.,124.95 BRITCIASTHHE DRALS §, f) PauJlo hnson . � �� ' The cathedrals of north-west Europ� are l the noblest of human artifacts, and the . ', British cathedrals form a group of { · exceptional interest and distinction. l , Paul Johnson begins his survey with the evolution of the cathedra I from its origins in Rome and Byzantium. He describes the coming of Romanesque to England and the t astonishing building programme of the Normans, culminating in their masterpiece I� at Durham. He traces the emergence of Gothic at Canterbury, Lincoln and Wells and describes the first pure Gothic cathedral at Salisbury. The influence of the French style in the building of Westminster and the triumphs of the Decorated style in the late thirteenth and fourteenth centuries are analysed in detail. From these followed the most English of all architectural modes, the Perpendicular, which is traced from its spectacular beginnings in Gloucester through its maturity at York, Canterbury and Winchester to its exotic culmination at Bath and Oxford. This stylistic analysis includes the medieval cathedrals of Scotland and Wales. The author argues that cathedrals are shaped chiefly by function and ideology and places them firmly in their contemporary social, political, economic and above all religious setting. He describes how medieval cathedrals were built and examines their architects and craftsmen, the technology and raw materials. He examines how the cathedrals functioned and the men and corporations who ran them. There is a detailed treatment of the cathedral treasures, in gold and silver, glass, iron a rl bronze, stone, alabaster and marble, paint and parchment. The book also includes an important section on the nineteenth century restorations -and the controversies they provoked -and many unjustly neglected nineteenth-century cathedrals. The story is brought right up to date by a description of all the post-Reformation cathedrals,Anglican, Catholic and Episcopalian, including such spectacular Printed in Great Britai r1 WILLIAM MORROW ANL .�OMP' NY, INC. -�·" la!,,.,il• l/,f• 't 1 ,. <· ✓- � '-r .,-� ..;.,, ,., :. ;._ ;_. � BRITISH CATHEDRALS PaJuolh nson WILLIMAOMR ROW&C OMAPN YI NC. NEWY ORK 1980 ToH Thbeo oikds e dictaot ed Toma nMdi riSatmo ppard Copyright© Paul Johnson 1980 All rights reserved. No part of this book may be reproduced or utilized in any form or by any means, electronic or mechanical, including photocopying, recording or by any information storage and retrieval system, without permission in writing from the Publisher. Inquiries should be addressed to William Morrow and Company, Inc., 105 Madison Ave., New York, NY 10016. House editor Anne Dobell Designed by Sara Komar First published in Great Britain by George Weidenfeld and Nicolson Limited 91 Clapham High Street London sw4 Library of Congress Catalog Card Number 80-81171 Colour separations by Newsele Litho Ltd Filmset by Keyspools Ltd, Golborne, Lanes Printed and bound in Great Britain by Butler & Tanner Ltd Frome and London Contents Acknowled·6g ments r ThEea rlCiaetshte odfBr railts•7a in Catheodftr haNelo sr mAagne• 2 23 3 ThCeo mionfGg o th·5i 9c 4 Splenodfot uhDrees c orSatty·el9 de9 5 ThTer uNea tiSvtey Pleer-pend·1i 33c ular 6 Howt hCea thewderraBelu si• l1 t6 5 7 ThCea theCdlrear·l1g 