By Any Media Necessary CONNECTED YOUTH AND DIGITAL FUTURES Series Editor: Julian Sefton-G reen Th is series explores young people’s day- to- day lives and futures. Th e volumes consider changes at the intersection of civil and political reform, transformations in employment and education, and the growing presence of digital technologies in all aspects of social, cultural and political life. Th e John D. and Catherine T. MacArthur Foundation’s Digital Media and Learning (DML) Initiative has supported two research networks that have helped launch this series: the Youth and Participatory Politics Re- search Network and the Connected Learning Research Network. Th e DML Initiative and the DML Hub at the University of California, Irvine, also support production and open access for this series. connectedyouth.nyupress.org By Any Media Necessary: Th e New Youth Activism Henry Jenkins, Sangita Shresthova, Liana Gamber- Th ompson, Neta Kligler- Vilenchik, and Arely M. Zimmerman By Any Media Necessary The New Youth Activism Henry Jenkins Sangita Shresthova Liana Gamber-T hompson Neta Kligler-V ilenchik Arely M. Zimmerman With an Afterword by Elisabeth Soep NEW YORK UNIVERSITY PRESS New York NEW YORK UNIVERSITY PRESS New York www.nyupress.org © 2016 by New York University All rights reserved References to Internet websites (URLs) were accurate at the time of writing. Neither the author nor New York University Press is responsible for URLs that may have expired or changed since the manuscript was prepared. ISBN: 978-1-4798-9998-2 For Library of Congress Cataloging-in-Publication data, please contact the Library of Congress. New York University Press books are printed on acid- free paper, and their binding materials are chosen for strength and durability. We strive to use environmentally responsible suppliers and materials to the greatest extent possible in publishing our books. Manufactured in the United States of America 10 9 8 7 6 5 4 3 2 1 Also available as an ebook Contents Acknowledgments vii 1 Youth Voice, Media, and Political Engagement: Introducing the Core Concepts 1 Henry Jenkins 2 “Watch 30 Minute Video on Internet, Become Social Activist”? Kony 2012, Invisible Children, and the Paradoxes of Participatory Politics 61 Sangita Shresthova 3 “Decreasing World Suck”: Harnessing Popular Culture for Fan Activism 102 Neta Kligler-V ilenchik 4 Between Storytelling and Surveillance: Th e Precarious Public of American Muslim Youth 149 Sangita Shresthova 5 DREAMing Citizenship: Undocumented Youth, Coming Out, and Pathways to Participation 186 Liana Gamber-T hompson and Arely M. Zimmerman 6 Bypassing the Ballot Box: How Libertarian Youth Are Reimagining the Political 219 Liana Gamber-T hompson 7 “It’s Called Giving a Shit!”: What Counts as “Politics”? 253 Henry Jenkins and Sangita Shresthova Aft erword: Necessary Learning 290 Elisabeth Soep Notes 309 Bibliography 311 Index 335 About the Authors 347 v This page intentionally left blank Acknowledgments We would like to collectively acknowledge those who have critically engaged with this work and off ered constructive suggestions about how to improve it, including Nico Carpentier, Nick Couldry, Mimi Ito, Joseph Kahne, Peter Kramer, Diana Lee, Sonia Livingstone, Lissa Soep, S. Craig Watkins, and Ethan Zuckerman. Each of you have helped us to clarify core concepts, frame central arguments, rethink wrong- headed assumptions, and otherwise brought greater nuance to this work. Th is book would not have been possible without the support of Connie Yowell and others at the John D. and Catherine T. MacArthur Foundation, who have had the vision over the past decade to support so many initiatives in the space of connected learning and participatory politics. As we discuss throughout, this work emerged from our collabo- ration with the larger Youth and Participatory Politics (YPP) Research Network. So we want to acknowledge here the network’s fearless leader, Joseph Kahne, his capable team (among them, Chris Evans, Erica Hodgin, Ellen Middaugh, and Sandra Mistretti), and the network mem- bers (Danielle Allen, Cathy Cohen, Jennifer Earl, Elyse Eidman- Aadahl, Howard Gardner, Mimi Ito, Lissa Soep, and Ethan Zuckerman). Many of the ideas here— far too many to acknowledge individually— emerged from our regular brainstorms and administrative meetings. We also want to acknowledge YPP’s sibling network, the Connected Learning Network (Dalton Conley, Kris Gutierrez, Mimi Ito, Sonia Livingstone, Vera Michalchik, Bill Penuel, Jean Rhodes, Juliet Schor, and S. Craig Watkins) with whom we have maintained close and cordial relations throughout this process. At USC we are deeply grateful to Gabriel Peters- Lazaro, Holly Willis, and others at the USC School of Cinematic Arts Media Arts + Practice Division. We also acknowledge Alexandra Margolin for her ongoing work on our project. We want to signal our deep appreciation for the research assistants who worked on this project (Raffi Sarkissian, Karl