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Browsers, devices, and fonts: a designer's guide to fonts and how they function on the web PDF

212 Pages·2019·151.239 MB·English
by  RozancGary
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Browsers, Devices, & Fonts A designer’s guide to fonts and how they function on the web. Gary Rozanc Browsers, Devices, & Fonts A Designer’s Guide to Fonts and How They Function on the Web Gary Rozanc CRC Press Taylor & Francis Group 6000 Broken Sound Parkway NW, Suite 300 Boca Raton, FL 33487-2742 © 2019 by Taylor & Francis Group, LLC CRC Press is an imprint of Taylor & Francis Group, an Informa business No claim to original U.S. Government works Printed on acid-free paper Version Date: 20181031 International Standard Book Number-13: 978-1-138-61231-0 (Paperback) International Standard Book Number-13: 978-1-138-61234-1 (Hardback) This book contains information obtained from authentic and highly regarded sources. Rea- sonable efforts have been made to publish reliable data and information, but the author and publisher cannot assume responsibility for the validity of all materials or the conse- quences of their use. The authors and publishers have attempted to trace the copyright holders of all material reproduced in this publication and apologize to copyright holders if permission to publish in this form has not been obtained. If any copyright material has not been acknowledged please write and let us know so we may rectify in any future reprint. Except as permitted under U.S. Copyright Law, no part of this book may be reprinted, repro- duced, transmitted, or utilized in any form by any electronic, mechanical, or other means, now known or hereafter invented, including photocopying, microfilming, and recording, or in any information storage or retrieval system, without written permission from the publishers. For permission to photocopy or use material electronically from this work, please access www.copyright.com (http://www.copyright.com/) or contact the Copyright Clearance Cen- ter, Inc. (CCC), 222 Rosewood Drive, Danvers, MA 01923, 978-750-8400. CCC is a not-for-profit organization that provides licenses and registration for a variety of users. For organizations that have been granted a photocopy license by the CCC, a separate system of payment has been arranged. Trademark Notice: Product or corporate names may be trademarks or registered trade- marks, and are used only for identification and explanation without intent to infringe. Visit the Taylor & Francis Web site at http://www.taylorandfrancis.com and the CRC Press Web site at http://www.crcpress.com Table of Contents Author Bio ���������������������������������������������������������������vii 01 Introduction ������������������������������������������������������������� 01 02 How the Web Works �������������������������������������������������� 07 03 Setting Up Your Toolbox �������������������������������������������� 21 What You Are Going to Need .....................................................................................................23 Using Your Device Lab ...................................................................................................................49 Using the Performance Test Server .......................................................................................50 Webpage Test .....................................................................................................................................52 04 Typography �������������������������������������������������������������� 55 Font Specimen Page .......................................................................................................................60 Typographic Hierarchy Page .....................................................................................................76 The Typographic Choices You Actually Need to Test ..................................................85 05 Finding Breakpoints for Text & Images �����������������������107 Preparing Images for the Web ...............................................................................................109 Faux Layouts ....................................................................................................................................122 Where Does This Fit into Your Design Process? .........................................................131 The Layout Choices You Actually Need to Evaluate and Test .............................134 06 Style Guides for Everyone �����������������������������������������169 Style Guides vs. Design Systems ..........................................................................................171 The Hand Off .....................................................................................................................................194 Index �����������������������������������������������������������������������198 V Author Bio Gary Rozanc researches the best practices for teaching interactive and user expe- rience design, specifically finding the ideal balance of visual design, user experience, and front-end development skills for the emerging interactive designer. To support his research, in May 2014, Gary’s proposal “Web Designer Competencies Inventory and Recommendations for Inclusion in Design Curricula” was awarded the AIGA DEC Design Faculty Research Grant. This research evolved into interviews with design practitioners to determine, contextualize, and prioritize these competencies, and is distributed via Gary’s award winning podcast series Design Edu Today. Nationally recognized by the AIGA Design Educators Commu- nity, Design Incubation, and UCDA, Design Edu Today contributes to discovering the ideal balance between design disciplines that he brings back to the classroom. Gary presents his research at international and national peer-reviewed conferences including AIGA’s bi-annual National Conference “Head, Heart, Hand” and the “International Conference on Design Principles & Practices.” Gary is an Assistant Professor in the Depart- ment of Visual Arts at the University of Maryland, Balti- more County, and received his BA with a concentration in graphic design from Cleveland State University, and his MFA in visual communications from the University of Arizona. VII 1

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