: Indirect Memory and Transitive
Autobiography in Chantal Akerman’s Dest. No. 52; pp. 35-83.
Maria Margaroni
Jane Campion’s Sellinogf the Mother/Land: Restaging the Crisis of
the Postcolonial Subject. No. 53; pp. 93-123.
Laura U. Marks
What Is That and between Women and Video? TheC ase of Beirut.
No. 54; pp. 41-69.
Eve Oishi
Interview with Patty Chang. No. 54; pp. 119-29.
Fatimah Tobing Rony
Che Quick and the Dead: Surrealism and the Found Ethnographic
Footagoef Bontoc Eulogy and Mother Dao: The Turtlelike. No. 52;
PP- 129—-55-
Andrew Schopp
rhe Practice and Politics of “Freeing the Look”: Jonathan Demme’s
The Silence of the Lambs. No. 53; pp. 125-51
Viaureen Turim
Marina Abramovic’s Performance: Stresses on the Body and Psyche in
Installation Art. No. 54; pp. 99-117.
Sharon Willis
Che Politics of Disappointment: Todd Haynes Rewrites Douglas Sirk.
No. 54; pp. 131-75‘. )-