Baumann, Samantha vii viii | Acknowledgments Close, Diana Lee, Ritesh Mehta, Kevin Driscoll, Rhea Vichot, Alex Leavitt, Zhan Li, Yomna Elsayed, and Lana Swartz)— each of you have made sig- nifi cant contributions to the evolution of this manuscript. We have also benefi ted through the years by being able to bounce ideas and get feedback from Mike Ananny, Kjerstin Th orson, and several generations of members of the Civic Paths research group at USC (Melissa Brough, Kevin Driscoll, Alex Leavitt, Zhan Li, Lori Kido Lopez, Joshua McVeigh- Schultz, Andrew Schrock, Benjamin Stokes, Chris Tokuhama, Rhea Vichot, Christine Weitbrecht, Samantha Close, Raffi Sarkissian, Michelle Forelle, Nathalie Marechal, Nicholas Busalacchi, Kate Miltner, Carla Mendonca, Kari Storla, and Neha Kumar) and more recently, from those who have participated on the Civics and Social Media collaboration grant, especially Paul Lichterman and Nina Eliasoph. We want to thank Eric Gordon and Paul Mihailidis from the Civic Media Reader project, who have been important thinking partners as we have sought to better understand how to design and deploy the digital extension of this book; we thank the fi ne folks at Pivot TV, Participant Media, and HitReCord for their help in developing materials that con- tribute to that resource; and we thank educators at the National Writing Project (Faye Peitzman, Paul Oh, Katie Kline, Linda Christensen, Chris- tina Cantrill, Nicole Mirra, Kathleen Hicks, and Albert Vazquez- Mejia) and the National Association for Media Literacy Education (Michelle Ciulla Lipkin) who have helped to test and share these materials. And of course, we want to acknowledge the ongoing support of Eric Zinner (the best editor a writer can work with), Alicia Nadkarni, and the others at New York University Press, and we wish to thank Julian Seft on- Green and the editorial board of the Connected Learning Book Series. Chapter Specifi c Chapter 1: Th e ideas contained within this chapter and the conclu- sion evolved over several years in response to rigorous and generous feedback received from a range of diff erent audiences, including those provided by events hosted by the Alliance for Peacebuilding; American Academy of Religion; Aspen Ideas Festival; Babes- Bolyai University; Bocconi University; Central European University; Charles University; Concordia University; the Digital Media and Learning Conference; Acknowledgments | ix Emory University; European Institute of Design; Georgia State University; International Communications Association Latin American Confer- ence at Pontifi cal Catholic University of Chile; Library Foundation of Los Angeles; London School of Economics; Loyola Marymount Uni- versity MIT; Pomona College; Shoah Foundation; Stanford University; University of California, Davis; University of California, Irvine; Univer- sity of California, Los Angeles; University of South Florida Humanities Institute; and University of Sunderland. Th e ideas were also shaped in conversation with several crops of students who took Henry Jenkins’s classes on Civic Media and Participatory Politics. Chapter 2: We thank everyone at Invisible Children who made our research there possible. Th is was a case study that spanned many years and changes within the organization and we are deeply indebted to IC staff and supporters who continued to make us feel welcome through it all. Specifi cally, we thank Jason Russell, Jedidiah Jenkins, Ben Keesey, and Zach Burrows for the ongoing conversations about IC’s directions and plans. We are also so grateful to Talitha Baker, Laura Weldy, Lau- ren Henke, Hailey Mitsui- Davis, Cameron Woodward, Ananda Robie, Andrea Ramsay, Jessica Morris, and Maggie Leahy for helping us attend specifi c events, coordinate interviews, and just generally for their sup- port with the details of our research. We are grateful to Beth Karlin, who became an ongoing conversation partner as this research developed. Finally, we thank Jon Chu and Harry Shum for providing an insider- outsider perspective on IC through their involvement with the Legion of Extraordinary Dancers. As always, our biggest thank you goes out to the many young IC supporters who took the time to speak with us over the years. Chapter 3: Th e Harry Potter Alliance has, in many ways, inspired our work and prompted us to think about how popular culture and fan en- thusiasms inspire youth civic engagement. Th roughout this project, we continued to look to this group for both insights and inspiration. We are deeply indebted to Andrew Slack for openly sharing his vision with us. Our deepest thanks goes also to Jackson Bird, who was always willing to read draft s, discuss aspects of the research, and provide us with valu- able insights, and to Paul DeGeorge and Matt Maggiacomo, who sup- ported this research as executive directors of the HPA. Th ank you to the local HPA chapters, on both the West and East Coast, who invited us to
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