Camera Obscura 2002: Vol 17 Index

3 Pages·2002·0.18 MB·English

Volume Index
Volume 17 corresponds to issues 49—5 1.
Viark Berrettini
Can “We All” Get Along? Social Difference, the Future, and Strange
Days. No. 50; pp. 155-89.
. )
Bonnte Blackwell
\ Blustery Day for a Baby: Technologieos f Family Formation in
Twister. No. 49; pp. 189-215.
Brian Car)
Strange Days and the Subject of Mobility. No. 50; pp. 191-217.
Varsha Cassidy and Mimi White
Innovating Women’s Television in Local and National Networks: Ruth
Lyons and Arlene Francis. No. 51; pp. 31-69.
lizabeth Coffman
Women in Motion: Loie Fuller and the “Interpenetrationo”f Art and
Science. No. 49; pp. 73-105.
Tracy Cox
Consuming Distractions in Prix de beauté. No. 50; pp. 41-67.
David Crane
Projections and Intersections: Paranoid Textuality in Sorry, Wrong
Number. No. 51; pp. 71-113.
184 + Camera Obscura
Ann Cvetkovich
In the Archiveos f Lesbian Feelings: Documentary and Popular
Culture. No. 19; pp.107-47.
Despina Kakoudaki
Spectacles of History: Race Relations, Melodrama, and the Science
Fiction / Disaster Film. No. 50; pp. 109-153.
1. Samuel Kimball
Conceptions and Contraceptions of the Future: Terminator 2,
The Matrix, and Alien Resurrection. No. 50; pp. 69-107.
Alice Maurice
“Cinema at Its Source”: Synchronizing Race and Sound in the Early
Talkies. No. 49; pp. 31-71
Susan McHugh
Bringing Up Babe. No. 49; pp. 149-87.
Kirsten Ostherr
Contagion and the Boundaries of the Visible: The Cinema of World
Health. No. 50; pp. 1-39.
Nina Schwartz
Itsy-Bitsy Spiders and Other Pieces of the Real in Dead Calm. No. 51;
pp- 149-179.
Emily Shelton
\ Star Is Porn: Corpulence, ¢ ‘ornedy, and the Homosocial Cult of
\dult Film Star Ron Jeremy. No. 51; pp. 115-47.
Kaja Silverman
The Dream of the Nineteenth Century. No. 51; pp. 1-29.
Kristen Whissel
Regulating Mobility: Technology, Modernity, and Feature-Length
Narrativity in Traffic in Souls; No. 49; pp. 1-29
Mimi White
See Marsha Cassidy and Mimi White