8y7 8 Treasouftr heCesa thed•r als 203 9 RenaisRseafnocrem,aa ntWdir oen·n 5 22 roT hGeo thRiecv iavnaMdlo dern·2i 4s7m GlososfaT reyc hnTiecram·ls 7 3 2 SelBeicbtl io·g r74a phy 2 Ind·e2 x7 6 But let my due feet never fail To walk the studious Cloysters pale, And love the high embowed Roof, With antick Pillars massy-proof, And storied Windows richly <light, Casting a dim religious light. JOHNM ILT ON,I IP enseroso Acknowelnetds 1301,311,351,381,401,43r,4 4r,50r5,4r,60r,631,7 71,85, 1931,992,092,1t6o apn bdo tt2o1mt9,o apn bdo tt2o2m3,, 2252,229,3t2op and bottom, 23t3o apn bdo tt2o4m4,, 247, 25r3i g2h5tt4,o 2p5,t6 o apn bdo tt2o5m72,,5 82,632,65, gm Thpei ctiuntr hebisos o akr ree prodbuykc ienpdde rmiosfs io2n7 0 thfeo llo(wniunmgbr eerftseop r a gietsa,il nidciscc oaltoeu r MansCeollll ecetnidopna1 p8e3r,s2,2 b7o,t2t3o6m pictures: NatioMnoanlu meRnetcso1 r54d,7 4,8 r,r 61,2( 3C rown Copyri1g2ht4to )p1,,5 21,5 31,5 61,6 71,6( 8C rown ACLB rus(sAenltsw Meurspe u1m7)2 Copyri1g9h22t,0)82,,1 l3e afntrd i g2h1tt4,o lpe afnttd o p JohBne th4e95l,2tl o p and bottom, 718,9 1,9 11,982,0l5e ft rig2h1tt5,o apn bdo tt2o1mt7,o apn bdo tt2o1m82,,2 2 anrdi g(hpth Bot.Ho .C ox2)1,b4 o ttom (DeaannCd h apotfLe irv erp2o5lo3el f)t, BiblioNtahteiqouPneaa rl1ie7s,1 ThNea tioTnrau2ls0 t0 BritMiusshe u(mJ oFhrne em2a0n ) PitPkiicnt o(rpihaoSltysod nWe.Ny e wbe2r7y2) CorpCuhsr iCsotlil Oexgfeo,(r CdC OCx fM.s 1.6 11)8 0 ThReo yIanls toifBt ruitteAi rschh iLtoencdt6os6n,2, 2 023, 6 BritIinsshu lCaatlelde nCdaebrlL'ets2sd 7 1 to2p3,b7 o tt2o3mt7,o p BritTiosuhrA iustth o8r7bi ottyt 9o3tm o,9p ,52 ,51 WaltSecro2 t0t1 Cooper-BrLiidbgr5ea0-mrray9,n 0 -9r1,2, 3 0-r CrowCno pyritghShect o:t Dteivsehl opDmeepnatr t9m4er,5n 7t, CourtIanusltd7i tute 235 Deaann Cdh aptWeers,t miAnbsbte1ey2rb 4 o tt1o2m5, EdwiSnm i1t6h2, 73 ,5 4,4 9,79 ,9 1,0 130,5r ,r 51,2 01,2t 5o p, bottom 1261,331,492,40,2244132,,5b4o tt2o5mt5,o apn d Deaann Cdh apotfte lrer"C atheCdhruarolcfE h x etrerr bott2o6m62,,6 7 SonHiaal l2i1db2aot yto m TrinCiotlyl Ceagmeb,r i1d9g0e HerefCoartdh eLdirbarl2a 2r4y VictaonrAdil ab eMruts eu1m8 7 MichHaoellf 1o2r-d17 30,-n ro,- IIII,I DavWiedb s2t6e2r AngeHloor n6a9k7, 2 r,o 9r1 ,22 ,0 32,0l6 e 2f0tr6,i ght, WeidenafneNdli dc olasrocnh 2i6v6,e3 s 210-2I1It2o,p WelOsffihc (eP hiMliicph 1e5u5) A.K a1y8 1 YorMki nsLtiebrr 1a9r6y A.F .K ersftrionngt i5s,1p 8i2,e1 2c,3e 2,,9 3 ,0 3,3 3,4 3,6 3,8 , Thiel lustornpa .1t 7ii6ors ne prodfurcoTemhed C onstruction 39,4r,45335,,645,67 5,,9,65,73,748,27,588,478, 0,8o1f G,othic Cathedrals byJ ohFni tcbhype enr miosfsT ihoen to9p2,9 ,3b ott9o6m9,,8 r ,o r1,0 71,0 8r,r 41,1 71,2 71,2 9, UniveorfCs hiitcyPa rgeos s. 6 1 The Earliest Cathedrals of Britain BRITISH CATHEDRALS hec atheodfNr oarltsh -EWuersoatpra eem ontghn eo bloefs t humaanr tiafanwcdit tsht,ih lnia sr cgoelrl etchtBeir oint ish cathefdorraagm lr soo ufep x cepitnitoenaranedldis stt inction. L. ,,,-;.· .