Camera Obscura 2000 - 2001: Vol 15 Index

3 Pages·0.24 MB·English

Volume Index
Volume 15 corresptooni sdsuse s 43—4 5.
Nora M. Alte
Mourning, Sound, and Vision: Jean-Luc Godard’s J/LG/JLG. No. 44;
Pp. 75-103.
Christy L. Burns
Erasure: Alienation, Paranoia, and the Loss of Memory in The X-Files.
No. 45; pp. 195-: = oF >:
Ann Chisholm
Missing Persons and Bodies of Evidence. No. 43; pp. 123-61.
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Angelica Fenner
Turkish Cinema in the New Europe: Visualizing Ethnic Conflict in
Sinan Cetin’s Berlin in Berlin. No. 44; pp. 105-49.
Randall Halle
“Happy Ends” to Crises of Heterosexual Desire: Toward a Social
Psychology of Recent German Comedies. No. 44; 1-39.
Kelly Hankin
“Wish We Didn't Have to Meet Secretly?”: Negotiating Contemporary
Space in the Lesbian-Bar Documentary. No. 45; pp. 35-09.
Heather Hendershot
Holiness Codes and Holy Homosexuals: Interpreting Gay and Lesbian
Christian Subculture. No. 45; pp. 151-93.
Lutz Koepnick
Consutmhei Onthger : Identity, Altaendr Cointtemypor,ar y German
Cinema. No. 44; pp. 41-73
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Camera Obscura
Elspeth kydd
“The Ineffaceable Curse of Cain”: Racial Marking and Embodiment in
Pinky. No. 43; pp. 95-121
Kirsten Marthe Lentz
Quality versus Relevance: Feminism, Race, and the Politics of the Sign
in 1970s Television. No. 43; pp. 45-93-
Katarzyna Marciniak
Cinematic Exile: Performing the Foreign Body on Screen in Roman
Polanski’s The Tenant. No. 43; pp. 1-43.
Margaret McCarthy
Teutonic Water: Effervescent Otherness in Doris Dorrie’s Nobody Loves
Me. No. 44; pp. 177-201.
Barbara Mennel and Amy Onigiri
In a Desert Somewhere between Disney and Las Vegas: The Fantasy of
Interracial Harmony and American Multiculturalism in Percy
\dlon’s Bagdad Cafe. No. 44; pp. 151-75.
Negar Mottahedeh
Jahram Bavyzai's Maybe... Some Other Time: The un-Present-able Iran
No. 43; pp. 163-91.
kle na del Rio
Che Body of Voyeurism: Mappinga Discourse of the Senses in Michael
Powell’s Peeping Tom. No. 45; pp. 115-49
\ ndre a Slane
Pressure Points: Political Psychology, Screen Adaptation, and the
Management of Racism in the Case-History Genre. No. 45;
Pp 71-113
Jayne Wark
Martha Wilson: Not Taking It at Face Value. No. 45; pp. 1-33
Patricia White
Black and White: Mercedes de Acosta’s Glorious Enthusiasms. No. 45;
pp. 227-05