o f thth e repe resı ud be ln ıcc oe o f tuf th r ke e a ym ıb na bss ra ud so ser l s The Resıdence rue of the r u e ju Jules Ambassador l e s le Lejeune of the Republıc j e u n e 74 of Turkey 7 4 ın Brussels by z e y n e Zeynep M. p m . e Ersavcı r s a v c ı With profound gratitude to the Ministry of Foreign Affairs of the Republic of Turkey. Special thanks to: İdil Biret, for the original idea, my husband Murat and son Derin for giving me my joie de vivre; my mother Melda Güvenç, for always telling me to write, and my father Professor Bozkurt Güvenç for showing me how; Marc Cools, Echevin d’Uccle and the President of Brussels City and Communes and his team for providing valuable information on the original plans of the residence; and Counsellor Korkut Tufan, Architect İlhan Türegün, Dominique Misson-Berrebi, David Barchard, Lord John Scott, Lady Scott, Lady Patricia Daunt Tony Barrell, Tony de Liedekerke, Yıldız Keyükkaan, Corrine Devleeshouwer, Hülya Arslan, Hatice Salar, Nele Callebert-Hermans, Nathalie de Misson, Roby de Tennerman, İnci Dallı of İznik Vakfı, İstanbul, Sermet Tolan of Ofset Yapımevi A.Ş., who were all instrumental in their own way in the realisation of this booklet. Editor Tony Barrell Photographs José- Noël Doumont, McArnolds.com Lay-out José- Noël Doumont, McArnolds.com Bilge Barhana, BEK Printed by Ofset Yapımevi Şair Sokak No:4 Çağlayan Mahallesi Kağıthane 34410 İstanbul ISBN: 978-605-87744-0-7 rue Jules Lejeune 74 The Resıdence of the Ambassador of the Republıc of Turkey ın Brussels by Zeynep M. Ersavcı 4 “What you leave behind is not what is engraved in stone monuments, but what is woven into the lives of others.” PERICLES “Art necessitates savoir-faire, which is an understanding of work. Whoever admires a work of art is admiring work that is skilful and successful. It is therefore essential to know something about this work if one wishes to admire and enjoy the result, which is the work of art. For art requires awareness. The observation of art may provide true pleasure only if the art of observation is present.” BERTOLT BRECHT Ecrits sur la littérature et l’art (cid:87) The original plans of the Beaux-Arts-style building, drawn by the famous Parisian architects René Sergent, Léon Fagnen and René Bétourné, whose signatures are visible in the bottom right-hand corner (cid:87) The elegant façade, of hand- moulded and kiln-fi red Klampsteen bricks with Doric columns of pierre d’Euville (limestone). (cid:88) Forged iron ‘ropes’ make ingenious guardrails. 7 Preface culture and provide hospitality. Receptions are held not only for the dignitaries of the host country but also Turco-Belgian ties date back to 1837, with the Ottoman for compatriots and foreign representatives. These are Empire’s recognition of the de facto independence not simply places where ambassadors live, but also of The Kingdom of Belgium in its sixth year. The where harmonious personal connections are made to first permanent Ottoman legation in Brussels was accomplish the main goal of the diplomatic mission. established in 1848, and on 24 November of the The spirit of the residences frequently alters as their following year, the Ottoman ambassador Kalimaki inhabitants change, bringing different tastes and (Callimachi) Bey presented his credentials to King styles. Leopold I. In turn, the Sublime Porte (Istanbul) was also among the first 14 foreign legations of the newly During the tenure of my husband, Ambassador founded Kingdom (1838). Murat N. Ersavcı (2009-11), the 40th representative/ ambassador to the Kingdom of Belgium, we were During the 173 years of diplomatic relations, Turkey fortunate to live in Brussels and in this remarkable (initially the Ottoman Empire, and later the Republic residence. The ambassador and I wished to use of Turkey) has been represented by numerous chargès this building not only for official duties, for visiting d’affaires and ambassadors in various addresses ministers and delegations, but also for welcoming in Brussels. The embassies and residences of the members of the royal family, foreign diplomats, Ottoman Empire were all very impressive, palatial members of Turco-Belgian community and our buildings. This tradition continued when the Republic friends. Diverse activities were organised to promote of Turkey was established in 1923. Turkish culture. The residence was shared with members of the Belgian and international women’s This is intended to be a modest book on the residence associations attending numerous lectures on Turkish of the Ambassador of the Republic of Turkey to the culture and Anatolian civilisations, which were the Kingdom of Belgium on Rue Jules Lejeune 74. With topics of my presentations. This is also where projects its size and grandeur, the building is an Hôtel de for women and children of the Turkish community, Maître, in contrast to the other Maisons de Maîtres concerning educational and social responsibility, were in the area. It was first leased as a residence and discussed and planned. chancery in 1945, and was eventually purchased on 8 May 1958 from Count Raoul de Liedekerke by Ambassador Rıfkı Rüştü Zorlu. The matrice cadastrale (title register) indicates that 3,750,000 Belgian francs was paid for this new Turkish state property. Zeynep M. Ersavcı Residences are important vehicles for ambassadors May 2011, Brussels to represent their countries’ interests, display their 8 Photo Matrice cadastrale 9
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