-, Buitwf e a rteou nderasntedan njdto oty h feu tlhles spel endid creatiiitois nm sp,o rtthawanetst h ouglrdaf srpot mhs et art Wl�'Jdllt hatth ewye rneo ta,n adr neo tp,r imawroirlokyfsa rAt . cathehdaarss a pli rpiutrupaIolits as es .t ateomffe anitIt th . declbaerlieiansec fe rctaoinnc eopfmt ai'norsne latitoohn imssah kieaprn i,dan sociwehtiaycc hk nowltehridesgl east itoobn ets hhceie pn tfraoacflet x istence. Hentchede e saingfdna borfaic ca theadrsreha alpb eyfd u ncatniidod ne ology, ratthheaarnr a tn,td h aee stohfte htceia ct headsir stal lo,ew vloyl wvaetsdh ,e prodouftc htet swefo a ctAolrwsaw.yh sel,no okaiatnc ga thewdemr uassltt, a rt witthhq eu estwihoadnti: td h owsheom adteh biusi lbdeilnigWe evs eh?a ll, theresftoutrdhecye,a theodfBr railtisant i hner ierl iagnisdoo ucsci oanlt ext. iasG reweokr fdoc rh aoirri;g iannakyli lnoydfc habiurlt,a tae r spectiyfipocefc hauisreb dyr hetoraincpdih ainlso swohpehdnei rssc oursing. Cathedra Sucach h awiarus s ebdyt hbei shooftp hsee a rclhyu r-tchhia stt, hm ee nw ho claidmierdoe fficctid aels cfernottmh A ep os-twlheeisnn strtuhcefltioircn kgs onf aiatnmhdo raAls st.a tement 'frtohcmeh aciarr'rt,ih heeid g hest authoirwtia 'tsay p;o sWthoelmnia ck'ii.ntt g,hb ei srheospe mtbhmleae sdot fe r ex cathedra, thheo usseea itnte hde orp laocfhe o noourtr h,me a gisitncr oautret , whocshea wiaros n a d ariasi asbeodtv here e osftt haet tendAab nicseh.o p's solium wapsl aocnea hd i glheevtreh lat nhs ee aotfts hp er esbwyhtowe errse, grouapbeodhu itim an ccorwdiatRnhec vee la4: t4i-'o5An:nsr d o uanbdo tuhte cathedra thrownerefe o uarnt dw ensteyaa tnsud:p otnh see aIst asfw o uarnt dw enty eldseirtst. .i .An ngdo. u otft hteh rpornoec eleidgehdta nnitdnh gusn derings anvdo icWeehs a.vh'ee trheee l emoeftn hteesp isccohpuartlchb hei: s sheoapt ed authoriotnha itrsia viteshlerydio nnt ehc eh oainrtd,h lee scsleerrr agnygi end staolnel ist shieodrfhe i m. Theea rlCihersitsb tiisahtnoh pausds o ptthemeda gisrtoeflrreio Ramol m an cicvoiulrb tutsth; ae lyes coh oJeedwp irsahc btyfi oclel,ot whJieen wgci ussht om ofr emaisneianwtghe iddl eel ivtehsreei rnmgSo tCn h.r yso(s3t4o7m-w 4a0s7 ) thfier tsopt r efarcohtm h e orp ulipnti htbe,o doyft hceh urbcuhhte, r e agahiewn a fso llotwhaienn cgi Jeenwtip srha cotfri ecaed tihSnecg r oofltl hse ambon, Lawf roamd esOkr.i gitnhabelu liyl wdhientrghe be i shhoeplc do uarntd pronoujnucdegdew maeosnfs t e conidmaproyr tiawtna mcsee r;et lhye thceh urocfth he ep isctohpraoBlnu teth. e wraeast endeecwclnehsicia yc,h naturbaelclammyoe rm ea rkwehde tnh Ceh riscthiuarwnca has c corldeegda l cathedrae, staetaurislnt y hf eo ucretnht fuorsryu ,cs hp eccihaulrt coah ceqsu girraen deur, antdoa ssuasm pee cairficch itfeocrCtmiu.vrp iarcla cptriocveaim doedd-et lh e basiolrri ocyaha,al lt lob ,ef ouinntd h feo riunem v elrayrt goewI nne. s seintc e wanso thbiunatmg e etinwgh-ehtrahemle al g,i sdtirsaptejenu sseftdri ochmei s seoanta d asiusr moubnyat s ehdrw ihniehc ehlt dhe effi goyft heem perTohre. dawiasas tt hteo opr,h onouernawdb,hl iebc ehc atmhaeep stehb;eo doyft he halclo nstitthnueat vewedh, i cwhh eenx tenidnettdoh oep e(ni snu nny countcroinesst)ti htoeup teennd-a aritroh fee axrc lhyu rches. OVERLEAF The nave of Othreerl isgeicootftus hsR e o maEnm piardeo ptthebeda sifloircm-aut lhae Westminster Abbey. The Jewfso trh esiyrn agofgouerex sa,m pIlned.ea er de,c eptiionan n-byhi agl l vault, 102 feet from the nave aristohcoruawstaeis ac b asiTlhiecn ao.t iaocnq uiar meodrd ei stinctive floor, is exceptionally high for an English cathedral. Chricsotlioanu rhaotwieoavnfe,trC e,or n stapnrteisnetenhc tehe udrw cihtt hh e 8